😵HAUNTING VOICES FROM THE PAST: Historic Re-enactment of the EDISON TALK...

My dolls are very generous with their time (meaning, all they do is sit there being dolls), so they were happy to do this historic re-enactment of the CREEPIEST doll in human history - the infamous Edison Talking Doll. This thing had a tiny record player inside it which had to be cranked, and which broke after only a few uses. The dolls were so frightening and expensive (something like $10.00, which would be like $200.00 now) that they only lasted a few weeks on the market. So the ones that were manufactured must have been warehoused somewhere - or collected by a few people interested in macabre artifacts. This was the pre-pre-predecessor to Chatty Cathy and other hideous "talking" dolls, so once again everyone claims Edison was "ahead of his time" - but I also found video of French dolls which laughed and talked using the same primitive technology. My feeling is that, as always, Edison stole someone else's brilliant idea, but he managed to botch it just the same.

Creepy comfort: when dolls talk back to you

I just have to dust this one off again. 

Maybe it goes all the way back to voodoo and burning your enemies in effigy, but humanity has always had a very strange relationship with dolls. They're both cuddly and creepy, calling forth a weird mixture of maternal tenderness and hair-raising shock. We don't expect them to talk, and most especially they weren't supposed to talk in Edison's time, which is what made this doll so - unique. The fact that the mechanism inside them (which was actually a teeny-tiny phonograph that played a miniature disc) broke after one or two uses meant that their popularity soon faded. Most of the dolls were returned. A few must have survived more or less intact. It was decades later that Chatty Cathy took over as the most "possessed" doll (meaning, of course, that more little girls owned them) in history. 

I had no interest whatsoever in dolls when I was a child. I was more interested in frogs, toads, newts, snakes, polliwogs, mud puppies, millipedes, salamanders, and anything else that crawled (or barked or whinnied or meowed). I have no idea what has happened to me in the past few years, but my doll collection (if you count the trolls) has boomed, so much so that I don't know how many I have now, and don't want to count. 

I can't account for this, except to say that the reborn doll craze has given rise to dolls that are much more realistic and less creepy (some would say MORE creepy due to the uncanny valley effect) than the staring-eyed, round-headed, stiff-limbed hunks of plastic we used to play with. I've knitted clothes for my dolls, made tons of videos about them, bought more and more of them - and, of course, during the pandemic, have relied on them as a source of comfort. They say we return to the enthusiasms of childhood as old age approaches - but in this case, I seem to have aged backwards, and am catching up on what never appealed to me in childhood.

I still like crawly things, and LOVE birds, which have become a serious interest in the past few years. Sometimes the only thing that pulls my spirits out of a bog of sludge is feeding the red-winged blackbirds at Burnaby Lake. The glossy, sassy males tilt their heads this way and that, their brilliant red and yellow wing patches flaming in the sun. The females, much more practical and industrious, are no-nonsense creatures who get right down to the business of eating, without any flirtation needed.

I can't see ahead right now - can anyone? Are we out of this woods yet? It seems to me it grows darker with every step. Each day HAS to be sufficient unto itself, because I can't plan. We try to focus on how much better our situation is than someone else's - but don't I also bleed for them, my fellow suffering humans? 

For some reason - this is terribly disjointed, sorry - a song jumps back into my head, one that gave me great comfort during another time when I couldn't see ahead. I'd be walking through the woods with this song playing in my ear and try to find some sense in what was happening to me. Mostly I was just trying to stay out of the hospital, and when I was unable to find the light, I had to try to develop a taste for the dark. I don't  know how I survived that time, why those soul-destroying times kept returning, and why I am not in that state now when I suppose I have every reason to be. Maybe the message was finally delivered.

No one is alone

No one here to guide you

Now you're on your own

Only me beside you

Still you're not alone

No one is alone, truly

No one is alone

Sometimes people leave you

Halfway through the wood

Others may deceive you

You decide what's good

You decide alone

But no one is alone

People make mistakes

Fathers, mothers

People make mistakes

Holding to their own

Thinking they're alone

Honour their mistakes

Everybody makes 

One another's

Terrible mistakes

Witches can be right

Giants can be good

You decide what's right 

You decide what's good

Just remember

Someone is on your side

Someone else is not

While we're seeing our side

Maybe we forgot

They are not alone

No one is alone

Hard to see the light now

Just don't let it go

Things will come out right now

That's the best I know

Someone is on your side

No one is alone

Stephen Sondheim

Reborn or undead: the Edison talking doll

I hated dolls as a kid and never went near them, though my mother bought me something called a Debbie doll - she was brunette, with a large head, much larger than Barbie's. I think my mother was afraid I would be a lesbian if she didn't do something pretty quickly. Obviously I wasn't a proper little girl at all.

