Tuesday, November 19, 2013

Gates of Eden




Mark Brown, arts correspondent

The Guardian, Tuesday 24 September 2013 16.13 BST





Bob Dylan works on one of his iron gates, which will feature in the Halcyon gallery's Mood Swings exhibition. Photograph: John Shearer/Rebecca Ward/PA

Come writers and critics who prophesise with your pen and keep your eyes wide … because Bob Dylan is welding gates.

The Halcyon gallery in London has announced plans to exhibit ironworks designed and made by the musician as he continues his career reinvention as an exhibiting visual artist.

Seven iron gates Dylan has welded out of vintage iron and objects including a wrench, roller skate, meat grinder and lawn tools, will go on display for the first time, in an exhibition opening in November, alongside his paintings and signed limited editions.

Dylan said: "I've been around iron all my life ever since I was a kid. I was born and raised in iron ore country where you could breathe it and smell it every day. And I've always worked with it in one form or another.

"Gates appeal to me because of the negative space they allow. They can be closed but at the same time they allow the seasons and breezes to enter and flow. They can shut you out or shut you in. And in some ways there is no difference."



Dylan would say he has been a visual artist most of his life but it is only in the past six years that he has been exhibiting and selling work. His first museum show was staged in Chemnitz, Germany, in 2007.

He has had success and the National Portrait Gallery is at the moment showing 12 pastel portraits of his in a small display which will stay until January.

The Halcyon's forthcoming show, entitled Mood Swings, will "be the most comprehensive and authoritative collection of Bob Dylan's art to date", said the gallery's director, Paul Green.

Green added: "While Dylan has been a committed visual artist for more than four decades, this exhibition will cast new light on one of the world's most important and influential cultural figures of our time. His iron works demonstrate his boundless creativity and talent."





Of war and peace the truth just twists
Its curfew gull just glides
Upon four-legged forest clouds
The cowboy angel rides
With his candle lit into the sun
Though its glow is waxed in black
All except when ’neath the trees of Eden
The lamppost stands with folded arms
Its iron claws attached
To curbs ’neath holes where babies wail
Though it shadows metal badge
All and all can only fall
With a crashing but meaningless blow
No sound ever comes from the Gates of Eden




The savage soldier sticks his head in sand
And then complains
Unto the shoeless hunter who’s gone deaf
But still remains
Upon the beach where hound dogs bay
At ships with tattooed sails
Heading for the Gates of Eden
With a time-rusted compass blade
Aladdin and his lamp
Sits with Utopian hermit monks
Sidesaddle on the Golden Calf
And on their promises of paradise
You will not hear a laugh
All except inside the Gates of Eden




Relationships of ownership
They whisper in the wings
To those condemned to act accordingly
And wait for succeeding kings
And I try to harmonize with songs
The lonesome sparrow sings
There are no kings inside the Gates of Eden
The motorcycle black madonna
Two-wheeled gypsy queen
And her silver-studded phantom cause
The gray flannel dwarf to scream
As he weeps to wicked birds of prey
Who pick up on his bread crumb sins
And there are no sins inside the Gates of Eden



The kingdoms of Experience
In the precious wind they rot
While paupers change possessions
Each one wishing for what the other has got
And the princess and the prince
Discuss what’s real and what is not
It doesn’t matter inside the Gates of Eden
The foreign sun, it squints upon
A bed that is never mine
As friends and other strangers
From their fates try to resign
Leaving men wholly, totally free
To do anything they wish to do but die
And there are no trials inside the Gates of Eden



At dawn my lover comes to me
And tells me of her dreams
With no attempts to shovel the glimpse
Into the ditch of what each one means
At times I think there are no words
But these to tell what’s true
And there are no truths outside the Gates of Eden

http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html
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Eraserhead: turn off the sound!




There are many things I love about the internet - and it's all the same stuff that I hate about the internet.

