Showing posts with label Wizard of Oz. Show all posts
Showing posts with label Wizard of Oz. Show all posts
Wednesday, August 2, 2017
Thursday, May 26, 2016
The best idea George Lucas ever stole from anyone!
So who's original any more? Who makes mega-billions of bucks on someone else's idea(s)?
In the second gif, which I made myself, the characters are in almost the same position as in the Star Wars one (shared from FB).
Takes forever to see these things, then everyone in the coffee room exclaims "Ohhhhhh! That's so NEAT!", a response that used to represent intelligence, and now indicates that 90% of people have jello for brains.
It isn't "neat", folks. It's plagiarism. Gee, let's have four characters set out on a Great Adven- no, no, skip that, a great QUEST. One will have a lot of fur all over. One will be the Token Girl. One will clank when he walks, and one - well, skip that one, it doesn't match up at all. We never see Han Solo dance and stuffing doesn't come out of him and he isn't set on fire.
But does he have a brain? He's still in Star Wars, isn't he?
And look ye! All right, the resemblance isn't exactly monstrous, but there definitely IS a comparison between Judy Garland's tempestuous life of substance abuse and mental illness, and Carrie Fisher's tempestuous, etc. etc. The two have similar brown-eyed/brunette hair and skin colouring. Though it was well-hidden in the movie, you can see here that Garland has a slight outbreak of teenage acne. Facial shape is very different, but look at the eyes! Dorothy here does not look frightened so much as amazed, and already figuring out the next step. This is not a frightened kid. The only time Dorothy is frightened is when she's in the Witch's castle and the Witch has turned over the hourglass and Dorothy sees Aunty Em in the crystal ball. . .and. . . I start bawling, every time. It's one of two - no, actually three or four places in movies where I always cry, even though I know what's going to happen. Another is Mammy and Melanie going upstairs in Gone with the Wind, and then. . . "they got Charlie" in On the Waterfront, and oh. . . I'm going for lunch now.
Sunday, September 15, 2013
Wizard of Oz 2011: Hanging Munchkin Found on VHS Tape
I just like the concept. The video is, of course, a hoax. But the vastly slowed-down picture and soundtrack is pretty frightening. Supposedly the munchkin committed suicide because he didn't make the Lollipop Guild.
Dear Sir or Madam, will you read my book
It took me years to write, will you take a look
Order The Glass Character from:
http://www.amazon.com/-/e/B001K7NGDA
Barnes & Noble
Thistledown Press
Monday, March 5, 2012
Tin Man: I'd oil him any day
Does tin really rust? Do we really care? As a kid, I was pretty fascinated with this guy. He was my favorite character, and I loved that scene where Dorothy oiled up his arthritic joints and set him free.
The Wizard of Oz came on TV once a year, and everyone looked forward to it with rabid anticipation. Even though we had to watch the whole thing on a small screen in grainy black-and-white (in fact, I had no idea most of it was in color until decades later), the so-called-blase kids of the '60s clamoured for this kind of fantasy, which was already 25 years out of date.
What the hell WAS a "tin man" (or "tinman", as he was more properly called) anyway? A lion you can understand. Even a scarecrow. But here was this mysterious metallic guy, who rusted solid while trying to chop some wood in the rain. He made squeaky little sounds that only the Scarecrow (who was really smart: hehheheheheheheheh) could understand.
(Causing my brother to say, on at least one occasion, "He-e-e-e-e-y! The Scarecrow's not supposed to be smart!" Another time, he even said, "That guy was already on. At the start. You know, on the farm." Weird.)
But it gets stranger: in the original L. Frank Baum series of kids' books, he was called the Tin Woodman. Even more confusing for kids in a relatively high-tech era. I have to confess I am still not sure what a woodman is: someone who chops wood for a living, or lives in the woods, or is made of wood like Pinocchio (no, strike that)?
But listen: this isn't where it started, at all. Back when I was trying to find images to illustrate the Dylan Thomas poem, And Death Shall Have No Dominion, I found myself in strange and disturbing territory.
There are some pretty gruesome images in the poem of bones cracking and people getting stretched on a rack. (This must have been written during one of his rare sober periods.) So I found myself wandering into the dark territory of Medieval torture and the Spanish Inquisition.
No, I won't get into that Monty Python sketch (though I was tempted: but it's Monday, and it would be too much work. Another time.) But when you see these things - do I even need to tell you what they were for? - it's enough to put you off your breakfast.
