Suicide: in the jaws of the dragon

Since my readership is very slim, to say the least, I feel relatively free to talk about a subject no one seems to want to mention. It's tiptoed around, or recoiled from, both from fear it will happen to someone they know, or from the kind of entrenched stigma that buries certain topics due to intense shame.

I heard of a death not long ago, and it was not someone I knew. I read the announcement on a friend's Facebook page, and even though I am removed from the situation, I found it disturbing. It pertained to a 42-year-old man, a teacher, who died suddenly and shockingly, leaving the family "devastated". There was a very long passage about what a beloved figure he was among his students and colleagues. All through this description of the man's life, I kept thinking, suicide. I could not be sure, but it was written all over the passage, the shock and despair that seemed beyond a more natural death. Certainly no other cause of death was listed anywhere, which was unusual for one so young. Even the long passage about his achievements and his status as a much-loved figure carried a faint sense of "we don't know how this could have happened to a man like this". Not homeless, not a drug addict or an alcoholic, but the kind of person who would never think of such a thing because he was so  accomplished and well-liked.

Then, a couple of weeks later, there was a sort of updated statement, saying that the family had thought it over and decided to talk about the fact that he had committed suicide. One of the first things they said (which was also included in the first notice) was how gentle his passing had been. They insisted "he felt no pain". I was stunned. I have experienced suicidal depression, and it's like trying to pull yourself out of the mouth of a dragon before you are ripped apart or immolated. There is no peace. It is never painless. How could it be, if you've just decided to destroy yourself and deprive the world of a totally unique human presence - forever?

I assume they were referring to his lack of pain AS he committed suicide, or lack of pain AFTER he committed suicide - neither of which make sense to me at all. No, you don't feel pain when you are unconscious. Or dead.

I don't blame the family for all these tortuous twists and turns. Obviously it's important to them to think he didn't suffer, which after a suicide is as incongruous a statement as I have ever heard. I cannot be too judgemental, however, as they were reacting the way 90% of people do. But it does point up how people struggle with this raw fact, that people do, yes, DO commit suicide, even if their anguish and despair isn't obvious to others. ESPECIALLY if. This man had been, apparently, acting for most of his life, and one day he just couldn't do it any more. Or so it would seem.

More odd things struck me. The fact that his memorial is taking place in a bar shook me, because then I wondered if he was an alcoholic. Perhaps not, and I am sure the family would vehemently, even angrily deny this. But surely, somewhere in academia, someone else might be - statistically, even! - and perhaps a recovering one. Someone who can't or must not drink would have to sit around with people who are drinking, perhaps rather heavily because they are in so much pain, supposedly in their colleague's honor, and the alcoholic at the table - even if sober - must sit there smiling with a gut full of unexpressed grief. 

The expectation is that everyone will sit around sipping scotch (they even mentioned this specifically) and heartily sharing funny and fond reminiscences and anecdotes about a man who JUST KILLED HIMSELF BECAUSE HE COULDN’T STAND BEING ALIVE ANY MORE. Of course, if you cry and feel agony at such a gathering, it’s completely inappropriate to express it, and you have to leave. What are you supposed to do - sit at a table, in a bar, in a public place, and put your head down on the table and sob with raw anguish? Or is raw anguish completely inappropriate these days?

Your choices are to leave and run to the bathroom (meaning someone else at the table is in the awkward position of having to run after you while the rest of the party looks at each other uncomfortably), to stay and bring the rest of the party down and completely kill the atmosphere of heartiness and humor, or - 

The only option that is socially acceptable is to just swallow your grief and pretend you're all right, even enjoying the evening. Everyone else is, after all - aren't they? If they aren't, who is going to start talking about it and ruin the occasion? You can do your crying  at home.  

But when you get home, you find it has all turned to stone. 

Does this set of impossible choices have anything to do with the social dynamics that lead a man to take his own life? Does it have anything to do with agonizing loneliness, with a sense of being set apart from everyone else, afraid of your own feelings? Of having to "keep it up", swallowing it continually for years and years and keeping the act going until one day it fatally implodes?

Memorials are “celebrations of life” now, with no tears or grief allowed unless it’s “happy” grief (whatever that is). At very least, you are expected to run to the bathroom and do it there, along with other bodily functions. I don't know what the answer is, but when I heard about the memorial in the pub, even in the first announcement where cause of death was mysteriously not mentioned, I winced. The idea of a "wake" may still be around, and I'm not against it, but I don't think these generally take place in a public space. 