It's like Alice's Restaurant - you can get anything you want - and if there's nothing there, try coming back in a couple of months. It is ever-evolving, a ravenous monster engulfing mostly garbage and crap, but once in a while. . . 

What I don't like about it, since I am such an avid collector of images, is the utter impossibility of finding the provenance of nearly all photographs. Yes, there are various methods to trace the sources, and I've tried them all, but they don't work. These images, pretty much all of them, have been Pinterested and Tumblrd and Flickred and Facebooked and blogged and reblogged so many times, no one knows where they came from.




So I always feel a bit guillty about using them. Only once did I take a post down because someone protested I had used an image that belonged to him, and when that happened I was happy to oblige. 

But now and then. . . 

I was up late, too late as usual. My hours have been as inverted as a dabbling duck in the past few years: I used to wake around 5:30 in the morning, and go to bed by 8:30 or so. Now it's. . . I hate to tell you, but sometimes my husband has to wake me up by bringing me coffee at 9:00 a. m. (a pretty good deal, come to think of it).

So. . . last night. . . or, early in the morning. . . I was nosing around Google images, probably looking for more from the tens of thousands of Harold Lloyd images on the net, and found. . .a couple of weirdies. 

I don't get the first one, I don't. It's some demented-looking guy surrounded by rolls of paper towels. He looks a little like an insane James Mason. Beams radiate from a point on his forehead. The whole thing has the feeling of a nightmare.




Then there's. . . this. He or it has holes for eyes and the look of an embalmed corpse. I don't want to look at it, or him, someone or something from a silent movie that never should have been made.

As always happens on the internet, one thing leads to another as surely as in an incipient affair. And creepiness is magnetically attracted to creepiness. Last night, or morning, in my near-stupor, I stumbled on the David Lynch horror classic Eraserhead on YouTube - the whole thing. It was late enough that I had turned the sound off my computer. It became a silent classic, complete with John Nance as a sort of Twilight Zone Harold Lloyd with his hair perpetually standing on end. 




I had heard things about this movie, how horrific it was, a surreal and almost senseless drama about a man fathering (?) a deformed, screaming "baby" with a head like E. T.'s bastard child, its body all wrapped up in layers of gauze like a bad injury.

But without a sound track, it was - well, it was actually kind of stupid. It couldn't have been less scary, even boring, and the special effects were laughable, even the live chicken dancing around on the main character's plate. 

Alfred Hitchcock, who knew everything about horror and jerking his audience on a string for 2 hours, once said that it was the sound track that made a horror film resonate on a primal level. Think of the stabbing scene from Psycho: without that screeching music and the awful sound of the knife penetrating  flesh, it would be nothing.




Why is this? In the womb, babies are very sensitive to sound. We hear before we see. I can attest to this. Having been pregnant twice, I recall my babies jumping at loud noises (particularly my daughter, the kind of child who used to be called "high-strung" and is now called ADHD, QRSTUV, and any number of other dire disorders. By the way, she's 36 now and just fine.)

Point is, we need sound to anchor us in reality. Think then of the magic of a silent movie. Think of how actors had to make up the deficit, the anchoring we all depend on for a movie to make sense.

How did they do this? At first, kind of badly. Over-gesturing, over-the-top facial expressions (even in dramas - ever seen Birth of a Nation or Intolerance?). Very gradually over the 25 years or so that movies evolved towards sound, acting became more subtle. But it must have also been much more demanding for the actors. 




The switch to sound movies, then, must have been a horrendous jolt, because suddenly the medium had to take an unprecedented leap. The missing element was plugged in, the baby could hear again, and another part of the brain had to be engaged to make sense of it at all.

And you can imagine what the actors went through.

I knit a lot while "watching" TV, and in many cases it's more like I'm listening to the radio. But if the sound were turned off, what I was watching would make no sense at all. It would make very little sense even if I were actually watching it. Dialogue tells us how to feel, where to laugh or cry. For the most part, it tells us everything we need to know. 




