Only love can do that.
Only love.
Struggling in a bizarre sort of struggle I want to be free of, because it seems
pointless, not to mention a little (a
lot) disturbing.
Only love can do that. Do what? Isn’t love more killing than hate? Sometimes. It does strange things to the mind. It can blind you to certain things. More macabre than the manner of his self-imposed death was the fact there was a police report I somehow found online (HOW? Where? How did I even know he had died?) It described someone I barely recognized, a skeletal, even spectral version of himself, emaciated, a front tooth knocked out, eyes glazed and staring. This wasn’t the same man, or was THIS the real man, and all those other incarnations the imposters?
As I write this, I listen to Ravel’s Le Tombeau de Couperin, an exquisite, sylvan meditation which you would never know on first listening was meant to commemorate the tragic deaths of six of his dearest friends, cut down in their prime in World War I. The pieces are wistful, playful, tender, sometimes downright jubilant, with a sense of birdsong and morning dawning against the odds. And this, to mark all those deaths, those irrevocable losses. So I listen to this, to try to do what?
I don’t want to be taken over, I don’t want to think about things that happened or didn’t, forty years ago, or thirty, or twenty. This is NOW, and hard as now is, and it IS hard or I wouldn’t be writing this – so why is my now so polluted by memories or images or even words he wrote, the words I read so many times they’ve become seared into my consciousness? Isn’t it bad enough I often think I’m going to die fairly soon, that the cancer they think they “got” is just lying in wait? Must it be compounded by this – what? His bizarre, even grotesque means of suicide – why do I even allow ONE such thought in my head?
Why can’t I turn this off? I have tried everything. This is just the latest exercise in futility. I don’t know now if the man was ever truly well, for as a boy he was already experiencing bizarre, frightening symptoms, and was given unanesthetized shock treatments at the age of fifteen, a barbaric practice which never should have been allowed. Then they did it again when he was sixty, all wrong for very similar reasons, and it could not possibly “work” the way he insisted it did the first time.
Worked, meaning – what? Even in his letters, he constantly fantasized about running away. Hitting the road. Hiding out. He literally used the word “hide” a lot. From what? From something in himself? He wrote a tell-all about his mental illness and these shock treatments, which was gruesomely graphic and probably not helpful to anyone. It was almost ludicrous in its first-person, present-tense, “you are there” approach, grabbing the reader by the lapels and forcefully pulling them into the story until your face is right up against his. like it or not. A way of capturing your audience and forcing them to bear witness. Horrible, really, but that’s how it was.
And by rights, as with so many other people I’ve loved and lost, this story should have faded by now, and I have no idea why it has come back with such force. What is it trying to tell me? If I was still into the spiritualism I now see as incredibly naïve and even self-serving, the answer to that would be unendurable. I DO NOT want to be “haunted” by anyone or anything. The thought of it is beyond horrible.
Then what? Why can’t love drive out hate, or hate drive out love, or however it actually goes? About six times an hour, the thoughts break in or just appear. I try hard to push them away, to banish them, and sometimes they seem to actually, physically recede into the distance, always on the left side – and what is that about? When I was in therapy trying to deal with a childhood and adolescence of unspeakable traumatic abuse, I felt like there was a wall, almost an actual, physical barrier on my left side, almost right up against my face, and on the other side of that wall were the horrors. I had thought the wall had been dismantled decades ago after a hell of a lot of hard work and expense. But here it is again. This sense it all dwells in an actual, physical location.
I am haunted by what it was like for the family, being told he had literally run away from a psych ward, full of pills and (very sadly, but it also makes me angry) booze. He just wanted to be found in a very public way, so that it would be written about and published. As a newspaperman, he knew that was how it would go down. His macabre attempt to drown himself was similar, and that left him in a coma and with brain damage. He wasn’t even very good at dying, obviously, though in the end of course, it gets us all, whether we’re good at it or not.
So did I love him? I thought I did. That song by Stephen Sondheim repeats and repeats in my mind: “The sun comes up. I think about you. The coffee cup. I think about you. I want you so, it’s like I’m losing my mind.” Then the melancholy chorus: “All afternoon doing every little chore, the thought of you stays bright. Sometimes I stand in the middle of the floor, not going left, not going right.”
Immobilized, and by what?
