Sunday, August 7, 2016

Of course. . . of course!




Mister Ed
Original name: Bamboo Harvester

Birth:

1949
El Monte
Los Angeles County
California, USA

Death:

Feb. 22, 1979
Burbank
Los Angeles County
California, USA


Animal Actor. Mister Ed, a Palomino horse officially named Bamboo Harvester, was a show and parade horse who was foaled in 1949 in El Monte, California. His parents were The Harvester (Sire), a Saddlebred owned by Edna and Jim Fagan; and Zetna, (Dam) who was sired by Antez, an Arabian imported from Poland. Bamboo Harvester was trained by Lester Hilton. Lester "Les" Hilton had been apprenticed under Will Rogers, and also worked with the mules in the "Francis the Talking Mule" movies. Due to old-age ailments, Bamboo Harvester was put to sleep in 1970. The producer of the Mister Ed series never would answer the question of how the horse's lips were made to move. There have been many theories over the years, including the use of peanut butter, but none have been authenticated. (bio by: Ronald Leon)




Cause of death: Euthanized

Burial:
Tahlequah
Cherokee County
Oklahoma, USA

Maintained by: Find A Grave
Record added: Jan 01, 2001
Find A Grave Memorial# 1551

This is a cobbling-together of a post I spent about four hours on this morning. Trying to fix the formatting, which I do for nearly every post, it suddenly disappeared.

ALL of it. It was just a blank.

I mean, no backup. Didn't even go into a recycle bin or anything.




I feel stabbed, ripped off and as if something has been snatched away from me (like four hours that I can never get back).  I don't know, all I can do to salvage this is put up some of the photos and whatever I remember of the text, though there were also three or four videos that were VERY hard to find, not to mention a gif that I can't recover.

Jesus.

Anyway, what I was GOING to say before the finished and polished post was ripped out of my hands, was something like this: as a little girl, I adored Mr. Ed, and I can see why. He was a character actor with a sweet face, and he was also a handsome palomino, a former parade horse, his shiny coat coming across well even in grainy black-and-white.




The show we saw on TV wasn't the original. There was a failed pilot starring the same horse, but a different Wilbur. This Wilbur was a clinker, and it didn't fly. But there was something about Ed. Network execs must have decided to give him another try.

(Now that I think of it, black lines kept appearing at the sides. Did that mean something? This version is awful, but I feel I must continue, damn it.)




Oh, what else? I wrote something about My Friend Flicka, a 1950s series which is now posted in its entirety on YouTube. At one point, I would have killed to see even one episode, but now I find I can't stomach Johnny Washbrook and the way he's always crying. He's a fairly good horseman, and the horse is beautiful (of course, of course!). But it was mainly that theme song I loved as a kid. It began with a little harp-stroke which isn't in most of the YouTube vids. It's cut off, probably because most people didn't notice it. But to me, it meant magic was about to begin. This video may or may not have it, because I don't remember which one I posted originally. Took me a while to find it, too.




There were others, National Velvet, Fury. . . Fury was, I have to admit, the best horse actor, and the handsomest of all. In fact, he was simply stunning. But the show involved a lot of shrill whistling and irritating yelling: "Fuuuuuuuuuu-reeeeeeeee!" . And NOWHERE in the YouTube videos does the announcer ever say, "Fury. The story of a horse. . . and the boy who loved him."It's probably something like "Play it again, Sam", a TV myth.

This is from one of those very old-format TV sites set up in about the year 2000:

But the true star of the show was Fury himself. Known as Highland Dale when he lived on a farm in Missouri, he was 18 months old when he was discovered by well-known movie horse trainer Ralph McCutcheon who first used him in “Return of Wildfire” in ‘48. Series producer Leon Fromkess hired McCutcheon to deliver a horse for the series. By this time, McCutcheon had changed the horse’s name to Beauty (often called Beaut) and had worked him in “Lone Star” (‘52), “Johnny Guitar” (‘54) and “Gypsy Colt” (‘54). He was cast as the black stallion in “Giant” (‘56); and several other shows after “Fury” ended.





