Monday, September 5, 2022
DELIGHT YOUR DOG - with KLIX Dog Candy!
Sunday, September 4, 2022
Come on, Harry. . .
SARAH VINE: Come on, Harry, kiss and make up... if only for your own sake
By Sarah Vine For The Mail On Sunday
Fair to say the Sussexes have not had the best week. What they presumably thought would be another heart-wrenching exposé of the endless suffering endured at the hands of the evil imperialist oppressor The Firm somewhat backfired.
Most damaging of all was the Duchess’s assertion, during that now-infamous 6,400-word interview, that when she attended the London premiere of The Lion King in 2019 (the same premiere at which, you may remember, Prince Harry was overheard touting his wife’s acting talents to a Disney executive), a member of the South African cast told her that when she married into the Royal Family, they rejoiced in the streets as they did when Nelson Mandela was freed from prison.
This came as something of a surprise to the actor in question, Dr John Kani, who turns out wasn’t even at the premiere.
She had, it transpired, spoken to the show’s South African composer (so hard to tell these theatrical types apart isn’t it, Meghan?), who chatted to her for less than a minute but had no recollection of mentioning Mandela, suggesting she has mis-remembered.
Thus in one fell swoop Meghan exposed herself as someone completely lacking in self-awareness.
The trouble the Duke and Duchess have is that there are only so many useful idiots (Omid Scobie, Oprah Winfrey, James Corden) prepared to swallow their nonsense.
In the end the truth will out and, I suspect, the tragedy for Meghan will be that her truth is not that of an innocent crushed by a vicious Royal cabal, but of an arch-manipulator who thinks everyone’s as gullible as poor, love-struck Harry.
Harry’s ‘truth’, meanwhile (whether he likes it or not), is that not only has he severed ties with his family over what may be little more than a series of imagined slights, he’s also replaced a pivotal role as a key Royal for one as little more than a performing monkey to an organ grinder whose tune, increasingly, is wearing thin.
In other words, he’s exchanged a walk-on part in history for a leading role in a cage.
Question is, what to do about it? The couple’s visit to the UK this week was, in classic Sussex style, seemingly timed to coincide (aka overshadow) the appointment of a new Prime Minister by the Queen.
No doubt they thought they’d be doing us all a favour by gracing us with their presence, surmising that poor old beleaguered Blighty would be thrilled by the prospect of a little Sussex stardust.
But after last week’s performance, they couldn’t be more mistaken. No doubt there will be a few hardcore fans lined up to greet them, but the British public are not stupid. Nor, as it happens, are the Americans, who are also beginning to tire of their antics.
With everything else that’s going on – soaring energy bills, political uncertainty, war in Ukraine – the last thing anyone cares about is a woman in shoes that cost a month’s salary whining about how hard her life is.
Harry and Meghan are at a crossroads. They have a simple choice: either continue on their current trajectory, issuing thinly veiled threats and engaging in an increasingly undignified vendetta against his family.
Or, they can use this opportunity to show they are not just a pair of money-grabbing ingrates, and find a way of extending the hand of friendship.
If not for the sake of those they have harmed with their half-truths and spiteful innuendo, then for the people they really care about: themselves.
Because let’s be honest, their association with the Royal Family is pretty much the only currency they have; it’s the only reason, really, anyone in America gives them the time of day.
And if the Queen were to do what many are urging – and strip them of their titles – they would be left with nothing to flog but their raw talent. Good luck with that.
Saturday, September 3, 2022
Cougar snarls, growls, and screams
I hear sounds at night. Man, do I hear them, and half the time I don't even know what they are. The first time I heard barred owls out in the back yard, it sounded like a jungle. Coyotes howling in the distance was bloodcurdling, a series of eerie, shrieking trills and snarling barks. Skunks? I heard a skunk. I saw "something" running back and forth on the street outside, obviously pissed off, and it was emitting a sharp, piercing squeak. I try to identify these weird woods sounds, which kind of explain to me why some idiots are convinced they hear Bigfoot in the forest. But this cougar is NOT something I would ever want to encounter. These sounds made my hair stand on end.