Surely this can’t be “love”, though I thought I loved him, or loved his words,
which I now see were another kind of hiding place. It was writing which calls
attention to itself: fireworks, ooooh,
ahhhhh, verbal pyrotechnics guaranteed to impress the audience with its
vividness. I call bullshit here, because I know all the writer’s tricks and see through them all. I want to say: GET TO THE POINT. I wonder, have always wondered, what exactly
happened to him when he was a 15-year-old
boy doing manual labor in the far north with a bunch of drunken grown men. I don’t wonder at all,
actually, but I do about his orientation, and if his doctors or (more likely)
his parents were actually trying to shock him straight. Such things happened
then, probably still do in more primitive parts of the world such as the
He never gave me a home address through at least five changes of job in ten years, never once spelled out his living arrangements except to refer, very rarely, to a “companion” (female, I assume, because he could not face who he really was). Was he with someone at the end? How did he end up emaciated and with a front tooth knocked out? A fall, a fight, sheer neglect? Those are horrible details. He was 65, and he wanted to die outside and be found and be written about in the papers, as if his family had not been through enough of an ordeal. It was all publicly aired, and he knew it would be, like those Morningside pieces I now see as ludicrously swaggering and even full of contempt for everyone around him.
So what are you to say, what am I to think, was he so far gone he didn’t even know what he was doing, or – something else? A piece he wrote in tribute to Peter Gzowski was called, bizarrely, In the Spirit of Eros (as in “erotic” – the two had a sort of weird bromance going on), but in reality he was living in the spirit of Thanatos, on a death march that went on for a very long time and ended with a frozen body beside the railroad tracks. Then the family had to be told that, yes, they had finally found him, but the news wasn’t good.
But I must think of me now. I have worked so hard to be free, to be well, and physical limitations have dogged me for more than a year and a half. I make a conscious decision every day not to allow myself to be depressed. I get myself out, I move, I walk, I eat and breathe. NO DEATH MARCH for me! Life has never been, will never be that. So why won’t this dreadful memory just recede into the grey zone of the deep past?
It’s not happening, and force won’t work, and hate won’t work, but even love won’t work, because it’s tinged with so much anger and horror. I am appalled at it now, the selfishness, even if he WAS so sick he barely knew what he was doing. He knew. That sort of death took planning, and timing, and cunning. It took secreting enough pills to kill him – and beer, for Christ’s sake, where did he get THAT? – and somehow getting all this past the people who were watching him like a hawk on a psychiatric ward.
He wrote an awful poem about being in a psych ward, wrote it “at” me because he was angry at me for having a loving family, accusing me of not appreciating them enough. I wish I could get it out of my mind. It’s his usual poesy, overdramatic, first-person and present-tense, dragging the reader right into the centre of his appalling tragedy. It was as if he was shaking us by the shoulders and screaming that he was in pain, but what the hell were WE supposed to do about it?
I keep telling myself: OK then, if love won’t drive it out and hate won’t drive it out and I can’t get away from all this horror no matter how fiercely I battle it, can I just accept that it’s there and try to live with it? I have to do that with so many things, including my own addictive tendencies and my bipolar condition. I have to put myself first.
I don’t have friends now, which sometimes shocks me – they are, quite literally, all dead. All the people I cared most deeply about are gone. Stroke, heart attack, cancer, suicide. There’s that word again. A horrible word. Even saying the word makes it thinkable.
So what is the point of all this? Is there one, or did I just feel I had to put this down to give me a sense I have some sort of control here? What will it be like, anyway – dying? Will it just be like going to sleep, or will I go to hell for all eternity for not being the person I was supposed to be – or just for being at all?
Now as I listen, it’s Satie’s Gnossiennes on the piano, sultry, almost sinister, a heartbreak on the keys. But healing somehow, as it acknowledges just what life can be like in extremis. Death can seem preferable, but when I get those sinking feelings, that shadowy feeling I can’t even try to describe, I don’t want to do anything but get away from it. In my better moments, I can even convince myself I’m going to live, after all. For how long is not so much the question – just “how”. I’ve seen enough beloved people through their own harrowing ends to know it can be a horrible, horrible thing to die. You deteriorate and become a bad parody of yourself, until finally you are no more.
So how will it be? And will this wraith, this spectral presence, ever bugger off and leave me alone? Bohdan, if HE wasn’t dead also, would say it’s probably his spirit coming back or whatever, but I cannot live with even the possibility of that.
So I have the music, and my life, such as it is, still precious to me simply because it is mine. It has been a long time coming. I don’t need a reason now. I live, and I suppose I will die, sooner or later, and sometimes I even hope it’s sooner or I will just die in my sleep (and right now, it’s my main ambition and goal). I would rather not be the one to survive, as everyone seems to fear I will and become a burden on everyone. I know that’s what they’re thinking. It’s a subtext in the family. Not so much that they care about me, but that they will be stuck with me.
These aren’t great thoughts,
but they are honest, and mine. I did NOT choose a macabre death, at least not
so far, though I suppose there were times I wanted to. When he actually died,
when he was found and I somehow or other found all those articles in the paper
(how?? How did I get hard copies of papers from
That won’t happen this time.
So I am left with the quote, and my doubts about it. Love, hate, aren’t they all the same thing? And the opposite of love isn’t hate anyway – it’s indifference. Something I have rarely felt about anything.































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