Now I am dragged as if by hypnotic persuasion to the idea of dolls. I watch "reborn" videos obsessively, even though I think the dolls are insanely creepy and most of the women who own them borderline-unhinged. Some of these dolls actually pee (I've seen footage), some cry and coo, move, and have a heartbeat and an internal heating system. All this is to reproduce, as closely as possible, a Real Live Baby. Reborn videos commonly show the baby being "sick" so the "mother" has to hover over it and pretend to take it to the doctor, or going on shopping trips where "Mom" takes them out in public expressly to shock people and weird them out. (The video of the woman "giving birth" to a reborn has, unfortunately, been deleted.) I don't know if this is just a nasty prank, or a form of casual sadism.

The true glory of the reborn, as with all dolls, is that it never changes. The agony of watching your child grow away from you never needs to happen. That little vinyl blob in your arms is forever in your thrall. In fact, it is under your complete and total control at all times. Think of the power. Women actually weep when they lift seven pounds of quivering silicone out of the cardboard box from eBay. They sob and gasp and whisper to the "baby" for the whole 15-minute video.

I don't get it. Except that I do, or I want to. I'm collecting trolls again, enjoying it hugely - trolls, to me, weren't really dolls, they were a little too weird and subversive. My mother wasn't pleased and did not consider them real dolls, and still wanted me to play with my Debbie doll. My Debbie doll sucked rocks, as far as I was concerned.

I played trolls with two friends, both people who "got" me, and I don't need to explain to you what that means. I don't think it has ever happened to me again. I was ten, and that was my golden year, though I didn't know it at the time. It was my year of the Beatles and having a horse of my own, and being in the special advanced class in which I did not learn a royal rip because I did not have to. We all "learned at our own pace", which means we learned doodlysquat. It was total anarchy, and we literally gave our poor greenhorn teacher a nervous breakdown. He had so been looking forward to teaching this avant-garde, even prestigious class.

I was ten, and there were trolls, and now when I go back to trolls I see they are different, and yet the same. They have come and gone in waves, disappearing for 20 years after that first crest in the '60s, surging again in the '80s, then disappearing, until that Godawful movie came out.

But never mind. I ramble. I was going to talk about the Edison talking doll, but there isn't much to say, is there? It was a hideous thing. Edison was an arrogant asshole and thought he could make fools of the public just by putting out something with his name on it. It didn't happen. The dolls had a tiny version of his new-fangled gramophone embedded in its hard tin carapace. The tinny distorted recordings of nursery rhymes that issued forth when you turned the crank were nothing less than demonic. Curdled dulcet tones waver and shriek, making you wonder just who was  paid to spew this stuff, and how long they've been dead by now.

The dolls worked for about five minutes, which must have broken a lot of little girls' hearts, and most customers angrily demanded refunds. They stayed on the market for less than a year. Edison was known to refer to this project as "spilled milk", another way of saying "writeoff". And yet, and yet. A few must have remained in working order, or we wouldn't still have these blood-chilling horror-movie sounds.

I even wondered if the sound had been recreated artificially, like that wretched so-called recording of Au Clair de la Lune where some electron microscope scanned a very old piece of black paper, fed the random scratches into a computer and came up with The Very First Recorded Sound. It's a known fact that we hear what we expect to hear. I could write a whole piece about that, but I won't. A few years ago my granddaughter had a baby doll that talked, and one of the things it said was, "Allah is great!". Of course, what it really said was "gagamamamblllllgagmmmm", but once the rumor got around, EVERYONE heard the doll say"Allah is great". The dolls were soon pulled off the market. Allah, as everyone knows, is the embodiment of evil.

This video has the largest collection of talking doll horrors I've heard. I won't tell you to enjoy it. Just prepare yourself.

Unliving dolls

An obsession I return to over and over again is the creepiness of dolls, rivalled only by the creepiness of clowns. Both are meant to bring joy and pleasure to small children (or rather "children of all ages!", as they say at the circus). Come to that, circuses are pretty creepy too, or at least the circuses I saw as a kid:  tawdry is a better word, with sad elephants, bad smells and clowns who had probably seen better days and likely fuelled themselves from a flask.

This is the first video I've found with a complete set of Edison Talking Doll recordings. Or, at least, I fervently pray it is a complete set and I won't find any more. God only knows where they got them, as I would've thought the wax cylinders would have melted down by now. 

