"All lives matter to the. . . grape?"

Published on Jul 13, 2016

The Canadian vocal group The Tenors have apologized after a member of the collective changed the lyrics of national anthem "O Canada" to include "all lives matter" at the MLB All-Star Game. During opening ceremonies inside San Diego's Petco Park, the group took the field to sing their country's national anthem when one singer, Remigo Pereira, went rogue and altered the song lyrics and held up a sign that read "All Lives Matter."

There was so much that was offensive, stupid and just WRONG about this incident that it's hard to know just where to begin.

This guy, Remigo Pereira, who "identifies as Canadian" (but who isn't, because he was born in Boston), took it upon himself to mutilate the words of O Canada before a baseball game. I mean crucify them. Not the whole thing, mind. He just ripped out two (unnecessary, he must have thought) lines, "With glowing hearts we see thee rise/The true north strong and free", and casually substituted, "We're all brothers and sisters/All lives matter to the grape." Or great, or grave, or brave - no one quite knows! Mysteriously, this line about grapes is usually followed by, "From far and wide, o Canada/we stand on guard for thee", which is not the best rhyme I've ever heard. Grapes/thee? Brave/thee? Grave? Great? Oh.

Oh. 

Where do I start?

Why would anyone, faux Canadian or not, casually and unannounced, change two lines of any national anthem, especially the national anthem of a country which has bickered over amending TWO WORDS (changing "in all thy sons" to "in all of us", a tectonic shift to the average Canadian) for seven or eight years?

You don't mess with national anthems. You just don't! Even if someone had to get up in public and sing O Say Can You See, they'd have to choke their way through all those "rocket's red glare/bombs bursting in air" references, verbatim. It's only being respectful.

That is the way she is wrote.

Another thing. If you are at all professional, you don't change ANY important aspect of a performance without rehearsing it in advance, or, at very least, letting your fellow group members know what you're planning to do.

You don't write two plug-ugly, non-scanning, non-rhyming, nonsensical lines, rip out the two perfectly good/poetic lines that were already there, and jam in your cobbled-together piece of shit in their place.

You don't.

But it's so much more than that! You don't, don't don't DON'T make reference to a politically sensitive topic that has touched off raw and painful feelings in a group which has been historically marginalized. You don't wade in there assuming people will approve of your thuglike ignorance of the issues. Was he trying to convince the crowd, was he assuming they all agreed with him, or merely trying to lay waste to a perfectly good national anthem that has served the country for a hundred years?

The only less-appropriate subject he could have picked would be Muslims. (I will now turn on my ugly switch and see if I can write as awkwardly as he did.)

"They're all terrorists, let us build a wall
And keep. . .them. . .out. . .of. . .here."

Trump might approve, but no one else would know where to look.

In this age of Twitter, a faux pas like that instantly rockets around the world. It makes Canadians look stupid. Americans probably think that IS the way it goes, or at least that it has been mysteriously amended, and are wondering why.

A country's national anthem is important. It used to be a means to rally the troops, like the flag. Even in this tweety-twit-ridden age, it still reflects, more or less, what its people believe and is usually something they can get behind. Casually mangling the words of it is trespass. Invasion. Buggering it all up! Holding up a grotty little piece of paper that you probably quickly scribbled with a Bic pen and a sheet of lined paper is hardly a dignified way to make a political statement. 

A ball game is NOT where you proudly and arrogantly display your own personal and highly obnoxious beliefs!

As for the way the group handled this. . . Pereira was immediately labelled a “lone wolf", kind of like a mad dog that had to be put down at the vet.  The rest of the group quickly put this guy in the corner. It was the good old "he did it!" of childhood, with the accompanying finger-point.

There is the usual sobbing contrition on Twitter, the gee guys, I didn’t really mean it, I was trying to make a statement which would unite all of humanity. This sort of slobber seems to excuse any horrible, insensitive thing a person wants to blast out there. People’s attention span is only a few seconds now, so this will very quickly be forgotten and even forgiven. The group's discharge of the rogue tenor was very conditional: "until further notice", making you wonder just what that "further notice" will be.

But no, it doesn't make you wonder! It means "until we take him back". He's on Twitter now, for Christ's sake! We might get some likes, some followers, maybe even go viral.