(Hint: this one opens out like an umbrella.)
Right. So what's the connection to the Tin Woodman? Not much, except they all seem to be made out of metal (and rusty metal at that).
I can see one of the King's lackeys oiling up this head-smasher so it would work more efficiently, or perhaps take longer.
I cannot tell you what I saw in this picture at first glance: suffice it to say that I never knew Woodie was so well-endowed. Oops, that's his arm, isn't it?
There were a lot of early stage productions (and a few silent film versions) of this story before it became a bouncy, quirky MGM extravaganza in the 1930s. Here the Straw Man, somewhat resembling a chemo patient, greets the Tin Woodman with immense affection. The two share the common trait of being inanimate, after all.
The original illustrations by W. W. Denslow portay the Tin Man as a reasonably friendly figure (despite his lack of a heart). A little on the skinny side, but MGM got that empty barrel chest just right. (Boom-boom-boom-boom-boom. . . "What an echo!")
But then I found this one, which looks more like something out of a Whitley Streiber book. Is that big-headed, obviously alien figure putting his heard in, or taking it out? The tin guy's immobile face reveals nothing.
And this one, well, shit, he's a ROBOT and couldn't be anything else. I don't know how you could warm up to him or even want to apply the oil can to his seized joints. He's all cogs and gears and iron-clad Uggs, and if you look closely, he has a moustache. A sort of oven door on his chest should bear the inscription, "Insert heart here."
People made out of tin. The Borg on Star Trek. That hideous moment at the end of The Fly (the one with Jeff Goldblum) where he fuses together with the teleporter and emerges dragging chunks of machinery.
I don't know what it all means either, but it's cool.
Wednesday, February 29, 2012
The Wizard of Oz as you never wanted to see it
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It was very strange to see these again. This is a bizarre take on The Wizard of Oz, with everything turned upside-down: Rusty the Tin Man really is heartless and nasty; Socrates the Straw Man (straw man? Just what IS a straw man, anyway? Sounds like something out of The Wasteland: "We are the hollow men, head-piece filled with straw") is really brainless; Dandy the Lion (an interior decorator who has definite "tendencies") is scared shitless of everything. So the weird twist in the original, i. e. that the characters already possessed the things they wanted, is twisted the other way. Nobody has any good qualities at all. The result is. . . pretty twisted.
You can find virtually pristine-quality videos of this 1961 series on YouTube, but for some reason the opening and ending sequences have been cut. When I look at them, it's very strange: I originally watched them on a grainy b & w set, so seeing them looking so brand-new and vividly, even garishly coloured is disconcerting. Almost hallucinogenic. Were the animators dabbling in exotic '60s substances, I wonder?
I wanted to include those opening and closing sequences, so I had to use this faded, slightly blurred cartoon as an example, even though it doesn't include all the characters (i.e. the Wicked Witch, who has a voice that could shred steel). There are other oddities, such as teardrop-shaped munchkins that seem completely expendable (i.e. they are casually killed in nearly every episode), a Wizard that talks like W. C. Fields, a dragon that pops up now and again (scaring the shit out of Dandy), and a land where everything is upside-down.
I can't find any one cartoon that gets all this across, so I chose this one where the main three characters demonstrate their "special" qualities. When I was about seven and watching these for the first time, I just sucked it all in like Jell-o or Junket or Cream of Wheat, without analyzing it. It's only now that I see how very strange and even disturbing it all is.
(Post-script: someone posted a comment on YouTube claiming that these cartoons were made in Canada, and I wondered: could it be? They were produced by an American animation giant, Rankin-Bass, best known for their cheesy-but-beloved Christmas specials with stop-action figures that reminded me of that annoying little Alka-Seltzer guy. (And Davy and Goliath? We'll get into that later.) This series isn't stop-action, in fact it falls under the category of hallucinogenic art. But when I began to probe, some familiar names popped up. This series was apparently created by the '60s entertainment impresario Budge Crawley. Among the voice actors were Bernard Cowan and Carl Bana: I remember Cowan as an announcer on game shows or something. All Toronto guys. Well, why not: Spiderman was voiced by Paul Soles, a veteran Canadian jack-of-all-trades actor and entertainer, and where would we be without catch-phrases like "Walloping web-snappers!" and "My spidey-sense is tingling." There's just something about Canadians. Strange people.)
