Nothing seemed to matter any more Didn't care what I was headed for Time was standing still No one counted till There came a knock, knock, knocking at the door
Love walked right in and drove the shadows away
Love walked right in and brought my sunniest day One magic moment, and my heart seemed to know That love said "Hello!" Though not a word was spoken
One look and I forgot the gloom of the past One look and I had found my future at last One look and I had found a world completely new
When love walked in with you
This is the only vocal version of this amazing, poignant song (one of my favorite Gershwins) that I actually like. There's an astonishing piano version with Jack Gibbons, but when you try to find a singer who can do it justice, you discover dud after dud. People mess with it too much, when all you have to do is sing it, sing the notes. Gershwin songs are so powerful, they almost sing themselves, in just about any language.
So I included the lyrics in English. It's interesting to note that Gershwin's parents were Russian immigrants who fled the pogroms and started a new life in America, which was then called the Land of Opportunity. (I won't get into what it has become.) George's birth name was Jacob Gershovitz. Gershwin the genius still prevails, but it's interesting to find unlikely versions among the thousands or perhaps millions of recordings in which singers have tried to capture the magic.
And I cannot resist including the Jack Gibbons version, which appears at the end of this video following his kick-ass version of Kicking the Clouds Away (which is a pocket version of Rhapsody in Blue, teeming with all that edgy urban energy and panache). The chord structure, it has been pointed out, has similarities to impressionists like Debussy. George was more humble than most people realized, and once told Maurice Ravel that he would like to study composition with him. He answered, "But then you'd be a second-rate Ravel rather than a first-rate Gershwin." So true. George remained first-rate all the way.
By the way! Re-watching this, I see that there are snippets of home movies featuring George at the piano (he made very few recordings, unfortunately, and in his brief movie appearances he looks like a ghost), and the man sitting next to him is no less than Arnold Schoenberg, the famous "modern" composer. At the time, he was virtually unknown, having just arrived in New York from Nazi-occupied Germany. George helped pay his passage to America, thus escaping persecution and certain death. In essence, Gershwin saved his life.
They're obviously pals, providing yet more proof that other composers instantly recognized his genius. It's not just brilliant technique, but that universal quality which invited people into his music. We all wanted to be a part of it - we all wanted to sit around the piano and just listen to him play - and we can still do it, given Jack Gibbon's uncanny way of channeling Gershwin's energy.
It shouldn’t surprise me too much that I’ve fallen down the Gershwin
rabbit hole once again. It was a full nine years ago I became fascinated,
devouring every book I could find on the boy genius’s life and art (including
Oscar Levant’s fanboy adulation), and of course immersed myself in his astoundingly powerful music.
So here he is again, all because of the comment I just received from a
woman who is related to Alan Schneider, the man who for decades posed as
George’s illegitimate son. Wow. DNA doesn’t lie, does it? And for all the
criticism of the internet, all the ranting about the evils of social media,
this could not have happened without Blogger, a nearly-obsolete program (or
maybe it’s an app, whatever THAT is) and my 12+ of posting on it nearly every
day.
Through this magic portal, I once received an email from a woman in New Zealand commenting on
something I wrote in 2016. It was about a poem I studied in school in Grade 3 –
it was about elephants, and I remembered more than half of it – but at the
time, when Google was far less efficient than it is now, I couldn’t find
anything at all about it, who wrote it, when, where, nothing.
Then after my usual bloodhound effort, I found SOMETHING in a very old
newspaper archive from 60 years ago. Yes. They had published the winner of a
poetry contest, and the thing was written by two people (can’t remember their
names), and there it was – the elephant poem, in a newspaper archive in AUSTRALIA. Yes!
The archive was one of those snapshots of an actual page, and just under
it was a notice for a “cooey contest”, apparently a competition for calling a
sheep dog or whatever it was. Very Australian indeed.This woman from NewZealand said to me, “YES!
I also studied the elephant poem in school, and never knew where it came from.”
Getting back to Gershwin. I won’t repeat all the ins and outs of it,
except to say I felt – believed – I had some sort of mystical connection to
him. I felt his presence, shy at first, then gradually coming closer, a sort of warmth, and a kind of yearning to be heard, believed, understood. After his untimely and gruesome death of an inoperable brain tumour in
1938, people began to “see” him about town, hurrying along a busy street,
hanging about at music festivals dedicated to his songs, and even – I swear –
playing a piano that was NOT a player piano. Several people saw it, and they
knew it was him.
My own connection with Gershwin’s ghost deepened and broadened, and it was exceptionally beautiful and mysterious - until I
made the mistake of sharing it with someone I knew, a university prof (I had taken his anthropology course) and
self-styled spiritualist medium. What he said was a slap in the face. It was a
fantasy, a dream, I was imagining the whole thing to try to gain credence as a
spiritualist. (I wasn’t.) Then he pulled rank, as he often did, citing his
superior education (two Masters degrees and a PhD) and the fact that I had a
psychiatric condition (and he didn’t)
that made me prone to fantasy.
