Saturday, October 18, 2014

The worst kind of secret


The more I read this kind of stuff, the more I laugh, or groan. It's the kind of "meme" I see on Facebook all the time.

Look at it. I mean, line by line. "So strong that nothing can disturb my peace of mind." A tornado wrecking your house? Losing your child in a car accident?

"To talk health, happiness and prosperity to every person I meet." The thug down the street with the handgun? The rapist, or the terrorist disguised as a street punk?

"To look at the sunny side of everything, and make my optimism come true" - You're sure this isn't a 1930s production number by Busby Berkeley?

"To wear a cheerful expression at all times (as they did in Nazi Germany, no doubt, or Stepfordville) and give a smile to every living creature (squirrel? Earthworm?) I meet."


And etc,. etc., etc. After the post, there was the usual riot of gushing comments about how WONDERFUL this philosophy is, without anyone giving the first thought as to how impossible it may be to undertake, let alone how stupid it all is. It's doubtful that any one of them are practicing even the smallest part of it, nor will they in the future.

Then I saw, at the top of the meme-y thing, a red seal with the words "The Secret" on it, and realized: hmmmm, this was something I'd seen before. On Dateline NBC, perhaps. There was a name associated with it, wasn't there? Some sort of . . . bizarre guru?



FELICIA FONSECA

updated 6/22/2011 11:40:32 PM ET CAMP VERDE, Ariz.

A jury has convicted a self-help author who led a sweat lodge ceremony in Arizona that left three people dead.

Jurors in Camp Verde, Ariz., reached their verdict Wednesday after a four-month trial.

James Arthur Ray was found guilty of three counts of negligent homicide.

More than 50 people participated in the October 2009 sweat lodge that was meant to be the highlight of Ray's five-day "Spiritual Warrior" seminar near Sedona.

Three people died following the sauna-like ceremony meant to provide spiritual cleansing. Eighteen were hospitalized, while several others were given water to cool down at the scene. Prosecutors and defense attorneys disagreed over whether the deaths and illnesses were caused by heat or toxins.

Ray's attorneys have maintained the deaths were a tragic accident. Prosecutors argued Ray recklessly caused the fatalities.


Ray used the sweat lodge as a way for participants to break through whatever was holding them back in life. He warned participants in a recording of the event played during the trial that the sweat lodge would be "hellacious" and that participants were guaranteed to feel like they were dying but would do so only metaphorically.

"The true spiritual warrior has conquered death and therefore has no fear or enemies in this lifetime or the next, because the greatest fear you'll ever experience is the fear of what? Death," Ray said in the recording. "You will have to get a point to where you surrender and it's OK to die."


Witnesses have described the scene following the two-hour ceremony as alarming and chaotic, with people dragging "lifeless" and "barely breathing" participants outside and volunteers performing CPR.

Two participants — Kirby Brown, 38, of Westtown, N.Y., and James Shore, 40, of Milwaukee — died upon arrival at a hospital. Liz Neuman, 49, of Prior Lake, Minn., slipped into a coma and died more than a week later at a Flagstaff hospital.

Ray's attorneys maintained the deaths were nothing but a tragic accident, and said Ray took all the necessary precautions to ensure participants' safety. They contend authorities botched the investigation and failed to consider that toxins or poisons contributed to the deaths and called two witnesses to support that argument.


Prosecutors relied heavily on Ray's own words to try to convince the jury that he was responsible for the deaths. They said a reasonable person would have stopped the "abomination of a sweat lodge" when participants began exhibiting signs of distress about halfway through the ceremony.

Sweat lodges typically are used by American Indians to rid the body of toxins by pouring water over heated rocks in the structure.

Ray became a self-help superstar by using his charismatic personality and convincing people his words would lead them to spiritual and financial wealth. He used free talks to recruit people to expensive seminars like the Sedona retreat that led to the sweat lodge tragedy. Participants paid up to $10,000 for the five-day program intended to push people beyond their physical and emotional limits.


Ray's popularity soared after appearing in the 2006 Rhonda Byrne documentary "The Secret," and Ray promoted it on "The Oprah Winfrey Show" and "Larry King Live."

But his multimillion-dollar self-help empire was thrown into turmoil with the sweat lodge deaths. Ray ended his seminars shortly after but has continued to offer advice throughout his trial via the Internet and social networking sites.

(Emphasis mine.)


