Animated cats!

Monty Python it ain't, but these crude animations of mine, my very first attempt, are perhaps inspired by the Edwardian cutouts of Terry Gilliam. A dear friend of mine gave me a book called A Catland Companion, years and years ago, and it sat on the shelf for ages. THEN came the power blackout on New Years Day that killed our internet connection for over a week (which, by the way, is the sole reason I haven't been posting).

So.

No TV.

No internet.

No nothing.

I started looking for something to do, and rediscovered Catland. Hmmmm.

Could I - maybe - make something out of this?

I've been using a gif program to make little slide shows to post here (maybe you've noticed) - and I noticed they kept using the word "animated". Animated!  Animation is what I've wanted to do all my life! But having absolutely no talent in visual art - drawing or painting or anything else - I was sort of stuck.

But not TOO stuck, because I rediscovered Catland and its oddball denizens. I discovered they could be moved around and photoshopped in all sorts of interesting ways. I could not put them through the gif program, of course, so I was going on faith that they would look like anything. But these cats just jump off the page, don't they? And I hardly had to do anything with this little row of dancers, just bounce them up and down and reverse the image. In fact, it's the best one I did, and I did practically nothing.

Is it the Gilliam effect, I wonder, that caused me to make these cats do such violence to each other? Cartoon violence, of course, with no bloodshed, just a few mashed heads. These guys kind of jump around a lot. I was experimenting here, and ended up with considerable jerkiness. Gilliam's stuff doesn't move smoothly at all (does it?), yet he makes it work. Damn.

These two adorable kittens started out so promising, but ended up looking so strange, as if they're weightless or something. To compensate for the floatiness, I made the animation go a bit too fast, so they jump around each other. I wanted a hopping effect - almost a leapfrogging, and got two highly caffeinated kittens. I think this was the first serious one I did. I learned from this that I cannot do the required 24 frames per second that Disney required when animating Snow White. The main technical problem with these is that when I was making the frames, I had no way at all of knowing whether the animation was working or would look right or convey motion without jarring jerkiness. 

I did try.

This is a Louis Wain cat, and it shows. I suppose he'd turn over in his grave if he knew about this, but if people can animate Hieronymus Bosch, then I can make a Wain cat leer like a fiend from hell. It's a short step. Actually, this is one of my favorites, along with the kick-line of kittens. I may play with this one some more and make more expressions, repetitions or whatever. It seems too short.

I held out the most hope for this one, and was partially successful. It took me the longest. The original drawing looked like this, and it was all I had to work with:

This is a nice example of anthro - anthropo - whatever, making the cat look human, but not TOO human. Those ain't ballerina legs and feet, folks - they're animal, but in a weirdly human position. So what can I do here? I had to detach arms and legs and twist them around and try to get them back on again. It was hard. It was also necessary to remove the shadows on the floor so I wouldn't have to keep reproducing them consistently. I just don't have the equipment to do that. But it sort of came out all right. I kept tweaking the frames, and I guess I could tweak them some more.

But I'm waiting for the next blackout.

The Interview: the day the lights went out

Power Outage During Final Moments of 'The Interview' Startles Audience

Dec 26, 2014, 3:55 PM ET

By MEGHAN KENEALLY

MEGHAN KENEALLY More From Meghan »

Digital Reporter

Allwood Cinemas 6 in Clifton, New Jersey appears in this screen grab from Google Maps.

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Everyone knew what was coming -- the controversial death scene in the movie about a fictitious assassination plot against North Korean leader Kim Jong-un -- but then the lights cut out.

One packed movie theater was left bewildered when a sudden power outage struck 1,300 customers in Clifton, New Jersey, including Allwood Cinemas at a critical moment towards the final moments during a screening of "The Interview."

Barry Cohen, who attended the 1:30 p.m. screening with his wife and grown son, said they "had no idea" what was going on.

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"When it lasted more than five seconds, we though that maybe it was part of the movie and then we realized that it wasn't," Cohen told ABC News.