So George went away for a while. But where he is now, there is no time,
which is extremely convenient for me (I’m still in my fleshly form, after all).
So is he here again?
Why not? Paul Biscop isn’t. Paul died suddenly about eight years ago, dropped
in his tracks with a stroke and was dead before he hit the ground, His partner
of 20 years, also called Paul, emailed me with the news, so I must have still
been on file somewhere (in case he needed someone to harass). Paul had died
suddenly, he said, and we should pray for his soul. But then I saw something on
Facebook that shocked me: a page for a spiritualist church that Paul Biscop had
actually founded, and from which he stomped away years ago because people
weren’t doing it right, were listening to their own hearts rather than slavishly
following what he told them to do (and when and where),.
Paul was dead, and I wasn’t sorry, but there was more to it than that,
and it was awful. The posts from the spiritualist church (and very few had
posted their condolences, likely still feeling burned by his narcissistic
bullying) sent out an urgent call for financial help for his long-time partner.
Paul Biscop had left him with a massive debt that he had known nothing about,
and the other Paul was now literally homeless and left with nothing.
So the church set up a GoFundMe page which only garnered a few hundred
dollars. The church did not host his memorial- that was held in a Masonic lodge, and the lady on the Facebook page
stated that there would be a table set up in the back selling Paul’s books (no
doubt on anthropology and other dry topics) to try to earn some funds for his
now-destitute partner.
OK, this is very long, but I’m on a roll here The thing is, I of course
never abandoned Gershwin’s music (my two favorite pieces are the Cuban Overture
and the stunningly beautiful Love Walked In), but his presence had faded as if
he too had been stung and had to retreat. But it’s OK now, George, I still love
you and feel you and know you are immortal. You ring in those songs, songs that
will never die. Like a latter-day Mozart, he would sit at the piano composing,
then play the piece that same night in a concert hall. His improvisations were
heard only once in human history, because they were different each time. This
is what I was originally going to write about, but now – hell, I am exhausted
already from visiting the past, something I try not to do these days.
Past-tripping can be counterproductive and even traumatic, and the
reason it’s called the past is because it has PASSED. So I will try to get on
with my day, such as it is (plungedback
into the rabbit hole), and of course I will revisit the music I never quite
walked away from.
Love walked in, and it is apparent to me now that it never left.
Today when I opened my email, I read a comment on a blog post I wrote NINE years ago, carrying on a very long thread about George Gershwin and his "secret son", a man whose birth had been a scandal and hidden away for decades. I still get comments on blog posts from years and years ago, perhaps one or two a week, but it amazes me my stuff is "out there". This seemed almost like magic! Here is the comment, and my reply.
Late to the thread. I had my dna done a few years back and the closest dna relative to me was a fellow named Alan Gershwin (never heard of him) Did some research and learned Alan was born Albert Schneider, and was either my great uncle, or my mother’s first cousin. Mom’s maiden name is Schneider. Albert, my mom and her siblings were all born in Brooklyn. I found and spoke to “Alan Gershwin’s’ son (we matched dna and he is my first cousin) He wasn’t close with his dad and said he only got in touch to borrow money. Kind of a con man. Alan/Albert was never the same after the war, dishonorably discharged and returned convinced he was GGs son. Mom’s turning 100 and has Alzheimer’s and her sibling are dead, so I might never find out why he was never spoken about in our family… he was kept secret.
What an amazing story! Thank you so much for sharing it with me. I've been blogging for 12 years or so (and I know blogs have gone out of style, but so have I) and never got so many responses to a single post. When I get comments on posts I wrote NINE years ago, it truly amazes me. This one is still an unsolved mystery, though it surprises me how many people weighed in on it, each from a different angle and some with an eerily close connection to the enigma. I do wonder if he truly believed he WAS George's son, particularly towards the end of his life, and had been abandoned by his famous father. Or was it indeed just an elaborate con? Surely the myth would gain powerful sympathy from some quarters, and he DID compose one piece of music that we know of. Someone else told me he played the piano, but badly. I have come to the conclusion his story likely wasn't true, but he obviously put great energy into maintaining the narrative. At any rate, wow. This is truly incredible, and to learn all this after nine years has just lit up my morning.
This might be categorized as a Separated at Birth of a very different stripe.
I love a mystery, but this mystery has pushed me back time and time again, leading to more frustration than information.
I've been chopping my way through several of the multitude of George Gershwin biographies. Surely no American composer has ever been more sliced, diced, hashed and rehashed than GG. I finally found my way to the really smutty one (The Memory of All That, 1998) by Joan Peyser, the one that reviewers vilified for being inaccurate and making "outrageous claims", including the insistence that GG sired an illegitimate son with a chorus girl in 1926.