We are right on the edge of the woods here, and urban wildlife is commonplace, easily finding a niche among accommodating humans who leave just enough garbage out for them to thrive. But I do not know WHAT this was, or WHO this was, and part of me doesn't even want to know. Even rabbits scream in the most bloodcurdling way, and I hear endless squirrel-swearing in the trees which luckily can't be translated. Unless this someone or something returns, I likely won't know, but I will keep my old camcorder handy just in case.
Friday, September 2, 2022
HEARTBREAKING! Local Cat Never Been Fed in ENTIRE LIFE!
Wednesday, August 31, 2022
Monday, August 29, 2022
HILARIOUS ADS for 1978 Video Games: It's ASTROCADE, the Home Arcade!
Saturday, August 27, 2022
MEGHAN MARKLE EXPLAINS "ARCHETYPES"!
“And just this thought of like these archetypes, but it's the kind of stuff you and I talk about so much of these boxes and labels and oh, the things that we both have been called and witnessed each other being called. These human moments behind the scenes, the ones under the surface… they’re everything. Because when we don’t swim in the shallow end, and instead choose to dive into the deep end, that’s when we gain a more nuanced understanding of each other. And speaking of life moments…I was like, can you just tell people what happened? And so much, I think, optically. The focus ends up being on how it looks instead of how it feels. And part of the humanizing and the breaking through of these labels and these archetypes and these boxes that we’re put into is having some understanding on the human moments behind the scenes that people might not have any awareness of and to give each other a break. Because we did– we had to leave our baby.”
Friday, August 26, 2022
BIZARRE Silent Movie (with Creepy Nurse, Canaries, and DEATH!)
Tuesday, August 23, 2022
Monday, August 22, 2022
Virgil Thomson: The Plow that Broke the Plains
The Troll Doll Channel: CURSE OF THE JUJU DOLL!
Saturday, August 20, 2022
CLOWN NIGHTMARE: Herky-jerky Circus Puppets!
Friday, August 19, 2022
The Troll Doll Channel: GRUMPY CHORUS sings "DREAM, DREAM, DREAM"
Wednesday, August 17, 2022
Hypocrisy like you've never seen. . . (and hope to never see again!)
Prince Harry and Meghan Markle are 'trying to create an alternative woke royal family' after the Duchess feels 'enormous bitterness' that she wasn't able to 'modernise' the Firm, claims royal biographer Angela Levin
- Royal author Angela Levin commented on the Sussexes upcoming visit to the UK
- Claimed Harry and Meghan are 'trying to create an alternative, woke royal family'
- Ms Levin noted the 'grandeur and pomp that surrounds them' and use of titles
By Jessica Green For Mailonline
Published: | Updated:
It comes after Harry, 37, and Meghan announced via their spokesman their return to the UK this September to visit two charities, while also heading to Germany for an event to commemorate a year until the Invictus Games in Dusseldorf.
Commenting on the news, Ms Levin claimed the couple, who now live in California with their two children, Archie and Lilibet, after stepping down as working members of the royal family, 'are very determined to show that their way is the best way'.
'When they went to America, when they went to the United Nations, and not just as somebody who's interested and curious and one of us but with good credentials. They are people who are very determined to show that their way is the best way.
'And I think Meghan, who doesn't like losing, she likes to win, feels enormous bitterness and resentment towards the Royal Family for not letting her modernize the Royal Family.'
The royal biographer continued: 'I may be wrong, I hope so, but the impression is that they don't want to be royals yet they're hanging on to their titles very, very tightly.
'When Meghan goes anywhere, she always uses her royal title. Now, why do that if you don't actually like the royal family and you wanted to get shot of them?
'So that's why I think there's a big plot and a plan to show how awful the [Royal Family] are. And I think that in Prince Harry's books, and in that terrible interview with Oprah Winfrey, was trying to smash the Royal Family and the monarchy down.'
Elsewhere, Ms Levin claimed Prince William, 40, will want to avoid Harry until he's had a chance to read his younger brother's memoir
Royal expert Richard Fitzwilliams told FEMAIL that the rift between the Cambridges and the Sussexes is 'very deep', meaning a reunion between the couples in the UK 'probably won't' happen.
Ms Levin said Prince William and Kate, 40, are likely to be waiting to see what Harry says in his upcoming memoir, set to be released this winter, before healing any rift.
'[The Duke and Duchess of Cambridge] are extremely busy at the moment,' said the royal author. 'They're moving home, need to settle their children into new schools. They're very busy taking on so many more engagements for the Queen.