The group's popularity, or at least their notoriety, has soared because of this joker. He'll be in great demand. Maybe the Americans will actually want him now:

O say can you see

Donald Trump in a tree?

Or maybe he'll start a trend of IMPROVISING the lyrics to every national anthem! Why stick to those stodgy old words? They're so yesterday. Maybe a rap would be more exciting.

And let's change the tune, too. Throw out the whole thing.

Remigio Pereira

I speak for the human race and the lives of all sentient beings. Love, peace and harmony for ALL has always been my life's purpose.

The preceeding Twitter quote is Pereira's justification/explanation for holding up that grotty little piece of paper before the game: see, he speaks for the human race! His little amended (improved?) ditty encompasses the feelings, passions and aspirations of seven billion people. Hey, I didn't think he was THAT good a singer, but then, I was distracted by how atrocious he is as a lyricist. Let us hope that "all sentient beings" are coping with this ego-driven shenanigan better than I am. 

Makeagif is NOT working again!

While I didn't exactly lie, I was premature in saying Makeagif was working again.

It still don't work worth shit.

So I am stuck with Imgur, which is quite a bit trickier to use and makes HUGE gifs that are harder to download/manage. But on the plus side, the resolution is much better. It seems to crop the gifs rather oddly however. I have no control over that. And the maximum you get is 15 seconds, which means my favorite Lloyd reaction from this movie (Never Weaken) is shortened. The entire reaction shot lasts nearly half a minute, one of the longest I've seen in any comedy, and yet more proof that Harold had the best acting chops of any of them.

But no more 20-second gifs. Makeagif appears to be permanently fucked.

I've made this gif over and over again, and never quite get it right. This one has a bit of the street below in it, which I both like and don't like. This one was actually probably made with Gifsforum (do I hear taps playing? I used to love them, then they disappeared.) It's hard to tell the difference, though the Imgur one is, like, 700 pixels wide or something. Oh, who gives a fuck!

Gallery: Night of the Trolls

Baffled: why isn't my novel on the bestseller list?

This article from The Baffler (link at the bottom) is way too long to even quote here, but it has some interesting ideas in it.

To a point.

I was irritated at the way she delivered a long-winded dissertation about how society makes everything our own individual fault and how narcissism/self-absorption is the only defense (paving the way for "remedy-of-the-week" packaged solutions, available online for a price), THEN she abruptly switched directions and wrote in a rather smug way about how practicing yoga/radical self-care has completely revolutionized her life, lifting her neatly out of the quagmire she has just written about.

She seems to be praising, practicing and extolling the very thing she was dissing only a minute ago.

It's the same feeling I get - and how I wish I could just stop reading these things - about articles I see on Facebook that talk about "The Miserable, Lonely, Traumatic Life of a Writer" - only to find out, near the end of the article, that the writer is either J. K. Rowling, Stephen King or a clone thereof. Meaning: yes, it was hell at first, but now I'm in the chips big-time, so I thought I'd throw you dogs a crumb or two of my deathless wisdom so YOU can drool over my unreachable success.

Hey! I was once like you, lonely, unsuccessful, stigmatized, and probably fat. I mean it! Then I joined another species and began to accumulate sales/literary awards like a snowball rolling down a hill.

I always feel the tide turning in these pieces - I know it's coming. It happens at just past the 3/4 mark. They're about to abandon us. Any time. Their compassion for us or whatever-it-is is about to evaporate. A Grand Canyon of exclusivity is about to open up between them and us. So much for their ability to "identify" with us literary peons who, if we finish our novel at all, will never find an agent; or who, if we find an agent, will never find a publisher; or who, if we find a publisher, will never find a publicist; and who, if we never find a publicist, will somehow, and mysteriously, never find ourselves at the top of the New York Times Bestseller List.

Aim at 100 rejections, the articles say. Or a thousand! The implication is that if you persevere and persevere, if you never give up, never give up, never give up the ship, and (of course!) never take any of it personally, one day success will inevitably come. It simply has to, after all that perseverence, doesn't it? It's the law of physics or something.

But the awful truth (and I realize this is a totally taboo and unpopular thing to say) is that it might not: in fact, by the law of averages, it likely won't.  With every rejection you receive, the odds of success become slimmer, not fatter. It means more and more and more editors are telling you that they just don't like your stuff, increasing the odds that it is basically unpublishable and you should just go home and do yoga.