One indignant review of the Peyser book sniffily claims that "the family has never recognized Alan Gershwin's claim to their", etc., etc., blah blah blah, but why would they? The stigma of an illegitimate child could ruin a career back then. No doubt the woods were full of opportunists and pretenders, not to mention gold-diggers. After his death, GG's affairs (literally) were hermetically sealed by Ira and Lee Gershwin, his brother and sister-in-law, who lived a long time and were bound and determined to show only the more brilliant facets of this enigmatic jewel to the public.
That restriction remained in place long after both of them were dead.
Strangely enough, in subsequent reviews and commentaries on Peyser's book, critics have become more forgiving. Over time, her formerly sleazy tell-all has found its way into the Gershwin canon (not the boom-boom kind: I keep telling you!). A three-inch-thick Gershwin tome by Howard Pollack, the "definitive" bio until the next one comes along, admits Peyser's scholarship is a bit wonky, but nevertheless cites her work three or four times in a fairly straightforward manner. It's included, which in itself lends her work validity. By some mysterious process that I don't understand, her controversial, vilified, preposterous and completely discounted biography now "counts".
Could it be that she got it right?
But here's the thing. When I try to dig up some hard, plausible evidence that Alan Gershwin exists, or ever did exist, I can't find anything. There is a glorious photo gallery of "someone" - the photographer claims it's AG - taken when he would have been 88 years old. The fine facial bone structure that has kept him photogenic all these years is a trait he shares with George (who never had the misfortune of growing old). But I can't post these, they're protected by the web site, and there's no text with them that I can find. Nothing to explain the photos. Nothing at all.
The few sites I found that even mention Alan Gershwin now identify him as "son of George", not "supposed" or "alleged" or any of that. No one seems to question it any more. But except for a claim to be a composer in his own right, this man of nearly 90 left very little trace. I found a YouTube video of just one piece he wrote called The Gettysburg Anthem, performed a few years ago at a small church for a commemorative Lincoln event. But the piece was composed FIFTY years ago - a bit longer than the time it took for GG to snatch his notation paper off the piano and perform it in public the same night. In his case, the smoke was still rising, the ink was still wet.
And that is all. No more videos. No more compositions. Nothing. I modestly have to tell you that there is a hell of a lot more of MY stuff on the internet, maybe because I don't know when to keep my mouth shut.
Tantalyzingly, there is a Facebook page that had me racing to find it, but in essence there's nothing on it except a link to a review from the late 1990s of the Peyser bio, one of the very few positive ones that thought her claims of an illegitimate son were valid.
There's also a cropped photo of AG's mouth, the feature that most resembles GG's. Hmmmmm.
If you're to believe this strange and ultimately unproven story, people would see the young Alan Gershwin and nearly fall over backwards because they thought they were seeing a mini-George. Imagine what a shock it must have been after GG's untimely death in 1937. Alan Gershwin was a walking stigma, or else just an oddity with a chance resemblance. But it wasn't just the way he wore his hat, the way he sipped his tea. His gait, his way of inhabiting his lanky body, his nervous energy and the smile that made you hear bells and the intoxicating rattledy-bang of trains - they really did seem to match up.
Or did they?
AG has never submitted to a DNA test. And of course, there are lots of examples of the Separated at Birth phenomenon (many of which I've posted here) that are almost creepy in their similarity.
Might AG be one of these? Now that he has aged, the resemblance isn't quite so startling, except at certain angles. The photo most widely circulated plays that up.
And yet, and yet.
One of the tidbits I found, deep in the archives of a website called The Blacklisted Journalist, was this piece of information, true or not:
Alan Gershwin was born in Brooklyn on May 18th, 1926, his birth certificate recorded in the name of Albert Schneider, with Mollie Schneider, Alan's mother's sister, listed as his mother. In Alan's early years and during his occasional visits with his famous father, Gershwin could never find the courage to acknowledge Alan as his son and introduced Alan as a "son of a friend". For what appears to be endless years, Alan waged a futile battle for full acknowledgement. And while the evidence is overwhelming, denials rage on.
After a sad childhood, lacking even a shred of his father's musical genius, Alan approaches the waning segment of his life still hoping the world will, at the very least, announce him as "the son of George Gershwin," not Gershwin's "son of a friend."
Now that the world is paying at least a scrap of attention, at least enough to take his picture and set up an empty Facebook page, perhaps Alan Gershwin (IF he's Alan Gershwin) feels vindicated. Believe me when I say that I am a bloodhound, and if there is any more information to be found, I will find it. But I haven't found it yet.
Some people coat-tail all their lives, and it's sad. Meanwhile, a weird thing has happened: Alan Gershwin has morphed into someone who looks sort of like George's grandfather, if grandsons bore that much resemblance (which they don't).
