Saturday, June 2, 2012

Scratch me a lover, pass me a drink


Be My Robert Benchley

 (Dedicated to Dorothy Parker and the members of the Algonquin Round Table. . . with a nod to the Barenaked Ladies' Be My Yoko Ono)



If there’s someone you can drink without,
Then do so.
And if there’s someone you can waste your time with,
Do so.
You can be my Robert Benchley
You can follow me wherever I go
Be my, be my,
Be my Robert Benchley




Well there was this little lady in old New York
Her quips couldn’t get much darker
She soon became the toast of the Algonquin
Miss Dorothy Parker
If you were smart, or thought you were
If you dared to do it and were able
You got yourself to that hotel, and sat down at
That big Round Table
 
(Be my, be my, be my Robert Benchley
Be my, be my, be my Robert Benchley)



There was this fat guy sitting there
By the name of Woollcott
He and ate and drank and partied and insulted folks
Yes, quite a lot




And look, there’s George S. Kaufman
High hair and skinny as a rail
Though he wins no beauty contests,
His plays just never fail
(you can be my Robert Benchley)




Back in 1921
bootleg liquor there was plenty
You either had a bag of bills
Or you just didn’t have any
Though movies had no soundtrack
With Lloyd, Gilbert and Garbo
Round Tablers were all talkies:
Like George, Heywood and Harpo
(be my, be my, be my Robert Benchley)


While Dottie loved her Benchley,
They all said it was platonic
To think they’d ever hit the sheets
Was really quite moronic
When Benchley married Gertrude
Dottie nearly had conniptions
She was a girl without a brain
It just defied description


One day Dot and Benchley
Decided to incorporate
They had to call the company
A name that sounded great
They tried on this and tried on that
In English, Dutch and quasi-French
Till Alexander Woollocott said
“Why not call it Parkbench”




(You can be my Robert Benchley
You can follow me wherever I go)
Though Dottie loved her Benchley
His wit and clever thinkin’
There’s no doubt she corrupted him
And started him on drinkin’
He started chasing chorus girls
It saddens me to say it
But that’s the game that Benchley chose
And so he had to play it
Oh no, here we go – life is just one big pun,
Oh no, here we go – It’s Benchley on the run!



It’s sad to say this fairy tale
Doesn’t end in blazing glory
Benchley made short subjects
And Miss Parker wrote short stories
His liver conked at fifty,
And that’s not very groovy,
And his shorts are only fillers now
On Turner Classic Movies
Dorothy went on living
Smoking, drinking, taking lovers
But her heart belonged to Benchley
In her mind she had no other
Though her talent was unquestioned,
Her stories now are history
A product of her times, I guess
To me it’s just a mystery




You can be my Robert Benchley
You can follow me wherever I go
Be my, be my,
Be my Robert Benchley
 
Yes, thinking she is obsolete
Strikes me as quite absurd.
So let’s let Dorothy Parker
Have the final word:





Ballade Of A Great Weariness

There's little to have but the things I had,
There's little to bear but the things I bore.
There's nothing to carry and naught to add,
And glory to Heaven, I paid the score.

There's little to do but I did before,
There's little to learn but the things I know;
And this is the sum of a lasting lore:
Scratch a lover, and find a foe.

And couldn't it be I was young and mad
If ever my heart on my sleeve I wore?
There's many to claw at a heart unclad,
And little the wonder it ripped and tore.
There's one that'll join in their push and roar,
With stories to jabber, and stones to throw;
He'll fetch you a lesson that costs you sore:
Scratch a lover, and find a foe.

So little I'll offer to you, my lad;
It's little in loving I set my store.
There's many a maid would be flushed and glad,
And better you'll knock at a kindlier door.
I'll dig at my lettuce, and sweep my floor,
Forever, forever I'm done with woe.
And happen I'll whistle about my chore,
"Scratch a lover, and find a foe."