Saying this is the ultimate taboo because it makes you a party pooper. But I had a favorite line from a Moxy Fruvous song (until I found out, to my horror, that Jian Ghomeshi was in Moxy Fruvous):

"Everyone's a novelist, and everyone can sing
But no one talks when the TV's on."

This was long before the ubiquity of self-publishing, not to mention all those talent shows on TV. The only point I am trying to make - and please don't throw rocks at me - is that for every person who performs on America's Got Talent and the like, hundreds or even thousands of people audition and are rejected. Each and every one of those people believe they have what it takes to win, to be a star.

They don't.

Does that mean you shouldn't try? Don't take advice from me, please - Ms. Three Failed Novels! At least I finished my novels, sent them out a billion times, found a publisher, and saw my books (all three of them) on store shelves. This filled me with satisfaction and pride. But that was that. All the other shit didn't happen. No New York Times. No glass slipper.  I did get absolutely glowing reviews for the first one, it was considered worthy of major awards and compared to Alice Munro, but nobody bought it. My fingertips just brushed the brass ring, but I wasn't able to grab the prize.

Why? Hell if I know. And it happened two more times after that.

So am I bitter? Don't know. A realist? Definitely. "It's always so hard to leave Paris," a friend of mine recently wrote on Facebook. Myself, I find it hard not to win the Nobel Prize for Literature. Oh, I know that collecting 100 rejections is an exercise in self-toughening that might serve you if you were ever in a plane crash in Antarctica. But they might just lead to 101, or 102. There is no guarantee you'll have a sudden, remarkable breakthrough that will cause millions of people to buy your book.

And believe me, if they don't BUY it, you've pretty much failed. Publishers have to go home and buy groceries too, and if they keep taking a bath on your books, they may be a little bit reluctant to take a bath on the next book, and the next. Everyone has to survive. I am not blaming publishers, at all. In fact, I'm not blaming anyone. But unless you are in the tiny fraction of a percentage that makes a go of it, these are the facts as I see them.

As for self-publishing, well. . . I won't get into that, except to say "ditto, and double".

Is this gloomy? Or realistic?

You decide. But you will note that I have not stopped writing.

http://thebaffler.com/blog/laurie-penny-self-care

Visit Margaret's Amazon Author Page!

Last words and shrieks from the grave: recordings that give me the Christly creeps

I wasn't going to add any text to these - they're largely self-explanatory, but just looking at them, let alone listening to them, is so distressing that I have to say something, in the nature of whistling in the dark.

This first one is a distillation of sound recordings from a site called, I think, planecrashes.com. These are the best, or should I say, the worst of them. I don't know why my mind is so dark, but I must not be the only one or there wouldn't be so many of these things online. I don't know of a person who hasn't at least thought about what it would be like to be in a crash. But to be responsible for all those people. . . The most disturbing aspect, aside from the screams and that sickening crunching noise, is the "whoop, whoop, PULL UP! Whoop, whoop, PULL UP!" alarm that comes on - too late for most of them, as it turns out.

Oh Jesus, God and Mother Macree, whoever she is. These are weird things, an experiment that failed. In 1888 Thomas Edison decided to capitolize on the success of his newly-invented phonograph by implanting a tiny little phonograph in the belly of a horrible doll. And it said horrible things in a horrible voice, but only for a short time - because they all broke. Very quickly. And all the customers wanted their money back. But we still have these hideous recordings, which I assume are original.

I can't really explain or describe the doomsday feeling I get from this recording. It makes no sense - it's just sounds, isn't it? I even know what the original sound was. I remember dial-up (which now seems like the lamest thing ever invented - because it was! You couldn't be on the phone and the computer at the same time.) All these vastly slowed-down recordings are very, very strange. When we think of a recording being slowed down, we think of it getting lower and lower, but it doesn't. It's just endlessly elongated. It takes up more time. And this is like something from Armageddon, the Last Judgement, the trumps of doom. I think it's partly the fact that I do know what the sound is, but it's changed, changed utterly. For some reason I made myself listen to this again last night and had the same queasy, sick dread. It doesn't get better with successive replayings. In fact, it gets worse.

