The Glass Character: bad books

Showing posts with label bad books. Show all posts

Wednesday, March 30, 2016

Fifty Shades of WTF?

What goes around comes around. Or so they say. Never was this more satisfyingly proven than in this instance, in which the worst book I never read became a sort of throwaway, the kind of thing you give to Goodwill because you're never going to wear/read it again. In spite of the fact that a movie sequel is in the works, if not out already, at least some readers are tiring of the tawdry world of women enjoying getting the shit beat out of them. That kind of mindset sank the Ghomeshi trial sufficiently that he walked free - a fact that hit me so hard that I haven't even been able to write about it, much as I saw it coming. Why this strange phenomenon happened in an Oxfam store in Swansea, Wales, is anyone's guess, but maybe they just have better literary taste there, a hangover (!) from their most illustrious literary son, Dylan Thomas. Well, or at least their drunkest literary son.

Fifty Shades of Grey: the book you literally can’t give away

A branch of Oxfam in Swansea has asked donors to bring ‘less Fifty Shades and more 60s vinyl’. Are Britain’s charity shops stuffed with more bestselling soft porn than they know what to do with?

Emine Saner @eminesaner

Wednesday 23 March 2016

With almost enough copies of Fifty Shades of Grey to build its own sex dungeon, a branch of Oxfam in Swansea has asked people to stop donating the erotic novel or any of its sequels. “We appreciate all your donations, but less Fifty Shades and more 60s and 70s vinyl would be good,” wrote Phil Broadhurst, the shop’s manager, in a post on Facebook.

For a while, Oxfam published a list of its most-donated authors; between 2009 and 2012, Dan Brown was top. Could EL James and her Fifty Shades have beaten the Da Vinci Code author? “I think Dan Brown is still pipping it, actually, but [Fifty Shades] is up there,” says David Taylor at the Oxfam bookshop in Salisbury. Copies of Fifty Shades there are sent to the local depot for redistribution to other shops; his branch doesn’t sell it. “It sounds snobby, but there are 10 charity shops in our street and you can buy it in any one of them,” he says. “There’s no point in us selling it.”

Other bookshops are not reporting much in the way of bestselling soft porn. “We get our fair share,” says an employee at a British Heart Foundation shop in Edinburgh, but it isn’t one of the shop’s most-donated books. “I don’t even think we’ve got any in,” says the manager of a charity shop in Liverpool.

At the Red Cross bookshop in New Romney in Kent, only two or three copies of Fifty Shades have been donated. The most-donated books, says assistant manager Lorraine Logan, “would probably be Lee Child, Karin Slaughter, that type – crime fiction”. They also get a lot of military history and books about the area. “We’re in a quiet little town,” she says. I think she’s implying it’s perhaps not a hotbed of S&M enthusiasts. Quite what this says about Swansea I’ll leave to the imagination.

. . . And speaking of Swansea, birthplace of that poet once voted "the drunkest man in the world", I found a pub with his name on it in his home town. Reviews were rather tepid, averaging 3.2 out of 5. I've included some of the more memorable ones.

Dylan Thomas - Fayre & Square

Swansea Enterprise Park, Llansamlet, Swansea, United Kingdom

3.2
24 reviews

went there this afternoon, had a "codfather and chips" myself and for my wife, i should have complained immedietly but my wife said to leave it, the batter was overcooked and greasy with not much fish which was mostly grey, it is repeating ...More

Lack of staff and food was not so good for what you pay. Nacho and pulled pork starter with severe lack of pulled pork for £7.. avoid.

Had a gd time and gd staff.plus gd food

My food was cold. And the waitress spilled my desert on me. I complained to the lady in charge and she said she would send me a letter authorising a next free visit for 2. The letter never came. Obviously a ploy to get rid of me and my wife. Customers are not important to them that's why you pay upfront.

Food was ok but wait 10 minutes for drinks food went cold very short staff behind the bar only 1 service

Ok for cheap food and a pint, but poor service due to lack of staff

You get what you pay for. Buy cheap buy twice. Both appropriate for this establishment.

For the price the food is very good.

My 6 year old ill plus me an my partner has had food poising

We had food poisoning after eating here

This is a place we have been visiting for a number of years as it is local. It used to be brilliant then slipped drastically for a time but we believe has recovered. Many other people must think so too as it is usually relatively busy when we go midweek. It is not fine dining by any stretch of the imagination but food is USUALLY good and ample portions. We are a family group of older generation i.e. 50's - 90's and they cater for the tastes of the group which is all we want.

Well I can't review the food as after standing at the bar for ages, when the barmaid finally arrived she told me I had to join the queue of about 8 people ordering food, all of who had arrived after me.
I told her I had arrived before them but she wouldn't have it, so I left!

Awful place!!