There is no suicide rule book, no etiquette, but I am alarmed at how quickly people jump to hide the scars, even to minimize what has happened or reassure everyone that it was, after all, a painless event - at least for him, a man ending his own life. But painless only in the unconsciousness that leads to death, a conundrum I will never be able to resolve.

Sister Wives Season Finale: or, how to kill a useless day

Forgive me, please - oh God, forgive me, for I have a nasty filthy habit and I enjoy the hell out of it. I'm powerless over it and it is just such hell, I'm about to join SWA (Sister Wives Anonymous).

I'm powerless over the Fundamentalist Mormon Brown family, who reside not in polygamist-friendly Utah but in Las Vegas. (Long story.) I'm shamefaced over the whole dang crew of them: Merry, Sheri, Dairy and Marvelle-Ann (or something). 

Sister Husband Kody Brown, who has no visible means of support except a fat salary from TLC, is the four-way hub of this mad domestic mess, dashing not from bedroom to bedroom but from house to house - meaning, the four brand-new custom-built homes the Browns purchased in their very own cul-de-sac after running away from Utah for some imaginary crime.

No one has any money in this family, but, sensing the impending meltdown of the entire system, they decide to plan an elaborate Commitment Ceremony (or four-way remarriage bash) costing, probably, at least $10,000.00.

Some 200 people are coming to this affair, if I may use that expression, so the Browns must know an awful lot of other polygs, some obviously from out of state. But this whole Walmart-catered affair, this stacking-green-plastic-chairs-and-rolls-of-white-paper-on-top-of-folding-tables-borrowed-from-the-local-high-school-gym deal, seemed salted with extras, people who would sit there, eat,and look interested while the Browns nervously read out an interminable Mission Statement which ran on much longer than the Ten Commandments. (I mean the movie version.)

But let's back up a little. All we really cared about, after all, was the four wives' dresses. And it's true, I really did have an interest in watching the process of these gowns being individually designed and created for them.

Oops.

For some reason, they picked about the worst person they could find, a young woman freshly graduated from"design school" who had obviously never made a dress in her life. Then they gave her three weeks to design and make four original, formal-quality gowns in three radically different sizes and styles. There were interminable shots of this young woman pinning, and pinning, and pinning the lopsided, saggy, inside-out, fraying, mismatched pieces of fabric on the wives. None of it looked good, and the general atmosphere was one of sweating alarm as the completely-inexperienced designer tugged and swore. Bringing her mother in at the last minute to keep the ship from sinking altogether did not help.

The whole dress story sort of collapsed, and I was actually shocked that it turned out so badly. Two of the four dresses had to be scrapped entirely ("This isn't working. Do you have something in your closet?"). The other two were unfortunate, like bad costumes from a high school musical, but were launched anyway so the enterprise wouldn't be a total flop.

Robyn, the skinniest and most Kody-worthy of the four (see photo above: now why didn't she wear THAT little red number to the ceremony, seeing as how it made Kody's eyes pop out?) picked a nice little funeral dress out of her closet, and Meri, who doesn't have the sense of a goat, went out on a mad spree and found something for $59.00 that LOOKED like it cost $ 59.00, so tight on her that her substantial abdomen and even her belly button pushed through the sheer fabric.

Well, at least the apple green color was good.

Christine, sometimes known as The One I Like, showed up in a sort of burnt-orange medieval maternity bathrobe, with huge pleated billows of fabric blowing back behind her. The tacky gold ribbons here and there did not contribute to the look. My only question is: where do you buy orange crimplene nowadays? Must be vintage, from Craigslist or some-such. Janelle, who currently seems to have the most fans on the show (it varies from season to season, if not week to week) would have looked nice if the amateur seamstress had  known how to sew. There were four or five bustlines at the front of this thing, meandering switchbacks of poorly-sewn, puckered seams that finally bunched up somewhere above her bust, making her look older and actually disguising her recent, impressive weight loss.

(l. to r.: Christine's unfortunate burnt-orange Camelot castoff; Meri's one-size-doesn't-fit-all, sale-rack special; Janelle's almost-but-not-quite royal blue dress, complete with three breasts and innumerable puckered seams;  Robyn's little black Mormon interment ceremony number. Perhaps because they see their husband only once every four nights, these gals know how to make do.)

