Sunday, April 18, 2021
The Pogo Cartoon Special that Never Was
Saturday, April 17, 2021
Friday, April 16, 2021
Poor Cock Robin
"I," said the Sparrow,
"I," said the Fly,
"I," said the Fish,
"I," said the Beetle,
"I," said the Owl,
"Who'll be the parson?"
"I," said the Rook,
"I," said the Lark,
"I," said the Linnet,
"Who'll be chief mourner?"
"I," said the Dove,
"Who'll carry the coffin?"
"I," said the Kite,
"Who'll bear the pall?"
"We," said the Wren,
"I," said the Thrush,
"I," said the bull,
All the birds of the air fell a-sighing and a-sobbing,
Thursday, April 15, 2021
WHO'S THAT BIRD?
Spotted Towhee: CRAZY BIRD DANCE!
Tuesday, April 13, 2021
April on Burnaby Mountain
Sunday, April 11, 2021
Dark enchantment: the bridge on the grass
I remember the date, May 1, 2005, because my father-in-law had just died and I had just returned from a soul-shredding trip back east for his funeral. I had nothing left in me, but was in that wild, I've-got-to-get-out-of-here state that always makes me slam the door behind me and travel.
On foot. I went off into the woods, and around here that means I went down the street and turned left, but these were public spaces, dog paths, old-lady-jogging places, and I needed far more surcease, more refuge. I needed to get away from the whole damn human race.
I kept walking, and once more turned left.
I was on a bridge. I was aware that a year or so ago, there was no bridge here, never had been. I had a vague memory of someone building one. Why? It led to nowhere.
Or had I tried it once, and found the rough path over the bumpety old tree-roots just too creepy and uncomfortable? I was on that path, and soon borne up by the rushing of streams.
These were hissing, shisshing, fish-and-glitter streams that rushed through my ear canals and rattled the tiny tympani behind them as if gushing through my skull. Suddenly I had the sense of smell of a horse, and, snorting, lifted my head.
The path led ever on. It twisted and wrenched. I was aware of civilization not far away, as if I could even see houses and hear lawnmowers through the cedars. But it couldn't be so, for these woods were primeval, pulling me deeper in. My feet were in a state of hypnosis. I could not refuse.
I went over bridge after bridge. Where had this path been all my life, I wondered - inaccessible to the dogwalkers, the granny-runners. Sealed off, yet here. One stream roared like traffic in a tunnel. It was awful, and I sped on.
As if pursued. But look. Here was the place I always turned back. Or not? I had never been on this path, so how could I remember turning back? My scalp was electric. Beyond this twist lay the place of the faeries.
I can't describe how each tree seemed inhabited, not by a human or a squirrel but by its own fleshwood-spirit. I can't explain how each tree seethed, how burls swelled like pregnancies, wood cancer that somehow popped out of the symmetry of the trunk and made it look hideously deformed.
Then I stopped at the sight of a massive, salmon-coloured stump, the fleshy remains of a huge fallen cedar. It seemed to hum and swarm with life. I wondered where the tree had fallen, and when. And the sound it must have made, and what pushed it over. The tree-flesh seemed vital yet, not grey but livid red, full of ant-tunnels and probably housing one of those termite queens the size of a rat.
I walked beside a huge gully. I have always hated the word gully, it's ugly and hollow and hellish. I remember when I was about two or three, it could be my first memory, falling down into a gully in Delhi where my grandmother lived, and my sister, who was about 15 at the time, bending over me and saying, "Are you wounded?"
My feet slipped in spongy moss and slime. It was a pleasant day, but I was menaced. Something veered and eered. I could not see it. I turned around quickly, and it vanished.
Now strong cords pulled me, whipcords snaking out from under the ground to yank my feet out from under me. I burst into a clearing, and -
I stopped, then stepped, as cautiously as Pocohontas. The ground sank and groaned under me, giving way with each step and leaving a dark depression. I stopped uncertainly and looked up and all around me.
I stood in an exact circle of tall cedars. I lifted my head and felt a crackling charge of energy whizzing clockwise around and around me. I chanted some sort of prayer that I wish I could remember now, something about my father-in-law. My temporal awareness had burned away like fog.
As I stood in the electrocharged circle I noticed a squirrel violently frisking its tail, jerkily making its way toward me. But it did not stop. It crept and stopped, crept and stopped until it was only a foot away from me. Then another squirrel appeared, and began to creep towards me. They sat up on their hind legs with their tails jerking and their beady eyes glistening in the sun, waiting.