The Volta Labs experimental recordings were another Edison thing. Just a bunch of guys fooling around with very primitive sound equipment. Volta Labs reminds me of mad scientists with frizzy hair, Gene Wilder in Young Frankenstein, Clyde Crashcup, and that sort of thing, though the comic connection doesn't mitigate the creepiness of the recordings. On one of them, someone appears to say "fuck!", but I didn't include that one. This one is just creepier. It also interests me how much the first recorded discs looked like ugly grey pancakes.

I wonder why it is, when I do not remember World War II, when I do not remember ANY war, that this sound fills me with such primal dread. It is Doom. It is simply the end, and there is nothing you can do. 

And this - this I do not even need to explain. This carved its way into my child psyche during the Cold War, when that awful endless shrill beeeeeeeeeeeep seemed, to me, even worse than the dreaded Bomb.

For a while, the experimental talking clock from 1880 was regarded as "the first recording", but it isn't any more. It was recorded on a cylinder made of lead, incredibly, and it sounds like it. It has its own screechy-whoopy-creepy aspects, and you CAN hear counting in it, though it's hard to make out. Did anyone really listen to this thing? I doubt it ever made the Top 40, and I have no idea where the original resides today. 

Anyone who knows anything about the advent of sound recording knows about the Phonautograph. This French guy who had a name a mile long (de Martinville, I think - unless Martinville was where he lived) just wanted to see what sound waves would look like when traced with a stylus on a moving glass globe. That's all. There was no thought of playing them back. When I first found out that they had found his stylus tracings on some black paper, read them with a laser and actually dragged some "music" out of it, I disbelieved it immediately. It was an obvious hoax.

Back in the mid-'90s, someone tried to pass off a supposed recording of Chopin playing the Minute Waltz which they claimed had been recorded on a similar device. Sadly, it was a fraud. I couldn't even find anything on the internet about this, and still can't, even though I heard the damn thing on the radio. I remember the CBC Radio announcer dismissed it as "a musical Piltdown Man". I'm not sure how I know this, but it turned out to be a CD enclosed with a European classical music magazine which was published on April 1. The catalogue number was something like 425679HAHAHA.

But this ghostly Au Clair de la Lune thing has stood up to scrutiny. At least, no one has stepped forward to admit guilt over it, so it must be real. Some of the air has gone out of it, however.  I note now that when I go on Firstsounds.org, the web site that originally broke the news to the world, it hasn't been updated in a very long time. It just looks like an ugly and very out-of-date web page, even worse than mine in fact. It's sort of a pre-Blogspot thing - whew, what an eyesore!

When all this first came out, there was a great deal of boasting and braggadocio by the researchers, who had been catapulted to fame by a few pieces of sooty black paper. Now I notice a certain nothing. I guess they haven't found anything new. The few seconds of blurby, garbly "singing" isn't so exciting any more, no matter how much they slice and dice it, play it back at different speeds and with different effects, filters, etc. Hey, you can make an armodillo sound like Pavarotti these days. Another tiny sound snippet isn't even a human voice, but a trumpet that sounds like it's underwater. And a lot of it just reminds me of somebody blowing his nose.

Now this is worse. Far worse. I dug this up a very long time ago, when I somehow stumbled upon the idea that ancient clay pots were natural recording devices. If a rotating glass globe with a stylus stuck on it could record vibrations/waves/actual sounds that could be played back in a few hundred years, why then - why couldn't a rapidly-revolving wet clay pot with a sharp thing stuck into it record all sorts of shit as it rotated merrily away? But only if some guy with a laser came along to winkle the sound back out again.

Meanwhile, this is terrifying.

I tried to get hold of the guy who did this a couple of years ago. His "channel" has two things on it: this video, and a six-second "slide show" depicting one still of this pot. So, hoaxy it is. But still terrifying, for some reason I can't determine.

I mean, I KNOW it isn't real.

The Doritos Dilemma: I just can't make my mind up any more!

I just can't make my mind up any more. Who to believe? Who to believe?

What to eat? What not to, that's the thing, isn't it? What to put in our mouths, or NOT to put in our mouths, because really, doesn't that say absolutely everything about us?

Because let's face it, what we eat is what we shit. And in this-old world, you sure gotta have your shit together.

This is a very small excerpt from a radical anti-cancer site (link to article appears below text).

Article Summary

Doritos are statistically listed as the most popular chips worldwide. They may seem like a harmless snack… but their ingredient list says otherwise.