Even though a power outage would have caused confusion in any circumstance, the threat issued by a hacking group that it would attack theaters screening "The Interview" led to understandably hyped tensions, moviegoers said.

"Some people ran out of the theater," Cohen said. "There was another couple near us, the woman turned to her husband and said, 'Let's get out of here!' She didn't even wait for a refund or anything."

Allwood Cinemas did not immediately respond today to a request by ABC News for comment, but a spokesperson for the power company, Public Service Electric and Gas Co., confirmed that there was an outage in Clifton on Thursday afternoon.

"At 4:01 p.m. on Thursday, December 25, a downed wire on Market St. caused approximately 1,300 customers to lose power in Clifton. PSE&G crews arrived on the scene and restored power to all customers at around 4:15 p.m.," PSE&G spokesperson Lindsey Puliti said in a statement.

Cohen said that after realizing that the blackout was not part of the movie, he went out into the lobby -- where the lights were still on -- and asked for a refund once it was clear that the theater was not going to be able to rewind the scene to fill in the gap.

He and his family got refunds, went home, and downloaded the movie on Google Play so that they could see the final 15 minutes, Cohen said.

"Anything Seth Rogen does is going to have gratuitous violence, gratuitous sex scenes, gratuitous baseless humor at times," Cohen said. "I give it an A-minus."

BLOGGER'S OBSERVATIONS. This was a strange one, but no stranger than anything else I've heard about this situation.  I'm just glad I wasn't there. It all screams of Halloween prank, fun-house effects designed to thrill and chill and gather attention from the media. And apparently, it worked.

The audience should just play along. Be good sports.  After all, they knew there was still some shred of danger from going to this thing, so the laugh's on them, right? I'm not too sure about that.

This whole thing is just getting too creepy for me. It wasn't a good concept from the start. Who thought it was a good idea to make a gross, frat-house-style comedy about a dictator with dangerous power? Did anyone actually think this through?

Then the whole "Sony hack" thing, which Sony will eventually have to admit was either an inside job or the work of some 19-year-old high school dropout with an IQ of 276.

But it was still a lousy idea. Incendiary. Maybe this is how far you have to go to get people's asses in seats. There has to be a trumped-up element of scandal (someone insulting Angelina Jolie's eyebrows, or something equally horrendous), a sense of lurking danger. But danger may lurk nonetheless.

Wouldn't that be ironic - if the world ended, not by climate change, the gathering storms and surging floods washing away the Biblical weight of human sin - but repercussions from a bad comedy.

But on second thought: isn't life itself a bad comedy, one that even lacks a plausible ending? Few lives wind up neatly. As a matter of fact, in most cases, the same thing happens as in Allwood Cinemas 6 in Clifton, New Jersey. Everything just goes black.

P. S. I just noticed something when I read the piece again. When customers dashed out of the dark theatre and into the lobby, THE LIGHTS WERE STILL ON. Emergency lights, maybe? I don't get it. Why would there be emergency lights in a movie theatre?

Vincent, you're getting paint all over everything!

How many times have I seen this thing? Like Gone with the Wind or The Wizard of Oz, it just seems to come around.

Except that this one grabs me, every time.

Kirk Douglas excels himself, does better than he knows how, in portraying the awful and sublime life of Vincent Van Gogh. We all know Van Gogh's paintings from the coffee mugs and post cards and tea towels and various fripperies that bear his images. We have all heard reports of the multimillion dollars even his smallest canvases now command.

I didn't wanna do it, I didn't wanna do it. I had recorded it on my PVR a few days or weeks earlier and it was sitting there. It was on TCM, so I knew it wouldn't be carved up. I thought, after a shitty week, oh what the hell.

My husband has been away all week. Normally I use this sabbatical as a time for reflection, quiet, and going out to restaurants for one meal at 3 pm. This week was just - oh I don't know, it bored the piss out of me. Things went around and around in circles and some days I didn't even get out due to the wretched house-shaking monsoon outside.

I made fudge and I ate too much of really bad things, like back ribs and fries. I just felt discontent, as if I didn't fit my skin. THEN, early yesterday morning, the power went out, and I felt helpless. Not only was it cold and dark, but my lovebird began to shiver, and I realized with a shock that he wasn't going to survive dramatically dipping temperatures.