Can't find where I got this info, but Highland Dale was an American Saddlebred, long and rangy compared to the rather dinky Ed. Flicka was somewhere in the middle. William Shatner breeds Saddlebreds. Lesson for the day.







Elizabeth Taylor on Highland Dale/Fury was a sight to behold. His size can be gauged by how tiny she looks on him, almost like a girl. She was a magnificent horsewoman who did not need a double, not even in National Velvet when she was 13. I've tried to make a gif of my favorite scene from Giant, very poorly cropped for some reason (to avoid a letterbox effect, no doubt).

And that's all I can salvage of this post. I'm sorry, but I'll bet I feel a whole lot worse about it than you do.






Saturday, August 6, 2016

I've been goosed: it's Kids and Company!





Incredibly, I just got this AVI file from an internet source to post on YouTube! Call me a techie genius. All right then, don't. But here it is, Kids and Company, one of the most surreal things I've ever seen on the internet.

How did this happen? I started off with one of MattTheSaiyan's old DuMont videos. I found the intro for this incredible kids' show from 1951, made three gifs of it, then wondered if I could find any more.




Kids and Company

From Wikipedia, the free encyclopedia

Kids and Company
Presented by Johnny Olson
Ham Fisher
Country of origin United States
No. of episodes 39
Production
Running time 24 mins.
Release
Original network DuMont
Picture format Black-and-white
Audio format Monaural
Original release September 1, 1951 – June 1, 1952




Kids and Company is an American children's TV show that aired on the now-defunct DuMont Television Network on Saturday mornings from September 1, 1951 to June 1, 1952, and was hosted by Johnny Olson and Ham Fisher. The series was primarily sponsored by Red Goose Shoes.

This was Olson's third series for DuMont, previously hosting the talent show Doorway to Fame and daytime variety series Johnny Olson's Rumpus Room. Rumpus Room shared the schedule with Kids for the latter's entire run, and ended a month after Kids did.

The 1952 finale (stated by Olson as being the last before a ten-week hiatus; despite this, the crew appears onstage to sing "Auld Lang Syne") is held by the UCLA Film and Television Archive. Two or three episodes, including March 25 and the finale, are held by the Paley Center for Media. One is held by the Museum of Broadcast Communications.




This Wiki entry has more links in it than text. By today's standards, the show ended almost before it began. But back then, they actually had weekly episodes that were weekly, period! So 39 episodes wasn't bad for a nine-month run.

The show is execrable. The goose, a horrible puppet that reminds me of the deformed bird-woman at the end of Freaks, flails around in one spot. It can't walk around or even hop or move at all except to flap and bounce. Its whole purpose is to be a shill for Red Goose shoes (which is why it's called Red Goose!) This ranks as one of the worst puppets I've ever seen, though Howdy Doody is right up there. The goose has a horrible kidlike voice that sounds like it's on the wrong speed, and also makes a rasping noise something like a death-rattle.




I had a weird feeling about this show. It reminds me very strangely of an SCTV feature called Happy Hour, with Happy Marsden introducing episodes of Six Gun Justice (A Republic Serial) from a bar. He had a strange puppet with him called. . . Sammy the Goose. The goose snapped its bill together in an alarming way, but didn't talk. Only its head and neck showed.




I did wonder, just now, if Sammy the Goose was based on one of those infinitely fuzzy embryonic memories, a first-childhood-memory thing all blurred in your consciousness, but, hauntingly, still there. When the writers at SCTV came up with Happy Hour and that bloody goose puppet, was there some faint echo of something they'd seen on Dumont Network in 1951?

It's possible.

This is before my time, but the SCTV crew are a few years older than me. I don't remember Dumont at all, but how could a 2-year-old remember Dumont? I just remembered that TV scared me half to death.

This was something I felt ashamed of - I was sure I was the only one - until I began to find HUNDREDS of YouTube videos of "scary", "terrifying" TV logos, most of them very old. Some of the comments mentioned very early childhood memories, and being scared shitless of these things.

So maybe people DO remember? But not consciously. For who'd drag this creature from hell out of his or her memory bank?