Showing posts with label ball-jointed dolls. Show all posts
Showing posts with label ball-jointed dolls. Show all posts

Friday, May 3, 2019

Dolls in distress






The astoundingly beautiful and powerful Enchanted Dolls made by Russian artist Marina Bychkova come up again and again in this blog as a source of inspiration. Part of it is the fact that the photography keeps improving, and the rest of it is that I can now make slideshows out of dozens and dozens of photos and don't have to try to squeeze them into and around the text (though as usual, I'll insert at least a few images here and there to break up the monotony of blocks of text). 

I actually appreciate the visceral discomfort these dolls can stir up, invoking as they do the childhood fairy tales which always turn out to be much darker and more violent than we remembered. It seems pretentious to say the dolls display non-verbal messages about power, control, sexuality, gender - all that stuff that we still fight over. But they do just that, and more. There is a mute masochism about some of them, such as this newest doll called Lady Amalthea, the main character in a story called The Last Unicorn.





Eyes swimming with unshed tears, lips unnaturally shiny and pouty, these creatures sometimes remind us of abused children, a connotation we don't want to see. We want to look away, we even think we should look away, but we can't - or, at least, we don't. Their costumes are gorgeous prisons, often with heavy, elaborate headgear made up of gleaming metal and thousands of tiny and individually hand-sewn crystals, flowers and pearls. Some dolls are heavily tattooed, and most have realistic genitalia which has caused a ridiculous amount of controversy at exhibits. Pictures of Bychkova at work evoke fairy tale heroines under enchantment, forced to work at some endlessly repetitive task until their fingers are worn to the bone.  




Here is her description of her latest masterpiece, Lady Amalthea:

"I’ve worked on this piece for over three years, dismantling and reassembling it multiple times as the image of the Unicorn slowly shaped itself. The 24k gold-plated bronze head piece was inspired by Hans Holbein’s 1539 portrait of Anne of Cleves, who was the 4th wife of King Henry the 8th. It is very light for its size, weighing only 82.3g (2.9oz). The costume is constructed with gold appliqué embroidery on fine tulle, 2,435 gold-lined glass beads (24k), 1,880 seed beads, 635 Swarovski crystals, 148 Mother of Pearl flowers, 46 fresh water Pearls and 21 Amethyst gemstones."

I found the following comments on a doll forum, and it's plain Bychkova's eerie humaniform/bodyworks of art still have the power to awe, inspire, and creep people right out. As usually happens on the internet, differing opinions or emotional responses are quickly judged as inadequate, unenlightened or just plain wrong. In the meantime, if I could be a witch (or, in my case, a "which"), I'd want to be the glam old person below. 





These are absolutely slaying me. They look so real that it is triggering my stupid empathy and my brain just can't handle it. I just start tearing up. Damn she's good

I don't even like dolls, but I would proudly display these in my home. That's insane.

Utterly stunning - the beauty of design and the soul of each doll is beyond amazing. I'm not a doll collector, but these would add magic to my home.

The fact that these dolls made all these people feel all these things prove that it is actual art.






Hideous. A selection of abused little girls. Maybe I'm a weirdo but I don't think a child (or adult for that matter) naked and crying is beautiful.

i wouldnt call yourself a weirdo. but id say you do have a problem with knowing a difference between fantasy and reality. probably one of those bland people with no imagination whos mind is too small to understand the reason behind art. when people like you see art that depicts the truth of your very own society you get offended. mostly because you choose to ignore the sadness of the world and pretend that everything is ok.

My gut instinct was not 'wow these are beautiful' but 'wow these look so realistically scared and how amazingly detailed is that girl's pubic region.' Are they more attractive to you because they're crying? I have enough imagination to know how these characters would feel and can see the sadness of the world reflected in it. I get it. Beautiful is not the adjective I'd use to describe it though. I'd like to see the artist make a strong woman. But I bet that wouldn't sell as well.






You're projecting the age, since the intended age of the dolls is not actually listed in the article....I assumed them to be in their 20's, some look perhaps in their 30's, and yea...a few look to be teenagers, but they all look like older teens in my eyes at that.

There's nothing wrong with nudity...so being naked while crying isn't inherently a problem. A person depicting a beautiful human being in a vulnerable state shouldn't be offensive or disturbing, but apparently it is to you and while that isn't "wrong"...you really do seem to be projecting your personal angst onto others.