In fact, in a rare photo of George's father, we see no resemblance at all.
Just when I am ready to write this off as a strange posthumous form of stalking, I think of Charles Lindbergh. Lindbergh was a bona fide American hero, an aviator who flew solo from New York to Paris in 1927. Tickertape parade, picture on the cover of Time, the whole works. (Except Time probably didn't exist then.) Though he was supposedly happily married to the longsuffering Anne Morrow Lindbergh, rumors dogged him throughout his life that he in fact had several families scattered all over Europe, and that he had fathered, according to the garbled information I found, either four, five or nine illegitimate children (along with the six he had with Anne). These rumors seemed as preposterous as the murmurings that he was a Nazi sympathizer, until the surviving children took DNA tests in the mid-2000s and proved to the world that it was all true.
This one is truly bizarre, one of the strangest photographs I have ever seen. I have no idea where it came from, who took it, and why. Like all the other shreds I found, there's no explanation for it. It appears to be a shot of Alan Gershwin's face in profile, directly behind that of his father, perhaps made as a deliberate comparison. This would have been hard to accomplish, I mean technically, back in the day, so it may be a sophisticated form of photoshopping. The scribbles all over it are somewhat similar to the scrawling George liked to do when he gave someone a photo. He was even known to write little musical phrases, like-a so:
Or were the scribbles by George himself? Unlikely - they're big and sloppy and nothing like George's small, neat, upright hand. (Sidebar note: apparently George's original manuscripts were as immaculate as Mozart's, often without a single correction.) They also obscure the photo, which would have driven him crazy. In spite of the dash and verve of his music, his vibe suggests to me obsessive attention to detail and an insistence on order. On top of that, like most geniuses he was an inherently narcissistic personality who needed the world to see that incredibly beautiful face.
So we are left to compare basic features: the flattish face, the aristocratic high-bridged nose with its handsome Jewishness, the long clean jaw reminiscent of a movie star's. The sloping forehead with its receding hairline. The sweet, sad, expressive eyes that one jilted girl friend described as "heavenly". But most of all, and perhaps this is why it is on the FB banner, the "Hapsburg lip", pouty, sensual and a little sardonic. George had a killer mouth, with the kind of insolently brilliant smile that would light up a foggy day in London Town, or anywhere else.
What do you think? Are you with me here? Am *I* even with me here? Due to the frustrating lack of information, I don't think I will ever know for sure.
BONUS! Just found an incredible version of the "superimposed" GG with Alan Gershwin. It was for sale on Etsy, of all things, for five bucks, an "original", and that's all it said. The mystery deepens. . .
THIS IS HUGE! Recently I sadly learned of the passing of Alan Gershwin. But with his death, yet more mystery is emerging. Anyone who is interested in this strange case should read the article by David Margolick from the New York Times. The mystery may be solved - or is AA more enigmatic than ever?
I met AG at a Bar Mitzvah at which I was performing with my band in 1999. I talked to him for a while, and he sent me an autographed photo of himself at an age when he looked remarkably like GG. The inscription reads, "For Marc Sherman, on behalf of my illustrious father, I am musically yours, Alan C. Gershwin. 10/22/99" I've read the Peyser book, and have always wondered why AG never submitted to a DNA test, unless it was the GG family that refused to cooperate.ReplyDelete Replies
Fascinating! I have mixed feelings about this whole subject. The man seems to live through Gershwin, as if being his (perhaps) son has been his whole life. And yet, there is a guy going around who looks more like Obama than Obama. Lookalikes can make a very good living at it. So I am not sure, especially since he balks at the DNA test. I am re-reading the Peyser right now. I have seen some reviews of it (which are still on the internet, a lot of them for some reason) from when it first came out, and everyone blasted it as heresy. The level of fury tended to say there was some denial going on. The critics protested too much, not wanting "their" George sullied by such possibilities as being hung from the ceiling and whipped by Kay Swift. But more recent Gershwin bios are citing/quoting Peyser as if her ideas have gained more credence in the interim. I get the impression GG has been hermetically sealed by the family for a very long time, adding to his mystery. There is so much we still don't know. He seems to have had the x-factor that makes a genius, whereas Berlin, Arlen, et al. aren't much known to the younger generation. I mean: White Christmas, versus I Got Rhythm/Rhapsody in Blue? Anyway, I am deep in another George phase right now and back on the fox hunt, posting like mad. Tally-ho! (Oh, and - did AG ever really write any music? There is one YouTube vid which purports to have a performance of a very old choral piece, but I am not sure about it.)Delete
I don't know if AG has/had any musical talent or not. There is that Gettysburg Anthem that he composed: https://www.youtube.com/watch?v=INFRrUopSIU. I did see a video of him banging (and I do mean banging) on a piano once. He declined to sing with my band, and doesn't play any musical instrument as far as I know. BTW, I performed my mini version of Rhapsody in Blue at 2 concerts today.ReplyDelete
Where do you play? Piano? RiB is immortal, I think.