'And I don't know whether William would like to make amends with Harry. I think it's very difficult and certainly not before his memoir comes out because we don't know what he's going to say.
'[Harry's] been very unkind and cruel so far. We have to wait to see what he does and maybe they won't want to see them until all that's out in the open and they know what he says.'
Mr Fitzwilliams also suggested a reunion in the UK in September is unlikely to happen, explaining: 'I suspect that that rift is very deep, the reports are that they probably won't.'
On September 5 the Duke and Duchess of Sussex will travel to Manchester for the One Young World Summit, which brings together young leaders from more than 190 countries. Meghan will give the keynote address at the opening ceremony.
The couple will then head to Germany for an event to commemorate a year until the Invictus Games in Dusseldorf on September 6, before returning to the UK for the WellChild Awards in London on September 8 where Prince Harry will deliver a speech.
It is the first time the couple will be in the UK since the Jubilee celebrations in June, when they kept a low profile. They also visited in April, when they secretly met with Charles and the Queen on their way to the Netherlands.
Brothers Prince William and Prince Harry have not spoken face-to-face since they unveiled a statue of their late mother, Diana, Princess of Wales last summer.
The Duke of Cambridge and his family are moving from Kensington Palace to Adelaide Cottage, just a ten-minute walk from Windsor Castle, later this month.
It will be the first time the two couples have been neighbours since Prince Harry and Meghan moved out of Kensington Palace in 2019.
But a source reportedly said the Sussexes’s visit will be focused on 'supporting several charities close to their hearts', and they have no plans to see the Cambridges.
Editor of Majesty Magazine, Ingrid Seward, told the Sun: 'I don't think they would bump into one another unless it was pre-arranged.
'I suppose one could go round with some flowers as a peace offering, but remember what happened last time,' referring to claims that Meghan threw flowers from Kate in the bin after a row over bridesmaids dresses before Harry and Meghan tied the knot in 2018.
It is thought unlikely the couple will bring their children Archie, three, and Lilibet, 14 months. Harry began legal action against the Government when he was told he would no longer be given the ‘same degree’ of protection here after stepping back from royal life in 2020.
Buckingham Palace declined to comment. But a source told The Daily Telegraph that the visit would come during a busy week with ‘lots of moving parts’. The couple’s spokesman said: ‘Prince Harry and Meghan are delighted to visit with several charities close to their hearts in early September.’
The UK visit comes just weeks ahead of Prince Harry's expected book launch in October, written by Pulitzer prize-winning ghostwriter JR Moehringer, which promises 'to reveal a first-hand account of his life' which is 'accurate and wholly truthful'.
The couple are likely to want to spend time with the Queen after enjoying 'barely 15 minutes' with her during the Platinum Jubilee celebrations this summer, according to royal watchers.
Mr Fitzwilliams suggested a meeting with the monarch would be more likely to take place in London or Windsor, either of which are close to the Cambridges, located in Kensington Palace.
He said: 'It would only make sense for them to see her when she is at Windsor and when they are based at Frogmore, as they could only spend a very little time with her during the Platinum Jubilee.
'If she does come down as anticipated, she may receive the new Prime Minister at Windsor or at Buckingham Palace. There would also be time for her and the Sussexes to discuss the future, which hopefully will be more constructive than the recent past.
'They also must be aware that some form of reconciliation in the Platinum Jubilee year would surely be beneficial for the image they want as philanthropists.'
Hey everyone: don't give these two woke jokes
a dime. They set up their charities in
Wilson57,
She is a joke. We know very well who runs
that show. They need to go away like yesterday.
Clara7, elsewhere,
CNN did an expose about the Oprah debacle and
Markle insisted they remove it...they did! and she wanted the reporter punished
just like Piers Morgan. FREE SPEECH
Bowrap,
Just
Well Read,
She knows if they're stripped of their titles
she will be a nobody again. She was a nobody as far as
falconflight,
Bring back the Tudors!
falconflight,
Degeneracy in dying societies almost always
starts at the 'top.'
ThoughtsOfACommonMan,
Her next task will be to modernise the USA
Constitution.
Clara7,
elsewhere,
She already is she shut up CNN about her lies on
Oprah, she's in control.