Ordered food waited 1 hour food was cold and tasted vile never again what a disappointment to us all it tasted bit funny to

POST-POST RUMINATIONS. This can't be true. I mean, the whole story of Fifty Shades in the Oxfam store.

THIS can't be true. . .

. . . and THIS can't be true. . .

. . . or not to this extent, anyway. That igloo-looking thing would require HUNDREDS of donated copies of Fifty Shades. There aren't even that many people in Swansea, let alone older women with dirty minds who were willing to shell out however-many-pence for this thing a few years ago and are now bloody sick of it all.

The copies look identical, and they wouldn't. There would be various different editions, as there always are with bestsellers. Some would be without their dust jackets, or even their covers if the readers had gnawed them off in a fit of frustrated horniness.

This just doesn't make sense to me.

Are these really copies of Fifty Shades at all, or fake books? If they are, they were remaindered by a large retail chain, or perhaps sent over by the publisher (though it's unlikely they'd want to sell their product by donation in an Oxfam store in small-town Wales). Or this is a display in a whole different store, maybe in another part of the world - who's going to know, anyway?

And who in Swansea has the cleverness to make a stack of Fifty Shades symmetrical enough to rival Mr. Whipple's giant tower of Charmin Bathroom Tissue?

I am sure it's a hoax, though even Snopes hasn't caught on yet. I think it's meant to poke good-natured fun at the book, at Swansea, at Oxfam, at - oh never mind. I'm not even sure any more.

We've been Onioned here. Now I feel just a little bit foolish.

Visit Margaret's Amazon Author Page!

http://www.amazon.com/-/e/B001K7NGDA

Monday, August 6, 2012

Are you Ginger or Marianne? (or: the worst book I have ever read)

Let's get to it. I've been reviewing books for - jeez, now I don't want to say how long, nor do I want to say how many I've reviewed for fear of someone out there saying, or thinking, "Loser."

It's a few hundred and yes, I do get paid. When I tell people how much I get paid (because they always ask, just like you'd ask a surgeon or a teacher), they have one of two responses:

(a) That much, eh?, or

(b) Is that all?

Anyway. Sifting through these hundreds of review copies, I can't help but think back to. . .(now my face gets all blurry and there are harp glissandos and stuff). So I won't give you a top ten or anything, or a bottom ten, but there are a few that definitely stand out.

There was one by Doris Lessing called Love, Again, and it was simply (but not at all simply) about a woman of 60 in love with a man of 20. It was dazzling and intimate at the same time, and it reminded me of why we write (oh OK - why she writes - she's on a whole 'nother planet from everyone else, even won the Nobel Prize a few years ago). At the same time, I was also reviewing an atrocity by Toni Morrison called How Stella Got her Groove Back, which was about a woman in her 40s in love with a man of 20. It amazed me how you could take the same subject matter and either lift it to the level of incandescent art, or throw it down into the gutter.

There was one by Daniel Richler called - what the hell was it called, anyway? Hated it. Just a huge waste of talent. One by Anna Murdoch, then-wife of Rupert, called Family Business, all about the McLeans, a newspaper family that had "printer's ink in their veins". Jesus. If they'd had that, they'd be dead, and perhaps that would be not such a bad thing.

I just want to quote one thing from that book, the only thing I really remember. The McLean family plays a weird twist on the Name Game ("Shirley, Shirley, bo-Birley", etc).

Paper Caper
Nicker-aper, Coo-faper,
Barbar-aper
That's how you spell paper!

But nothing prepared me for a slender volume called Ready to Fall by Claire Cook. This came out in 2000, when email was still considered strange and mystical, with messages coming out of the thin air, so the fact that the book is written as a series of emails must have been a selling point. These are mostly one-way emails that a frustrated suburban housewife writes to her would-be lover, a globetrotting/bestselling author who lives next door. The fact that he stops replying to her on page 27 should have clued her in that he was either dead, or completely uninterested.

The publishers, Bridge Works Publishing Company (which sounds more like a dental office to me) convinced a few authors of some repute to say nice things about the novel, so that next time another author from Bridge Works would say something nice about their novel. That's how it works, folks, just like on Open Salon.

"Ready to Fall is pure delight," burbles one Helen Fremont, author of After Long Silence (and I only wish that the silence had been a little bit longer). "A Bridget Jones's Diary for the post-twenties. Fresh and full of pizzazz (oops, I thought that said pizza)."

Mameve Medwed, yes, THAT Mameve Medwed, gushes, "In this stunning debut, Claire Cook creates a whole world through one character's one-way e-mails. . . Bells rang for me on each and every page." Bells?

But Alexandra Johnson sums it all up with: "In Ready to Fall, Claire Cook ingeniously shows us that e-mail is the modern diary beamed into cyberspace. Refracted at dizzying speed and"

Bluggghghg, bluggghhh - sorry, folks, I don't like to throw up in public, but in this case it was just getting too unpalatable.