So how did actors communicate so well during the silent era? It was a new kind of acting, nothing like stage acting, that would - eerily - disappear forever in less than three decades. Silent film (which until then had been called "film", or rather "pictures") would seem as irrelevant as some inane Marcel Marceau walking-against-the-wind sketch from the Red Skelton Show.

Ah, but now it emerges from the grave. People are sick of Charlie Sheen barking at us and are in the mood for some real acting. This strange twilight medium has begun to tunnel its way into the light. The fragile frames take us to a "there" that no longer exists, and can never be duplicated.




CODA: As always, there are post-blog reflections, but this time they are mighty strange.

This morning I decided to watch at least part of the YouTube video of Eraserhead, which I (mostly) watched last night with the sound turned off. I couldn't find it. The complete video of it that I had watched had been taken down, with one of those intimidating crooked face-things on it. Gone.  I doubt if I will have a chance to watch it again (somehow I don't think it will be shown on Turner Classic Movies), so I will always wonder how much the sound track contributed to its stomach-turning atmosphere. 

One wonders at the timing. I was only given one chance. But creepiness leads to creepiness. Something else will ambush me - soon.





http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html

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Monday, November 18, 2013

"But I didn't see her! I was in a drunken stupor!"





You can't make this stuff up. Now Rob Ford is tackling little old ladies and pushing them over backwards while they flail helplessly in terror.

Why did he do this? Why did he start running? It makes no sense.

This man will only be stopped when he kills someone. And it's sooner than you think.





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Sunday, November 17, 2013

I'd buy it, if I could afford it


Sorry, Harold. I can't afford this picture. But it would be nice. And I'm glad your handsome face still commands such a handsome price.





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    Have one to sell? Sell it yourself

    HAROLD LLOYD - INSCRIBED PHOTOGRAPH SIGNED

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    Dear Sir or Madam, will you read my book
        It took me years to write, will you take a look


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    Rob Ford displays violent temper during interview (1984)




    This gave me the chills, if not the willies!




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    Saturday, November 16, 2013

    Lemon water





    Also stops global warming and ends world hunger. 

    And makes Rob Ford shut the fuck up.


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    Friday, November 15, 2013

    Insane Jane and other medieval horrors




    http://socialmediasatisfied.com/movember-mental-illness-and-my-sons-battle-with-ocd-and-depression/

    About all I can say is that the above article about a woman's valiant struggle to find help for her son is heartbreaking, and too true. We are still in the dark ages when it comes to mental illness. We avoid, look away and nervously change the subject. We don't help, so afraid we'll say "the wrong thing" that we say nothing at all. Or, perhaps worse, try to fix it: "Here, read this book, it's saving my life." "Dr. Oz says it's nutritional." And so on.





    It's true, no one comes to help or bakes brownies or any of the stuff they do when someone breaks a leg. Breaking a leg is a day at the beach compared to this stuff. Feeling alone and, in particular, feeling ashamed, being sure it's your fault, is the worst thing of all. But if no one comes to visit, isn't that the message, isn't that what they're telling you without words?

    There are certain "helpful" phrases which kill: "Why don't you just" and "can't you just" being among the worst. "Just" has nothing to do with an intractible brain disorder or a deep conviction that your life is worth nothing. And it implies that you're lazing around not doing anything about your problem simply because you lack motivation. "Just" implies simplicity and even ease, and if you don't see it that way, you obviously need it pointed out to you "for your own good".




    I have nothing more to say about this, except that people should WISE UP and stop being such insensitive assholes and get with reality: mental illness can happen in ANY family, it's not a disgrace, and people in this situation need support and understanding and compassion more than anyone else in the world.

    Enough said? Of course not, but I'll stop now because I am very, very tired.




    POST-BLOG comment: These are ads are for widely-available "mental patient" costumes for Halloween. Nobody seems to question them or even notice them. It's a joke, apparently: don't you have a sense of humor? These folks are funny, aren't they?