The Browns really try - they try and try - but they just never get it right. I don't know what it is. Idiocy? Or is it the pressure of living in a fishbowl, of having cameras zoom in on life's every little crisis? No one even thinks of this. To most people, "having my own reality TV show" is the pinnacle of success and happiness. Everything will be wonderful from now on.

But we are beginning to see what happens when the seeds of narcissism, which I believe are present in every one of us, are watered weekly by reality TV's relentless drool. Les Fleurs de Mal begin to sprout, and eventually they take over.

But soft! What's this I see on the horizon? For reasons that no one is willing to explain, TLC is launchng an ALL NEW polygamy show called My Five Wives, trumping Kody's harem by a whole wife.

There have been whispers on Sister Wives lately about Kody "branching out", something he naturally feels entitled to, with or without his wives' approval. The rumor was seeded and watered when a "fortune teller" came on the show (like a Fundamendalist Mormon would go for that!) and predicted Kody would take a new wife, while everyone acted stunned. Now we see why. The pressure is on: competitive wife-collecting! We can't have FIVE wives on one show, and only FOUR wives on the other, can we? 

(These gals are so committed that they actually rehearse between events: note that one of them is away, presumably getting it on with Kody "Big Polyg" Brown.)

Is TLC phasing out the Browns at last? Am I right in suspecting this new show will be edgier and sexier, with younger, svelter wives and a husband who is not a complete boob?

More will be revealed.

Kody practices his second-favorite sport.

Dear sir or madam, will you read my book

It took me years to write, will you take a look

  Visit Margaret's Amazon Author Page!

http://www.amazon.com/-/e/B001K7NGDA

A simple snap of the wrist: short fiction

Marcy couldn't remember the first time she was 
jerked off-balance by a simple snap of the wrist.

The technique might have been perfected at home, when she was growing up. As the TV ad for the free yoyo in the box of Malto-Meal said: "Yo-yo-yo-yo-yo-yo-yo-yo-yo-YO-yo-yo" (to the tune of the Irish Washerwoman). It wasn't so remarkable then, as her sister Molly was thirteen and Marcy had just been born. It isn't very difficult to jerk a six-pound newborn on a string so it will dance, dance, dance on your hand like a malformed little doll.

This was her not-chosen environment for years. Everything about her was criticized, then the criticism was turned back on her: 

"Oh, you should stop being so self-critical." 

"For God's sake, when are you going to develop some confidence?" 

Her sister Molly, already an adult, played with her like a doll, exclaimed over her, then dumped her down in her crib and went out on a date.

Not to blame her, she was only a teenager, but it got much worse as she grew. Marcy was left in the living room with Tom, her sister's 30-year-old married boy friend, and both of them were drunk (drunkenness being encouraged when she was 15). The inevitable groping would go on in the dark, then when Molly found out, she would stare acid daggers of fury at her and say, 

"So, you want to go sit with my boy friend in there and romance him? Who do you think you are, anyway? What kind of slut would do that?" 

Yank, yank, yank.

Marcy made a life for herself, but it was hard, and her "craziness" was often remarked on, as if her sister had nothing to do with it.  Her "wedding present" was a statement, accompanied by a hard-eyed stare: "Gee, it must be great to have your whole life all figured out at age 19." Called on it later, Molly looked incredulous, said she didn't remember saying it, and looked at Marcy accusingly: how could she even think she could say something that mean? 

When Marcy moved from a small town to Vancouver, she expressed anxiety to her sister that she might not be able to adjust to such a leap. Her response, accompanied by  a shrug and a cool, matter-of-fact expression, was, "Then I guess you'll self-destruct."

At some point Marcy came to wonder: what is it about all this family poison that reproduces itself in your friends, the people who are supposed to be on your side?  At first Roseanne seemed fine, better than fine, and Marcy began to believe she had found her missing piece, the good sister she never had while growing up. But over time, the subtle jerking began. 

Roseanne, who very quickly became her best friend, soon moved away to a small town, and immediately began to believe she was terminally ill. She had no symptoms and refused to see a doctor. Marcy became frantic with worry and flew out to stay with her. Finally coerced into seeking medical help, she found out there was nothing wrong with her at all. But no one addressed the empty abyss inside her, and Marcy stifled the grumble of resentment that she had been sent out on a desperate rescue call for nothing.

