Yes, we're all dodgin'

Yes, the candidate's a dodger, yes, a well known dodger 

Yes, the candidate's a dodger, yes, and I'm a dodger too 

He'll meet you and treat you and ask you for your vote
But look out boys: he's a dodgin' for a note, 

Yes, we're all dodgin', a dodgin', dodgin', dodgin 

Yes, we're all dodgin' out away through the world 

Yes, the preacher he's a dodger, yes, a well known dodger 

Yes, the preacher he's a dodger, yes, and I'm a dodger too 

He'll preach you a gospel and tell you of your crimes 

But look out boys: he's a dodgin' for your dimes 

Yes, we're all dodgin', a dodgin', dodgin', dodgin 

Yes, we're all dodgin' out away through the world 

Yes, the lover he's a dodger, yes, a well known dodger 

Yes, the lover he's a dodger, yes, and I'm a dodger too 

He'll hug you and kiss you and call you his bride 

But look out girls: he's a tellin' you a lie. 

Yes, we're all dodgin', a dodgin', dodgin', dodgin' 

Yes, we're all dodgin' out away through the world

This isn't actually about the internet at all. Except that it is. This is one of Aaron Copland's beloved Old American Songs. These are loosely based on old folk songs that are thought to be anonymous (or written by that well-known composer, Arthur Unknown). To me, a lot of them sound suspiciously like Stephen Foster, especially the one that always moves me to tears, Long Time Ago. To hear William Warfield sing that delicate bit of musical incandescence is to truly be transported to another time and place, when people were different.

Or were they? 

This song seems to have been written as a sort of brash but good-natured political satire, a protest against the corruption that seems to have been around forever, trickling down from government to the most intimate areas of our lives  I don't need to tell you what "dodgin'" is, though today we might say scamming, spamming, trolling - all the different names for fraud.

The song is about insincerity as a way of life, and how ubiquitous it is. It's pretty cynical as it moves from political candidates (whom we all know are crooked) to preachers "dodgin' for your dimes" (has  anything changed here?), to -  the worst of all, the most painful - the lover: "He'll hug you and kiss you and call you his bride/But look out girls: he's a-tellin' you a lie." 

The only thing that saves this song from cutting sarcasm is the shrugging insistence that "we're all dodgin', out away through the world." Arthur Unknown seems to be saying we all have something of the scam artist in us, a necessary survival mechanism that often seems to work a lot better, and cost us a lot less, than honesty and sincerity. But then, displaying those qualities requires a mixture of foolishness and courage that most people just aren't up to, these days.

Instead, we see what we can get away with. Everyone's doing it, aren't they? Myself, I have paid far more dearly for my honesty than for my occasions of dishonesty. Often, a lie is what people would rather hear. All this proliferates on the internet like seething bacteria in a polluted sea. It's the ideal medium for dishonesty, and just look at how well it has done! As usual, its shining initial promise has pretty much collapsed into mediocrity and outright danger. It's just not safe to trust any more.

Integrity struggles, surfaces like a dolphin, goes down again. I don't know what the end of this is. I can't even end this post!  But I know it's a good song, and I'm going to go listen to the rest of them now.

ADDENDA. The roots of the song:

"The Dodger Song" is a 19th-century American folk song. Aaron Copland wrote an arrangement for it as part of Old American Songs, a collection of arrangements of folk songs. "The Dodger" was apparently used as a campaign song to belittle Republican James G. Blaine in the 1884 Presidential election between Blaine and Grover Cleveland, the Democratic candidate. Cleveland had won the support of progressives by his fight against Tammany Hall in New York. The version known today is based on a Library of Congress recording by Mrs. Emma Dusenberry of Mena, Arkansas, who learned it in the 1880s. It was transcribed and first published by Charles Seeger in a little Resettlement Administration songbook.

SPECIAL BONUS VERSES! There's more to this song than you think.

Oh, the candidate's a dodger, yes, a well-known dodger,
Oh, the candidate's a dodger, yes, and I'm a dodger too.
He'll meet you and treat you and ask you for your vote,
But look out, boys, he's a-dodgin' for your vote.
We're all a-dodgin',
Dodgin', dodgin', dodgin',
Oh, we're all a-dodgin' out the way through the world.

Oh, the lawyer, he's a dodger, yes, a well-known dodger,
Oh, the lawyer, he's a dodger, yes, and I'm a dodger, too.
He'll plead your case and claim you for a friend,
But look out, boys, he's easy for to bend.

Oh, the preacher, he's a dodger, yes, a well-known dodger,
Oh, the preacher, he's a dodger, yes, and I'm a dodger, too.
He'll preach the gospel and tell you of your crimes,
But look out, boys, he's dodgin' for your dimes.

Oh, the merchant, he's a dodger, yes, a well-known dodger
Oh, the merchant, he's a dodger, yes, and I'm a dodger, too.
He'll sell you goods at double the price,
But when you go to pay him you'll have to pay him twice.

Oh, the farmer, he's a dodger, yes, a well-known dodger,
Oh, the farmer, he's a dodger, yes, and I'm a dodger, too.
He'll plow his cotton, he'll plow his corn,
But he won't make a livin' as sure as you're born.

Oh, the sheriff, he's a dodger, yes, a well-known dodger,
Oh, the sheriff, he's a dodger, yes, and I'm a dodger, too.
He'll act like a friend and a mighty fine man,
But look out, boys, he'll put you in the can.

Oh, the general, he's a dodger, yes, a well-known dodger,
Oh the general, he's a dodger, yes, and I'm a dodger, too.
He'll march you up and he'll march you down,
But look out, boys, he'll put you under ground.

Oh, the lover is a dodger, yes, a well-known dodger,
Oh, the lover is a dodger, yes, and I'm a dodger, too.
He'll hug you and kiss you and call you his bride
But look out, girls, he's telling you a lie.