Showing posts with label family. Show all posts
Showing posts with label family. Show all posts

Tuesday, January 29, 2019

My girl, and my girl's girl




I gave birth to one, and watched the birth of the other, my girl having her girl. 

And both are smiling bright.


Tuesday, December 6, 2011

Christmas blues: the gaiety of grief


Dylan Thomas was once quoted as saying, “There is no gaiety so gay as the gaiety of grief.”


Somehow I sort of know what that means, though I can’t explain it.


Yesterday I was making gingerbread cookies with the grandkids (having had to throw out the entire first attempt at dough, so stinking horrible from the molasses that we ended up throwing it at the wall), and more or less feeling OK, but it was an effort. I had to pull myself up for it. For the first few days after my mother-in-law’s passing, I was laden with memories, great waves of memory breaking on the sand, so deep that they went back to when I was a girl of eighteen.


I said to someone I am close to, I have no bad memories of her, and she said to me, that’s because you didn’t see her that often. This is the way we “deal with” grief now. A kind of slamming of the door. Put up or shut up, she was 96 and had her life and a peaceful death, so just forget about it and get on with the cookies.

It’s hard.

Hard this time of year, which is hard already, for reasons I can’t even begin to probe.  Of course the child in me loves the sparkle and twinkling lights and angels and good food and having the family around. But I don’t know of a family that is universally loveable.


A family without tensions and trouble.


I feel over-grandma’d these days. It’s not that I don’t love it. I feel stretched thin sometimes, and I’m not even supposed to feel it, let alone acknowledge it. Everything I do seems to disappear into a black hole, leaving no trace.




I suppose my line of work is a factor. People don’t see me as “working”, in spite of writing six novels, 350-some book reviews, thousands of newspaper columns, dozens of published poems (and two anthologies), essays in text books, and serving as a juror in several competitions. It all just kind of vaporizes as it happens, and I know I am seen as “not working”.  In fact, people’s attitude probably mirrors that of a woman I knew (hardly a friend) who said, once my kids were both in school, “Goodness, Margaret, what on earth are you going to do with yourself all day?” (I was writing a novel.)



On the other hand, why should I expect them to understand? Margaret Atwood was once famously quoted as saying, “I can’t be fired because I don’t have a job.” I don’t either, though I have work. I even have paid work, the steady if not too thick income from my beloved alma mater, the Edmonton Journal. I’ve been reviewing more or less steadily since 1984, starting with the Journal and continuing with at least a dozen other publications. Most of these gigs were paid.


So if you’re paid for it, even if only an honorarium (meaning, a chintzy cheque), doesn’t that make you a professional?


YES. But it’s so much more than that.


This post was once another post, and I cut the second half because it was becoming just too bleak. Having a death in the family right at Christmas is hard. Already you’re assaulted by waves of memory that are beyond your control. But these layers run very deep and no doubt stir up my complete estrangement from my family of origin.


Okay, the “Sisters” post was me. No one saw it anyway, or only a few. And as usual, the person who needed to see it didn’t, or wouldn’t have cared even if she did.





So I had a sort of adoptive family when I got married, but didn’t really realize it for years and years. It grew slowly and without my awareness. Alliances have surged and faded, beyond my power to choose. (Do we choose to love? “Gee, I think I’ll love this person now. Stand back.”) There has been a sort of evolution. Now the lynch-pin has been withdrawn by the natural course of things. We will have to regroup. It remains to be seen who the new matriarch will be.


http://members.shaw.ca/margaret_gunning/betterthanlife.htm

Monday, March 21, 2011

Do I have to actually write something?


This is the best of times, and the worst of times, all glommed together.

Things are particularly sweet with my grandkids. For Ryan's 5th birthday, I knitted him a new blankie, his old one having been reduced to a pile of strings. Now he must transfer his attachment to a nice-looking one, which I hope he won't pull to pieces.

Caitlin's new lavendar fuzzy replaces her yellow fuzzy. She bit a big chunk out of it - no kidding, and she's 7. She wore away at the edge of it for a couple of years until it had a big semicircular bite mark on it. I begged her not to chew this one to pieces, as it cost about $45.00 to make.

NO MORE BLANKIES, I swear! Yes, I love making them, but it strikes me as silly to go on and on replacing them until they're in university or something, or getting married. "Where did the groom go?" "Oh, he lost his blankie. We'll just have to hold up the service."