FlatWornOut,
Wasted space, both of them. Her ego is so big
its a wonder her hat fits
Stanley Man, Novum
I'm not a fan of the
Snowdog88, Itscoldhere,
Should start on herself first - give up the
f@ke nose and the straightened hair for a start
A Fellow, of infinite jest,
That "enormous bitterness" eating
away at you, Meghan? How sad never mind just call us if you need us.
Gran from oz, NSW,
This couple live in their own alternative
universe from the rest of us. What else would you expect from such a pair of
self absorbed narcissists
Prime-Time, NW,
I have found an island for these two to buy,
It is in the Carribean -
Jake Butler,
As soon as the Queen had gone William should
strip Harry and Meghan of their royal titles. If they dont live in the
MadgeTheManicurist,
Perhaps they are, but they are not making a
success of it. Woke is out of favor with the public and they are having to pay
good money to be placed on speaker's lists. No one wants to listen to their
crap.
Purple Coneflower, Around and About,
Journalists and the internet at large need to
just stop with using woke for everything. They have overused it so much it has
ceased to have any meaning, other than as bait to dangle when someone wants to
rile people up. Crack open a thesaurus and try out some other adjectives;
descriptive words that take a few brain cells to come up with and actually
accurately paint a picture of the person or thing they are speaking/writing
about.
A Fellow, of infinite jest,
How many alternative families has this
divorcee tried so far?
NYC common sense,
Who does she think she is??? First what
business does a American have to "modernize" the monarchy??
TOMORROW_MORNING,
Theyve chopped the wrong head in 1536.
Oppositeofsnowflake,
She's a joke. She's making a laughing stock
of her little sect
Grumpy Tinkerbell,
Someone please tel the malignant markles the
Americans fought a war to get rid of the BRF. Apart from the sycophants noone
in the
Snowdog88, Itscoldhere,
GIANT EGO, BIG on ambition, low on
sensitivity and self awareness ..: what can go wrong ?
A Fellow, of infinite jest,
She feels "enormous bitterness"
because her little ruse has been laid bare for the whole world to mock. Using
the halfwit as a platform for your globetrotting champagne socialism didn't
quite work out the way you were expecting, did it Meghan? How sad never mind
there's always a captive audience for that kind of BS in
MadgeTheManicurist,
They are not popular in
Nixliberalis,
If she creates an alternative woke monarchy (it won't work) it will be time to create an alternative non-woke Oliver Cromwell to scuttle such a creation. That would be the only time they would make sense.
Tuesday, August 16, 2022
😳1980s Anti-Computer FANATIC goes COMPLETELY INSANE!
Sunday, August 14, 2022
💥SWARMED! Nasty blackbirds on Burnaby Lake💥
Wednesday, August 10, 2022
🐟"INSTANT FISH!" Weird WHAM-O ads from the '60s🐠
WHAM-O had some of the strangest products in toy history. The INSTANT FISH AQUA-RAMA allowed you to raise REAL FISH from a packet of "magic seeds". This reminds me of the scandal over Sea Monkeys, which were in reality just slimy, stinky brine shrimp that promptly died. After a few WHAM-O whip cracks, we see another ad for the WHAM-O "Fun Farm" (in which you can grow pumpkins in a tiny cup!), featuring the most absurd voice-dubbing I've ever heard.
Tuesday, August 9, 2022
Victorian Post-Mortem Photography: Readers' Comments from 2012
A lady I worked with did this. Her baby passed away about two weeks after she was born so the took away all the tunes and wire and she took a picture of her holding her baby. She looked like a beaming proud mommy in the picture. :(
Very informational - I was always thinking that the photos of people standing up and such were mislabeled by unscrupulous antique dealers - Now I see - it was quite a Jim Henson type production to be photographed post mortem. I have just aquired my second post mortem photo & now your page has educated me a bit more - many thanks.
Thank you, Margaret. I spend a lot of time with medical and social work records from the 1st half of the 20th century in China for a Ph.D. dissertation. The stories stick with me in a way I can't quite describe. As medical records, photos are either of living people or parts of their bodies that were removed. The social work narratives live with me, although these people are now gone.
This practice still occurs today - I volunteer for Now I Lay Me Down to Sleep and do infant memorial photography. The pictures are not so disturbing looking, but yes, we photograph babies who have passed so their parents have something to remember of them.