Over time, more and more things happened, gradually insinuating themselves, sneaking in while no one noticed, things that were distressingly tangled, snarled up like a ball of useless marionette strings. The writing ambition she shared with Marcy when they met was soon abandoned, or at least denied. When she asked her friend if she had considered writing a column for the local paper (and later, keeping a blog), she made a sour, incredulous face and asked "What would I write about?", as if she had suggested climbing Mount Everest or calculating the value of pi (or, more likely, doing something incredibly stupid and even offensive). Her disdain covered a failed ambition, and Marcy thought she had seen that somewhere before.

Over the years, things escalated. Most of them weren't so much attacks as examples of "here, take this and fix it" or, at least, "listen to all of this unproductive ranting until you feel weary and sick of it and get nothing in return". And there was definitely a sense of entitlement. "Just give it to good old Marcy, I can always count on her." And then, that inevitable statement: "Oh, I feel a lot better now!"

After many years of attempts, Marcy wrote a novel about a silent film star, was excited about it - never thought she'd write a novel again - and showed Roseanne one of his short movies, wondering what her opinion would be. She looked at her with her head tilted at a strange angle and said, "Was he gay?" - then changed the subject.

The gay thing came up more than once, until Marcy realized she had never knowingly had any significant contact with a gay person, not because they didn't exist in her town but because she didn't want to.  When Marcy read a book about pianist Oscar Levant and was all bubbly and enthusiastic about it, Roseanne said in a disdainful, somewhat offended tone, "I thought he was gay." End of conversation, which was then steered to her own agenda. Apparently, anyone named Oscar was automatically gay, like Oscar Wilde. The disdain was automatic: let's write him off, shall we? The narrowness of her perception was shocking.

But the worst, and this went on for years and years (and years) was Roseanne's insistence that she should write a sort of hatchet job, a fictionalized expose of Canadian literature: all the petty, arrogant, narcissistic figures, editors, publishers, writers, hangers-on and wanna-be's. 

"Oh, I still think you should write it, Marcy. It would be so great. You could really stick it to those people and expose all their vanities and power-tripping to the public." Over and over again Marcy said, "But that would surely be the end of my career." A few months later she would say it again. She'd say, "But that would surely be the end of my career." A few months later she would say it again. She began to feel like a yo-yo yanked, a mouthpiece for her friend's frustrations as she rubbed her hands together and cheered on the sidelines, not so much for Marcy as for the expression of all her own frustrations coming out of someone else's mouth, risk-free.

Yank, yank, yank.

By this time, everything was externalized; the whole world was her yo-yo, convenient for never taking responsibility. Her public persona was of a warm, earth-motherish figure who took casseroles over to people she could not stand, a "see how nice I am" gesture while seething inwardly and constantly feeling "betrayed". Finally it became a volcano of bile, with Roseanne's "best friend" the only recipient (deemed "safe" because she didn't live there). Marcy saw her friend yanking the string on her disabled husband, cutting him off from his friends because for some reason she didn't approve of them. Yanking her 20-year-old daughter around, saying it would be "better for me if she didn't date" and going crazy with anxiety because she stayed out till midnight with her girl friends. (She said she would be home at 11:00!) 

After a while it was just an accumulation, and Marcy realized her friend was basically lost. Episodes came back to her that were wildly frightful and so dysfunctional that she couldn't get her head around it. She used to call her friend her "sister", and now she realized that she WAS her sister in all but blood, a frightening and even horrifying replication.

She came to see that she had taken on the role of "safe" confessor: safe because she didn't live there and would be sure to keep her mouth shut. But the more distorted and fucked-up Roseanne's observations became, the more she realized that, far from being safe, she was a repository for a twisted reality that bore very little relation to the truth. Thus her friend could say anything she wanted to, knowing Marcy couldn't call her on it; after all, she didn't live there and didn't know what was really going on.

But of course, when she finally stepped back, it was HER fault for ending a perfectly wonderful relationship for no reason and no warning, out of the clear blue sky.  Roseanne honestly didn't seem to know what had happened between them, an infuriating situation, acres of  blank empty oblivion surrounding what used to be - what should have been - a fine and focused mind.

Marcy writes in her journal, trying to get her mind around it all: 

I wonder sometimes how and why it gets so fucked up. It's horrible to see the worst patterns repeat and repeat, to be jerked around by someone who genuinely believes she is kind and giving. Someone with virtually no self-knowledge, but with a rich library of acid criticism of others, a library she does not use so much as push her friends into and lock the door.