Friday, June 1, 2012

Silent screams in space

"Am I going to crash?": a lonely death in space




(From YouTube notes about Lost Cosmonaut video, posted above):

This is a supposed recording of a Soviet space flight in 1961. In it, a Russian woman can be heard complaining about the increasing temperature inside the craft before it is destroyed attempting re-entry.

This was recorded by the Judica-Cordiglia brothers in 1961. It is reportedly one of many transmissions intercepted by the two brothers that prove the existence of the lost cosmonauts.

For more info, please visit http://www.lostcosmonauts.com/default.htm




The following is a translation of what the woman is saying:

five...four...three ...two...one...one
two...three...four...five...
come in... come in... come in...
LISTEN...LISTEN! ...COME IN!
COME IN... COME IN... TALK TO ME!
TALK TO ME!... I AM HOT!... I AM HOT!
WHAT?... FORTYFIVE?... WHAT?...
FORTYFIVE?... FIFTY?...
YES...YES...YES... BREATHING...
BREATHING... OXYGEN...
OXYGEN... I AM HOT... (THIS)
ISN'T THIS DANGEROUS?... IT'S ALL...
ISN'T THIS DANGEROUS?... IT'S ALL...
YES...YES...YES... HOW IS THIS?
WHAT?... TALK TO ME!... HOW SHOULD I
TRANSMIT? YES...YES...YES...
WHAT? OUR TRANSMISSION BEGINS NOW...
FORTYONE... THIS WAY... OUR
TRANSMISSION BEGINS NOW...
FORTYONE... THIS WAY... OUR
TRANSMISSION BEGINS NOW...
FORTYONE... YES... I FEEL HOT...
I FEEL HOT... IT'S ALL... IT'S HOT...
I FEEL HOT... I FEEL HOT... I FEEL HOT...
... I CAN SEE A FLAME!... WHAT?...
I CAN SEE A FLAME!... I CAN SEE A
FLAME!...
I FEEL HOT... I FEEL HOT... THIRTYTWO...
THIRTYTWO... FORTYONE... FORTYONE

AM I GOING TO CRASH?... YES...YES... I FEEL HOT!...
I FEEL HOT!... I WILL REENTER!... I WILL REENTER...
I AM LISTENING!... I FEEL HOT!...




OK, gentle readers. So what's my take on all this? I found this eerie recording on a Top 10 List of Eerie Recordings (from a site called Top 10 Lists of. . .), and haven't been able to stop listening to it. I couldn't even get to sleep last night, it creeped me out so much.

Way leads on to way, and I found much more information about these notorious Judica Brothers, along with a million mostly-amateurish-and-absurd conspiracy-theory videos claiming the moon landing of 1969 was a complete hoax. The best of these is a clever satire (taken seriously by many, which was the whole point: to show how naive and idiotic these theories are) called Dark Side of the Moon. Watch it if you are at all interested in this subject, as it will show you how "convincing" these arguments can be (until they collapse in a heap of incoherence, or perhaps sardonic laughter).


So how valid is this claim that two young Italian guys, obviously smart and innovative, were able to pull down signals and even voices from remote space using cobbled-together, Heathkit-like amateur equipment? The documentary I watched, Space Hackers, makes a convincing case. There is no doubt that these guys were brilliant, and since two heads are better than one, they joined forces in an odd sort of fused-together, codependent manner. Suffice it to say they didn't get out much, and would have fit in nicely on The Big Bang Theory.




All this started with the commonly-heard beeps of Sputnik, the first Soviet satellite launched in 1957 (which I remember, though I was only 3 years old at the time: my brother Walt, a science junkie, dragged us all up on the roof of my father's store with a powerful telescope to try to see Sputnkik, which we didn't. Then we all went out and had a Spudnut, so that I forever confused the satellite with a doughnut hurtling through space.)



OK. . . confusing stuff, but some of it is compelling. Sputnik was just a start: the Judica brothers then supposedly picked up the heartbeat of Laika, the doomed dog the Russians shot into space. Then morse code SOS signals that read like howls of agony in the inferno. Mumblings from cosmonauts, full of suppressed panic, most of them in hopeless peril. The gasps, rapid heartbeat and what sounded like the death-rattle of another cosmonaut. And on it goes.