Bless the work you do. I know of several mothers who have unfortunately had to call upon NILMDTS for portraiture of their lost babies and they so treasure those only images they'll ever have of so much promise lost.
IN the old days, I was told, in the South especially, they made these for people who could not travel to attend the funerals, and it allowed closure, as a visitation does. I found photos of my great-great grandparents in my grandmothers' things.
I'm not that old and even my southern grandparents did this.
Regarding the open eyes... Some of the "open eyes" were painted on the lids, and if you look at many of them, like that man standing up by himself (diagram of post mortem stand beneath him) his eyes looks ANYTHING but "normal". The eyes ALL have a very vacant look to them or else they look peculiar (i.e painted on). Thhe subject of these photos facinates me, too... and that bothers me. I have 4 children, aged 2-8 and it IS hard to NOT put yourself in the place of these poor families, when you see these poor children. You catch yourself saying "oh, Lord, if that was one of MY children" then you immediately get disturbed. And of course you are GLAD it isnt one of your own loved ones, but the depth of the subject makes you bond in a heartbreaking way with these people.
Those are myths brought on by the internet and greed. Death was a common occurrence in the Victorian era, and photography was a new concept. It is true the Victorians took post mortem photos, but they certainly didn't consider it morbid to photograph the dead as they were, dead. That is a concept started in more recent times, and gained popularity as the internet gained popularity. The earliest mention I can find is from 2003. They did not stand the dead, sit them upright, paint eyelids or do anything else so the dead appeared alive. A photographer may have altered a photo itself, but not so the dead appeared alive,but in cases where a person may have blinked, etc.VPMP were usually quite obvious with decedent in a bed or coffin surrounded by flowers. Closed eyes do not always mean dead because they often photographed small children as they slept because they were still. MANY pics on the net are labeled pm when they are not pm. Don't you wonder when looking at a photo, why you can't tell who is deceased? Because it isn't a post mortem photo. If you question the validity of a VPMP, 9x out of 10 it is not post mortem. Why do these myths continue? Look up VPMP on Etsy and you'll see why. You'll also notice pics are now labeled "possibly pm" because reports of fraud. Sellers know many believe these myths and are adamant about it, so they need not worry about selling these fake VPMP. They also know many perpetuate these myths, therefore the concept isn't likely to die down any time soon.
I think these pictures are beautiful. I know, with our thinking today, they seem creepy... and yeah it could be pretty creepy having pictures of dead people. But these pictures are commemorating a life that once was. A life that was short lived. In that era the death rate was high.. expecially in children. We are lucky enough today to have access to cameras where we can take pictures of our childrens (and other loved ones) every second if we choose. This was not an option then. For most, the post mortem photos was the ONLY picture they had of their loved ones. My heart breaks for all the loss back then. I can't imagine what it would be like to lose a child let alone multiple children over a period of time. I have a picture of my grandmother in her casket. It helped me to gain closure by having that. As it most likely did these people so long ago.
Our society has lost all compassion and been highly desensitized to the fact that death is ALWAYS around the corner.
My nephew was 2 when he died a few weeks ago, and I was by his side every day for the 2 weeks that he was dying. It was very dignified, and I held his hand, kissed him, talked to him the whole time. Even in the hours after he died, when he was cold, it wasn't difficult. Until the funeral. I had to put his shoes on, and I just couldn't do it. The stiffness didn't make it impossible, it just really hit me then. I couldn't imagine the parents of these children having to position them when their bodies were that way...
Not all of the post mortem photos were so easy to spot. Writing a lovely blog about this subject is so titillating when you show only gruesome and creepy dead babies, gives you the impression that the only photographs of post mortem children were the “in your face dead babies and toddlers”. Most post mortem photos are sweet and sad and very respectful, you see a life, not a death. The “in your face dead” was a later transformation as more middle class had access to photography and the abundance of less talented photographers who did not take the time to pose subjects as lifelike as possible. There are subtle hints. I have seen many, many, many post mortem photos, they certainly don't catch the eye as well as the preceding photos. I see so many wonderful examples of post mortem children and so many “Post Mortem????” EBay rip-offs, some wonder what we value anymore.
I just don't think there is a definitive answer, some children looked very much alive although they were very much dead. To the contrary not all children with eyes closed or creepy expressions or blank stares are dead, some are just that, really creepy kids. I like to believe in good old fashioned intuition, it's just genetically programed into our subconscious to know when someone is dead and in many photos there are subtle hints, you just have to look.