So I was right, this "secret" stuff is tied to some very dangerous and toxic events. But wait! There's more! Wikipedia tells me this whole mess started with a wildly popular self-help book called (what else?) The Secret. In a "nut"shell, here is its basic philosophy:

The Secret highlights gratitude and visualization as the two most powerful processes to help manifest one's desires. It asserts that being grateful both lifts your frequency higher and affirms that you believe you will receive your desire. Visualization is said to help focus the mind to send out the clearest message to the universe. Several techniques are given for the visualization process, as well as examples of people claimed to have used it successfully to manifest their dreams.


As an example, if a person wanted a new car, by thinking about the new car, having positive and thankful feelings about the car as if it were already attained and opening one's life in tangible ways for a new car to be acquired (for example, test driving the new car, or making sure no one parks in the space where the new car would arrive); the law of attraction would rearrange events to make it possible for the car to manifest in the person's life.

I haven't figured out yet how you can test drive a car that doesn't exist, but never mind. It's beyond silly: most of us outgrew this kind of magical thinking in the third grade. It places us at the centre of the universe, for one thing, and assumes we have some sort of mystical influence over events that are, at best, random. Perhaps this helps assuage people's powerlessness in the face of a reality that is pretty much oblivious to our existence.


It's obvious that Ray took this all a little bit beyond the new car phase and into self-proclaimed Godhood, where he finally ran aground. According to Dateline, however, and even in spite of his having killed three people and maimed and burned over a dozen others, he still has his loyal followers. My impression is that Ray is a reptile with no higher brain function than a crocodile, though with somewhat less insight and compassion. But there are ALWAYS followers for such demons in human skin, people who sit with fixed smiles on their faces, sopping up all the evil swill their leader bilges out at them. It's Third Reich syndrome all over again. Any leader is better than no leader, right? Am I making sense?


Oh Lord, won't you buy me a Mercedes Benz ?
My friends all drive Porsches, I must make amends.
Worked hard all my lifetime, no help from my friends,
So Lord, won't you buy me a Mercedes Benz ?



Visit Margaret's Amazon Author Page!


Friday, October 17, 2014

Not the worst toy ever made, but prettinear


  


This doll was eventually yanked off the shelves when it was discovered that in addition to those long gumlike strips that spewed out the doll's back (back??), it also "ate" clothing, fingers and hair. There was no "off" switch and no release mechanism: it was tripped off by sticking the gum in its creepy little mouth, so little girls were soon attached (screaming) to the doll's face while it continued to pull and pull and pull.  Presumably, a big hank of hair would have to be cut off to get her free.  I don't know why they didn't test this doll before putting it on the market. But what about the Easy Bake oven? It still exists, and no doubt still has the capacity to cause third degree burns on children's skin.

The other thing is, I think the voiceover at the end of the ad was done by voice actress Yeardley Smith, who plays Lisa Simpson and sometimes shows up in movies and on TV (most recently, on The Big Bang Theory).


Thursday, October 16, 2014

Plastic Jesus





ARTIST: Trad and Anon
TITLE: Plastic Jesus


Well, I don't care if it rains or freezes,
Long as I have my plastic Jesus
Riding on the dashboard of my car
Through all trials and tribulations,
We will travel every nation,
With my plastic Jesus I'll go far.

{Refrain}
Plastic Jesus, plastic Jesus
Riding on the dashboard of my car
Through all trials and tribulations,
We will travel every nation,
With my plastic Jesus I'll go far.




I don't care if it rains or freezes
As long as I've got my Plastic Jesus
Glued to the dashboard of my car,
You can buy Him phosphorescent
Glows in the dark, He's Pink and Pleasant,
Take Him with you when you're travelling far

{Refrain}

I don't care if it's dark or scary
Long as I have magnetic Mary
Ridin' on the dashboard of my car
I feel I'm protected amply
I've got the whole damn Holy Family
Riding on the dashboard of my car




{Refrain}

You can buy a Sweet Madonna
Dressed in rhinestones sitting on a
Pedestal of abalone shell
Goin' ninety, I'm not wary
'Cause I've got my Virgin Mary
Guaranteeing I won't go to Hell

{Refrain}

I don't care if it bumps or jostles
Long as I got the Twelve Apostles
Bolted to the dashboard of my car
Don't I have a pious mess
Such a crowd of holiness
Strung across the dashboard of my car




{Refrain}

No, I don't care if it rains or freezes
Long as I have my plastic Jesus
Riding on the dashboard of my car
But I think he'll have to go
His magnet ruins my radio
And if we have a wreck he'll leave a scar




{Refrain}

Riding through the thoroughfare
With his nose up in the air
A wreck may be ahead, but he don't mind
Trouble coming, he don't see
He just keeps his eyes on me
And any other thing that lies behind