It was very strange to see these again. This is a bizarre take on The Wizard of Oz, with everything turned upside-down: Rusty the Tin Man really is heartless and nasty; Socrates the Straw Man (straw man? Just what IS a straw man, anyway? Sounds like something out of The Wasteland: "We are the hollow men, head-piece filled with straw") is really brainless; Dandy the Lion (an interior decorator who has definite "tendencies") is scared shitless of everything. So the weird twist in the original, i. e. that the characters already possessed the things they wanted, is twisted the other way. Nobody has any good qualities at all. The result is. . . pretty twisted.
You can find virtually pristine-quality videos of this 1961 series on YouTube, but for some reason the opening and ending sequences have been cut. When I look at them, it's very strange: I originally watched them on a grainy b & w set, so seeing them looking so brand-new and vividly, even garishly coloured is disconcerting. Almost hallucinogenic. Were the animators dabbling in exotic '60s substances, I wonder?
I wanted to include those opening and closing sequences, so I had to use this faded, slightly blurred cartoon as an example, even though it doesn't include all the characters (i.e. the Wicked Witch, who has a voice that could shred steel). There are other oddities, such as teardrop-shaped munchkins that seem completely expendable (i.e. they are casually killed in nearly every episode), a Wizard that talks like W. C. Fields, a dragon that pops up now and again (scaring the shit out of Dandy), and a land where everything is upside-down.
I can't find any one cartoon that gets all this across, so I chose this one where the main three characters demonstrate their "special" qualities. When I was about seven and watching these for the first time, I just sucked it all in like Jell-o or Junket or Cream of Wheat, without analyzing it. It's only now that I see how very strange and even disturbing it all is.
(Post-script: someone posted a comment on YouTube claiming that these cartoons were made in Canada, and I wondered: could it be? They were produced by an American animation giant, Rankin-Bass, best known for their cheesy-but-beloved Christmas specials with stop-action figures that reminded me of that annoying little Alka-Seltzer guy. (And Davy and Goliath? We'll get into that later.) This series isn't stop-action, in fact it falls under the category of hallucinogenic art. But when I began to probe, some familiar names popped up. This series was apparently created by the '60s entertainment impresario Budge Crawley. Among the voice actors were Bernard Cowan and Carl Bana: I remember Cowan as an announcer on game shows or something. All Toronto guys. Well, why not: Spiderman was voiced by Paul Soles, a veteran Canadian jack-of-all-trades actor and entertainer, and where would we be without catch-phrases like "Walloping web-snappers!" and "My spidey-sense is tingling." There's just something about Canadians. Strange people.)
Tuesday, November 22, 2011
The Munchkin Suicide Conspiracy: SOLVED!
Did I say I was finished posting about the bogus munchkin suicide scene in The Wizard of Oz? Did I? Well, I'm sorry but I lied. I found this video today and HAD to post it. This, folks, is truth. We may have been taken in; we may have let Satan lead us astray. But with the help of almighty YouTube, the truth has been revealed: yes, brothers and sisters! Let the munchkin speak!
http://members.shaw.ca/margaret_gunning/betterthanlife.htm
Saturday, November 12, 2011
Munchkin Suicide Debunked: IT'S A BIRD!
Good morning, people. I've found the answer to the munchkin suicide riddle in The Wizard of Oz. Someone actually found a scene where a very large bird is wandering around loose on the set. It looks gigantic, like some sort of dinosaur, which I guess is creepy enough. The woman on the video calls it a "peacock", but it's much too tall for that (peacocks go sideways rather than up), like a crane of some sort. It has a long neck and a very wide wingspan which you can clearly see in the background scene. Its head dips up and down and it partially turns. Now, I have no idea why they let birds wander around loose like this, probably leaving gigantic birdie-poops all over the set, or whether there were any other critters around that we just haven't ever focused on. I'd have to watch it again and be on "critter alert". It'd be interesting! Maybe there's a bandicoot having sex in the background or something.