It's all Caught On Tape, folks, and last night, recovering from the worst migraine I've had in years, I was in an Oliver Sacks-ish state that can only be described as altered consciousness, my neural wiring sticking out all over my head and audibly sizzling.  (As a means of enlightenment, I don't recommend this, because it hurts like hell and makes you throw up). So I watched all kinds of things, including something that totally debunked the Judica brothers' recordings - or most of them - as fakes.




It's true that the female cosmonaut in the video I posted doesn't sound like she's speaking in the terse, formal military language of space - but was it in place back in 1961? And was it common to send women into space back then? Well, they sent a dog. The Americans sent a chimpanzee. Maybe she was the next logical step before they risked sending a man. (The photos, by the way, depict the official "first woman in space", Valentina Tereshkova, launched a few years later after they had got the major bugs out of the system: i.e. re-entry without hurtling back to earth in a blob of molten metal.)






The Judicas had an enigmatic, playful quality about them (but then, doesn't Howard Wolowitz with his dickies and his brisket and his Billie-Burke-ish girl friend also strike you as a bit dippy?). Nevertheless, as the brothers' notoriety grew in the Italian press, NASA invited them for a "friendly" visit to headquarters so that they could pose a few "friendly" questions.

Their answers are nowhere on the record, nor do we know of any attempts to harness their amateur brilliance in the service of spying on the Soviets.  It could be they were dismissed as chippers with a vivid imagination and a love of publicity. Maybe they were just attempting to score some chicks.


But if these guys really did even a fraction of what they claimed, it's astonishing.  At one point they were supposedly able to compress a long series of secret signals broadcast from Russia - a code no one could crack - and found that it was, in fact, a few phrases of music taken from the opera Boris Gudenov. (No relation to Boris Badenov of Rocky and His Friends. Come to think of it, that IS a weird coincidence.) Another time they were able (supposedly) to crack a band of frequency by calculating the exact length of an antenna they saw in a photograph.

Or. . . are they having us on, after all?




There are those who believe we went to the moon. There are those who believe we went there, but didn't land and come back because it was technically impossible. There are those who believe we had to fill that visual gap somehow (with footage shot by Stanley Kubrick?). There are those who debunk, and those who debunk the debunkers. It becomes very convoluted, to the point that an obvious satire like Dark Side of the Moon (a sendup of the "I want to believe" earnestness of those conspiracy nuts) is taken at face value.

In some cases, it just makes people angry. "Those people (the filmmakers) were lying to us! Henry Kissinger did NOT say those things!"  This speaks volumes about the IQ level of the average citizen. Like Brontosaurus, maybe their brains are in their butts.




So what do I think? Oh, I don't know. I watched the "moon shot" from a cottage on Lake of Bays, at Bondi Resort, a heavenly sort of place that nevertheless didn't have TVs, so we had to borrow one from somewhere. We had a wine-and-cheese party to celebrate the event, and suffice it to say I didn't pay much attention to the cheese.




My parents had allowed me to have wine with dinner since age 13, and after a gruelling Oxfam walk my Dad brought a glass up to my room containing a couple of ounces of Scotch mixed with orange juice.  But this time I was drunk, really drunk, though I was only 15 years old. My parents kept filling up my wine glass over and over again, and when they cut me off, my much-older siblings kept right on pouring until I was stupefied. They must have thought that seeing me drunk was kind of cute, like watching a monkey that had got hold of a bottle of beer.  After all that one-small-step-for-man business by Neil Armstrong (which should have been "a man," not that anyone cared), I remember lying on a hillside staring up at white-hot stars, disturbingly close, that wheeled and whirled like something out of Van Gogh.



Back then we all took this moon shot stuff at face value, of course. But one reason all these theories (most of them loony) are popping up now is that we're starting to realize how incredibly primitive the equipment was that launched these guys, got them to the moon and (even more incredibly) brought them back. The average SmartPhone has a thousand times more computer juice, a quantum leap (if you'll pardon the expression) beyond that dinosaur technology with its hair-raising risks.