The artist probably does not suffer from the same mental anguishes you do, they have their own, so calling this hideous for the reasons you are is not only callous....it also shows you don't really understand the intention behind art in general. 





Also, some of these show nothing other than emotion. Some of them are simply still poses that are unsmiling. Not nearly all of them are "sad", not nearly all of them are crying, being naked is not weakness because vulnerability does not equate to weakness (which you don't seem to understand, hence your reaction), being made out of porcelain does not inherently make something weak either...the way you personally interpret symbols is not necessarily the way the artist intended for them to be interpreted. It's not that you're "wrong", but you are definitely projecting and making it seem as though your personal judgment of these dolls is finite.

You're making it sound like everyone is literally crazy for thinking these are beautiful because of your personal issues....without stopping to realize just how those issues make YOU sound to others who don't have them.

I honestly don't think the implied age is a projection. The whole concept of a doll is capturing a youthful appearance. The large eyes, slim frame, and barley developed 'bodies' all appeal to the vulnerability of youth. Let's not pretend that wasn't the intent. And let's not pretend that something can't be beautiful and disturbing at the same time. These dolls are beautiful, but it's also okay to not be comfortable with the tearful sexualization of young bodies. And that's not to say what the artist did was wrong-- it's just an acknowledgement.






I don't find them all too appealing to be honest. The dolls could be pretty without sexualizing little girls. You may not find what the artist did "wrong" per say, but I definatly don't think anyone is incorrect to find "the tearful sexualization of young bodies" totally creepy. Especially the girl put on the bed.

Understanding what a human body looks like at different ages does not mean that you're projecting, it means you understand what you're looking at. These dolls are indeed modeled after very young girls. No one that looks at a baby doll is being accused of "projecting ages" onto a doll modeled to look like an infant. Humans have very distinct growth phases, and the phase they are modeling here is very much adolescence, from breast position, pelvic structure, and face shape. It's adolescence. Just because you never took basic anatomy and physiology, or any human reproductive biology classes and don't understand how that works, doesn't mean it's wrong.






I agree that it's creepy. All of those features together are identifying traits of a 11-15 year old girl, and if you don't find that creepy, then that's your issue. You can say that it's fine that they're naked and crying, but I find it less so being that they chose to make dolls that look like girls going through puberty, then make them look like they're crying, and then photograph them nude. On top of that, pose them on a bed while crying. It's creepy. It's creepy to sexualize the form of young girls, it's even creepier to sexualize the image of young girls crying. But hey, that's just me. Maybe you're a ok with people making virtual child porn too, because you think it's "just a projection of age".

I guess the big question to ask yourself, here, is this: Why do you find depictions of female nudity to be inherently sexual? These aren't sexualized poses or situations.








So you don't think that the doll made to look like a girl between 11-15 laying on the bed crying in a very reveling outfit is sexual at all? You don't find it sexualized one bit? Remember, that doll doesn't have any agency what so ever. An adult person made the choice to construct dolls to resemble all traits characteristic with adolescent girls going through puberty into one doll. Spend hours painting their genitals, and then photograph them nude. This adult chose to then make it so that they were crying. Chose to put these dolls that they intentionally modeled to look like little girls physically, who they chose to depict crying, and looking afraid, onto a bed.

Yeah... I don't think they're projecting. I think that's pretty straight forward in creepiness. This reminds me of all those creepy 3D renditions of virtual child porn that people always get busted for. Except this isn't 3D renderings of naked kids, they're dolls. But hey, "art".



Tuesday, March 13, 2018

Doll drama


































Here is my excuse: having virtually no artistic talent, but at the same time a keen interest and need to make some sort of art, I sometimes resort to the "art" of photoshop. Thus, the bizarrely beautiful Enchanted Dolls of Marina Bychkova are magically whisked away to unusual places and circumstances, some defying the laws of gravity. This was an art experiment which only a blog page could love. I wasn't even very good at photoshopping at that point, so it's a good thing these aren't full-screen or you'd see it. (But if you click on them, they WILL be full-screen. So I guess you will.) Fan art is a big part of Bychkova-worship, so hopefully I won't get sued. Not with my usual eleven views, anyway.


Monday, January 21, 2013

Embalmed Beauty, Part 2: fan art




Quite a while ago I went through a doll phase - all right, an obsessive doll phase - all right,  a completely obsessive doll phase that took me down some very dark corridors in my mind.