Plastic Jesus, Plastic Jesus
Riding on the dashboard of my car
Though the sun shines on his back
Makes him peel, chip, and crack
A little patching keeps him up to par




When pedestrians try to cross
I let them know who's boss
I never blow my horn or give them warning
I ride all over town
Trying to run them down
And it's seldom that they live to see the morning

Plastic Jesus, Plastic Jesus
Riding on the dashboard of my car
His halo fits just right
And I use it as a sight
And they'll scatter or they'll splatter near and far




When I'm in a traffic jam
He don't care if I say Damn
I can let all sorts of curses roll
Plastic Jesus doesn't hear
For he has a plastic ear
The man who invented plastic saved my soul




Plastic Jesus, Plastic Jesus
Riding on the dashboard of my car
Once his robe was snowy white
Now it isn't quite so bright
Stained by the smoke of my cigar

God made Christ a Holy Jew
God made Him a Christian too
Paradoxes populate my car
Joseph beams with a feigned elan
From the shaggy dash of my furlined van
Famous cuckold in the master plan




Naughty Mary, smug and smiling
Jesus dainty and beguiling
Knee-deep in the piling of my van
His message clear by night or day
My phosphorescent plastic Gay
Simpering from the dashboard of my van

When I'm goin' fornicatin
I got my ceramic Satan
Sinnin' on the dashboard of my Winnebago Motor Home
The women know I'm on the level
Thanks to the wild-eyed stoneware devil
Ridin' on the dashboard of my Winnebago Motor Home
Sneerin' from the dashboard of my Winnebago Motor Home
Leering from the dashboard of my van




If I weave around at night
And the police think I'm tight
They'll never find my bottle, though they ask
Plastic Jesus shelters me
For His head comes off, you see
He's hollow, and I use Him for a flask

Plastic Jesus, plastic Jesus
Riding on the dashboard of my car
Ride with me and have a dram
Of the blood of the Lamb
Plastic Jesus is a holy bar




I did not write any part of this song. I remembered Paul Newman singing it in Cool Hand Luke, and wondered if I could find a video anywhere (which I could), then looked up the lyrics. Most versions had one or two verses, but this one went on forever, apparently written by that celebrated lyricist, Arthur Unknown (sometimes known by his pen name, Anon).
It's a strange thing, obviously a sour parody of What a Friend We Have in Jesus. The thing is, it was not so very long ago that I was a churchgoing Christian and even a lay minister, a preacher. Seems like a lifetime ago. So I can't quite join in wholeheartedly. But when I saw what was happening to "my" church, its slickness and desperate attempts at hipness to attract a "younger" crowd (i. e. people under 80 with more disposable income), I felt sickened. All of it was done in the name of finance. In all the time I was with that church, the main thing I heard about was not the gospels, but a desperate lack of money and the need to give, give, give.




This wasn't about hungry people overseas or Christian education, but (mostly) paying a mortgage 
which always seemed to be shockingly in arrears. If we as individuals had conducted our finances that way, the bank would have put us in foreclosure. As it was, the larger church carried us as perpetual deadbeats.

Guilt trips abounded if you didn't or couldn't raise the amount of your offerings annually, because after all, the church's expenses kept going up, and it was up to us to take up the shortfall. Don't you want to support your church? Tell us, then, just what are your priorities? Didn't we hear you went on a vacation last year? (WHAT, you went to Vegas?) Once a year, incredibly, someone came to each person's house to ask them how much they were giving, and gently but firmly pressured them into giving more. I hated this and felt it was a violation of privacy and completely unfair, but I never said anything because you just didn't say anything.  I knew if I did, I would likely be gently pressured back into the beliefs and policies of the fold (with a vague but palpable ostracism as the penalty
if I didn't), or perhaps genteelly labelled "mentally ill" (well, dear, she can't help it, you know). 






As a symptom of a structure that had been rotten for years , leadership finally caved in, and no one had the first idea why it happened, or how. It's like my "do husbands fall from the sky?" post. Jobs don't fall from the sky. Husbands don't, friends don't. WE PICK THEM. We vote our leaders in, then bitch about them endlessly, even demonize them. We were snowjobbed by a shallow huckster, fell for him hook, line and sinker, then turned him into some sort of Satanic figure who had destroyed our innocent little lamb of a church.


Bullshit!






So I walked away, even tried a few other churches and was suffocated and frankly bored. The wheezy hymns, the lack of life, the lacklustre attempts to inject some enthusiasm and relevance into the services, all of it fell flat for me. More than once, when I tried to sit down, someone put their hand out to cover the spot on the pew and said, "My family sits here." No hello, not even a "sorry", just a "go away".