Really, shouldn't all of them have blown up? Weird, isn't it. Just a coincidence? Sheer luck? Why did two Challenger missions end in flaming disaster, when the only Gemini/Apollo fatalities took place on the ground? (And just what did Gus Grissom have to hide? Jesus, I've got to get off this subject.)




Think of it now. What if those men had landed, made their historic moon walk and dramatic pronouncements, then couldn't get back? (My husband the science wiz, who seems to have inside information about some of this stuff, tells me that each astronaut was given a cyanide capsule before they launched.) I think even Walter Cronkite would have been at a loss for words.

The deeper you delve into all this shit, the crazier you feel. I am certain that NASA, not to mention the Soviets, did some spin on this stuff, maybe hid some things, minimized them or downplayed them. It's more likely the Soviets did coverups, just because of the nature of the Iron Curtain culture (which, by the way, I thought was a literal iron curtain, kind of like the Great Wall of China. Well, I was five.) There are those people who seem to think everything to do with government and/or the military is a conspiracy: it fills the endless hours while they wait for a girl friend (someone ditzy enough to tolerate all this shit). Oh, bring back the X Files, please.


Meanwhile we have this haunting, almost pleading voice, repetitious, so blurry it could mean almost anything. We hear what we want to hear. My own brother had Heathkits and telescopes and bunsen burners (which we used to melt lead, I am not kidding, I did it at age eight). It was trendy then to be an amateur scientist, a space geek. I married one, after all.

The documentary I saw was very strange because the brothers, now old men, still have all their dusty, creaking old equipment with the dials and chugging reel-to-reel tape recorders.  The men seem like relics who haven't kept up, their one encapsulated moment of fame now stowed in a museum of obsolescence.



And yet, and yet. At one point there was some film footage of their "antenna", or at least one of them. I expected a rod with a little bulb on it. You know, an antenna. But this was a massive structure that spread out to cover half the roof of their little lab. It looked like a space station up there. How had they figured that out? You couldn't get that shit from a hardware store, could you?




To hear these old men speak, which they did in Italian with subtitles, was sheer poetry. They described how the American press dismissively thought of them as "just pizza and mandolins". Einstein (whose theory of relativity was obviously a load of conspiracy-driven bullshit) would have appreciated this. Enigmatic, rumpled, otherworldly as E.T., he had that same dreamy, subversive quality, the uncanny power of men who have stared into space, reached out in childish curiosity and pulled down the stars.




(Note. This is a summer repeat of one of my, well, don't I have the right to think so?, best pieces. It isn't really summer, but this sure is a repeat. But it's my birthday, and I can do anything I want. And if *I* didn't remember it, YOU sure as shit won't.)





Thursday, May 31, 2012

Don't answer that doorbell!



Take a moment to ponder this question.

Have you ever stopped to wonder where all those cookies come from that mysteriously appear in your kitchen?

Cookies YOU never paid for?




Do you think all those little girls who come to the door in their cute little uniforms are really so innocent? Do you think they're here to serve humanity by leaving every room a little bit neater than they found it?

BE WARNED!


Important Information You Need
Click the link below to Order Now!



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Inventors of Evil Things—How the Girl Guides 
Created Freemasonry, Illuminism, Communism,
Satanism, Witchcraft, and the New Age Movement
...And What They Are Up to Now



Texe  Marr, bestselling author of "How to put a Firecracker
Up your Butt", presents indisputable facts documenting the
Girl Guides' creation of the world’s most bloody movements
and groups. From the Inquisition’s Torquemada, to the
Illuminati’s Weishaupt, Communism’s Marx and Lenin,
Satanism’s LaVey, and Witchcraft’s Starhawk, sinister and
wicked Brownies and Guides have been at the forefront in
inventing evil things.




 
 



Jesus said of the Guides, "You are of your Father the Devil,"
and He spoke absolute truth. The historical record is clear.

