Iconic cupcakes and other irrelevancies

This is the greatest mystery of the human mind—the inductive leap. Everything falls into place, irrelevancies relate, dissonance becomes harmony, and nonsense wears a crown of meaning.

John Steinbeck

This WILL make sense: itwillitwillitwillitwillitwill. . . and if it doesn't, it's cuzzadafact that I just got up and am not yet fully awake and have many other things to do.

I've been compiling a list of things that belong together, mainly because they annoy the shit out of me. If they seem dissonant, irrelevant, etc. (I almost said "whatever"!), then bear with me. Soon all this nonsense will wear a crown of meaning.

 

The cupcake theme leads the way, more or less, because cupcakes have become ubiquitous since that moment some time in the '90s when Carrie and Miranda sat there on a park bench cramming their faces with cake and talking about (what else?) "crushes".

Cupcakes might've become Big (to coin a phrase, an awful one) anyway, but somehow-or-other, perhaps because of Carrie spitting out little pieces of cake while she waxed all giggly like someone in high school,  they blew into the stratosphere - imagine  little multi-colored sparkly-icinged projectiles raining down on us all - and still dominate kids' birthday parties, baby showers and even WEDDINGS.

No more does the bride-to-be fuss and twitter (I mean "twitter", not "tweet") about that dire necessity of marriage, the wedding cake. She won't have one anyway. It'll be a cement-frosted edifice made oout f styrofoam and it will cost $1550.99.

No, she will fuss and twitter about importing "special" cupcakes like the ones Carrie and Miranda ate 18 years ago on Sex and the City. From the Magnolia Bakery in New York.

This is how cupcakes become. . .(and here is my point - yes, there is one - ) iconic. And if cupcakes can become iconic, so can everything else.

The word is thrown around so casually these days that no one notices any more. James Bond has his iconic martini. The Kardashians have their iconic stupidity. Justin Bieber has his iconic stupid haircut. Simon Cowell has his iconic nastiness.  And I'd think of more, but I don't have to: just listen for it for one day and you'll see.

So what is an icon? It's a symbol so culturally significant that it comes to stand for a whole world of meaning. I think it even has religious importance, a focus for prayer or worship. It hardly relates to cupcakes. But in this air-puffed, sugar-spun world, maybe it does.

 

Let's get the next one out of the way now because it nauseates me so much:  "awesome". In the course of a day, I hear this 29,000 times, to the point that it means nothing at all. In fact, its empty-headed non-meaning is worming its way into the dictionary, as so many non-words eventually do.

"Here's your change."

"Awesome."

"I had my shoe fixed."

"Awesome."

"My AIDS test came out negative."

"Awesome."

And so on, and on, and on.

If something really is "awesome", such as whatever-that-American-thingie-is-called, Mount Rushmore, or Old Faithful, or the Sistene Chapel or something, I don't know what the response would be because you've already used up "awesome" on all those stupid, empty-headed, meaningless things.

I saw a book not long ago: 500 Things that are  Awesome, or some-such. I flipped through it and, as my Jewish brethren say, plotzed. One of the things they listed as "awesome" was your colon. It described in detail its role in processing human shit as it made its way out your - I won't go any further, but hey, it's "awesome", isn't it?

Another one I'm hearing every day: "surreal". Maybe it's because our whole world is surreal now. But it's being applied to everything, i. e. the plumbing failing or having to take your cat to the vet. "He was throwing up furballs. It was surreal." Why do these words catch on? Is it a disease, and how soon before we all start scratching?

I will add to this "no problem" in place of "you're welcome".

"Thanks for loaning me $5,000,000.00 till payday."

"No problem."

What does this mean exactly? "This is not a problem." " There is no problem here." Why say that instead of the courteous non-phrase "you're welcome" (which doesn't mean very much either)?

People say it BECAUSE EVERYONE ELSE IS SAYING IT. Mooooooooo!

But the lowing herds of humanity don't stop there. "You betcha" sometimes stands in for "No problem," and means even less.

I don't know if this is a catch-phrase or just a stupidity, but whenever something disastrous happens, a fire or a shooting or 9-11 or anything on a traumatic, unexpected scale, everyone says, "I thought I was in a movie."

No one seems fully present in reality any more. It's all watched on some sort of vast screen in 3D, and we're just spectators with no active role. "It looked like a movie." "I heard some sort of popping noise."

