Cool and creepy: the wonder of Facebook

There is so much about social media that pisses me off that I often don’t know where to start.

I don’t even do Twitter. I’m not likely to start doing Twitter because of all the negative things I hear about it, the way it has gone sour, the way people attack each other. The Steven Galloway debacle is a case in point. Margaret Atwood casually swiped at a huge sector of the literary community, calling us frail maidens on fainting couches, claiming that firing Galloway because of his chronic sexual abuse of students was a “witch hunt” and “McCarthyism”.

Tweet, tweet, tweet, tweet, tweet.

It gets worse, but it’s morning and I can barely get my brain around what I want/need to say. I’ve always had problems with people cadging sympathy on Facebook: “oh well, I guess it doesn’t matter that I'll have a migraine when I pick up my Giller Award tonight”, “Sick this week, don’t know how I’ll make my five-week holiday in Greece”, etc. There follows a chorus of sympathy, dozens of comments: “Oh, Diddums, just take care of yourself and I am SURE you’ll be in those Greek isles running around in your bikini before you know it.”

And then there is the “PLEASE, everyone. I am nearly at the 5000 Facebook friends limit and need to pick those last few precious spots myself, so don’t try to friend me! You will only be disappointed. I am so, so sorry, I know it's a hardship for you. But these last few names are absolutely crucial for the promotion of my next novel and might get me a spot on Ellen.”

Yesterday I saw “why do we only get to see posts from, say, fifty of our friends among the thousands we have?” As if it would be possible to see posts from 3500 people a day.

Such problems!

I know there are other things, but the one that is bugging me most right now is “I’m taking a break from social media, guys”. I see this one over, and over, and over again, and NOT ONCE has the person actually taken a “break” of more than two days. Recently it was a woman harmed by the Steven Galloway affair – bruised by a former friend who lit into her for thinking Galloway might actually have done some harm.

I can see this, can see being hurt. I’ve been hurt over and over and over again on social media, and in life. But what she said next, “I’m stepping back from social media for the rest of the year,” was remarkable, because somehow reality changed and the months of November and December collapsed down into two days, which is how long it was before she went back to posting on Facebook every day. But these posts may not even have counted: if she only posts three or four times a day, and the posts aren’t too long, is she somehow, mysteriously, still “taking a break”? Or was it all due to that Greek chorus of voices begging her to come back? Anyway, I am cynical enough now that I kept an eye on that situation, and it went exactly the way I predicted.

Am I in a sour mood? I don’t know. In a December mood, I guess. I’ve had worse. Lots worse. But this is the time of year one’s psyche adds it all up, and - BAM. I wonder what it has all amounted to.

I don’t know why I do Facebook anyway, except to put time in. It’s grey and wet out there, lousy even for taking a walk, and I am “behind” on Christmas preparations which I do not want to make.

I have people in my life, yes, precious and few, and given my family history it’s a good thing I’m not being treated like a punching bag every day. It was unlikely I would ever help co-create something this amazing (though there are those who’ve claimed it just dropped into my lap, undeserved). In truth, I would not change anything about it, or them. But they are growing up, growing away from me steadily. I am no good at loss.

Call it reality. I can’t take a break from life (then come back to it in two days!). It just keeps lumbering along. Already, atrocious things (I won't say what, but you already know) are seemingly normal. We have to do this, I guess, to stand it, to keep trying to enjoy our lives. I enjoy what I can; I honestly do, but they are all such small things.

Facebook reminds me that I will never achieve the big things I dreamed about for so long, though others did, and do. They endlessly shimmy around in their bikinis, Giller Prize in hand, to remind me of it.  Holidays. Awards. New babies. New friends. Exotic recipes that always turn out. And never a family fight. Never an alcoholic in the family. The smooth shiny facet is always kept turned towards your “friends” - but who knows what is on the other side.

Must be kind of exhausting, when you think about it.

BLOGGER'S NOTE. While thoroughly disgusted, and wondering whether I had already posted the Abbie poem and not wanting to look it up (but no one reads this anyway, so who cares), I stumbled upon something remarkable.

I cut this image out of the TV guide, the paper one I mean, back when it still existed. This was probably around 1990:

And I kept it, not knowing the provenance of the picture at all. I couldn't find anything about it, though it haunted me. It was in an ad for some sort of Billy Graham-like religious crusade. I put it in a book somewhere, not able to throw it out but not knowing what to do with it, and that was all, until it emerged again 15 or so years later, and I scanned it.

