Thursday, May 7, 2020
Wednesday, May 6, 2020
Elizabeth Holmes Cures COVID-19!
Elizabeth Holmes is at it again! With one prick of a finger (or finger of a prick,), she will CURE the coronavirus and win the Ignobel Prize for ignorance.
Tuesday, May 5, 2020
Monday, May 4, 2020
Sunday, May 3, 2020
Friday, May 1, 2020
The Star-spangled Banner by Bob Dylan
It was a dark day in Dallas, November '63
A day that will live on in infamy
Good day to be livin' and a good day to die
President Kennedy was a-ridin' high
He said, "Wait a minute, boys, you know who I am?"
Being led to the slaughter like a sacrificial lamb
Then they blew off his head while he was still in the car
"Of course we do, we know who you are"
Shot down like a dog in broad daylight
Was a matter of timing and the timing was right
Was a matter of timing and the timing was right
You got unpaid debts, we've come to collect
We're gonna kill you with hatred, without any respect
The day they blew out the brains of the king
We'll mock you and shock you and we'll put it in your face
We'll mock you and shock you and we'll put it in your face
We've already got someone here to take your place
Perfectly executed, skillfully done Thousands were watching, no one saw a thing
Perfectly executed, skillfully done Thousands were watching, no one saw a thing
It happened so quickly, so quick, by surprise
Greatest magic trick ever under the sun Right there in front of everyone's eyes
Greatest magic trick ever under the sun Right there in front of everyone's eyes
Wolfman, oh Wolfman, oh Wolfman, howl
Rub-a-dub-dub, it's a murder most foul
The Beatles are comin', they're gonna hold your hand
Slide down the banister, go get your coat
Ferry 'cross the Mersey and go for the throat
There's three bums comin' all dressed in rags
Pick up the pieces and lower the flags
I'm goin' to Woodstock, it's the Aquarian Age
Then I'll go over to Altamont and sit near the stage
Put your head out the window, let the good times roll
There's a party going on behind the Grassy Knoll
Stack up the bricks, pour the cement
Don't say Dallas don't love you, Mr. President
Put your foot in the tank and then step on the gas
Better not show your faces after the sun goes down
Up in the red light district, they've got cop on the beat
Living in a nightmare on Elm Street
When you're down on Deep Ellum, put your money in your shoe
Don't ask what your country can do for you
Cash on the barrelhead, money to burn
Dealey Plaza, make a left-hand turn
I'm going down to the crossroads, gonna flag a ride
The place where faith, hope, and charity died
Shoot him while he runs, boy, shoot him while you can
See if you can shoot the invisible man
Goodbye, Charlie, goodbye, Uncle Sam
Frankly, Miss Scarlett, I don't give a damn
What is the truth, and where did it go?
Ask Oswald and Ruby, they oughta know
"Shut your mouth," said a wise old owl
I'm riding in a long, black Lincoln limousine
Ridin' in the back seat next to my wife
Headed straight on in to the afterlife
I'm leaning to the left, I got my head in her lap
Hold on, I've been led into some kind of a trap
Where we ask no quarter, and no quarter do we give
We're right down the street, from the street where you live
They mutilated his body and they took out his brain
What more could they do? They piled on the pain
But his soul was not there where it was supposed to be at
For the last fifty years they've been searchin' for that
Freedom, oh freedom, freedom over me
I hate to tell you, mister, but only dead men are free
Send me some lovin', then tell me no lie
Cross the Trinity River, let's keep hope alive
Turn the radio on, don't touch the dials
Parkland Hospital, only six more miles
You got me dizzy, Miss Lizzy, you filled me with lead
That magic bullet of yours has gone to my head
I'm just a patsy like Patsy Cline
Never shot anyone from in front or behind
I've blood in my eye, got blood in my ear
I'm never gonna make it to the new frontier
Zapruder's film I seen night before
Seen it thirty-three times, maybe more
It's vile and deceitful, it's cruel and it's mean
Ugliest thing that you ever have seen
They killed him once and they killed him twice
Killed him like a human sacrifice
The day that they killed him, someone said to me,
"Son The age of the Antichrist has just only begun"
Air Force One comin' in through the gate
Johnson sworn in at 2:38
Let me know when you decide to throw in the towel
It is what it is, and it's murder most foul
I said the soul of a nation been torn away
And it's beginning to go into a slow decay
And that it's thirty-six hours past Judgment Day
Wolfman Jack, he's speaking in tongues
He's going on and on at the top of his lungs
Play me a song, Mr. Wolfman Jack
Play it for me in my long Cadillac
Play me that "Only the Good Die Young"
Take me to the place Tom Dooley was hung
Play "St. James Infirmary" and the Court of King James
If you want to remember, you better write down the names
Play Etta James, too, play "I'd Rather Go Blind"
Play it for the man with the telepathic mind
Play John Lee Hooker, play "Scratch My Back"
Play it for that stip club owner named Jack
Guitar Slim going down slow
Play it for the First Lady, she ain't feeling any good
Play Don Henley, play Glenn Frey
Take it to the limit and let it go by
Play it for Carl Wilson, too
Looking far, far away down Gower Avenue
Play "Tragedy", play "Twilight Time"
Take me back to Tulsa to the scene of the crime
Play another one and "Another One Bites the Dust"
Play "The Old Rugged Cross" and "In God We Trust"
Ride the pink horse down that long, lonesome road
Stand there and wait for his head to explode
Play "Mystery Train" for Mr. Mystery
The man who fell down dead like a rootless tree
Play it for the reverend, play it for the pastor
Play it for the dog that got no master
Play Oscar Peterson, play Stan Getz
Charlie Parker and all that junk
All that junk and "All That jazz"
Play something for the Birdman of Alcatraz
Play Buster Keaton, play Harold Lloyd
Play Bugsy Siegel, play Pretty Boy Floyd
Play the numbers, play the odds
Play "Cry Me a River" for the Lord of the gods
Play Number nine, play Number six
Play it for Lindsey and Stevie Nicks
Play Nat King Cole, play "Nature Boy"
Play "Down in the Boondocks" for Terry Malloy
Play "It Happened One Night" and "One Night of Sin"
There's twelve million souls that are listening in
Play "Merchant of Venice", play "Merchants of Death"
Play "Stella by Starlight" for Lady Macbeth
Don't worry, Mr. President, help's on the way
Your brothers are comin', there'll be hell to pay
Brothers? What brothers? What's this about hell?