I walked. Huge fallen logs, roots of trees just jutting up in the air: how had they been uprooted? Why were all these trees laughing at me? Then I saw or felt with my foot the weathered slat of an old ladder. Or something like it.
But it wasn't a ladder. It was a bridge. It was a bridge that lay flat on the grass. And it went on and on. I stepped on it and began to walk.
Perhaps the ground wasn't level here. But it was. Perhaps the ground was marshy here. But it wasn't. This thing was, it just was. I wobbled along on the rickety old slats, cursing the fucking little gnome who had put this bizarre useless thing here just to freak me out and make my hair stand on end.
Then. Then I did see something, a minor gully ahead of me where the ground fell away. But the rickety little bridge remained level. Like a horse stepping on a live power line, I jumped back.
Had I walked on it, I surely would have tumbled in.
This was some booby-trap set by a vindictive fairy tale witch, some Tenniel nightmare ink-drawing designed to scare the living shit out of innocent children. I wheeled and ran. And ran and ran, and it was a good thing that no bear ran after me. Everything unspooled and unreeled and unhappened, so that by the time I got home again, I was not even sure any of it had been real.
But I went back a few days later. I had to know. Yes. It was all there. I noticed a humming and a cracking. A subtle sizzling in the air, something that I picked up with the tip of my nose.
This was once a place deep, deep in the black-green uterine core of British Columbia, before the white man came and ripped the hell out of it, as he continues to do. It was a place where you had better not go, not even if you were indigenous and knew the danger. The place of Goldilocks and Little Red Riding Hood and the Handless Maiden and all those other sweet children who started out innocent, but ended up lost and devoured.
Don't go there. Don't go there, my girl. This is a place of enchantment, but in the archaic sense, the faerie chant seducing you with coils of magic that will never set you free.
All is changed, changed utterly. I go to that place sometimes still, and like a soft drink left out too long in the sun, most of the fizz has gone out of it. But the trees are still murmuring to themselves, nasty little things they don't want me to hear
.
One day I realized the weird wooden bridge on the grass was gone: just gone, and then I wondered if I had imagined it. So I decided to go a little farther, clambered down and up that gully, and kept going.
A few minutes later, I had no idea where I was.
This was a profound disorientation. I couldn't turn in any direction. The view behind me was even more unfamiliar than the view in front of me. Panic crept up my scalp and I started running, desperately running. Like a hunger, like a thirst, like a stab of unbearable desire, I needed something, anything that looked familiar.
I walked and walked. I didn't have the nerve to flag a car down. Then I saw something. A bus stop. But I had nothing with me. I wriggled my hands into the pockets of my jeans and came up with a frayed yellow bus ticket that had probably gone through the wash.
I waited and waited. A bus came, a bus I had never heard of before, but it had to take me somewhere, somewhere familiar, somewhere in the civilized world! I made myself look normal, or hoped I did, and got on. I had the thought that I should have some sort of passport, to take me from one mode of being to the next.
I went home to recover, then as I was getting ready for bed I discovered a small bulge in my jeans pocket. I took it out and turned it over. It was a small stone in the exact size and shape of a cat's paw: neat toes and pads on one side, smooth elegance on the other. I didn't remember picking it up. For some reason I put several coats of nail polish on it. I have it still in a case with my jewelry, a bizarre trinket that wouldn't mean a thing to anyone else.
Go on Oprah? It's madness! No good will come of it
Go on Oprah? It's madness! No good will come of it: In the most revealing portrait of the Duke of Edinburgh you'll ever read, his friend of 40 years GYLES BRANDRETH says he sympathised with Harry and Meghan - but thought they were wrong
By Rebecca English Royal Editor For The Daily Mail
Prince Philip thought Harry and Meghan's interview with Oprah Winfrey was 'madness' and 'no good would come of it', it has emerged.
He also regretted his grandson's decision to quit
royal duties and move to the
Ultimately, however, he accepted it and said: 'It's his life.'
Insights into Philip's thoughts on the Duke and Duchess of Sussex's decision and the deeply acrimonious fall-out as a result of it have been aired by his impeccably connected biographer, Gyles Brandreth in today's Daily Mail.
His account comes as royal sources reacted angrily to the suggestion the Duke of Edinburgh would have been 'unbothered' by recent events. And one insider told the Mail they believed the schism created by the couple would take a 'lifetime' to heal.
In his account, Mr Brandreth described Harry and
Meghan's plan to divide their time between the
In the end the Queen, backed by Prince Charles and Prince William, made clear that this was impossible. Harry and Meghan would have to give up their official roles and would not be able to use their HRH titles for work purposes. Both the Queen and Harry were distressed at the outcome.