    I've seen them, along with a mockup of a "mental hospital" in my neighbor's front yard. Accompanying it was a sign: DANGER! ESCAPED LUNATIC! I wonder why we don't see any Parkinson's costumes, or MS "fancy dress" costumes, complete with bloody straightjacket and axe. But these conditions aren't horror-movie stuff, and I guess "craziness" is. Society retains a medieval dread and horror of old-style mental institutions, like something out of Amadeus,  but meanwhile people with mental illness have been turned out on the street with NO support of any kind, not even minimal shelter or food. The thinking seems to be: if we treat them as if they don't have an illness, then they will ACT as if they don't have an illness. Once more, society has its head up its ass so far it can't see the light of day.




    http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html


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    Thursday, November 14, 2013

    Animal hybrids: monsters in the making






    I know, I realize I shouldn't get into these things, these creepy things, these creepy things that make my flesh crawl, these creepy things that make my flesh crawl and also make me realize that humanity has no idea what it's doing.

    What awfuls me out about this short video isn't the mammoth size of this freak animal, nor even the casual way they putter around him in total denial that he could kill them with one swipe of his gigantic paw. No doubt they think he's "sweet", no doubt they think he's "tame", no doubt they call him one of their "babies" (an ever-present symptom of the malignant disease of keeping exotic animals as pets).

    I want to write more about this whole mess later, when I get a chance to see a documentary called The Elephant in the Living Room. I saw the last half of it on National Geographic Channel and spent the half-hour with my mouth open. 



    The cases in this documentary weren't the worst, but they were bad enough. Keeping exotic animals as pets often goes completely unregulated, sometimes with disastrous results. It wasn't just the utter degradation of seeing glorious jungle animals kept in wire cages (with one male lion slowly, agonizingly electrocuted by faulty wiring on a freezer): it was the emotional abyss at the core of the people who were keeping these "babies". "He's like my son," claimed the lion's owner before the disaster,"one of my kids." Why is it I have this feeling his real children never tapped his heart in the same profound way?




    All that unfathomable sickness aside, I soon got on to the topic of animal hybrids and was pretty astonished at what I found. Astonished, and freaked out. There has been an awful lot of tampering going on behind our backs: I didn't realize the well-known liger is three times the size of a normal lion, weighing close to a thousand pounds and resembling some prehistoric beast on an unimagineable scale. All this has been engineered, folks - we made it happen - and we made it happen without the slightest knowledge or concern that the resultant creature would be so grotesquely proportioned.

    From the liger and the smaller tigon, often afflicted by dwarfism (not that such an insignificant thing will stop them from being bred), I fell into the dusky world of the wolf dog, which some people own for the same reason they'd get their bodies tattoed over every square inch: look, I'm a social rebel, I own a dog that's half-wolf! Look, I take a huge risk every time I take him out of the wire cage!




    Does anyone stop to think what is going on in the mind and biology of an animal that has been created from spare parts, cobbled together in God-knows-what sort of way just on a human whim? Might there be some sort of internal conflict at the most fundamental level? Might that animal not know who he/she is? Or are those kinds of concerns not on the table, so long as we satisfy our "let's try this and see what happens" impulse?

    Oh, but it got worse, a lot worse! Zebroids, including a zorse, a zonkey, and a zony. A cama, fusing together two species that are, well, close enough, aren't they? Except the llama genes seem to cancel out the camel's hump. But who needs a hump anyway?




    When I came to the grolar or pizzly, I began to feel sick outright. But bears are bears, aren't they? Does it even matter if they're brown or white? Then why do I feel so nauseated? Never mind that these grotesque and ridiculous names insult their animal dignity and wouldn't even suit a toy. Hey, the leopon is just a spotty lion, right? And the wolphin. . . 