That popping noise is GUNFIRE, you fucking idiots, and that is what it really sounds like, not the "BLAMMMMM!"  that has stood in for decades on TV and in movies. It's a sound that comes out of some sort of central sound effects bank, and it's the only way movie directors can convince people that a gun has actually been fired. It's kind of like cars exploding into fireballs when someone lights a match. It doesn't happen that way, but it has nevertheless become our collective reality.

So when someone fires a real gun, it sounds kind of like a muted firecracker, a puh-puh sound, and no one dives for cover but just stands there stupidly waiting to be shot because THIS MUST BE A MOVIE. Which might be followed by another statement (if such a thing were possible):

"This must be dead."

Shut. UUUUUUUUHHPPPP!!!

Not long ago I was sitting at the bumpy back of a shuttle bus, when I overheard two girls talking.

They must have been somewhere around the age of fourteen (oh God, maybe twelve), headed to Megalopolis Mall for some serious retail therapy. They were deep in conversation in rapid, breathless phrases that almost ran together into one word:

“So I’m like, you can never wear those jeans, Ashley. And she’s like: Kaylee, they make me look 15 pounds thinner! And I’m like, you can’t see them from the back. It’s like majorly muffin-top. And she’s like: maybe I don’t want to look anorexic and have no butt at all. And I’m like: bitch, what are you saying? And she’s like: nothing personal, Kaylee, but you’re like soo thin I can see right through you.”

Her conversation mate Madison replied, “I’d like be so offended, Kaylee, you’re just soo not anorexic, you can like wear a size zero and she’s like jealous.”

I tried to count the “I’m likes”, but lost track after about 20. This phrase, originated by kids who were born in the mid-‘90s, has hung on with surprising tenacity, even longer than, “Then I go. . . then she goes. . . then I go. . .” (“Go” meaning either “say” or some other active verb).

I don’t know how it happens, but obnoxious phrases and quirks of speech seem to worm their way into common discourse, to the point that I’ve heard middle-aged people say “I’m like” (and inflect their voices with that curious upward, ask-permission sound at the end of sentences that communicates chronic but somehow fashionable uncertainty.)

I can’t remember when I first started to hear the phrase “change it up”. You can arrange your living room furniture around the 80" flat screen TV, or you can change it up and stack the sofa on top of the coffee table. Bored with a certain routine? Change it up.

(This is related, but only indirectly, to “man up”. I don’t need to translate that one.)

I am convinced that this particularly irritating phrase originated with Dr. Phil, that transplanted Texas cowboy, his speech peppered with “y’alls” and “you guys” (and don’t get me started on that one, often used by 20-year-old waiters on dignified elderly couples).

Another Phil-ism that I detest is the dreaded “You know what?” I know a woman who says it before every sentence she utters. I am tempted to respond with “NO! WHAT?”, except that this phrase doesn’t really mean anything, and she probably has no idea she’s even saying it. Her mouth is just flapping and something is coming out.

As the song goes, everybody’s talkin’ ‘bout a new way a-walkin’. Or, a-talkin’. Here are some particularly poisonous examples.

No one can say a short “e” sound any more. It’s more like “ahh”. As in, “ahhvry.” “Ahhvry time I go out with my boyfrahhnd, he’s like, I wanna go to bahhd with you, and I’m like, soo not rahhdy.” This isn’t just in people under 30, unfortunately. It has spread like a communicable disease. The jaw drops lazily open and doesn’t bother to come up again (“sahhx”).

It isn't an accent. It's an affectation, and it radiates "dumb" more than people realize.

Another annoying quirk is one popularized by Stacy London of the psychologically sadistic show What Not to Wear (in which women are completely broken down, cult-like, in order to be built back up again by the immutable laws of fashion): “Shut! Up!”. This is not a literal shut up, but almost a seal of approval, replacing the outworn “you go, girl!”. It’s a variation on Elaine’s “Get! Out!” on Seinfeld, accompanied by a push so hard it literally knocks the other person over.

Oh, but I’ve saved the worst ‘til last, and it’s so ubiquitous that people don’t even hear it any more. “Icon”. Or “iconic”, the two are almost interchangeable. Tomorrow, as an exercise, count the number of times you hear or read “icon/iconic” in the media. I once counted five, and that wasn’t unusual at all.