The dolls had a most un-cuddly steel  body with holes in it to concentrate the "audio". I think either the crank or the cylinder broke down almost immediately. Did this freak out kids? It might have filled them with wonder. Even some of the stranger dolls from the 1960s were seen as completely charming, like the one who had different facial expressions when you wrenched her arm around (and what was her name, anyway?), or the one who said creepy things like, "I can see in the dark" and "I wish we were twins".

"Doll" has taken on a whole new meaning. When I first heard about "reborns", they were dolls with realistic-looking arms and legs and head, and a cloth body like a conventional vinyl doll. And they were vinyl. Originally, you just took a vinyl doll and mucked around with it until it looked more-or-less real.

Soon the dollmakers upped the ante, placing beating hearts in these things, heaters, voice recordings so they'd cry and coo, and even the capacity to wet and (I think) poop. Jesus, you might as well just have yourself a real kid!

But soon that wasn't enough, either. I began to see dolls molded out of silicone, one-piecers I mean, their limbs jiggling like a rubber frog's. These were so "lifelike" they scared the hell out of me. One of these might run as high as $10,000.00, though I just found this one on eBay:







5h left (Today 5:06PM)
From China
Soft Brown Hair Full Silicone Vinyl Reborn Baby Dolls Lifelike Newborn Baby Doll
$1.99
0 bids


Though it's described here as "full silicone", I have a feeling it's the kind of doll you might find at a dollar store: "Mo-o-o-o-o-m, can I have that doll?" "Oh, okay. It's only worth a couple of bucks."

I have weird feelings about these dolls. I honestly do. After watching a number of "Kaylee's Morning Routine" videos, which made me gasp, I began to wonder what it would be like to own a doll so real-looking that cops broke the glass in hot car windows to rescue them. (Doll owners are not above such pranks and love freaking people out while shopping at Walmart, sometimes casually abandoning them in the ladies' room.) I even. . . no, I didn't, but yes, I DID look at some of them, decided they weren't worth my while and that you needed to pay five grand to get a really good one.

Now I wonder what I was thinking of. Getting a cat seemed to rescue me from such thoughts.  I didn't realize I was at such a low point. At least the cat is real.

If you watch their YouTube videos, the collectors cannot understand why anyone would find their obsession creepy. "Full-body silicone" seems to be the Cadillac of these never-born, never-dead things, quickly replacing those clunky old cloth-bodies that can't even be bathed. This rarefied cult strikes me as stereotyped and largely misunderstood. Wikipedia says reborns are owned almost exclusively by elderly women who at some point suffered the loss of a child, but that's simply not true. Nearly all the videos I've seen are of women in their 20s and 30s, and quite a few of them are teenagers.

I can only assume that they just like having them around to feed, dress, bathe and take on "outings", and collect them obsessively. Elaborate, thrill-packed box-opening ceremonies abound on YouTube, each one packed with as much fun and excitement as a baby shower. These are actually entertaining to watch: though the disaster openings ("ohhhhh noooooo, his head is warped. . .") are even more fun.

I keep thinking of a chant we had in school: "Rubber baby-buggy bumpers". You had to say it ten times fast, or something, though I am not sure why.

POSTSCRIPT (there's always one of those!): I found this weird little entry in Wikipedia, which gets just about everything wrong about reborn dolls:

A reborn doll is a manufactured skin doll that has been transformed to resemble a human infant with as much realism as possible. The process of creating a reborn doll is referred to as reborning and the doll artists are referred to as reborners. Reborn dolls are also known as Bodo dolls or unliving dolls.

I've scoured the internet and found NO reference to "Bodo dolls", though I did find "Bobo dolls". These are the roly-poly clown things that bounce back up when you push them over. For some reason, all sorts of scientific experiments have been done on these that don't interest me at all. "Unliving" isn't easy to find either, except on really creepy sites that have nothing to do with these dolls.

And then there's this:

Social issues and reactions

The overwhelming majority of reborn customers are older women. Many women collect reborns as they would a non-reborn doll, whilst others purchase them to fill a void of a lost child and may treat reborns as living babies. Media features and public receptions have used such adjectives as "creepy" to describe the reborns. This can be explained by the uncanny valley hypothesis. This states that as objects become more lifelike they gain an increasing empathetic response, until a certain point at which the response changes to repulsion. Department stores have refused to stock the dolls because of this reaction, claiming they are too lifelike.

I don't know if I have seen any "older women" on the YouTube videos, if older means 60s or 70s. Many of them are less than half my age. Wikipedia makes no reference at all to the "full-body silicone" doll which is all the rage now. This information is at least ten years out of date. Wiki is mostly put together by guys in their 20s, the ones that live in Mom's basement and really don't get out much, or do much of anything except steal each other's research.