As a parent who lost a baby to miscarriage...the void carries on. You have certain expectations, they are stifled and cut short before they have a chance to begin. Not having the opportunity to hold my unborn baby, touch its tiny little hands...it leaves no room for closure but a void that lingers. The only "proof" I had that my baby was ever real...the sonogram photo. Even that allows me to know that the pain I still carry was for a reason. It wasn't real to everyone else, but it was certainly real to me. Something as simple as a photo...even a poor one...can become a priceless treasure to anyone experience grief and loss. Thank you for being so sensitive about this post and for sharing the information.
I am a graveyard photographer, and many times I come across graves of children that died so many years ago that their siblings are probably dead too, and that headstone is the only record of their passing. I couldnt make up my mind about these post mortem images initially, but as I read more over the months they began to be less creepy and more of a last impression of that loved one. I think that black and white photography does give them a slightly surreal feel, and I doubt if it would work well in colour. I have a niece in my family that drowned when she was just over 4, and many times I wish there was some record of her in pictures, but alas there is nothing.
My little girl was a preemie (29 weeks) and the last picture of the baby in the parents hands is about the size she was when she was born. You had better believe that had she not made it, we would have had pictures taken of her with us in as normal a way as possible and might have even had our son take pictures with her. I guess because I have had to on several occasions thought of what would happen if my daughter did not make it, that this seems less unusual for me. My thoughts on this are that these are not dead children. These are someone's babies that they had hopes and dreams for and this is their desperate attempt to somehow hold onto those babies just a small while longer. God bless anyone who loses a child.
I understand what you're saying. Our whole culture has become so removed from death that it's seen as an aberration. It's "normal" to die alone in a hospital bed and be immediately cremated. Even wanting to spend some time with the "body" is seen as "creepy" and somehow abnormal and unhealthy, when it was once normal to wash and dress the body for burial as a last act of love. Now we are told over and over again that we must "let go". At best, the stages of grief are assigned to us and we must pass through each of them in order. Memorial services have become "a celebration of his/her life", and while I can see the value in this, sometimes it's like one big party and if you have to cry, you have to leave the room or you will be seen as "negative" and gloomy or unable to "let go". In other words, we're lousy at grief. The Victorians had no such hangups. Death was part of life. I don't think they felt any less agony at the death of a child however. People wore black as a visible sign of mourning, perhaps so others would treat them more gently. Now we slap a smile on and say, boy, he had a great life!
Monday, August 8, 2022
"I see dead people": Victorian Post-Mortem Photography (10th anniversary re-issue)
There's a slightly macabre story about the great Welsh poet Dylan Thomas, a man so dissipated he expired from chronic alcoholism in his late 30s. (His last words purportedly were, "I've had eighteen straight whiskeys. I think that's the record.") Lionized in America, he found the seductions of the White Horse pub a little too much for him and keeled over with a brain hemorrhage. His widow Caitlin recalls that when his body was being shipped back to Wales for burial, some of the deckhands noticed his coffin and sat down around it to play a spirited game of poker.
"How Dylan would have loved that!" she exclaimed.
Indeed.
The coffin in the picture above doesn't contain Dylan Thomas. More likely the photo depicts one of those Irish wakes where they like to prop up the body with a drink in its hand and carouse all night long. It does not really qualify as post-mortem photography except in the broadest sense: the subject is someone who is being memorialized in a permanent and significant way.
Before we look at any more of these, let's quote the Great and Powerful Wikipedia:
Post-mortem photography (also known as memorial portraiture or memento mori) is the practice of photographing the recently deceased.
The invention of the daguerreotype in 1839 made portraiture much more commonplace, as many of those who were unable to afford the commission of a painted portrait could afford to sit for a photography session. This cheaper and quicker method also provided the middle class with a means for memorializing dead loved ones.
These photographs served less as a reminder of mortality than as a keepsake to remember the deceased. This was especially common with infants and young children; Victorian era childhood mortality rates were extremely high, and a post-mortem photograph might have been the only image of the child the family ever had. The later invention of the carte de visite, which allowed multiple prints to be made from a single negative, meant that copies of the image could be mailed to relatives.