Therefore, we must urgently ask:
What exactly is this demonic cookie-selling cult plotting
against humanity now, in this, the 21st century? Just what
great evil are they stirring up from the cauldron of hell?




 



Inventors of Evil Things—How the Girl Guides 
Created Freemasonry, Illuminism, Communism,
Satanism, Witchcraft, and the New Age Movement
...And What They Are Up to Now

60 Minutes ~ Texe Marr CD/DVD just ~ $8.00
(8-track or cassette, $2.99)



(Though no Girl Guides were injured in the making of this
post, it was directly based on the ravings of a lunatic asshole
who deserves to be fed his cookies the hard way. 
Unfortunately, he is not alone.)

Dead man singing






This is convoluted, as things usually are in my life. Somehow I got onto the topic of Timothy Treadwell, the naturalist who spent years living with the grizzlies in Alaska before being eaten. Supposedly an audio tape of the attack exists (as his video camera still had the lens cap on, heh-heh), but that could be just a grisly myth promoted by Werner Hertzog, the legendary filmmaker who did a very, very strange documentary on Treadwell several years back. After seeing it, I'm not sure the whole thing isn't a hoax. It just has that strange Waiting for Guffman/Best in Show/A Mighty Wind satirical quality, and you expect Eugene Levy to amble on camera any time wearing a lumberjacket.




I did find the so-called Treadwell audiotape, on YouTube in fact, and I'm pretty sure it's a fake. I didn't post it here, just as I didn't post the 9-1-1 call from the World Trade Centre tower on September 11. But I bumbled onto a site of top 10 lists (called Top 10 Lists) that had the Top 10 List of Eerie Recordings of All Time. Or some time. Things like voices from Jupiter 'n such, and the sound of a cosmonaut stranded in space from the early '60s (which may even be true - and I can't listen to that one either). And along with all that, this.




This guy, this Klaus Nomi, I don't know where he came from, and he has been dead for years and years, just like that early music genius I stumbled on to recently (but I am afraid I've forgotten his name. David Munrow?). So now, 30 years after his death from AIDS, I find this very-eerie-indeed recording. Though Nomi specialized in ultra-weird pop, he definitely had a voice, and I was shocked to hear its purity in the countertenor range. Really, he was more of a male soprano a la Michael Maniaci. His range was enormous in fact, without a break, reaching down into an easy baritone. In the middle, he sounded a bit like Joel Grey in his pop numbers, with the same Broadway inflections and trumpet-like vibrato.




He's wraithlike here, like a consumptive Elizabethan, not wrapped in his usual clear vinyl tuxedo or other outlandish garb. I wonder if he chose this piece because it lacks sustained phrases: when one is dying, one must save one's breath. To be honest, I don't want to go very far down this road because I have a migraine today that should have its own postal code. The worst I've had in ten years. I'm only doing this to distract myself, now that I can sit up without puking.





Tuesday, May 29, 2012

Flying Wallendas, Niagara Falls, and me




I can't watch this, but can't take my eyes off it either. Know the feeling? Even though I KNOW they got through it safely.

This time.

Those Wallendas. They never quit. We know this cuzzadafact that that Wallenda guy, that Nik Wallenda I mean, is going to do it again, going to walk over Niagara Falls on a wire, or at least try to, just to prove he's a Wallenda and that Wallenda-style risks are still alive and well in 2012.

Or not?

I can't find video of the Wallendas' tragic seven-person-pyramid crash at the Detroit Shrine Circus in 1962, but I did find a photo that gives me the old-fashioned willies.




In this photo, one of the most disturbing I have ever seen, Wallendas are crashing to the ground because they always work without a net.  Two people died right before everyone's eyes while the crowd gasped, murmured and groaned. To the Wallendas, dying seems to be an occupational hazard.