In the acknowledgements, Cook gives "eternal thanks to my writing group", then names them all. One of them is Helen Fremont - you know, that Helen Fremont, the one who burbles away about Bridget Jones and pizza. "Writer's group" is an oxymoron anyway - writers hate other writers, if not all human beings, and do not run in packs, or run at all. We sit alone at our desks and eat Chee-tohs and get very sloppy. She then thanks her husband and children for "giving" her time to write. I don't know how you can do that, see. Give someone time. If you can give it, you can take it away. If anyone wanted to take away my time to write, they'd have to pry it out of my cold, dead hands.

But on to the novel!

Maybe it's not fair to make such fun of a technical marvel that is now so creaky. We've since dropped that cute little dash from "e-mail". Anyway. The story. Beth Riordan is trying her best to work up a good case of lubrication for a guy (somebody she doesn't actually know) called Thomas Marsh, a walking nom-de-plume who dangles her for a couple hundred pages before dropping her like a dead rat.

Actually, I see now that he does throw her a couple of crumbs at the start, just enough to get her hooked so she'll pick up his mail and newspapers. "I stopped to get bagels on the way home from swim practice this morning. . . The whole time I was thinking how nice it would be to walk over to your house with some freshly brewed coffee and the rest of the bagels. Just to say hello and maybe have. . ." (etc. My fingers are getting tired, not to mention my brain.)

He's not home, surprisingly, so she feeds the bagels through the mail slot in his door. "I simply can't believe you're gone, Thomas," she says with a long, shivering intake of breath. "I almost dropped my sandwich when I saw the little bouquet of flowers you had left just inside the door. Were those from my garden?"

Such economy, a sure sign of a man of character! Why go to one of those pesky stores when the flowers are right there in her garden? The rest of the e-mails are sorta one-way and talk about Beth's life sitting in the parking lot waiting for her kids to come out of swim practice. (Claire Cook was quick to tell the media in the mad promotional whirl that she wrote this novel in 15-minute segments while sitting in the car waiting for her kids to come out of swim practice.)

The story, such as it is, comes out in half-page blurts with "e-mail" headings such as:

Date:   Sunday, August 20, 3:49 A. M. EDT
From:   Swimslave
To:     Wanderlust
Subj:   SO ANGRY, SO HURT

I don't remember what, if anything, really happens between Beth and Wanderlust (I mean Thomas), but near the end of the book she waxes hopeful. "But the minute I got within smelling distance of you, I felt this strong, physical pull. A chemical response, something olfactory and beyond. You must have strong pheromones because all of my earlier reservations disappeared." Reservations for the hotel?

But this particular passage is the real reason my mind flashed back to this atrocity, because it left a little fishhook in my brain that will forever be there.

"Do you like hammocks, Thomas? This one IS comfortable. I try to keep my mind clear, but as soon as it empties, an image rushes in. I am in a rerun of GILLIGAN'S ISLAND. I try to decide if I am Ginger or Mary Ann. In the long run, is it better to be sultry and sexy or perky and peppy? Ginger looks good now, but Mary Ann will probably age better. Plus she will have developed her personality in a way that Ginger won't feel the need to. But Ginger DOES get all the men. (Reviewer's note: Cook seems not to have heard of italics.) And the good clothes. And you certainly never see her doing any real work. She'd never risk breaking a nail. I decide that women have just talked themselves into thinking they'd prefer to be Mary Ann. We'd all really rather be Ginger."

This passage is too putrid even to appear in Cosmopolitan magazine, but it passed muster in 2000. So long as it's in an e-mail. I vaguely remember, though I'd rather be hung upside down by my toenails than try to find my copy, a mystical novel where a woman was getting emails from a spectral presence, someone who existed only in the realm of Cyberspace. And that one passed, too.

Oh, don't join writer's groups, don't sit in cars scribbling! Why would writers support each other anyway? Do you know how precious and few are the opportunities to get published these days, how pointed the top of the pyramid? Don't hand the prize to your friend, just don't. You've worked hard and it's (to paraphrase Claire Cook) YOURS. To be too generous with your secrets is like a golf pro taking another golf pro aside and saying, "Here, let me show you my special swing, the one that won me the U. S. Open three years in a row."

Only in the writing field (and only among amateurs - take my word for it) are people expected to help each other improve their skills so that the other person can trounce the hell out of you and jerk away a fat contract that is rightfully yours. If you have to show your work to someone, show your mother. Or an agent. There's nothing in between.

But all is not lost! You might be asked by the publisher to write some effusive back-of-the-cover bumph for your friend's new novel, a little neon sign for your own pet project. You won't be paid for it, but hey, be grateful: it's exposure, isn't it? Maybe next time, SHE will write some nice juicy bumph for YOU.

But don't count on it.