Anything can be iconic now, which means that nothing is. Some asshole journalist was blathering on and on about Sex and the City (after that lame movie came out) and said that the cupcakes Carrie and Miranda ate were “iconic”, leading to a rash of cupcake stores that now litter the landscape all over North America.

OK then, can cones be iconic? As in ice cream?

You nahhver can tahhl.

Shock and awe

I don't know, I just keep stumbling across things, and they're so interesting. So long as that keeps happening, I guess my brain will be alive, or relatively so.

Bopping around channels trying to find something remotely watchable last night, I fell into a Biography profile of Carrie Fisher. I watched it half-wincing and half-gawking: she has made of her life a sort of public freak show, a dramatic "look at me, world, I'm a courageous survivor," running parallel with a train wreck that is not always in slow motion.

Think of Carrie Fisher and you immediately think of her "iconic" (wince! wince!) role as Princess Leia (or however you spell it) in Star Wars. She was sweet and innocent then, but there was a wild look in her eyes: at times they were glazed, other times spinning like pinwheels.

She was more than an actress, which was probably a good thing during the long dry periods between roles. Her numerous novels, thinly-disguised memoirs with titles like Postcards from the Edge, The Best Awful, and Wishful Drinking, allowed her to write about her distorted life without really committing to the facts. "Oh, that's not really me, so it doesn't bother me," her Mom Debbie Reynolds breezily comments on the Biography show. Meaning, the devastating Shirley MacLaine portrait of her as a shrieking out-of-control drunk in the movie version just bounced right off her.

Oh, and the drugs. This is too complicated to take blow by blow (and I do mean blow). Early in her career she hooked up with Paul Simon, and they did a lot of drugs. Married a man who turned out to be gay. And did a lot of drugs.

And did drugs. And did drugs.

There were blurry allusions to something more murky going on, even between drug binges. I was jolted to see her interviewed on 20-20 some years ago, talking with great gusto and manic, glittering eyes about a massive psychotic episode she'd recently had, requiring hospitalization. She mentioned being on nine kinds of medication.

I have never seen anyone talk about a "breakdown" (a term I despise almost as much as "iconic") with such verve and even excitement. The drama obviously appealed to her. She talked about announcing to her friends that they were all going to have "a race to the end of my personality". It was grandiosity in the farthest extreme. Her eyes were glassy and her gestures almost violent. "I'm mentally ill!" she announced, like someone telling us she'd won the lottery.

But hey, she was well now, it was all OK (because these shows/articles always strain for the happy ending that the public demands). Eventually she popped up again doing a one-woman show which was also a (real, this time?) memoir.

Then, oops. It all got strange again.

In the present-day interviews on Biography, Carrie just looked weird, like a bag lady. She had gained maybe a hundred pounds and was wearing mismatched clothing, florals with garish plaids, and thick glitter on her eyelids. She looked like a drag queen with extremely poor taste.

She talked about having ECT (sometimes called "shock treatments") for an intractible depression, and raved about how well they had worked. I also dug up an article about how she had experienced profound memory loss and hated the way she looked, as if getting back your sanity was a tradeoff in which you lost great chunks of your identity.

Not a happy story, and it ain't over yet. There is still a raging debate over ECT, and those who are against it call it barbaric, a form of brain damage that should have been done away with decades ago along with insulin shock and ice baths.

The other day I posted about Janet Gotkin, a young writer who was ground into hamburger by the state hospital system in the '70s. Janet was subjected to numerous ECT treatments, and at one point personally requested them (which means they must have done some good). The story ends very strangely, with Janet taking a massive overdose of Mellaril which does not quite kill her. Somehow it reboots the computer of her brain and she is "cured", at which point she realizes she has been "fucked over" by the doctors, treated like a cipher and tortured by ineffective therapies. So she devotes the rest of her life to raging against the system.

I couldn't find anything more recent than 20 years ago, but by then Janet was raging again, this time about being an incest survivor, the diagnosis du jour of the early '90s.

I don't know if there's a point to all this. The vibrant but obnoxious and egocentric Carrie Fisher claims she has been "cured" by shock treatment, while at the same time looking and sounding like a badly-distorted version of herself. This isn't just ageing, it's something else.