Niagara Falls stunts are almost old hat, but we haven't heard of one for quite a while now. To me, Niagara Falls wasn't a tourist destination but just a place my parents dragged me to once or twice a year to visit my cousins, because my Dad's sister (Aunt Mae) lived there. About all I can remember of those early visits is the Maid of the Mist, a big ungainly boat that turns around once, and going in behind the falls to watch the polluted water rushing down.




Niagara Falls was like a giant flush toilet: it stank, a smell sort of like rotten orange peels mixed with diesel fuel and dirty feet. I remember that smell even more vividly than the tacky, slightly smutty souvenirs they sold in the stores on Lundy's Lane.

All this got pretty much packed into the back of my brain, because those memories weren't any more pleasant than most of my childhood recollections (though, curiously, a couple of my siblings insist that I really was happy, my father wasn't like that at all and nothing ever went wrong). Then during our recent trip to Ontario to take part in my mother-in-law's memorial, my husband's brother suggested we drive to Niagara Falls for the afternoon.

NIAGARA FALLS? Wasn't that zillions of miles away? Didn't I have to be car-sick for hours in the back seat of a stifling car to get there? Didn't I have to hear my Dad sniffling up nasal spray and clearing his throat for seventeen hours?

Apparently not.




When Al mentioned Lundy's Lane, a whole sluice of memory was released, smelling about as good as the falls. My Dad getting drunk and bellowing on and on about growing up in Niagara Falls, which his transplanted-Cockney family nicknamed Niffles. The way he always got beat up for being a "chirper" and the way he studied boxing and bested all of them, and the old Italian guy who endlessly sang the same song, and the World War I songs and English music hall ditties that got branded into my brain because I heard them seventeen thousand times. Because I was the youngest child by thirteen years, and because everyone else had left, I was his only remaining audience. When not assuring me he wished I had never been born, he regaled me with the same boring bullshit over, and over, and over again.

We were a sort of family wax museum, all our sins seamlessly sealed over in a way that was remarkably lifelike, so Niagara Falls was a natural location because nothing ever changes there either. Parallel to this great roaring natural wonder, everything was transparently fake. These trips were treats, mind, and we looked forward to them. We had to. It was our cousins, and you had to like visiting your cousins or there was just something wrong with you.




So how does all this connect to Wallendas flying through the air? Niffles still seems to attract a sleazy kind of curiosity even after all these decades. We want to watch Nik Wallenda go up there and attempt this suicidal stunt because, in an awful sort of way, we want to see him fail.  It feeds the worst in us, the rubbernecking curiosity that causes people to stare at car accidents. We feel ashamed of ourselves, but not enough to stop looking. But we also feel, deep down, that it serves him right if he falls because trying stuff like that, taking risks like that, is downright indecent. It seems to be pulling bad luck and curses right down on your own head.




The family patriarch Karl Wallenda died in the most naked, public manner possible as he tried to walk a wire stretched between two highrise buildings in Puerto Rico. He simply fell. Video exists, but I can't post it here. I did watch it, and it sickened me the way he fought the wind at midpoint, swayed perilously, tried desperately to balance himself (you knew what was coming just before it happened), then - let go.



Exactly one day after our visit to Niagara Falls, we heard a startling news story: on a beautiful sunny day, in front of hundreds of tourists, a man climbed up on a railing high over the top of the Horseshoe Falls, and jumped. Had we gone there only a day later, we would have seen it.


Bizarrely, the man went over the falls and survived, and even pulled himself out of the water on his own. Rescuers bore him away to the hospital, but he survived with relatively minor injuries.


Suicides, stunts, plastic ornaments, waxworks, all that water roaring down. How did I feel after all those decades? Did I have any epiphanies as I stood at the rail and reflected on my memories from the past fifty years?




There was something different, but at first I couldn't tell what it was. Then it hit my limbic system: that smell! It was gone. No more rotten fruit and stinking underwear.

The spray that atomized from the roaring falls, casting eerie suspended rainbows into the sunshine and saturating the front of my jacket, smelled pristine and fresh as a stream in the Garden of Eden.


 


Dear Sir or Madam, will you read my book
    It took me years to write, will you take a look