I am starting to wonder if AG is a pretender. He seems like a sad figure, living only through his "father", and the stories in the Peyser book seem a bit contrived.
She doesn't get into the "was he gay or wasn't he?", to which I answer, WHO CARES?ReplyDelete Replies
That's OK, I found the CD site! Enjoying it. My piano teacher told my mother I was "unteachable", so to hear this kind of expertise is wonderful!Delete
https://www.youtube.com/watch?v=IgApJUs7DA4 Don't know if this will work - a YouTube video of Love Walked In, my current fave GG, sung in Russian. Wonderful arrangement, beautifully sung.Delete
Then again, AG refuses to take a DNA test, as does William Shatner's "son" who is suing him for x-million dollars. It may be one of the hazards of fame. Another "thing" that comes up with Gershwin is "was he or wasn't he gay?" Personally I don't care, and the answer may be "yes" (both ways), but does it really matter now? We have the music.Delete
He is not gay. George or Alan Gershwin. So before you speak stupidly get your facts straight. Alan is a very difficult man but he is very lovely. It is amazing to know him and k would never change that. If you only had the privilege and be as blessed as I am.ReplyDelete
Alan Gershwin is a living person who has had a very hard life. The nonsense here about his "refusal to submit" to DNA testing gets it exactly wrong. The Gershwin family have never been willing to provide anything for him to be tested against. It has been his lifelong hope to be able to prove his heritage. Joan Peyser searched desperately for a way to get this testing done while she was writing her problematic book (for which the superimposed double profile photo was created). Peyser asked me repeatedly if I possessed anything of my grandmother Kay Swift's that might have George's DNA. She was particularly hopeful for any envelope or postcard that might have a stamp George himself had licked. I had nothing for her, as my grandmother destroyed all letters and photos after George's death in order to preserve privacy. There is no certainty about Alan's claim, but there is much to suggest he is indeed George's son. Kay Swift, who met him when he was a child at least twice, would never make a public statement about this but she certainly never denied his claim.ReplyDelete Replies
Thank you for your comments. I especially value your perspective as Kay Swift's granddaughter. She in some ways reminds me of Mozart's sister Nannerl, who never achieved her rightful place in musical history. Would I be correct in saying the Gershwin family are still trying to negate AG's existence, or at least keep him a secret? Even in the age of Google it is difficult to find any information about his life. At any rate, I found Peyser's book a mixed experience, with some claims that seemed over the top or even downright gossipy. But other bios were almost too reverent, gingerly tiptoeing around anything that would disturb the legend. Others hyperfocused on the music, brushing past problematic areas in GG's personal life. Peyser waded right in there fearlessly, and from what I can dig up, the critics absolutely clobbered her. Now, she is being cautiously reconsidered as a valid biographer, perhaps because of that lack of intimidation (and - just maybe - validation of some of her more outrageous claims). GG's early death must be a factor, and the fact that he was so quintessentially American, reflecting the lavish blooming of musical culture in the '20s-'30s. I also wrote many (many!) posts about Oscar Levant, who in many ways couldn't have existed without GG. But in finding out more about Levant, I couldn't help but gain deeper insight into GG. "Upper berth, lower berth - the difference between talent and genius", indeed.Delete
Alan is alive and well, having just turned 91 years old this week. He's been a friend of mine for several years. He lives with his long-time 'lady-friend," Blossom Tracy (who's 96--and the last wife of Arthur "The Street Singer" Tracy) in NYC. They're certainly one of New York's most colorful couples. I'm a musical scholar...and do you know what? I believe him! When I look at his face, there is no denying there is a strong physical resemblance. I choose to believe him and give him the benefit of the doubt--as I would hate to have it someday be proven that he IS George Gershwin's son--and I was one of the people who didn't believe him. He keeps a pretty sunny outlook, most times...though he does have sort of a cloud of sadness about him. What an awful thing it would be, to have the world deny you your own birthright, wouldn't it? Incidentally, that photo superimposition was originally run in CONFIDENTIAL MAGAZINE in the mid-1950's--they ran an entire article about him, which I could send you if you're interested. In any case, thank you for shining the light on this under-reported musical mystery. I believe you, Alan!Delete