Their main ingredient is corn, which is a highly processed, genetically modified grain. While there are GMO-free snacks on the market, if it doesn’t specifically say “non GMO” on the bag then you’re almost certainly eating genetically modified corn.

The second ingredient is commercially processed vegetable oil. Sunflower oil, canola oil, and soy oil undergo a process by which they become oxidative which leads to free radicals that damage the body and increase the risk of cancer − especially breast cancer.

Maltodextrin is a starchy carbohydrate filler that has little taste but breaks down into sugar very quickly in the body. This seemingly harmless ingredient can wreak havoc in cancer patients and diabetics alike.

Among other ingredients (see article for full list), Doritos contain MSG which is a known neurological excitotoxin. Adverse effects include: endocrine disruption (the part of the body that helps digest and metabolize food for energy), migraine headaches, leaky gut, and the inability to focus.

Some snacks are more wholesome than others, but the processing is the biggest culprit for compromising your health. Remember, snacks (and of course meals) made with real, whole foods are best.

https://thetruthaboutcancer.com/doritos-ingredients-cancer/

BUT MEANWHILE! I saw this in The Beaverton, one of my favorite news sites, which is now popping up a sort of "warning" before people even enter the site. I guess they fear their readers are taking everything exactly literally, and perhaps this is leading to a lawsuit or two.

I never associated the name with litigation, or litiginous (litigacious?) people quivering with indignation over their unfairly-maligned bag of Doritos. Beaverton is a place in central Ontario where my brother Arthur used to go to music camp every summer. I was never sent to music camp because it was felt I had no talent, plus nobody noticed there was another kid in the house.

https://www.thebeaverton.com/health/item/2792-doritos-nutritionists-concerned-canadian-diet-not-zesty-enough

Published in Health

Doritos nutritionists concerned Canadian diet not ‘zesty’ enough

Monday, 11 July 2016 00:00 Written by Eric Turkienicz





VICTORIA – A special report released earlier this week by top Doritos nutritionists has expressed concerns that the average Canadian’s diet is far below the daily recommended zesty-ness threshold.


“It’s really quite shocking – we were not expecting this lack of zesty-ness across the board,” said Dr. Kurt Voortman, Chief Science Officer for Doritos, “Canadians just aren’t experiencing the kind of bold flavours and outrageous taste sensations that they need to lead a healthy, X-Treme life.”

“Not to mention the extremely low level of tangyness in our bodies” Voortman added.

Following the report, the Canada Food Guide announced intentions to revamp the classic food pyramid in order to widen the populaces’ understanding of how important it is to eat more zesty items. Doctors are now encouraged to urge their patients to include at least one “sharp cheddar” item in every meal and add sweet chili heat to things wherever they can.

“But it doesn’t stop with zesty,” Dr. Voortman elaborated, “ask yourself ‘have I had chipotle anything at all today?’, ‘how many flavor crystals does this contain?’, ‘is there a way to make this oatmeal more black pepper jack?’

A mailer providing a chart to assist Canadians in determining whether their ranch is cool enough will be sent out by the end of the year.

MOM!! We're out of toilet paper again (and other cat meditations)

How Bentley thinks

How to Use the Telephone

Horrible, just horrible (with very bad poems!)

You know one of those horrible dreams that you can't get out of, and finally you wake up and you're in a horrible dream that you can't get out of, and finally you wake up and you're in a horrible dream that you can't get out of?

Horrible, horrible man at the door

man at the door

man at the door

Horrible, horrible man at the door

Horrible man at the window.

I am on your hand, but 

I don't understand.

Who you are or

What that thing is on your head,

Why is that thing on your head.

When your face rots like that,

It makes me crazy,

When your face rots like that,

I feel like I have rabies.

The best meat is here, no, the best meat is here,

It's very clear 

to me

That the (very) best meat is here.

I have to smile, oh

I have to smile,

because it makes me

gladsome

Just after a while!

Hoolihan & Big Chuck - Certain Ethnic Six Dollar Man

Probably better than most H & BC sketches, in that it has a broad silent-comedy kind of feel to it - oh hell, ain't it just hilarious when all his body parts fly off? Yes, it IS! You can't show that sort of stuff any more, or if you do, you can't laugh at it. So laugh!