(but I found this also, just now: Wiki sez there might be something going on:)
Hanging Munchkin Suicide Rumor
An urban legend claims that, in the 1939 film, a Munchkin can be seen committing suicide (hanging by the neck from a prop tree and swinging back and forth) far away (left) in the background, while the Tin Man, Dorothy, and the Scarecrow are singing "We're off to see the wizard, the wonderful Wizard of Oz!" and skipping down the Yellow brick road into the distance. However, what is mistaken for a Munchkin can be seen to be a large bird (possibly an emu or a crane) spreading its wings; there is a black tip on the wings. However there are many thoughts thats the bird was editted into the videos and DVDs upon realisation at the view. There are known to be two clips of the scene, one with a shadow that looks like the bird and another that looks like the hanging munchkin [42]
We'll try to avoid analyzing all the spelling and grammar imistakes in this article - it's likely one of those entries of questionable validity. But the truth is, I DID see two clips that were very different from each other. The video where the speed slows down to a near-crawl shows what looks eerily like a small maybe-human figure, or else a sack of cement, hanging and swaying back and forth. Now the hanging camp is saying the bird was photoshopped in later to cover the macabre view (and to avoid dragging everyone back into the studio for a retake). But that leaves the mystery of the large emu or crane or whatever, bumbling around on the set in earlier scenes. My bet is still with the bird.
The Wizard of Oz: Little People, Big Suicide
Alrighty then! Having scouted around amongst the hundreds of Wizard of Oz clips with dangling little people, I've found some pretty convincing truth that what we see in the background is a giant bird wandering around loose on the set, dipping its head to eat something and then stretching its wings out. The more you look at it, the more you see it.
The one I posted yesterday was just weird, as if they had somehow altered the image to look like something swinging back and forth. I think it had been doctored to match the urban/Hollywood myth about the suicidal munchkin.
I found another video that I will also post, in which we actually see the bird in another scene! I want to watch the whole movie again: probably there are lots of weird creatures wandering around to add atmosphere.
Friday, November 11, 2011
Munchkin Suicide: Caught on Tape!
Do you sincerely wish to be creeped out? Then watch this. There's been an internet rumour around for years about The Wizard of Oz: supposedly you can see a munchkin hanging himself in the background while Dorothy, the Tin Man and the Scarecrow do their sprightly little "Off to See the Wizard" quickstep.
I have no idea if the tape has been doctored, or if it's just something else in the background (though it does appear to swing oddly). In other versions, definitely doctored, you see legs kicking out. In still others, the munchkin is hanging upside-down. Not the best way to kill yourself.
The reason given is that he was up for the part of the third flying monkey from the left, and didn't get it due to his Armenian accent.
How many times have I seen this movie? I still watch it once in a while, and it's crackin' good. It holds up well and is beautifully performed all the way through by actors who seem to relish their parts. (Next time you watch it, pay close attention to Ray Bolger when Dorothy is saying goodbye at the end: those are real tears in his eyes. Something about Judy Garland grabbed the heart of even this seasoned old pro.) It even has a timeless message: you gotta find everything out for yourself, kid - no matter how obvious the lesson is in retrospect.
When I was a kid, it would come on once a year like Mr. Magoo's Christmas Carol (the one with the "razzleberry dressing"), and nobody had a colour TV. But everybody got excited about it and talked about it in school. It didn't bother us that Dorothy stepped from the black-and-white world of the barnyard to the magical, astonishing black-and-white world of Oz because we thought it was spozed-ta be that way.
When I first saw it in colour, and God knows when that was, maybe on TV much later, I was blinded by all the sequins. Everything seems to glitter in this, but then again, Oz is a supernatural sort of place, isn't it? And I'll bet all those sequins were sewn on by hand.
And it took me forever to figure out that it was the same guys at the beginning, you know, that guy that falls into the piggy poo and stuff. And why'd they have such a runty little dog on a farm? I guess the border collie didn't get the part.
And oh, I still cry when Dorothy's imprisoned in the witch's tower and the hourglass is running out and Aunty Em appears in the crystal ball and says, Dorothy! Dorothy, where are you? I'm embarrassed, but I always do.
My grandkids watched this on DVD a couple years ago, and while Caitlin squirmed around and stood on her head a lot, she seemed to enjoy at least parts of it. She had fun imitating the actors' nasal New England and Bronxian accents, i. e. "If I only had a haaahhhht," and "Dah-rah-thee!" Surprisingly, Ryan, then four, was playing cars as usual, but dropped what he was doing, sat cross-legged, and watched the whole thing almost without blinking. I asked him what he liked best, and he showed me his dimple and said, "I liked the ending."
Ah, yes - so do we all.
So anyway, what's creepy about this clip isn't so much the shadowy "something" in the background (and God knows what it really is; most movies have multiple flubs in them even now), but the way the sound keeps slowing down and slowing down until it's an inhuman, dragged-out, almost Satanic groan, the music pounding and thudding and the voices bawling like tortured animals.
S'cool! I liked it, too.
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