Once when she asked Roseanne what happened to her writing ambition, she said, "It went away." This was a bizarre statement, to be sure; not "I gave it up", not "it was too hard", not "I couldn't stand to risk rejection", but "it" "went away", a separate little entity which got up on its little legs and crept out of her life all by itself.

There has been a theme all through their friendship: Roseanne constantly worries, obsesses that people think she's "crazy". Her behaviour in her town is so circumspect as to be stifling, but she won't let herself out of the box. The craziness swirls around and around in a corked bottle like a tiny, concentrated little genie. But if the genie ever emerges, her three wishes ("escape, escape, escape") won't come true.

Or maybe they will! For a long time now Roseanne has been looking up apartments on the internet - for herself, not including her chronically ill husband - secretly, while insisting she will stay in her town "another 10 to 20 years" (meaning, until he dies). Out of a heavy sense of "duty", she is waiting it out, as if drawing chalk-lines on the wall. Marcy sees that the person she had befriended all those years ago has been replaced by a stand-in of near-Stepford proportions, obsessed with what other people want her to be.

She also sees that, aware of it or not, she has been insidiously trying to torpedo her career for a very long time. There is a slightly nasty, vicarious feeling about it, a knee-slapping sense of "wouldn't it be a hoot" (if she alienated every single person who ever helped her publish her three novels). She was an intelligent woman. Didn't she think this through, or was it a deliberate cobra-strike?

Sometimes people outgrow each other, yes, but does it have to be so painful? Does the manipulation have no end? Invisible strings still yank and twist. Roseanne will have to turn back on herself now, but the choice of looking in the mirror is unlikely, as is the chance she will make a real friend in the community that she can actually talk to.

Marcy writes:

I hate it when I end up carrying someone, and it has happened more often than I care to admit. There must be some need in me, some desperation or fear that if I don't pander to that person's sick need, I won't have any friends at all. Probably that's true. It is tremendously hard to deal with and I have been struggling for some time, mostly with anger as more and more memories emerge, along with more and more anger. My sister too sees herself as a benevolent Mother Superior figure, religious, Christian, unconditionally loving and accepting, praying about everything (especially me!) because it makes her look better to herself. The truth is, she doesn't exist. I have wiped her out. Every few years, too cowardly to do this herself, she yo-yos my brother into checking up on me, making a report.  I suddenly remember the Bob Dylan line from Desolation Row:

"When you asked me how I was doing

Was that some kind of joke?"

Some kind of joke. I know that she hopes for one of two responses:

a) That I'll be a total mess, or dead, in which case she will pretend to grieve and tell herself, well, after all, it was inevitable, wasn't it? In spite of all her fervent prayers and  sincere attempts to help, she knew it was going to happen all along.

b) That I'll be doing well, and she will fly into a fury and say, how can she be so horribly selfish when she tried to destroy the family?

Is there winning here? Does it exist?

Still struggling, but no longer in quicksand - more like an insect emerging from a chrysalis - she writes:

Every once in a while I get piss-angry about all this, and my only solace - hell, it's more of a universe than a solace - is the family I have co-created with my husband of over 40 years, the one Molly said I didn't deserve and attained only through a sort of random lottery win.  (Weirdly, she even killed Rob off once, saying "if anything happens to him I'll help you raise the children" - co-opting them at the same time.) I even married into a relatively sane and basically benevolent, loving family who does not drink or use or molest little girls. I am their kin now in every way but blood.

It's not supposed to happen that way, it's the exception, causing my sister to say, no doubt, "Well, you see, nothing happened! Your childhood was fine. Everybody loved you. In fact, they loved you more than you deserved."

Get a big pair of scissors, please. Pinocchio's strings are cut.

http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html

http://members.shaw.ca/margaret_gunning/betterthanlife.htm

Up on the Housetop, safe from pain

There's backstory to this, sort of. My new computer, wonder of wonders, is fucking up royal in so many ways that I want to scream and just leave the house, I mean permanently. I can't attach photos to emails, I can't edit photos, I can't send a link to anyone of a YouTube video or anything else without great arabesques involving "hyperlinks" and all sorts of shit I don't want to know about.