The practice eventually peaked in popularity around the end of the 19th century and died out as "snapshot" photography became more commonplace, although a few examples of formal memorial portraits were still being produced well into the 20th century.
The earliest post-mortem photographs are usually close-ups of the face or shots of the full body and rarely include the coffin. The subject is usually depicted so as to seem in a deep sleep, or else arranged to appear more lifelike. Children were often shown in repose on a couch or in a crib, sometimes posed with a favorite toy or other plaything. It was not uncommon to photograph very young children with a family member, most frequently the mother. Adults were more commonly posed in chairs or even braced on specially-designed frames. Flowers were also a common prop in post-mortem photography of all types.
The effect of life was sometimes enhanced by either propping the subject's eyes open or painting pupils onto the photographic print, and many early images (especially tintypes and ambrotypes) have a rosy tint added to the cheeks of the corpse.
Later examples show less effort at a lifelike appearance, and often show the subject in a coffin. Some very late examples show the deceased in a coffin with a large group of funeral attendees; this type of photograph was especially popular in Europe and less common in the United States.
I knew nothing of this practice, one which seems so macabre by today's standards, until I stumbled upon it while searching for something else on YouTube. A lot of the videos contained severe warnings about content (so of course I had to look).
And it's true that on the surface of it, the images seem creepy and provoke a visceral response. We're not used to seeing dead people, except perhaps at open-casket funerals. Not used to seeing them arranged like furniture or braced so they could stand up beside their living kin.
But some sites devoted to this strange practice claim (correctly, I think) that post-mortem photography reflects a fascinating and very significant cultural shift in attitudes toward mortality. Death was much closer then, and less sanitized; people died in their beds, were washed and dressed and prepared for burial by loved ones. The camera was magic in those days, a way to paint an instant portrait, but not to be used lightly due to scarcity and cost (i.e. no one owned a camera then; you went to a portrait studio in your best clothing, sat very still, and didn't smile).
The babies are the saddest, of course. Victorian women must have gone through agony in their childbearing years, with primitive or non-existent obstetrics, high mortality rates and a complete absence of birth control. Almost everyone would lose an infant, more likely several. Were people more hardened to loss back then? I doubt it. They had to put their grief somewhere, just as we have to today.
They needed something to hold on to, a memento. Because there were no Kodak moments then, no digital cameras or phones or any of the gadgets with which we so casually snap a picture, there would be no record of Junior's first smile or first steps or first day of school.
The post-mortem photograph, the only existing image of a baby or a child or even an adult, would be cherished and preserved for generations (as witness the thousands of images I found on the internet). I can feel the melancholy behind this gesture, the aching grief in the attempt to make a dead infant appear "lifelike".
These waxen dolls are disturbing, but only if seen through our modern abhorrence of anything to do with death. We die in hospitals now, often alone. Life is prolonged past the point of any real meaning: we do it because we can, which has come to mean that we're supposed to, that there's no other choice. Death is the enemy, to be beaten back as long and fiercely as possible.
People "fight" cancer, "triumph" over it or "lose the battle". The medical community seems embarrassed by it all. Disease isn't supposed to happen, and if it does, it must be vanquished. I don't think the Victorians thought in terms of losing battles, or even winning. The majority of them were deeply Christian, which means they believed the dead were gathered up by the Almighty and transported to a better place for all eternity.
Spiritualism became tremendously popular in this era, along with the belief that the ghosts of loved ones sometimes appeared in photos. And they did, if the photographer knew what he was doing.
The Victorians knew that life and death were separated not by a doorway or a passageway but by a gossamer veil, something the merest breeze could draw aside. These eerie portraits of life-in-death convey a sense of dwelling in that mysterious other world, even while still embodied on earth. It's a bizarre and even repugnant concept to us, but not to them.
I try to imagine it. It's hard to go there, to put myself there. I wonder what it would be like to touch a dead baby, to tenderly position it for a portrait under blazing lights, to hold its likeness close for years and years while other children came and went.
Their haunted eyes seem to stare at us through time, through space, even through the mists of death itself.
BLOGGER'S NOTE. Many of these photos have been blogged and reblogged, pinned and repinned so many times that it was impossible for me to discover their true provenance, which fills me with regret. There was a time when these pictures were incalculably precious to someone and, in fact, irreplaceable. Try to see them in that light.
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