I panicked. I moved the cage all over the house. Is this warmer? No. It's already 63 F and dropping (when his usual room temperature is 72). I dithered around. I covered the cage with a tablecloth, wondering if he could breathe. He clung to the pointy roof of his palatial cage, silent and not moving.

Then I thought: what's the warmest room in the house? Our bedroom! During our rare Vancouver heat waves, it's absolutely awful, and sometimes I have to sleep downstairs. So I lugged his huge cage upstairs and gained purchase of 3 degrees, but it was not enough.

My mind spun around and around. Did we have any source of heat left? Should I stick him in my pocket or something? Then I thought: of course! Hot water. But my idea was not quite on-target.

I put a bowl of hot water on the floor of his cage, covered with a sieve so the dumb bird wouldn't try to bathe in it and scald himself. It bought me a couple more degrees. But it still wasn't enough.

Depressed and isolated, not wanting to go out because I had to look after this incubator baby, I phoned my daughter-in-law to ask if she had power. She did. She also had, right to hand, a number to call for info on power outages.

"But it'll take me hours. They'll put me on hold."

"No they won't. Try it."

They didn't. I got the information I needed in 30 seconds. The power would be on no later than 4:00 (and it was 1:00: would we squeak through?) She also suggested, instead of bowls of water that got cold in 2 minutes, to fill the bathtub with a few inches of hot water and wheel the cage into the bathroom and shut the door.

Within 15 minutes, I had set up the ideal sauna, and Jasper was thawing out, singing and chirping and ringing his numerous bells and acting like a bird again.

Anyway, all this shit ended at 2 pm, after 6 hours of blackout. It could've gone all night, in which case my bird would have died of hypothermia.

So, completely unrelated to this, or not, I was exhausted by the evening, lonely, sugar-logged, and just wanting any old thing to distract me. Maybe I shouldn't have picked Lust for Life.

Vincente Minnelli strove to make this movie as faithful to Van Gogh's paintings and life as possible. He dragged trees in to fill holes where they had been cut down. He put up a false front for the yellow house Van Gogh lived in with Gaugin (a bravura performance by Anthony Quinn, who likes his women "fat and vicious and not too bright"). Stories circulated about old women from remote places in Provence who gasped on seeing Douglas in makeup and exclained, "He has returned!"

A companion movie, a "making of" was shown after the main feature, and in it Douglas spoke fluent French to one of these elderly keepers-of-the-memory (who are all gone now). Why did it surprise me to see Douglas speak fluent French? He was the Ragman's Son (I read his auto-bio years ago, and he came up from such dire poverty that the family sometimes had nothing to eat). I associate him with powerhouse roles, Spartacus and the like,and that exaggerated growling voice beloved of impressionists (not the painters!) like Frank Gorshin.

I don't know what happened here. Some kind of transubstantiation. He - became. He felt this man. He slipped into his skin, his uneasy incendiary brain. The thing is, Van Gogh painted innumerable self-portraits, and all of them had something of Kirk Douglas in them. In some cases he could have been the model.

I don't know what my point is here, and I guess I don't have one. Life is a mess, and right now I'm a mess, full of sugar, lonely, completely stalled and discouraged in my work, yet still blown away by a couple of things.

The sun is shining right now. Shining on the high cedar boughs that garland my upstairs office view. The light is dappled and various, a Gerard Manley Hopkins light.

The sun is out. I never thought I'd see it again.

I don't know why we keep on. Sometimes it's wretched. Ask any genius. We have a spark of life in us, like a candle inside a blubberous whale. Van Gogh had to paint quickly because he knew he didn't have much time. "You paint too fast!" Gaugain roared at him. "You look too fast!" he growled back.

I'm not even going to try to tie all this together because life, as it is, isn't tied together very well. It's sloppy and hard to navigate. For me, anyway. It's better and worse. Some suffer more than others.

But I'm glad my little bird made it back into the light.