Mr Brandreth added: 'The Duke of Edinburgh was equally sorry 'that it should come to this'. Harry had only succeeded his grandfather as Captain General of the Royal Marines in 2017.
'Philip had done the job for 64 years. Harry had
barely managed 30 months. The Duke of
But Philip was sympathetic to Harry's distrust of the media and supportive of his desire to 'do his own thing in his own way'.
'He said to me: 'People have got to lead their lives as they think best',' Mr Brandreth said.
He added: 'I know from someone close to him that he thought Meghan and Harry's interview with Oprah Winfrey was 'madness' and 'no good would come of it'. I was not surprised because that is exactly how he described to me the personal TV interviews given by Prince Charles and Diana, Princess of Wales, back in the 1990s.'
There has been much criticism that the
But Mr Brandreth said of this: 'The fact that the Meghan and Harry interview was aired while Philip was in hospital did not trouble him. What did worry him was the couple's preoccupation with their own problems and their willingness to talk about them in public. 'Give TV interviews by all means,' he said, 'but don't talk about yourself'.
'That was one of his rules. I know he shared it with his children. I imagine he shared it with his grandchildren, too.'
Ultimately, Philip loved Harry, admired him for his service career and thought him 'a good man'.
He chose not to get involved with the Sandringham
Summit, when details of the
The last occasion was when he and Meghan attended the Commonwealth Day service at Westminster Abbey in March last year.
Meghan will not be attending because she is pregnant, said a spokesman for the couple.
All eyes will be on the body language between Harry and his family during the funeral.
While many hope that the death of Philip may serve to build bridges between Harry and his family, others are more pessimistic. One senior royal source said the situation might take 'decades' to resolve.
However, former prime minister Sir John Major told the BBC's Andrew Marr programme that he hoped the funeral would prove an 'ideal opportunity' to heal the rift.
Saturday, April 10, 2021
Olive Oyl's Beauty Treatment
Olive Oyl's beauty routine, which is as detailed and transformative as Cleopatra's. Well, maybe not. But she could lend herself out as a cooling device.
Wednesday, April 7, 2021
Tuesday, April 6, 2021
Monday, April 5, 2021
Why (so many) critics are full of shit
OK, so this is JUST ONE example of how full of shit critics can be. Being as how I am in yet another Dylan cycle, triggered by the album he released just last year, I've gone back into some of his classics, including one of the most atmospheric songs ever written, his paean to Sara Lownds (and if people still puzzle over "gee, who could he have written this for?", just insert a "la" in the middle of her name), and have been hypnotized and enthralled all over again.
One does not "listen" to Sad Eyed Lady of the Lowlands. One is overwhelmed by it. It is a pavane, a stately, courtly processional that has just a hint of a nihilistic funeral march. It is relentless, and it builds on itself in rumbling, trembling piano chords that express a passion we can only guess at. In Rough and Rowdy Ways, he similarly creates a world and pulls us into it - or we go willingly, captives with our hands tied behind our backs. But man, he was doing that back in 1966 at the age of 25. Already he had lived several lives as a dazzling creative artist and a Byronic, if not TITANIC figure in popular culture.
In a footnote to this passage, written later, Gray adds: "When I read this assessment now, I simply feel embarrassed at what a little snob I was when I wrote it... When I go back and listen, after a long gap, to Dylan's recording, every ardent, true feeling I ever had comes back to me. Decades of detritus drop away and I feel back in communion with my best self and my soul. Whatever the shortcomings of the lyric, the recording itself, capturing at its absolute peak Dylan's incomparable capacity for intensity of communication, is a masterpiece if ever there was one."
So what happened to all those people? Who gives a shit! But they remind me of the time I soaked a carrot in bleach and pulled it out white and sickly, devoid of all colour, flavour, or meaning. It had lost its vegetable essence. These people never had it to begin with. Is it any wonder Bobby could be a tad bitter, to the point of writing the most genius lines of all:
"I wish that for just one time you could stand inside my shoes
Sunday, April 4, 2021
It's all come back too clearly (Diamonds and Rust)
Hand on the telephone
Hearing a voice I'd known
A couple of light years ago
Heading straight for a fall
As I remember your eyes
Were bluer than robin's eggs
My poetry was lousy you said
Where are you calling from?
A booth in the midwest
Well you burst on the scene
You strayed into my arms
And snow in your hair
Now you're smiling out the window
Of that crummy hotel
Over Washington Square
Mingles and hangs in the air
Speaking strictly for me
We both could have died then and there
Now you're telling me You're not nostalgic Then give me
another word for it You who are so good with words And at keeping things
vague