It left a hole, because for some fifteen years I was deeply involved, but the last several years were just hell for me, because there was absolutely NO ONE I could talk to about it all. It would be seen as "disloyal".




But I could no longer adhere to a church with such shallow values, a church which would not or could not or just didn't want to take responsibility for all its bad decisions.

Plastic Jesus, indeed.



(CODA. As usual , while I work on these things, or after I post them, more comes to me. In this case, it startles me that I wrote the words I just wrote. I had no idea I was going to. Not that I've never written about church disillusionment before. I have, and I will again. But in this case, I merely came across a YouTube clip from Cool Hand Luke, then thought of the song, then Googled the lyrics. Funny stuff, and strange, too. And that, I thought to myself, would be that. But in the world of exploration through writing, "that" is NEVER "that" - and I thank whatever God I still have for the process.)




Visit Margaret's Amazon Author Page!

Wednesday, October 15, 2014

MOOG: The Electric Eclectics Of Dick Hyman (1969)


The Story of Skippy




One summer day in the city, a day when nothing out of the ordinary was happening, a puppy was born.

The puppy's family named her Skippy, for no particular reason. She was a creamy-golden cocker spaniel, very sweet-natured and beautiful. The children doted on her, the adults tolerated her, and for a while, everything was good.


































But things change. The biggest people in the household, the Mom and Dad, weren't getting along very well. Skippy could hear them screaming at each other, and she crouched down on her belly in dread. One night there was an awful crashing and booming upstairs, and Skippy didn't sleep.

The next day, they told the children they had decided it would be better if Mom and Dad lived in two separate houses. The children knew it was their fault. Skippy wondered if it was her fault. Soon it became apparent that it was.





Neither of them really wanted Skippy. They didn't like dogs, she smelled, her fur had mats, and the vet bills! They argued and argued about who would take Skippy. The children kept their mouths shut in fear that Skippy would be taken away from them.

She was.




First the Mom and Dad thought about giving her to a shelter where she might find a "forever home", but then a friend of theirs, a man with many dogs, asked to take her, and they told themselves it was a good thing.

The children said goodbye to her tearfully. Mom, busy throwing all of Dad's things out on the sidewalk, said they should stop being such babies and keep quiet, so they did.





The man had many dogs. But he had no use for the new dog that cowered in the corner, her tiny stump of a tail wagging in a blur to placate him. Sometimes she peed on the floor, and he slapped her muzzle so hard she could not help but let out a shriek of pain.

Then he'd tie her outside for a long time.





Something happened while she was outside, and it became apparent that Skippy was going to have puppies. The man looked at her like he wanted to murder her. Skippy went under the bed to protect her unborn puppies. They were all she had.

The man had the decency not to harm her during her pregnancy, but when the puppies were born, they didn't look right, as if their father had been a Doberman or Rottweiller. Too bitter mixed with too sweet.





Very early one morning, Skippy noticed her puppies were gone. She never found out where they went. She mourned, whimpering, until one day the man threw something hard at her head.

She stopped whimpering.

But there was something gnawing at her, thousands of centuries of needing human beings to love and pay attention to her. One day she rolled over on her back to expose her belly, and the man kicked her hard. The sound she made cannot be described.





















Though it was not like her to abandon her people, one day Skippy took a chance and ran away. She became a dog of the streets. Her survival instincts were sharpened, and when a person approached her she crouched down and let out a low growl.

She became more and more matty, and thinner from eating scraps. It looked bad for Skippy, and some days she just wanted to run in front of a car.




Then something happened. A girl was walking along the street, and saw two enormous liquid-brown eyes peeking out from behind a bush.

She crouched down and said, "Come on, girl. Come on."

It took quite a while for Skippy to come out of the bushes. She didn't know what to expect. But she knew, in a certain doggish way, that children shouldn't be harmed. No matter what the girl did to her, she would find a way to tolerate it.





There was a rope digging deep into Skippy's neck, so she hooked her finger in it and dragged her home. The pads on her feet were hot and sore from planting her legs.

Her mother said, Cindy, I don't know. We can't take in another dog. I think we should take her to the shelter right now. It's the best thing for her. Cindy cried, but did as she was told, knowing that it was her fault.

Skippy knew that it was her fault.





Things were bad at the shelter, all bleach and bars. There were a hundred other dogs there, either barking aggressively or cowering in corners. People came and went, poking and prodding, looking for something that would soon be their property.