Please do! I would love to see it. I find this whole subject fascinating. I wasn't expecting this many intriguing comments, including a recent one from Katharine Weber, Kay Swift's granddaughter. I went through a real GG phase in my writing and tried to see him through various lenses, especially the people around him.http://margaretgunnng.blogspot.ca/2015/04/stalking-gershwin-julias-story.html I do appreciate your comments and believe you're fortunate to know Alan Gershwin. I'm becoming more convinced all the time! Your description of "a pretty sunny outlook, most times. . . though he does have a sort of cloud of sadness about him" reminds me a lot of people's descriptions of George Gershwin. No matter how many biographies you read, it's very hard to get close to a sense of how he really was. To my surprise, I learned that he appeared to many people (including Ira, who was terrified) as a ghost after he died, no doubt due to all that unfinished business. Anyway, thanks!Delete
Just saw this page. I knew Alan Gershwin when I lived in NY. When I knew him he was selling copies of that double profile portrait ... autograph extra.ReplyDelete Replies
I've received so many comments on this post from people who know/knew Alan Gershwin. He remains a mysterious figure to me. Thank you for your contribution to the enigma.Delete
ALAN GERSHWIN IS NOT AN ' E N I G M A ' ; BUT RATHER IS A REAL ' L I V E ' FLESH AND BLOOD INDIVIDUAL , WHOM NOT ONLY LOOKS LIKE HIS FATHER ; ' GEORGE GERSHWIN ' BUT ALSO HAS THE SAME MUSICAL TALENTS OF HIS FATHER ! I KNOW THIS , BECAUSE I'VE HEARD HIS MUSIC . DID YOU KNOW THAT , HE EVEN HAS HIS OWN PUBLISHING CO. ! I FIRST MET HIM IN 1985 AT A LECTURE IN NEW YORK CITY , ON A TOPIC OF MUTUAL INTEREST , AND WE INSTANTLY BECAME ACQUAINTANCES AND LATER , VERY GOOD FRIENDS . YOU JUST COULDN'T HELP BUT LIKE THIS MAN INTENSELY . ONE OF THE THINGS I WOULD SAY TO HIM OVER THE YEARS THAT I KNEW HIM , WAS THAT IN ADDITION TO ALL THE WONDERFUL MUSIC HE WROTE , THAT HE MISSED OUT ON HIS OTHER SECOND CALLING IN LIFE ! THAT WAS THAT HE ' ALAN GERSHWIN ' IS A GREAT COMEDIAN ! I OFTEN SUGGESTED HIM TO ALSO TRY DOING THAT FORM OF ENTERTAINMENT , AS A SECOND POSSIBILITY . I'M CERTAIN HE WOULD HAVE BEEN QUITE SUPERB AT IT . I CAN SEE THIS IS BECOMING A LONG ABSTRACT SO THINK OF HIM AS A WONDERFUL ' HUMAN BEING ' FIRST AND THEN TRY TO UNDERSTAND THE NIGHTMARE HE WENT THROUGH IN LIFE , IN JUST TRYING TO ' PROVE HIMSELF ' FIRST , AND THEN WHOM HE REALLY IS AND IN ALL OF HIS 80 + YEARS HAS RAISED CHILDREN AND GRANDCHILDREN , I'D SAY ". . .YOUR A BETTER MAN , FOR HAVING DONE IT ALL. . ." ! PLEASE EXCUSE ANY TYPOS OR GRAMMA MISTAKES , AS IVE ' SLOSHED ALL THIS TOGETHER AT 4AM ! ALSO PLEASE EXCUSE MY USING ' CAP-LOCKS ' AS I TYPE MUCH FASTER AND MORE ACCURATELY WITH THEM ON ! THANK YOU !Delete
Met and spoke with Alan Gershwin in 2003 at the annual International Al Jolson festival on Long Island. Nice guy, looked exactly like his pa, if his pa was in his 80s.ReplyDelete Replies
ALAN GERSHWIN IS NOT AN ' E N I G M A ' ; BUT RATHER IS A REAL ' L I V E ' FLESH AND BLOOD INDIVIDUAL , WHOM NOT ONLY LOOKS LIKE HIS FATHER ; ' GEORGE GERSHWIN ' BUT ALSO HAS THE SAME MUSICAL TALENTS OF HIS FATHER ! I KNOW THIS , BECAUSE I'VE HEARD HIS MUSIC . DID YOU KNOW THAT , HE EVEN HAS HIS OWN PUBLISHING CO. ! I FIRST MET HIM IN 1985 AT A LECTURE IN NEW YORK CITY , ON A TOPIC OF MUTUAL INTEREST , AND WE INSTANTLY BECAME ACQUAINTANCES AND LATER , VERY GOOD FRIENDS . YOU JUST COULDN'T HELP BUT LIKE THIS MAN INTENSELY . ONE OF THE THINGS I WOULD SAY TO HIM OVER THE YEARS THAT I KNEW HIM , WAS THAT IN ADDITION TO ALL THE WONDERFUL MUSIC HE WROTE , THAT HE MISSED OUT ON HIS OTHER SECOND CALLING IN LIFE ! THAT WAS THAT HE ' ALAN GERSHWIN ' IS A GREAT COMEDIAN ! I OFTEN SUGGESTED HIM TO ALSO TRY DOING THAT FORM OF ENTERTAINMENT , AS A SECOND POSSIBILITY . I'M CERTAIN HE WOULD HAVE BEEN QUITE SUPERB AT IT . I CAN SEE THIS IS BECOMING A LONG ABSTRACT SO THINK OF HIM AS A WONDERFUL ' HUMAN BEING ' FIRST AND THEN TRY TO UNDERSTAND THE NIGHTMARE HE WENT THROUGH IN LIFE , IN JUST TRYING TO ' PROVE HIMSELF ' FIRST , AND THEN WHOM HE REALLY IS AND IN ALL OF HIS 80 + YEARS HAS RAISED CHILDREN AND GRANDCHILDREN , I'D SAY ". . .YOUR A BETTER MAN , FOR HAVING DONE IT ALL. . ." ! PLEASE EXCUSE ANY TYPOS OR GRAMMA MISTAKES , AS IVE ' SLOSHED ALL THIS TOGETHER AT 4AM ! ALSO PLEASE EXCUSE MY USING ' CAP-LOCKS ' AS I TYPE MUCH FASTER AND MORE ACCURATELY WITH THEM ON ! THANK YOU !ReplyDelete Replies