My old computer KNEW how to do all this stuff and never gave me a bit of trouble. It realized I did not need a whole bunch of fancy shit to get in the way of basic, clear, easy function. I could do everything I needed with one or two clicks.

I will never get that back. My husband and I are at the sizzling point because he lumbers over to my computer, fucks around with it for half an hour, then tells me he can't do anything and I'll just have to live with it the way it is.

I don't understand why, when I try to email someone a photo, it is embedded, HUGE, in the body of the email, in a form I am certain they do not want. I don't understand, furthermore, why I must be humiliated over and over and over again for being stupid.

I wasn't supposed to be stupid. I started out with great promise.I took Grade 3 and 4 in one year, then was put in a super-advanced Grade 5 class in which I learned exactly nothing, but had great fun giving the teacher a nervous breakdown.

I had a very high IQ and my reading skills were at high school level, and great things were expected of me. NONE of it came true, I mean none.

I don't know what it is. I was the youngest, and all the disappointments of the other three siblings (who were much older) were somehow heaped on my shoulders. I remember my Dad once saying in his usual drunken state that every one of us had let him down in innumerable ways, especially me because I was the only one left to clean up all the wreckage. I was his last, most desperate hope.

I don't know why, because all of my three siblings became very competent professional musicians and were supersmart.

Anyway, this has nothing to do with the video. I wandered in search of distraction, wondering if I could find a non-sticky/sugary version of a Christmas tune I like, Up on the Housetop. To be honest, I heard it on a commercial for Canadian Tire or something, played in a sparkly way with something like a banjo in the background.

This was the only non-sticky version I could find. I like the mellow tone of this dulcimer: some of them sound like garage doors opening (and don't get me started on the psaltery, a scream on strings). It has that relaxed banjo-y flavor to it. This isn't a professional player, but that's what I like about it: it's the sound of someone working on proficiency who obviously has musicality and plays with pleasure and enjoyment, the very thing that was forbidden to me while my Dad stood over me with a big stick.

I find myself deleting paragraphs these days, lots of them. I just can't put all that pain out there. Melancholy dogs me. This isn't the best time of year for me, though I love attending Christmas concerts with my grandchildren in them - could anything be more magical? - and some of the music, and looking at twinkly lights and things.

But, maybe because of my early experiences and all those failed expectations, life seems essentially melancholy and even tragic. I don't know how people walk around with smiles on their faces.

Obituary Blues (short fiction)

Late December. Maybe it wasn’t the best time of year to be looking for this. But after her mother-in-law’s death at the first of the month, something happened to her that she didn’t expect: she began to be curious about her own mother, who was about the same age.

To say that there was family estrangement was like saying the Titanic had a bit of a leak. It had gone on for years, but over time the smoking ruins seemed to be farther and farther behind her.

Over forty years, her husband’s family became her family. And she was welcomed in. His mother became her Mum: honest, practical, funny, and in her own no-nonsense way, accepting and loving.

When she died at age 96, a peaceful death that almost anyone would envy, it caused a strange reaction in her. She wondered where her own Mum was. Meaning, the one who’d given birth to her and raised her with sublime indifference while favoring her eldest two siblings.

All through her childhood she had been haunted by the feeling that her parents had not wanted her, that she had been a mistake, someone they were ashamed of and would rather not have around. Later, her feelings of estrangement were vigorously denied and shouted down as “wrong”. It simply did not happen. She had wonderful parents. What was wrong with her? She had to stop feeling this way, now. This was true of most of her feelings, which apparently she was not allowed to have.

Then there was Garth, her older brother, a brilliant person who became more and more odd as years went by. He ended up on the streets of Toronto, a schizophrenic, and died tragically young in a fire. 

Garth had been the only one who had listened. But then, there was something wrong with him too, something the family just couldn’t acknowledge or forgive.

It probably wasn’t a good idea to google her mother’s name, particularly since her obituary immediately sprang up like a ghost from the grave.

Remembering her Mum-in-law’s gracious, inclusive obituary, she wasn’t expecting it to be anything like that. But she couldn’t in her wildest dreams have imagined  what she now saw in front of her.

She read it.

She read it again. Then, again.

She wasn’t in it.

Wasn’t there, wasn’t there at all, no nor any of her kin (no husband, no kids, no grandkids): so apparently she had never been born, never been raised, didn’t in fact exist at all.

But that wasn’t the worst of it. Garth wasn’t there! Garth had been stricken from the record as well. Photoshopped. Edited out.

