I don't want to do SQUAT today

I don't want to do SQUAT today.  Everything seems pointless. I try to walk and find I'm on a treadmill rapidly moving backwards. I don't want to leave my chair. I don't want to put away the dishes, thank you very much, or clean the birdcage. I don't. I don't want to check the mailbox, with that creak when you open up the top, and find rejection letters, more rejection letters. I don't want to sit here and diddle. I don't want to think about Christmas. I don't want to think about Christmas with dread. I don't want to think about how Christmas has been ruined. I don't want to think about the fact that my blog tells me I've had 30,000 views in a year, when I only get 2 views a day. Obviously it can't do math. I don't want to go take a shower. I don't want to feel like this. I want some hope. I don't want to feel this alone. I don't want to stare out at my cedar boughs and see rusty, brown, dead growth. I don't want to hand back a review copy to my editor because I don't goddamn understand the book, or perhaps it's because I loathe it. I don't want to see a writer win every award in the book after my rapturous review of his novel. I don't want to keep handing the lifeline to the next person, and the next person, and the next person, until I drown. I don't want to think about the future. I don't want to think about my grandchildren getting older and not wanting to be seen with me. I don't want to think about how they will soon see through me, and therefore probably stop loving me. I don't want to think about how the best moments in my life flew by so fast that I didn't even notice, and can only be longed for in retrospect. I don't want to sit here. I don't want to not sit here. I don't want to think about positive thinking and all that crap, I hate it. I don't want to be accused of being "negative" even though I know I AM "negative". I don't want to feel that my whole life has somehow been a miss. It went wide and I don't know why and I can't retrieve it. I don't want to realize how late it is for certain things and how I will probably never achieve them now. I don't want to think about my dream slipping through my fingers like a nasty little bar of soap. I don't want to think about something awful happening to my loved ones. Being widowed. Not wanting to live any more. Living thirty more years alone. I dont want to think about the sense of living in a void where no one hears me. I don't want to think about publishing this and having one or two people (or maybe zero!) read it and think I am a loser and/or haven't tried hard enough. I don't want it to be Thursday. I don't want it to be today.

http://members.shaw.ca/margaret_gunning/betterthanlife.htm

Jumping frogs and other phenomena of the literary swamp

I've been on a bit of a Mark Twain kick ever since I saw a superb PBS documentary about his life a few months ago. I got a copy of the DVD, along with two massive biographical tomes, the kind you can hold in each hand to attain rippling biceps in only three weeks.

I want to reread Tom Sawyer and Huck Finn to see how much they've changed since my youth (ahem), but until then I tread deep water in these books, packed with too much information. Twain wasn't the nicest fellow, was an egotist, was moody, was often suicidal, and definitely pushed his own agenda. Good thing, too, or the following harrowing scene (which took place when Twain was still relatively young, but with a growing readership) would have erased Huck Finn from our collective memory:

"Sam, 'charmed and excited', had every reason to believe that a contract would be extended to him as soon as he walked through Carleton's door. So certain was he of this that he dashed off a private letter to his sponsor at the Alta, John McComb, in early February, boasting that he was about to 'give' Carleton a volume of sketches for publication. The paper printed a brief summary of this letter for Mark Twain's followers in mid-March - nearly a month after Sam had kept his appointment with Carleton, and been given the bum's rush.

"He never forgot it: his diffident arrival in the publisher's office at 499 Broadway, the brusque statement of the clerk that Mr. Carleton was in his private office: his admission to the great man's quarters after a long wait; Carleton's icily impersonal greeting: 'Well, what can I do for you?'

(Editor's note. This would happen to me on a good day. But wait! Here comes the best part.)

"Sam's abashed response - that he was keeping an appointment to offer a book for publication - triggered a temper tantrum from Carleton that lives in the annals of bad editorial judgement. . . Whatever the impetus, Carleton treated his speechless visitor to a vintage New York-style tongue-lashing At the end, he swept his arm around the room and delivered the coup de grace that will forever be associated with his name:

'Books - look at those shelves. Every one of them is loaded with books that are waiting for publication. Do I want any more? Excuse me, I don't. Good morning."

After this, the biographer Ron Powers cites the infamous "Whales, Mr. Melville?" (to which I add, "Scribble, scribble, eh, Miss Bronte?"). These can be lumped in with "These guitar groups are on their way out" (Beatles) and "Who's this Bob Dylan?" ( - oh, and - one of Twain's early magazine stories found an enthusiastic audience, but unfortunately the editor spelled his name Mark Swain.)

There are whole books full of "famous rejections", which are supposed to make the aspiring writer jump up from his/her bed of suicidal depression, all fluffy and flumphy like freshly-plumped pillows. It doesn't work, however, because greatness has a way of coming through no matter what. Or does it? How many Huckleberry Finns languished in drawers somewhere, only to be thrown in the fire a la Thomas Carlyle when the weather got cold?

It's too depressing to contemplate.

Man walks into a publisher's office. Disreputable-looking, shabby clothes, big intimidating cookie-duster of a moustache and untameable head of (red) hair. Obviously a bad character. Has this manuscript he thinks he can sell me, haven't looked at it yet and haven't got time. Worked as a rough-and-ready reporter out West somewhere, has nothing to say to a sophisticated New York audience. Wrote one story, something about a jumping frog, that was published all over the country, but who wants to hear about a jumping frog? This fellow seems to have a million ideas spilling out of him, and we can't have that. He'll stain the Wilton carpet. Uncouth, he is. Smells like tobacco and gin. A man's man, with feverish ideas. But the stunned look, the look of a small child who has been slapped instead of kissed, reveals him to be just another no-talent who can't take his rejections like a man.

Once more, into the void

You've got to ask yourself why you do this.

Why, when it's already happened two or three times.

It goes like this. After having published two well-received novels (though admittedly, no threat to Stephen King or J. K. Rowling), you write another one. One that you're proud of, one that you are sure will find a home with relative ease.

Surprise: it's punch, punch, punch in the face. Sorry, but that's what it is: all those rejections, as if your work never existed and never drew all those (now sadistic-sounding, hope-dangling) reviews.

Maybe it's all over. N'est-ce pas?

More than once - perhaps three times, since I began to send out fiction - I've received a form rejection at a certain time of year.

The week before Christmas.

This is a season of fizzy hope, anticipation of a wonderful holiday followed by a fresh start in the new year. So why do editors routinely send these things out NOW?

Well. . . like everybody else, they want a clean desk to come back to in 2011. A lot of loose ends in the form of rejected novels are lying around, and one has to be efficient, doesn't one?

Isn't it better to get the slight/damage over with now, rather than prolonging the illusion/delusion of acceptance for a couple more weeks?

Aren't you a real writer? Don't you know what that entails? Be a man! Suck it up, girl friend! It's just a rejection. At least the one I got today was a form letter, not my own letter sent back to me with a rubber stamp on the corner (which actually happened to me, and which I wrote about a couple of months ago).

One must never, never, never, never, NEVER answer a rejection. Don't express an opinion, or it will get around like wildfire that you are "difficult" and no one will want to work with you. Or at very least, they'll think you're oversensitive and probably shouldn't be working in the field at all.

So I answered the rejection. I just - told the guy. Told him, not that he shouldn't have rejected my work (which he shouldn't), but that his timing is lousy and steps all over the feelings of writers everywhere.

He will likely be angry, piqued, may even send me a blast I'll receive on New Years Eve or some-such. They always get angry if you say what you feel, or hope.

Especially, in the week before Christmas.