And then.

I found this, just now, just this minute! This. Is. The. Same. Puppet. It popped out at me on Google images while I searched for disaffected, desolate illustrations for this post.

Years, and years, and YEARS later, this anonymous, strange, unknown thing is now called "Cool Creepy Marionette". That is ALL I can find about this exquisite work of art. On site after site after site, the same image, replicated. 

It HAS to be the same! Even the eyes, even the mask, even the position of the hand - it's all the same. But why can't I find out anything about this except "cool creepy marionette"?

It's because the internet no longer cares about the provenance of anything. It's some sort of ultimate global Communism, everything held in common, nothing owned, least of all works of art that someone actually made - carved - imbued with a soul.

All I know is, this marionette, which looks fairly new, isn't new. In fact, I don't know how old it is.  It means something. Maybe if I keep digging, and digging, and digging, I'll find out - but I don't think so.

I don't know how to feel about this. In part, it filled me with amazement and joy - here he is again! Rediscovered: our puppet of sorrow. But then I wondered where he came from. Another lost boy? And does anybody besides me really care about it?

Do I write too much?

Never write about writing. Never blog about blogging. You'll break your heart, or start to wonder who is reading this.

This whole thing is a vanity project, though it began as a way to try to promote my book (ha-ha). I don't think I would have thought of blogging on my own, and barely even knew what a blog was when I began in 2011 or so (or maybe it was 2010? An embryonic blog in OpenSalon was a total bust, ending in utter humiliation). 

The worst thing a writer can do, ever, is worry about how something will be received, or not received. Don't just write what you know - write whatever the fxxx you want!  But in the wonderful wasteland of the internet, likes and comments and hits and "going viral" count for everything, and creativity, originality and joy soon wither away.

So you just keep putting the stuff out there, because you love doing it. It's a form of play. You're never going to see money, and you're never going to see fame, though it often seems that all your Facebook friends are cleaning up at the box office and you're not.

I had four longtime followers bail on me in a 24-hour period the other day. That has never happened to me before. Generally, the direction is upward - in fact, it was for years, though the total was never very high. That wasn't the point. The point was  that there was movement.

I guess there still is,  just in the wrong direction. I don't know why, but I have hazarded a guess: I wrote a piece - a very heavy piece, and against all my usual principles I put it back in draft ( I refuse to delete it, and plan to put it back up again when world events catch up with me). It was pretty gloomy, and in fact doomy, but I do see signs that we, as a culture, are indeed slouching towards Bethlehem. I said so. And four people left, all at once, probably for good. Was that the reason?

I'm pretty old, and I don't keep up and don't particularly want to, but I've found a level of creative play on this thing, and on the internet in general, that I genuinely enjoy. Recent alarming health concerns have honestly made me wonder if I'll still be around in a year. It occurs to me almost daily. My body seems to be melting away as I sit here, and I can feel all my bones. Which is why the need to do what I want, without thought of consequence, is even more pressing.

So I make my George Gershwin Blingees, in the full knowledge that 90% of people will find them damn stupid, if they find them at all. But to me, it's a magic trick, finger-painting with light, and fun.

And you've got to have as much of it as you can. While there's still time.

  Visit Margaret's Amazon Author Page!

http://www.amazon.com/-/e/B001K7NGDA

So you want to be a blogger

OK, so I've wanted to write about this for a long time. Then I'd say, wait a minute, what do you know about it? Then I'd come to the conclusion: that depends.

Depends on whether the worth of this blog is measured in "views", shares, likes, followers, etc. or merely the daily fulfillment of writing it.

When I started keeping this blog in 2010, I think my main goal was to get a contract for my novel The Glass Character. And after something like 3 years of solid effort, I did, though I don't think it had anything to do with the blog.

What do I know from blogging? Nothing. I used the simplest template I could find and changed the header many times, even changing the title of it when the book finally came out.

So it failed in its first purpose. What is its raison-d'etre now, that I keep on with it with such ardor? I think there are two parts to it. In my case, I made a solemn vow, not unlike getting married (and I've been married 42 years - gasp! - so I think I know something about that), that I would write whatever the hell I wanted to write, just whatever topic struck my fancy. There would be no "shoulds". There would be no "musts". There would be no "popular" topics. It was pretty much wide open. I did delete a few which were too whiny or too personal. But I allowed myself the option of short fiction, lots of photos, Blingees, videos, and ESPECIALLY (my favorite form of illustrations) gifs.