I think the first significant genre I found was on a web site called Enchanted Doll (http://www.enchanteddoll.com/) which features a collection of exquisite and disturbing dolls by Russian-Canadian artist Marina Bychkova. Barely 30 years old (and living in my hometown of Vancouver), she has been creating these shockingly original alabaster dream-figures since her early 20s. It has certainly paid off: one of her dolls commanded the headspinning price of $27,000.00 on eBay, and the waiting list for purchase is now several years long.





What exactly is happening here? How to analyze this strange and spooky magic? You can't, and I won't try or I'll be here all morning. Most of Bychkova's dolls are in a category called BJD (and it doesn't mean what you think it does, so shut up or I'll smack your filthy mouth). It means ball-jointed dolls, whose arms and legs have the capability of moving in practically any direction. (Please don't count those Monster High monstrosities, whose arms, legs and hands have an alarming habit of falling off.)









The bodies seem identical, slim and virginal, sometimes elaborately tattooed, with realistic genitalia that freak a lot of people out. Some even have pubic hair and a visible clitoris, which is strange because the average woman's clitoris isn't visible. The slender figures and spookily lifelike skin of these dolls contrasts startlingly with their blatantly visible, marionette-like joints. The nudes pose innocently or provocatively, faces sad and sometimes frightened, eyes brimming with tears. Costumes can be incredibly intricate, and there is even some furniture, velvet sofas and the like. But this is hardly Barbie's House of Dreams (from which the name of this blog is derived, by the way. Some people don't get the satire at all and just think I'm stupid.) 







There are recurring themes in the world of the Enchanted Doll. One seems to be subjugation and even a kind of captivity. Many of the dolls wear costumes that would feel something like a suit of armor, with enormous headgear (one even has a cathedral on top of her head!). Even the Scheherezade-like figures look like creatures kept under glass (which, during the many exhibits that draw wildly enthusiastic crowds, they actually are).

I had a Bychkova fit a year or so ago - or was it two? - then decided I had had enough and had better leave it alone before I crossed some sort of disturbing threshhold. Enchanted doesn't mean what people think it does. It means living under a powerful and often unbreakable spell, a spell cast through words or even song (the "chant" part). Abricadabra, bibbidy-bobbidy-boo, and you're captivated (captured?) for life.







But when I got triggered off again recently, God knows how, I found a trove of a couple hundred images I had previously hoarded (most of which I ruthlessly weeded down to just 66 or so - not 666! - figuring the rest of them  are already accessible on the internet, and will be for the forseeable future). I found only a few that were really new to me, including the heartbreaking one at the start of this post. If you really want to freak yourself out, pretend you can hear what this doll is saying. And there is the really disturbing one, the battered doll, which seems to cross the line even for a dollmaker who likes to push the envelope.

So do these dolls "make a statement" about female subjugation? I doubt if it's done consciously. If they do, it's in the sense of holding up a mirror, both to society and to ourselves. We prize the waxen beauty of girls kept under glass, and even find them sexually irresistable.









SOOOOOOOOO. . . we come to my Daily Special. Those few years back when I first became obsessed, I produced a bit of fan art. There is fan art on Bychkova's Enchanted Doll site, but it's done by actual amateur artists, not people like me who can't paint or draw. I play with my Enchanted Doll images like Colorforms, that primitive form of magnetic paper dolls from the '60s, which I was startled to see my granddaughters playing with the other day.








This is photoshop art, placing the dolls in settings that worked for me, stolen from the internet. The backgrounds are  meant to be standard wallpaper, but there is nothing standard about these dolls. They call up disturbing feelings in people, from "Ewwwwwwww! Cree-py!", to "Who made these?" to "Where can I get one?"










In case you think these dolls represent harmless social satire, just look on Bychkova's site and watch some of her videos. They feature "playing with" the various nude dolls, placing them in postures that often seem frankly lesbian. In one, a doll has died and is being buried. 










It all makes the mummified Barbie in the shoebox sarcophagus of my childhood seem much less strange.










CODA. I kept getting a funny feeling when I looked at this one:






It was perhaps the simplest one to compose, with only one figure in the extreme foreground. But it looked funny, kept changing somehow.

It was like one of those "can you see two faces in this picture?" things that I can never figure out.




With a few magical photoshop changes, I was seeing a giant goose or duck or some other strange bird, a malevolent-looking one that seemed to be dominating the entire picture. It's what fairy tale enchantment can do to you.