One wonders how anyone can possess the ruthlessness to pretend that two of their children never existed. Perhaps her elder sister had written this (but certainly not against her mother’s wishes), and surgically removed Garth just to devastate and wound her further. Her two oldest siblings were proudly mentioned, along with “two grandchildren” (though she really had four) and no great-grandchildren (nicely negating the four of them, too).

She could not think of one single thing Garth had done in his whole life to intentionally hurt the family. For that matter, her own attempts to try to explain the abuse that had nearly destroyed her had been completely subverted, turned around, and treated like a mean-spirited attack on them with absolutely no grounds: a pack of lies told to deliberately damage and destroy them.

I did it just to make them feel horrible, she thought. I was like that, wasn’t I? Vindictive, hurtful, a destroyer of family happiness and harmony. It was intentional meanness, complete fabrication. I was the perpetrator of horrible, unforgiveable abuse.

If even one of them had taken maybe one minute, one second to listen to me and try to understand, would my frantic efforts have escalated the way they did?

When everything is turned upside-down like that, and inside-out, it can make you feel a little crazy. To say the least.  It was a craziness that took a devastating toll.

And now. . . now, well, it looks like that particular problem is neatly solved because I’m not even here!  But Garth makes me feel so much worse. The only thing he ever did to the family was to be ill, with an illness that surely must have been caused by the twisted reality of a family who lived in its own little universe of truth and lies. In a moment of rare vulnerability, I remember my sister once said, “Garth went crazy for all of us.” What had happened to that tiny crack of openness to the truth? Why did it slam shut with such vehemence?

I always suspected my parents were ashamed of him, ashamed of his illness and of what became of him, and secretly wished he would just disappear. And now their most fervent wish had come true. If you can pretend the problematic elements in your family never existed, if you can apply an eraser to the parts of it you are uncomfortable with, it’s ultimate power, kind of like God: bringing people into the world; taking them away again.

An obituary is a public life-record, an attempt to encapsulate many decades into a single paragraph. My family must have a very strange notion of economy of expression.

There is NOTHING my children could do to make me erase them like this: if my son were an axe-murderer serving a life sentence, if he had accused me of being a heroin addict or a whore, if he had attacked me and hurt me in the worst way he could think of, I would never pretend he had never existed, never erase him from the permanent record of my life.

Because he is my son.

She looked at her mother-in-law’s obituary again, wondering if there was such a thing as Providence, after all. It was just possible. She had been thrown out of the family – no, unmade! – but landed safely in another family where that kind of insanity didn’t exist.  No, not “landed”, but walked out of one, and into the other. Of her own free will.

http://members.shaw.ca/margaret_gunning/betterthanlife.htm

Buried, but not quite alive

I don't know why this is, but I've always been attracted to extremes.

I get my fill of it these days, with all these so-called reality shows (all carefully stage-managed by the producers, who don't even bother to stay out of the frame any more), in which a family is torn apart by some sort of unspeakable problem (heroin addiction, crippling compulsions, etc., etc.). Surely the most bizarre of all these human sideshows is the hoarding phenomenon.

I must have really been deluded or something, but I thought hoarding just meant you were a little bit greedy. People hoarded food during World War II, didn't they, and who could blame them? The tins were all neatly stacked in the basement, or somewhere else out of sight. It wasn't nice, you weren't supposed to do it, but there was nothing too horrific about it.

Or some old lady might like to collect Hummel figurines and got carried away, so that there's not much space for her to sit down any more. That's hoarding. Isn't it?

Hamsters are called hoarders, because they like to shove copious quantities of sunflower seeds in their cheeks. Sunflower seeds seem harmless to me.

Little did I know that the hoarding of reality TV means living in what amounts to a waist-deep landfill. Pizza boxes, food wrappers, empty jars and beer cans and anything else no longer wanted is just tossed on the floor. The smell is appalling, and mice and bugs abound. It is as if these people have just given up on themselves, and on life.

As I become steadily more addicted to this awful stuff, I am beginning to notice certain themes cropping up again and again:

The family telling the psychologist/organizer that their "collecting" (not hoarding) is their own business, and not hurting them or anyone else.

Inappropriate affect: constantly smirking, chuckling or joking about the disaster while the rest of the family quietly weeps; lashing out in astonishing, malignant hate and rage at the most well-meaning attempts to help.