Skippy knew that some dogs ended up in wonderful homes, and wondered how to act. She knew she shouldn't hope too much, but hope was the only thing that kept her going.

Then one afternoon, an old woman came into the shelter. Her eyes met Skippy's.

It was love.




It was love, and despite the fact that the old woman didn't have enough money to feed a dog, she took Skippy home, naming her Lady after the dog in the cartoon movie.























This was a home such as Skippy had never known. She truly was treated like a princess. She even wondered if the old lady could get her puppies back.















But then one morning, everything fell still. The old woman didn't get up.

Then came the argument all over again: who will take the dog? No one seemed to want her very badly. She was a burden no one could afford.





Then someone spoke up. A man who had many dogs. The family brushed her carefully, making her look her best. He took her home, put a rope around her neck and tied her to a post in the yard.





Tuesday, October 14, 2014

Forbidden Zone in Color: 'Alphabet Song'



"Swinging the Alphabet" is a novelty song sung by The Three Stooges in their 1938 film, Violent Is the Word for Curly. It is the only full-length song performed by the Stooges in their short films, and the only time they mimed to their own pre-recorded soundtrack.
In 2005, film historian Richard Finegan identified the composer of the song as Septimus Winner (1827-1902), who had originally published it in 1875 as "The Spelling Bee".

Lyrics[edit]


Colorized screen shot of the Three Stoogesmiming their own pre-recorded soundtrack ofSwinging the Alphabet.
B-A-bay, B-E-bee, B-I-bicky-bi, B-O bo, bicky-bi bo, B-U bu, bicky bi bo bu.
C-A-cay, C-E-cee, C-I-cicky-ci, C-O co, cicky-ci co, C-U cu, cicky ci co cu.
D-A-day, D-E-dee, D-I-dicky-di, D-O do, dicky-di do, D-U du, dicky di do du.
F-A-fay, F-E-fee, F-I-ficky-fi, F-O fo, Ficky-fi fo, F-U fu, ficky fi fo fu.
G-A-gay, G-E-gee, G-I-gicky-gi, G-O go, Gicky-gi go, G-U gu, gicky gi go gu.
(Dah-Dah-dah-dah )
H-A-hay, H-E-hee, H-I-hicky-hi, H-O ho, hicky-hi ho, H-U hu, hicky hi ho hu.
J-A-jay, J-E-jee, J-I-jicky-ji, J-O jo, Jicky-ji jo, J-U ju, jicky ji jo ju
K-A-kay, K-E-kee, K-I-kicky-ki, K-O ko, Kicky-ki ko, K-U ku, kicky ki ko ku.
L-A-lay, L-E-lee, L-I-licky-li, L-O lo, Licky-li lo, L-U lu, licky li lo lu. (Curly's a dope)
M-A-may, M-E-mee, M-I-micky-mi, M-O mo, Micky-mi mo, M-U mu, micky mi mo mu.
In the 1959 re-recording of the The Alphabet Song/Swinging The Alphabet With Moe, Larry and Curly Joe the letters "G", "J", "M" and the lyrics "Curly's a dope" were omitted and seven new lyrics featuring the letters "N" (N-A-nay, N-E-nee, N-I-nicky-ni, N-O-no, Nicky-ni no, N-U-nu, Nicky ni no nu), "P" (P-A-pay, P-E-pee, P-I-picky-pi, P-O-po, Picky-pi po, P-U-pu, picky pi po pu) "R" (R-A-ray, R-E-ree, R-I-ricky-ri, R-O-ro, Ricky-ri-ro, R-U-ru, ricky ri ro ru), "S" (S-A-say, S-E-see, S-I-sicky-si, S-O-so, Sicky-si-so, S-U-su, sicky si so su), "T" (T-A-tay T-E-tee, T-I-ticky-ti, T-O-to, Ticky-ti-to, T-U-tu, ticky ti to tu), "V" (V-A-vay, V-E-vee, V-I-vicky-vi, V-O-vo, Vicky-vi-vo, V-U-vu, vicky vi vo vu), and "Z" (Z-A-zay, Z-E-zee, Z-I-zicky-zi, Z-O-zo, Zicky-zi-zo, Z-U-zu, zicky zi zo zu) were added to the song.

Original Lyrics[edit]

The original lyrics of Septimus Winner's "Spelling Bee" (aka "Ba Be Bi Bo Bu") were slightly different:
B-A bA; B-E bE; B-I, bA-bE-bI; B-O bO, bA-bE-bI-bO; B-U bu, bA-bE-bI-bO-bu.[1]