    I stop at the wolphin. I stop at the wolphin because I know whales and dolphins are so intelligent, and I honestly wonder what sort of genetic clash might make these sea geniuses go completely mad. 


    What set all this off - I mean, after the National Geographic documentary, which I have ordered on a DVD - was stumbling upon something that nearly made my hair stand on end: the humanzee. I didn't like to think that it was possible, that we've come that far, that we might just want to try this out for a lark or out of scientific curiosity: but haven't we been told over and over again how genetically close we are to chimps?  




    This is a weird story that has been officially discounted, and now that I look at it a little more objectively I can see why. A couple claimed to have captured a baby chimp "in the wild" in 1960. Oliver had some pretty strange traits, the strangest being walking upright without the weird staggering gait of most chimps. He also had a strange-looking face, hairless and sort of flat, though hardly human. His ears creeped me out however, as they didn't look like chimp ears at all. They looked like human ears that had been grafted on.






    Other chimps shunned Oliver, who seemed to prefer human company (and even mounted his owner's wife, causing them to eventually sell him). He smelled different, not like a normal chimp. These were all little question marks that added up to a very big one: did Oliver have human genes, and if so, how had this happened?

    Back in 1960, the assumption was that some man had had sex with a female chimp "in the wild", the chimp had become pregnant, and little upright-walking, flat-faced Oliver was the result. He quickly became a sensation, dressed up in a tux and encouraged to smoke and drink for the crowd. This reflected the hilarity of the times upon witnessing animals "acting like humans". (Remember the Marquis Chimps on Ed Sullivan? I hope you don't.)



    But a funny thing happened on the way to fame. People lost interest. The whole thing looked a little bogus. Oliver was sold again and again, each time falling a little deeper into the hole, and ending up in a small square wire cage in a laboratory.

    Decades later, Oliver's original owner (perhaps wondering if there was more money to be made) tracked him down and eventually settled him into one of those chimp retirement homes. He didn't walk upright any more - too much trouble - and by this time he just looked like an old chimp, a very relieved old chimp, relieved he didn't have to wear a tux, smoke cigars and drink brandy for the crowd. He died only a couple of weeks ago, in fact, probably about 55 years old. Certainly he had served his time.






    But it hangs in the air, doesn't it - weirdly, and sickeningly. Camas, pizzlys, zorses and wolphins. Whynot humanzees? At the end of his life Oliver was genetically tested, and it was officially announced that he was "100% chimpanzee", so that was that. (If he hadn't been, what would they have said? The genie would be out of the bottle for sure.)  


    But I had a funny feeling about it all. I had a funny feeling about it all because that was over 50 years ago. I had a funny feeling about it all because that was over 50 years ago and, by God, now it is not only possible but bloody well likely we could do such a thing, "cross" a chimp with a human and come up with a whole new sort of species.




    At the embryonic level, this has already been attempted and perhaps even accomplished. We want stem cells and new organs and all that sort of thing, necessary spare parts salvaged from throwaways, and we don't seem to care how much we ravage the natural balance in order to get them. 

    But an actual humanzee, a hybrid? Is it illegal? Would it be funded? Who cares. Money comes. It follows curiosity. I am beginning to get this sick feeling, this prickly feeling that we're going to see this, and sooner than we think. The trouble is, no one will know what to do with this wretched thing, this product of strands of DNA twisted horribly wrong:  kill it now? Watch it suffer, or, perhaps worse, thrive? 






    What will it look like? Can you see it in your mind? Will it maybe resemble its human parent: "Doesn't little Johnny look just like his Dad"? Will it walk upright like Oliver, or scooch around on its knuckles and swing from the trees?  Talk, perhaps? Have thoughts, opinions, needs? But who cares about needs at a time like this: who thinks of needs except OUR needs, our whims, our wretched inability to leave things alone and appreciate a fragile, unforgiveably damaged wild world that is committing suicide right in front of our eyes. 







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