Tell them, "We're waiting, keep coming," we'll get them as well
Love Field is where his plane touched down
Tell them, "We're waiting, keep coming," we'll get them as well
But it never did get back up off the ground
Was a hard act to follow, second to none
They killed him on the altar of the rising sun
Play "Misty" for me and "That Old Devil Moon"
Play "Anything Goes" and "Memphis in June"
Play "Lonely at the Top" and "Lonely Are the Brave"
Play it for Houdini spinning around in his grave
Play Jelly Roll Morton, play "Lucille"
Play "Deep in a Dream", and play "Driving Wheel"
Play "Moonlight Sonata" in F-sharp
And "A Key to the Highway" for the king on the harp
Play "Marching Through Georgia" and "Dumbarton's Drums"
Play "Darkness" and death will come when it comes
Play "Love Me or Leave Me" by the great Bud Powell
Tuesday, April 28, 2020
PROOF! Chopin recording is a BLOODY FAKE
I just received this gem by email, helping solve at least part of the mystery of the Great Chopin Minute Waltz Hoax. Link to the original blog post is here:
Sent: Monday, April 27, 2020 3:42 PM
To: magunning@telus.net
Subject: blog Chopin Minute Waltz
I
just read your blog from September 2019 entitled HOAX! The musical fossil
that fooled the world. Well done. I am a classical musician in Tampa, FL,
and I obsess over anything related to Chopin. Today, I was browsing the New York
Philharmonic’s on-line digital archives, and I happened upon some scanned pages
from a Chopin file kept by musicologist, Edward Downes. One of the pages in the
file is a scanned article from the April 1991 edition of Classic CD
magazine entitled “The first recording ever.” By the note that Downes scribbled
around the article, it appears to have been given him by radio host George
Jellinek. Downes uses the word “hoax” in his note from 1991. I thought you might
find this article interesting, since in your blog you state you couldn’t find
much information in your Google search. Your blog was one of the few references
I could find on the topic in my search today. Article is attached.
Stay safe!
Chase White
(BLOGGER'S RESPONSE): Just when I get totally disenchanted with the internet, something like this happens! Well, something like this has NEVER happened. I even thought I was a little nuts for remembering it, because it’s barely on the internet at all. I remembered hearing the supposed Chopin recording on a CBC classical music show called Off the Record. The host was skeptical, even before anyone else debunked it. To me, it sounded like a lot of bumpy noise, barely pianistic, played insanely fast, with a distorted-sounding yell at the end. The host listened to it, compared it to Piltdown Man, and played it again. It did sound less genuine on second hearing. We do hear what we want to hear, I think.
I forgot all about it for a long time, then when the Leon Scott recordings came to light, I thought of it again because it was the same kind of recording technology. In fact, my first reaction to THAT finding was, “Hoax!”, maybe an extreme form of autotune. But the Chopin thing now seems so howlingly fake: some fellow named Sot (can’t find HIM anywhere), and the marvelling over Chopin’s technique (you couldn’t hear anything!) and his dexterity in playing it in one minute. Liberace had a big clock up on the stage when he pulled THAT stunt. It would be interesting if one of the CDs actually came to light so you could hear it. Who knows how many of them went out with that magazine, and on April 1, no less. I’ve also heard recordings by Brahms that sounded pretty fake. Forgive me if all this is on my original blog post, I haven’t looked at it in a long time!
I forgot all about it for a long time, then when the Leon Scott recordings came to light, I thought of it again because it was the same kind of recording technology. In fact, my first reaction to THAT finding was, “Hoax!”, maybe an extreme form of autotune. But the Chopin thing now seems so howlingly fake: some fellow named Sot (can’t find HIM anywhere), and the marvelling over Chopin’s technique (you couldn’t hear anything!) and his dexterity in playing it in one minute. Liberace had a big clock up on the stage when he pulled THAT stunt. It would be interesting if one of the CDs actually came to light so you could hear it. Who knows how many of them went out with that magazine, and on April 1, no less. I’ve also heard recordings by Brahms that sounded pretty fake. Forgive me if all this is on my original blog post, I haven’t looked at it in a long time!
Be well, also. This is an insane time!
These are hilarious recordings, I think!
Margaret G.
P. S. I just remembered a little detail in the unmasking of this hoax. Bob Kerr, host of Off the Record, detected a false note in the CD catalogue number, which begins with XOHA. He interpreted the “XO” as “hugs and kisses”, and “HA” as – well, HA! And on April Fool’s day, yet. Thanks for sending me this, it made the lockdown a little cheerier.
P. S. I just remembered a little detail in the unmasking of this hoax. Bob Kerr, host of Off the Record, detected a false note in the CD catalogue number, which begins with XOHA. He interpreted the “XO” as “hugs and kisses”, and “HA” as – well, HA! And on April Fool’s day, yet. Thanks for sending me this, it made the lockdown a little cheerier.
Sunday, April 26, 2020
Thursday, April 23, 2020
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