In other news, things are moving along, or at least moving, maybe, in my search for a home/venue/a shred of hope on The Glass Character. I suddenly joined Facebook and feel foolish now because my "profile" was nothing but a desperate ad for the novel. I'll have to change it today if I can get the bally thing to work. I feel embarrassed, because I don't know Facebook from a hole in the ground and swore I wouldn't go there. BUT I REFUSE TO TWEET. I have a bird to do that.

I have a bird that whistles, I have a bird that sings.
I have a bird that whistles, I have a bird that sings.
But if I ain't got a contract,
Life don't mean a thing.

Just so.

Monday, September 20, 2010

Is this my new diary?




























So anyways, I'm back from holidays on a pitiless, brutal dripping Monday, Vancouver at its worst. It won't let up for a couple of days, by the looks of it. I realize with a shock that I never write in my journal any more. It just doesn't occur to me. I've been keeping a journal since I was eight. I have let go of so much in my life that used to be meaningful, so much so that I don't dare tot it all up.
So I'm left with projects that might strike others as pretty weird. I'm always wanting to make something, from Wonder Knitter dolls (no pattern for these, as usual: they evolve in my hands) to unusual installations. I had these ice-like rocks, plastic actually, used for accents or decorations, and I wanted to display them. I put them in a glass bowl and thought, ho-hum. It just didn't work for me. So what sort of container could I come up with that would be completely original?
At the same time, we were cleaning out closets and turfing out things (fall cleaning, I guess) that we didn't need or use. We found what seemed like hundreds of old cassette tapes that we never played, or couldn't play due to oxidation and age. So we had to get rid of them, but I began to look at the clear plastic cases and think, hmmmmm. . .
So I came up with these. I've since used crystal hearts in various colors, and will experiment with other things. But what's the point? I don't sell them. I'm not much of an entrepreneur (or however you spell that - it's Monday). Maybe that's why I can't sell my novel(s) and book(s) of poems. I can make the "product", but can't distribute it.
These might be seen as too odd, but the effect I'm after is: what are these things? They look familiar, and yet. . . Or, maybe people would just look at them and say, cassette tapes. How lame. I don't know. The voice of my older sister, forever undermining my creative spirit with caustic, withering remarks, still echoes in my ears: "You're weird, Margaret." "You're crazy!" (said in a shrugging, completely dismissive way. Jesus, how did I get on to this? Just how much damage did she
do?)
One reason I got turned off with my diary is that it had devolved into one big rant. The dissatisfactions in my life were being amplified, I think. I started tearing up the rants, but nothing much was left.
I have love in my life, and that's supposed to be all you need. I still feel creative. But when I presented my five-year-old granddaughter with the little 3" handmade doll I crafted, with the tiny knitted dress and beaded belt and braids, she threw it back at me. I'm not supposed to be upset, am I?
I look in the mirror, and I swear I can't see the kick-me sign. Is it invisible, but only to me?

Friday, July 30, 2010

A few more questions for Marney


After letting Marney's Thanksgiving dinner digest for a while, so to speak, I have a few more questions about her sublime, yet puzzling manifesto/memo to her loved ones.


After the military harangue about containers WITH A LID, and NO aluminum foil (and what's she got against foil? It molds itself to any container, so you DON'T need an exactly-fitting lid!), "HJB" gets off with only two words: Dinner wine.


OK then, I demand to know WHO THIS HJB IS and WHY he or she is exempt from the rules everyone else must follow. My theory is that this is her lover, and they are speaking in code, sexting each other madly between courses. Hell, she doesn't even say WHAT KIND of dinner wine! It could be Wild Turkey or Ripple or some kind of foul home-brew.

The turnips are a real issue with me. Nobody likes these lousy things, they taste like dirt and wax mixed together, so WHY in God's name should the Mike Byron family have to bring them?


And why is this same family burdened with bringing TWO half gallons of premium ice cream, none of that supermarket shit, and bottled water on top of that, when HJB only has to bring a crappy bottle of wine?


I have other questions. Given the sheer volume of the servings, just how many people are coming to this shindig? Must be at least 40 or 50, if they need five pounds of each vegetable (and we'll get to the 15 lbs. of potatoes later. Or maybe we won't, this is all so fucking insane.) If that many are coming, why not spread out these demands over all those families, instead of loading on the preparation, not to mention the expense, on only a few? Are these the members of the clan she really really hates: or, worse, are they all bulimics who plan to stuff their faces, then run behind a bush after the dessert course?