As for department stores not selling them because they are "too lifelike", it's more likely they don't sell them because of the price factor. Really good ones cost hundreds or even many thousands of dollars. Unless they bolted them to the shelves (hmmmmm. . . ), they could stand to lose a lot through shoplifting. Picture it: reborn kidnappers wearing maternity coats sneaking into the toy department and smuggling the little blighters out past the store alarms.

BTW, I'd be interested to see if there is any feuding between "old-school" cloth-bodied reborners and the newer, full-body-silicone crowd. I have never seen a video of a conventional reborn which could be bent and twisted and slung around like this. Nor do they have realistic genitals, a detail which squicks out even some of the most die-hard collectors. That hunk of quivering pink silicone looks EXACTLY like a real baby, folks, and that is exactly what makes it so creepy.

Bodo, anyone?

Damn, I thought I was finished! But I just had a horrible thought. These dolls are molded, right? HOW DO THEY MAKE THE MOLDS? The only method I can think of is to make a plaster cast of a baby. How else could they make it that realistic, down to those last minute bumps of scarlet prickly heat?

Dear God. This is worse than the squawky, distorted, Night of the Living Dead Edison doll recordings! I found some instructions for making a silicone, baby, but I find them kind of hard to believe. Nevertheless, in the interests of science, I will share them with you:

There is one way to do a full mold for a full silicone baby, and I have been researching this, but haven’t done it yet.

You start off by drawing a line through the center of the baby, around its head, fingers, toes.

Then you take some white clay and put it on the bottom of the mold, and pack it into the center lines all around the baby.

You take a flat brush and dampen it and go around the edges making sure the clay is sealed.

Cut off excess on sides to not be wasteful with product.

Take the end of a sharpie with the lid on it, and make holes around the baby, which will be the center holes that hold the mold together. You can even put the round nuts around it if you want to.

Close the mold, and mix the dragon skin, or silicone you are using for the mold, and add flocking for the color you want the mold to be.

Pour the product into the mold covering the baby half that you can see.

Let it cure.

Cut the mold open and remove the clay and any loose silicone that is dangling.

Clean all of the clay off.

Turn the baby over and roll up a clay hole maker to put into the center for the pour hole.

Cover the remainder of the baby.

Let cure.

Remove. It comes apart, but you can pour the baby into the pour hole.

Make sure to Tap tap tap to get all of the air bubbles out, because you don’t want those. It will waste your silicone product. Also turn to cover every nook and cranny.

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Last words and shrieks from the grave: recordings that give me the Christly creeps

I wasn't going to add any text to these - they're largely self-explanatory, but just looking at them, let alone listening to them, is so distressing that I have to say something, in the nature of whistling in the dark.

This first one is a distillation of sound recordings from a site called, I think, planecrashes.com. These are the best, or should I say, the worst of them. I don't know why my mind is so dark, but I must not be the only one or there wouldn't be so many of these things online. I don't know of a person who hasn't at least thought about what it would be like to be in a crash. But to be responsible for all those people. . . The most disturbing aspect, aside from the screams and that sickening crunching noise, is the "whoop, whoop, PULL UP! Whoop, whoop, PULL UP!" alarm that comes on - too late for most of them, as it turns out.

Oh Jesus, God and Mother Macree, whoever she is. These are weird things, an experiment that failed. In 1888 Thomas Edison decided to capitolize on the success of his newly-invented phonograph by implanting a tiny little phonograph in the belly of a horrible doll. And it said horrible things in a horrible voice, but only for a short time - because they all broke. Very quickly. And all the customers wanted their money back. But we still have these hideous recordings, which I assume are original.

I can't really explain or describe the doomsday feeling I get from this recording. It makes no sense - it's just sounds, isn't it? I even know what the original sound was. I remember dial-up (which now seems like the lamest thing ever invented - because it was! You couldn't be on the phone and the computer at the same time.) All these vastly slowed-down recordings are very, very strange. When we think of a recording being slowed down, we think of it getting lower and lower, but it doesn't. It's just endlessly elongated. It takes up more time. And this is like something from Armageddon, the Last Judgement, the trumps of doom. I think it's partly the fact that I do know what the sound is, but it's changed, changed utterly. For some reason I made myself listen to this again last night and had the same queasy, sick dread. It doesn't get better with successive replayings. In fact, it gets worse.

The Volta Labs experimental recordings were another Edison thing. Just a bunch of guys fooling around with very primitive sound equipment. Volta Labs reminds me of mad scientists with frizzy hair, Gene Wilder in Young Frankenstein, Clyde Crashcup, and that sort of thing, though the comic connection doesn't mitigate the creepiness of the recordings. On one of them, someone appears to say "fuck!", but I didn't include that one. This one is just creepier. It also interests me how much the first recorded discs looked like ugly grey pancakes.