Her speech is slowed down, and her eyes don't look normal (not that they ever have). Could it be that all the past drug abuse has caught up with her, and her brain has begun to fall in on itself? Why shock treatments, when there are gazillions of drugs out there to treat depression? Was it really depression, or an even more extreme episode of mania (which is always less socially-acceptable, especially for women)?

Carrie seems convinced that this worked for her and gave her her life back. Meanwhile we have the "anti" faction, no less convinced that ECT is a killer. The truth is that nobody really knows how it works. It's supposed to be less violent and intrusive in its present form, but you still wake up with a wet nightie and don't know where you are.

What part of you is humbled or subdued by this process, then: the nuts element, the raging craziness, the wild delusions? To put those down "once and for all", you have to be pretty forceful. One part of you has to be killed so that the rest of you might live. Or so the naysayers think.

Dick Cavett has also gone on the record to say that ECT saved his life. He was diagnosed with severe depression, but at a certain point in mid-life, that changed to bipolar disorder (as if it can take years, even decades, for the ravaging shark to really get hold of you). I don't know how many shock treatments he has had, or if he will need more. The brilliant writer William Styron described depression perhaps better than anyone in his memoir, Darkness Visible. But depression became his career, and he had to revisit the shock wards again and again before he died.

Don't tell me there's no cost to this.

Don't tell me there "might" be "temporary" memory loss.

This treatment has a price, potentially a very steep one. Worth it? I don't know.

Another thing occurs to me. (Oh, what a ragbag my brain is!) I saw an episode of House in which a man's memories had to be erased for some medical reason. So. . . they gave him ECT. Before doing so, there was a sad discussion in which the reluctant staff talked about the "cost" of the lifesaving process. "But his memories will be completely gone. How will that affect his identity?"

Finally they decided, fuck identity, we need to wind up this bummer of a show. They went ahead with the ECT, meanwhile putting out there in the culture yet another myth: that this treatment leaves you an emotional vegetable, your memory slate wiped completely clean.

Shades of Jack Nicholson.

I'm like, iconic

Sometimes I think I'm being left behind so swiftly, the people around me are a blur. I'm turning into one of those grannies that picks at grammar and parses sentences.

Or something.

I was never taught to write, not exactly, but reading a gazillion books when I was a grubby little kid taught me something about respect for language. I kind of soaked it in. It hurt me when someone mangled the language, especially in print.

I'm aware of the phenomenon of catch-phrases, words or clumps of words that catch on and become so common that no one notices them any more. The big one right now is "I'm like".

I challenge you to count the number of times each day that you hear "I'm like" (or "he's like", or "they're like," etc.) Everyone says this now, often several times in a sentence. Even Oprah and Katie Couric say it. Does anyone stop to think what it means?

"Like" means, well, either you like something, or you resemble it. "I'm like" seems to be saying, "I don't feel this way, but I feel something like it." It's all happening at a remove.

And don't get me started on "icon/iconic". It proliferates like a cancer. Maybe icon started with computers, who knows, but iconic (which for some reason reminds me of some sort of verbal ice cream cone) has long departed from its original meaning: a person or thing that is representative of an entire culture, a focal point for humanity. (It can also mean, in its original form, a religious object like a statue that becomes an object of veneration.)

Everything's iconic now. Pop singers are iconic. Pants are iconic (if they're Levis). I wince when I see it. Is it one of those words that people think makes them look intelligent if they use it? The worst, but only so far, was an item related to Sex and the City: cupcakes. Yes. Cupcakes are iconic. Or at least, a certain variety sold in New York are iconic.

Maybe some people or things are iconic, like Bogart and Bacall. But they only come along every so often, and usually aren't recognized until after they're dead.

So what's the point of all this? Shit, I got another lousy rejection the other day, and it has me smarting. And aching. I've already published two novels that I am very proud of, but neither one was a hot seller. Since 2005 I've written two more novels and a book of poetry. And I get brushed off everywhere. Agents won't look at me. Why? Maybe because I write in complete sentences! Cupcakes aren't iconic, and I'm not like anything, I am.

The casual mangling of language has become the norm, and if you're like me and care about how to put a sentence together, you're obsolete. Or so it seems right now, after the latest kick in the head has been delivered. I won't quote her exact words, or the Agent Police will get after me.

So I should maybe retitle my latest novel? What should I name the baby?

How's this: "I'm Like, Iconic, Cupcake."