No functioning bathroom. No explanation given as to how these people bathe or go to the bathroom (if indeed they do).

No functioning kitchen.

A dead refrigerator full of rotting food.

No useable beds. (One particularly pathetic man huddled on the floor against a wall.)

Almost no place to sit down, and certainly no place to sit together. One partner sits on a box to eat dinner, while the other sits on the only exposed portion of the bed.

"Meals" defrosted in the microwave. Many of these people are very obese, so a lot of furtive overeating must go on behind the scenes.

No place to wash clothes. No place to store clothes, except heaped on the floor.

Okay, so among the problems these families insist they don't have are: disturbed family relations; alienation; a seemingly deliberate, literal pushing apart of loved ones by the sheer bulk of all the crap. Normal bathroom functions, normal hygiene, normal eating and sleeping, all are eroded away to nothing. The outside world is effectively shut out, and the inhabitants are shut in. They have deliberately sealed themselves inside a stinking tomb, and when approached to tidy it up a little, they say they are too overwhelmed to do it and begin to sob about their disturbed childhood.

Yes, I have no doubt that these people had enormously disturbed childhoods, but what about their disturbed adulthoods? Isn't there something they can do about this? For (as they say in recovery circles), if nothing changes, nothing changes.

A few of these profoundly disabled souls seem to have a limited life on the outside. One woman spent three hours doing her hair every morning. (It looked like one of Lady Bird Johnson's more alarming wigs.) The surface of normalcy is eggshell. Once cracked by the intrusion of "help", all sorts of twisted dysfunction bursts through.

Last night was a doozie. There are usually two stories. Though they lived in an urban setting, the first family seemed like something out of the primitive backwoods, isolated in the extreme. The father was a nasty, belligerant old man who insisted nothing was wrong and that the family had a right to live the way they wanted. The mother, her weight in excess of 300 pounds, refused to let go of even a single item, no matter how mildewed, dirty and useless. And the children! One can hardly call them children: they were 38 and 39 years old, and had never left home. The girl, for that's what she was mentally, refused to surrender a rotting old teddy bear because her Daddy had given it to her 30 years ago.

Then there was the other story, about a bizarre child-man who had concocted a story (which everyone believed without question) that he had been knighted by Prince Charles. He claimed to be an orphan from Ireland who had "come over with Father Flanagan" (! Is he trapped in an old Pat O'Brien movie, or what?) This man really was a collector of sorts, but his place was jammed with stuff so weird it looked like the inside of a schizophrenic's mind. There was no room left for anyone to live.

One can guess what really happened. His family probably couldn't cope with the stress of a toddler living in a man's body. He seemed to have the emotional equipment of a three-year-old, dressing up in costumes, playing pretend, and skipping around in his own little universe of kitsch. He had convinced himself all this stuff was worth a fortune (God knows what he had paid for it at all those garage sales!), and was only selling it off because he was dead broke.

(That's another theme. Where do these people get their money? How do they support themselves? Many of them, especially the women, are constantly buying things, like the same top in seven different colors, all left in the bags with the tags on. Or even more useless tacky items, adding to the chaos and collecting thick webs of dust that drape in the corners like macabre Halloween decorations.)

Anyway, this Sir Patrick guy was one of a kind. His Irish accent, not much better than a Lucky Charms commercial, came and went. If this was mental illness, it seemed to fit no known category.

The lowest point for me was when he found an old doll and began to cry. The therapist asked in her usual gooey compassionate way, "Does this bring something up for you?" "Me neighbor's little girl. She doyed. Ah, I loved her so." It was a new low in creepiness: maybe just as well for the little girl. (But for some reason, I was convinced that most of what he said was bullshit.)

Strange people like this used to be institutionalized, or at least hidden upstairs and forgotten. Now they are being flushed out (pardon the expression), and, to some extent, used for sensationalist entertainment. In some cases, they do seem to want help, but it seems to me they are usually being coerced, either by the family or the law. All of these places are extreme fire hazards, and many aren't even intact. If you only have half a roof on your house, sooner or later the whole place is going to cave in.

But it's not enough to need help: you have to want it, and that pathetically backward family ended up being forcibly evicted when their falling-down house was finally condemned. The last shot showed them sitting in a row staring into the camera like something out of Deliverance, with the final caption telling us they were living in an apartment with four of their seven cats and planning on repairing the house and moving back in.