The inconsistencies gall me. If she allows turnips, why not beans? Beans are life in some cultures. The NO COCKTAIL SAUCE rule is also a bit opaque. Hey, it's great on those shrimp you get in a plastic ring in the frozen section. You can pretend it's the '60s and you've just ordered one of those shrimp cocktails in a parfait glass full of ice where the shrimp are hooked all around, with the tails left on. And why can't Lisa just buy a goddamn plastic platter and transfer the veggies onto her platter (WITH A LID, OF COURSE)? Are hand-prepared veggies any better, or are you just torturing her by demanding 2 or 3 hours of preparation time?


The proscuitto (Marney's not much of a speller) pin wheel is a real puzzler. What's a "pin wheel", anyway? It's one of dem-dere thangs you stick in the ground in yore yarrd, and it spins around whenever there's a breeze. Prosciutto is ham, ain't it? Either that, or a big round chunk of cheese. In any case, the "no need to bring a plate" rule is puzzling in light of Marney's fixation on the correct containers (with lids that fit!). Is Michelle supposed to balance it on her lap or spin it around in the air or something?


Marney must really hate the June Davis family. Peeling potatoes for 15 lbs. of mash would be something like KP duty in the army. Forrest Gump comes to mind. And that oversized blue serving dish. WHAT'S THE MATTER WITH IT? ANYWAY? Doesn't it have a goddamn lid or something? If someone's willing to peel 157 potatoes, they should be able to bring them in a plastic garbage pail (with a lid!) if they want to.


Now, Amy Misto is my favorite. I could get along with Amy. Note that while she is required to bring two pies (as she's supposedly too idiotic to do anything else), she is NOT required to bring a pie knife. That particular duty falls to The Michelle Bobble Family. Why is this? BECAUSE AMY MISTO IS A CRAZED PSYCHIATRIC PATIENT and she can't be trusted with knives!


But I'll tell you this right now. Someone in the family is going to make sure she gets her hands on that pie knife. Oh yeah! She will get her revenge for that dig about "why do I even bother she will never read this", not to mention the insistence she bring her pie in a pie dish (when the prosciutto pinwheel doesn't even need a plate!). This will teach her once and for all that there's no such thing as a "silver palate" (though there may well be a heart of stone).

Who does this Marney think she is? Anyway? And is anyone really looking forward to the 28th, except to see the attempted murder in the bedroom (in which Marney is caught in flagrante delicto dusting the furniture with HJB)?


I have just one more question. WHERE'S THE GODDAMN TURKEY?

Tuesday, May 18, 2010

Cereal monogamy


This blog was originally going to be about the Writer's Life, until I realized there were already approximately one billion blogs called the Writer's Life, so to hell with that idea! I do however like the image of the tightrope walker (a picture of great-uncle Howard in 1906) and its implications of an endless struggle for balance.
That's a long way of saying I can write about anything I bloody want to, and probably will. The last blog I tried to keep, which eventually crashed in flames, was far too creative (hmph!) and eventually harassed into an early demise.
Or at least that's how it seemed to me.
This one, well, I'm barely keeping a foothold as I struggle with details that are probably ridiculously simple for anyone else. So I just bash away at it, wondering what all those little dragonflies are and why I can't post a photo in the middle of my post. Oh foo, someone will attack me soon anyway.
So what's this about? Cornflakes, I guess, and the way a certain man eats them (every day for 37 years, and perhaps more). Do I represent the cornflakes of his life? In any case, that's how long we've been together.
People wax romantic (or at least wax their cars) when they find out that we've been together for such a jaw-dropping amount of time. I was, of course, ten when I married him. Bill is a good guy, but he drives me crazy. He's irritating. He has gone deaf and won't admit it. And God, he looks old. If he's my mirror, then I am in big trouble.
But nothing could ever take the place of so much shared experience, grief, elation, and the boring trudge of everyday existence. The cornflakes of life. There are still times when I wonder if I can stand this, but I know no one else could live with me, with my permanent tendency to ricochet when things go wrong or I get pissed off.
He's a good guy, like I said, a very smart guy, a professionial (environmental expert, which is direly needed these days), but most of all a man who protects his family and loves them without reservation. His Dad lived to be 93 and towards the end, ANYTHING would make him cry. It was irritating, but what's even more irritating is that Bill is moving inexorably in the same direction. As my daughter once put it, "He cried when the hamster died."
There's a neat saying that sums it all up: "The rocks in his head fit the holes in mine." I'm supposed to be the crazy one, but maybe we're meeting in the middle (or I've driven him crazy, whatever). I don't get it, the unutterable part of it, the thing I can't explain: maybe it's like that old Jerome Kern song, Bill.
"And I can't explain, it's surely not his brain
That makes me thrill
I love him, because he's -
I don't know,
Because he's just. . . my. . . Bill."
Oh yah.