I wonder why it is, when I do not remember World War II, when I do not remember ANY war, that this sound fills me with such primal dread. It is Doom. It is simply the end, and there is nothing you can do. 

And this - this I do not even need to explain. This carved its way into my child psyche during the Cold War, when that awful endless shrill beeeeeeeeeeeep seemed, to me, even worse than the dreaded Bomb.

For a while, the experimental talking clock from 1880 was regarded as "the first recording", but it isn't any more. It was recorded on a cylinder made of lead, incredibly, and it sounds like it. It has its own screechy-whoopy-creepy aspects, and you CAN hear counting in it, though it's hard to make out. Did anyone really listen to this thing? I doubt it ever made the Top 40, and I have no idea where the original resides today. 

Anyone who knows anything about the advent of sound recording knows about the Phonautograph. This French guy who had a name a mile long (de Martinville, I think - unless Martinville was where he lived) just wanted to see what sound waves would look like when traced with a stylus on a moving glass globe. That's all. There was no thought of playing them back. When I first found out that they had found his stylus tracings on some black paper, read them with a laser and actually dragged some "music" out of it, I disbelieved it immediately. It was an obvious hoax.

Back in the mid-'90s, someone tried to pass off a supposed recording of Chopin playing the Minute Waltz which they claimed had been recorded on a similar device. Sadly, it was a fraud. I couldn't even find anything on the internet about this, and still can't, even though I heard the damn thing on the radio. I remember the CBC Radio announcer dismissed it as "a musical Piltdown Man". I'm not sure how I know this, but it turned out to be a CD enclosed with a European classical music magazine which was published on April 1. The catalogue number was something like 425679HAHAHA.

But this ghostly Au Clair de la Lune thing has stood up to scrutiny. At least, no one has stepped forward to admit guilt over it, so it must be real. Some of the air has gone out of it, however.  I note now that when I go on Firstsounds.org, the web site that originally broke the news to the world, it hasn't been updated in a very long time. It just looks like an ugly and very out-of-date web page, even worse than mine in fact. It's sort of a pre-Blogspot thing - whew, what an eyesore!

When all this first came out, there was a great deal of boasting and braggadocio by the researchers, who had been catapulted to fame by a few pieces of sooty black paper. Now I notice a certain nothing. I guess they haven't found anything new. The few seconds of blurby, garbly "singing" isn't so exciting any more, no matter how much they slice and dice it, play it back at different speeds and with different effects, filters, etc. Hey, you can make an armodillo sound like Pavarotti these days. Another tiny sound snippet isn't even a human voice, but a trumpet that sounds like it's underwater. And a lot of it just reminds me of somebody blowing his nose.

Now this is worse. Far worse. I dug this up a very long time ago, when I somehow stumbled upon the idea that ancient clay pots were natural recording devices. If a rotating glass globe with a stylus stuck on it could record vibrations/waves/actual sounds that could be played back in a few hundred years, why then - why couldn't a rapidly-revolving wet clay pot with a sharp thing stuck into it record all sorts of shit as it rotated merrily away? But only if some guy with a laser came along to winkle the sound back out again.

Meanwhile, this is terrifying.

I tried to get hold of the guy who did this a couple of years ago. His "channel" has two things on it: this video, and a six-second "slide show" depicting one still of this pot. So, hoaxy it is. But still terrifying, for some reason I can't determine.

I mean, I KNOW it isn't real.

Chatty Cathy's great-great-great grandmother

Oh Lor', oh Lor', we can't get OFF this topic now.

I've known about this little monster ever since I wrote a novel called Bus People back in 2005. (Yes, that's right. Bus People. Ever heard of it?) One of the characters was obsessed with old wax cylinder recordings and eventually found herself talking to one of them. Imagine her surprise when the recording talked back.

This doll talks back too, in a wretched, wobbling voice that must have been pretty awful even when it was first recorded on a tiny gramophone-like disc inserted into the doll's hard metallic abdomen. (Like Chatty Cathy, whom she resembles in many ways, she has a grillwork of holes in her back to let out the sound.) This recording is particularly gruesome because in the "cleaned-up" version she sounds even worse, like a bug in a bottle.

These dolls didn't last long because they broke after only a few cranks, and the mechanism inside couldn't be fixed. Most of them were returned for a full refund, but the remainders soon became collectibles. I'm not sure any of them really play any more: it's possible this horrible sound has been recreated just to scare the bejeezus out of us on an otherwise peaceful Sunday.

Do I have to post any more creepy doll pictures? Please. I really need to lie down now.

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