I love gifs because they are a movie in a handful of seconds. If you use archival material, e. g. those very rare George Gershwin home movies, you can discover a lot about the subject. In these snippets, Gershwin hauls a little dog up by the scruff of the neck, and puts his hands around a woman's neck as if he is about to "playfully" throttle her. I could not get dates or a context for these, but made gifs of them because they fascinated me.

There is hardly any film of Gershwin, only a couple of bits of him performing, and those frustratingly brief private movies. Mostly he was shooting them, as in this few seconds of the one-of-a-kind genius Oscar Levant. One wonders why he at least didn't make some recordings of his piano playing, which was said to be gaspingly, even jaw-droppingly brilliant. Instead, he'd play in the background at parties with (actual guest list) Cole Porter, Otto Klemperer, Frank Capra, Jimmy Stewart, Fred Astaire, Ginger Rogers, and (yes, even) Oscar Levant, standing around smoking, drinking champagne and gabbing. Probably no one really paid any attention.

Slippery as an eel, Gershwin was, really unknowable, so if I can just get a ten-second gif of him at the piano, and if I notice something new on tenth or twentieth viewing, so much the better.

So why Gershwin? He is my current happy obsession. I say happy because I've never enjoyed my obsessions more. Information is at my fingertips, and I can write anything I like, pro or con. So the blog tends to leap from one mad topic to another, but not before it has been thoroughly macerated and giffinized.

Some readers (if there are any) seem to believe that the overbalance of gifs on my blog trivializes it, makes it cartoonish, especially since old cartoons are my favorite subject (along with TV ads from the '40s and '50s). Well, too bad, I love gifs, and like everything else I am good at, they go unsung. Making them is really not that easy - try it some time.

What else? The other pledge, commitment, whatever, along with writing about anything that pleases me and/or makes me angry enough to HAVE to write, is to keep it up. Nothing irritates me more than to discover a really fine blog and to notice that the last post is dated 2011. There is such an "I-lost-interest" feeling about it, a lack of dedication. I think if you're going to keep one of these, you need to keep it, like tending a garden.

About views: I seem to average anywhere between five and (my all-time high) 99,085 - no kidding, I just checked it, it's nearly 100,000! - for a post called I See Dead People: Victorian Post-Mortem Photography. People are still reading this thing, because the number of views continues to rise. Fifteen more views and I'll be at 100,000! How is this? Hell if I know, but I did find a link to it on someone else's blog, a very popular one, I would imagine. I've had a few in the ten-thousand-ish range (Some Cats Know, which is really just a bunch of cat pictures) and more in the hundreds. But for the most part, I don't look.

About repeats. Yes. I do them. I do them because I have a very small number of followers. I do them because in no way, shape or form do I expect people to read this blog every day, or even every week or every month. Even I don't remember much about these repeats. I pick ones that I think are good, ones that I especially like.

Why do I do this? If hardly anyone reads it, why do I bother? I need it. It's like a diary, yet it isn't, because I have to keep most of the personal stuff out of it. The "blogger" develops a certain persona over time, and if that persona is enjoyable to inhabit, then it's fun and gratifying to keep a blog. Though there are topics I return to again and again (I mention "celluloid, Harold Lloyd and me" under the title, and old film/photos/film history/ads/cartoons do form a sort of nucleus for the other mad stuff going on), I don't restrict myself to one subject. It would bore the piss out of me, that's why. And if I am bored, you, gentle reader, will be too.

So I'm a blogger. I don't think it has made one iota of difference to my book sales, because book sales just don't stick to me. It's all very  flukey, like that one post that got 100,000 views, when many of the others (much better ones, in my view) get maybe 5 (four of them from me, when I go back to edit them).

So. You want to be a blogger? Go ahead, just make sure you enjoy it, follow your nose, don't be afraid to be quirky, don't pay much attention to views (even though the entire internet seems to revolve around numbers and popularity), and - this last one is the most important - KEEP IT UP. Nobody wants to find an absolutely wonderful, stimulating blog that ran out of steam in 2009.

  Visit Margaret's Amazon Author Page!

http://www.amazon.com/-/e/B001K7NGDA