I'm amazed at the comments I still get on this subject after more than two years. It seems that many people have met him, know him, and love him. I can believe he has had a very hard life living in this shadow, though it must be a source of pride. Thank you for your comments, I appreciate them. I don't usually make it to 4:00, but I've been known to be up til 2:00. I find I can't type slowly as I make too many errors. My fingers have to forget what they're doing.Delete
Alan gave me one if those superimposed Alan/George pictures once. I also have a cassette tape of Alan's songs. He'd come into a Greenwich Village bar I played at and immediately start requesting that I play one of his songs. The only one that wasn't utter hack work was called "This Is Only The Beginning." I must have been the only person playing any of his songs in the entire decade.ReplyDelete Replies
I'm beginning to get a very complicated picture here. Some have echoed your thoughts about AG as an untalented wanna-be, but others insist he's the real thing. At this point I don't know what to think, but I do appreciate all the comments, including yours.Delete
I know a girl that claims to be the granddaughter of Alan Gershwin. I see no mention of his having married or if he had children. I would like to be able to speak to someone who would really be able to tell me if this girl is correct. She also told us that he had passed away on 2/22/18. Can anyone speak to the validity of any of this information?ReplyDelete Replies
Thank you for your comments. This mystery is far from solved! So far this is all I’ve found:
http://www.shalomjewish.com/Services.html
https://www.facebook.com/alancgershwin/
This seems to indicate that he passed fairly recently. Information on GG is very, very scant. The Facebook page hadn’t been updated in four years and had almost no information, but the comments were intriguing. I do recall trying to contact Marty Freedman and being told it was the wrong person, though I don’t remember any more details. But there is some actual contact information here that you might want to follow up on. I can’t believe the number of comments I’m still getting on this, so I will keep looking and post whatever I find. So many people are interested in this man! My gut feeling now is that he wasn’t Gershwin’s son, but that’s just from what I’ve read and seen.Delete
Super interesting. Not surprised that every aspect of Allen Gershwin's life is shrouded in some sort of mystery. it does make it feel a bit fabricated but who really knows. I hope that someone can eventually speak knowledgeably about AG's death and the possibility of his having children of his own.Delete
In the mid-1970's, I met Alan Gershwin in "Pam Pams" a former Greenwich Village eatery on Sheridan Sq. After that, we would meet there occasionally,have coffee and talk and speak on the phone. His address,The Parc Vendome on W.57th St., and ph.# are still in my old address book. He was a nice, gentle man who talked about who he was and his attempts at getting the Gershwin family to recognize him. He was a big fan of Nicholas Tesla and was writing a book on him. I had no reason to doubt his claim at the time.ReplyDelete Replies
I think this subject has drawn a record number of comments (since my blog usually doesn't get comments!). This especially surprises me in light of the fact that the original post ran three years ago. I had a thought that, though he believed he was Gershwin's son, someone may have convinced him of it for reasons unknown. That's not the same thing as being an impostor. So many people who commented here say they met AG him or knew him, and all of them mention his deep attachment to GG. Some have very flattering things to say about him, some not so flattering. Now that he is gone, we may never have conclusive evidence either way. Emotionally and spiritually, I think he was GG's son, but I am not sure about literally. It does seem to have been the central concern and pursuit of his life. GG's life was strange enough, and had he lived a normal span, perhaps this mystery would have been closer to resolution. Thanks for commenting!Delete
An excerpt from a recent obituary/article in the NY Times. Since I can't post a live link here, I'll post it at the end of my piece: "Ms. Peyser’s case for Mr. Gershwin was also skewered, and with a redemptive paperback edition in mind, she set out to buttress it with irrefutable DNA.
There were setbacks: Blood tests revealed that the cousin with whom Mr. Gershwin claimed to have been reared was his brother after all. (He then argued that George Gershwin must have fathered the brother, too.) Meantime, assisted by a Yale medical school professor, Ms. Peyser tried procuring slides of George Gershwin’s brain, from which genetic material might be extracted. An investigator paid nearly $3,000 for a postcard that George Gershwin had sent from Atlantic City in 1918, propelled by a stamp he had presumably licked.
Most dramatically, in January 1999, moments before the place closed for the day and her body was removed, a former F.B.I. agent who had been enlisted in the cause yanked a small tuft of hair from the head of George Gershwin’s sister, Frances Gershwin Godowsky, as she lay at the Frank E. Campbell Funeral Chapel on Madison Avenue. The hair, paired with a swab taken from the reluctant Mr. Gershwin’s mouth, was sent to a lab in Boston.
Mr. Gershwin’s lawyer had devised a sliding scale to calculate his take once he had proved Mr. Gershwin’s case, running from 40 percent of the first $5 million Mr. Gershwin collected to 35 percent of the next $5 million, down to a quarter of anything over $25 million. But the lab dashed all such dreams: Ms. Godowsky and Alan Gershwin, it found, were not related."
I can't understand why Alan never put the story to rest in his later years. I guess everyone likes a good hoax. My favorites are the Cardiff Giant and the girls from Cottingly with their fairy photos. In those cases and in most really GOOD hoaxes, eventually the people behind them admit it.
Often, it doesn't matter, since some people will continue believing. I wonder if Alan figured it wouldn't matter if HE admitted that it was just a story. The fact that he refused to allow a DNA test for so long should have been the end of it, it seems, but it wasn't. People still believed and, no doubt, continue to believe now that the evidence is in.
The only thing I can figure is that he had to keep it up because it was pretty much his whole life. It sounds like he dedicated nearly his entire run as a living person to the hoax. It also sounds like he will continue the tale as a non-living person. Just another example of if you say something enough times, people will think it's true.ReplyDelete Replies
And then there's Piltdown Man, who wasn't even a person! Scientists believed it was an authentic human fossil for - how long? How many years? It's like the painting hanging upside-down in the Louvre. People see what they are convinced is real. From the comments I've received, those who knew AG claimed he talked almost exclusively about being GG's son. He made it into his 90s exuding that sense of exiled royalty (the stuff of fairy tales), which was his raison d'etre. A sorry figure, except now that he's gone I can say that I found him obnoxious. I have a photo of the "exclusive" magazine spread from the '50s and I'm going to try to blow it up and get some text off it. What a weird case, but great writing material! Thank you for your comments.Delete
Goodness, could Alan LOOK more like his father? Who cares what the NYT and The Gershwin Estate and Google try (Why, I don't really know?) to de-tract. Its Biology 101 and Human History. God Bless Alan Gershwin for having the courage to speak up and identify himself against all odds. Kind of disappointed that the Gershwins would be so shady. Tried to find photos of Alan's 4 children and grand children...or George's great-grandchildren, but could not locate on Google. Why...why?ReplyDelete
Late to the thread. I had my dna done a few years back and the closest dna relative to me was a fellow named Alan Gershwin (never heard of him) Did some research and learned Alan was born Albert Schneider, and was either my great uncle, or my mother’s first cousin. Mom’s maiden name is Schneider. Albert, my mom and her siblings were all born in Brooklyn. I found and spoke to “Alan Gershwin’s’ son (we matched dna and he is my first cousin) He wasn’t close with his dad and said he only got in touch to borrow money. Kind of a con man. Alan/Albert was never the same after the war, dishonorably discharged and returned convinced he was GGs son. Mom’s turning 100 and has Alzheimer’s and her sibling are dead, so I might never find out why he was never spoken about in our family… he was kept secret.ReplyDelete Replies
What an amazing story! Thank you so much for sharing it with me. I've been blogging for 12 years or so (and I know blogs have gone out of style, but so have I) and never got so many responses to a single post. When I get comments on posts I wrote NINE years ago, it truly amazes me. This one is still an unsolved mystery, though it surprises me how many people weighed in on it, each from a different angle and some with an eerily close connection to the enigma. I do wonder if he truly believed he WAS George's son, particularly towards the end of his life, and had been abandoned by his famous father. Or was it indeed just an elaborate con? Surely the myth would gain powerful sympathy from some quarters, and he DID compose one piece of music that we know of. Someone else told me he played the piano, but badly. I have come to the conclusion his story likely wasn't true, but he obviously put great energy into maintaining the narrative. At any rate, wow. This is truly incredible, and to learn all this after nine years has just lit up my morning.Delete