Maui kitchen: view from the window

Up to now I haven't even posted any pictures from our vacation in Maui. We got back shortly before  Christmas, and it was the biggest bummer. . . I mean, to have to suddenly get myself in some kind of mood for holly-jollity, when all I'd been doing was soaking my brains in guava and turning them into a quivering green jelly. I'd gotten into "oh, I'll do it after Hawaii" mode, leaving stuff undone, which is not my usual compulsive way. And we were hosting this year, doing the turkey, etc. etc. So things had piled up nastily, making for a rough homecoming. It's not that I didn't want to be home. I just wanted QUIET, and that's not what you get at Christmas. I wasn't ready for something I didn't want to be ready for to begin with. It was not dread so much as total disorientation, the bends I usually get after going away, only worse. I did not even have time to look at any of the hundred or so videos I took, or the photos Bill took, which I still haven't seen.

So today. . . still feeling fried, but having survived Christmas and Boxing Day and a few more days after that, I started looking at my trove. I published this one mainly because of the incredible bird song on it, along with audible yelling and arguing among the staff working for the condo. I stood in the kitchen and shot it out the window when the birds were at their noisy peak. I make an appearance in this, looking just dreadful, with no makeup on and bedroom hair. Oh well. Does it matter, in sweet Hawaii? No, it does not. It's a no-bra zone, as a friend of mine once said. This was a sentimental journey for us, the fifth time we've gone to the same part of Maui (Kihei), and we were amazed at how little it had changed, even down to the restaurants and menus (Aloha Lunch Plate: coconut prawns by the ocean!). But it was bittersweet, because we know we'll never be back. Between health issues (for both of us) and money issues (check), we just can't do holidays like that any more. And the cat was so heavily traumatized by being boarded (even in a luxury cat hotel) that we can't imagine putting him through that again. 

I am likely to post at least a few of the slew of videos, once I get them figured out. I hate people posting their expensive holiday videos, wagging their asses at me, so this is my revenge.

The thing about Paris

This is me in '89

You can tell everything about a vacation spot from its postcards. Can't you? In this case, Washington State is all about Really Big Fish.

"Are you sure this isn't Vancouver?" I asked my husband as the rain bucketed down. One grows an amphibious skin after awhile in these climes, but it's still depressing on vacation. 

When it's not about Really Big Fish, Washington is about Really Big Logs, or else the men are the size of ants. Actually, this COULD be a real log. I've heard they have Really Big Trees.

I haven't written about Bigfoot yet, but I'm going to. For a while, two of the grandgirls were obsessed with him, and the whole family would watch Finding Bigfoot to gales of laughter. There are actually people who are Squatchers or Sasquologists, or whatever they call them. Bigfooters? Privately funded, I assume.

Slugs are another feature of Washington, though they're no bigger than the footlong banana-boat suckers we have around here. The first time I saw one, I wondered who had run over an anaconda. There were guts everywhere. This card reminds me a bit of the creepy artwork of Robert Crumb. It's something to do with a Gold Slug Card.

Why did I keep these?

At any rate, here we are in Washington State, in the town of LaConner, home of Tom Robbins. Did I ever look like this? I'm practically a kid, and my kids (now in their 40s) are zygotes.

The atmosphere was fishy, froggy, amphibious. Wet. Wet, wet, wet.

Since Humptulips was mentioned in Tom Robbins' Another Roadside Attraction, I wanted to see if it really existed. It wasn't much, but I just had to be there. The nicest photo, in which I'm kneeling before the Humptulips sign, is gone. I gave it away. I got hooked into a Chain Art thing, a piece of nonsense that operated kind of like a chain letter. I dutifully sent off my poem about Humptulips, with photo, and never heard from anybody. Ever. It was eating lunch alone in the school cafeteria, all over again. 

I do wonder, sometimes (no I don't - I've forgotten all about it) whatever happened to the plans for Humptulips Valley Church. Maybe I should look it up. A lot has happened since 1989. For one thing, I've gained - umm - I don't want to think how many pounds. But I think I was on the too-thin side here and probably boomeranged, or bounced. 

The second-nicest photo of me standing by the Humptulips sign. The other one was discarded like a piece of trash. If you wanted a second print of something in those days, you had to rifle through a whole pile of slippery brown negatives and hold them up to the light, going, "No. . . no. . . no. . . ", until you got sick of the whole thing and gave up. 

And I apologize for any log-disparaging remarks I made: just look at this one! Jesus Christ, how do they MAKE logs this big? It looks as if it could swallow me up.

Romance in LaConner. Both of us looking ridiculously young.

I always try to find the community papers in any new place, because they tell you what's really going on. I kept a few memorable clippings, orange with age, but God these were hard to get into any sort of shape to post. I had to scan them, then sort of cut them apart, and the typeface ended up every different size. I especially like the Police Blotter - sounds like something out of Mayberry - and the lovely birthday tribute to Granmummu. I also like the fact that the Aberdeen News is called. . . 

POST-BLOG BLISS! I found that photo of the Humptulips sign! I must have made an extra copy of it, after all. I wish I had kept the accompanying poem that was meant to fulfill my obligation for "chain art". I got absolutely nothing back, and lost the poem. BUT I STILL HAVE THIS. 

Thinking of you. . . down in Mexico

This is one of my better gif/slideshow presentations, featuring beach portraits from my daughter Shannon's trips to Mexico from 2006 until (literally!) today. I won't get into how fast the grandchildren have grown - where did those sweet little kids go? Gone to grownups, practically, but still beautiful and beloved.

.Cement cookies and other harbingers of the season

After re-reading yesterday's cricket rant (and it truly was a rant, but wasn't it fun? For me, maybe), I felt I needed something to balance it out.

Yes, I know it's a TV ad, and I know it's a month 'til Christmas, but when this came out three years ago (three - I cannot believe this!), I thought it was magical. I was going to try to make gifs out of it, but the images flash by so quickly that I am not sure I could manage it.

Yesterday we made cement cookies, or rather, cookies made out of salt dough that hardens into something you can paint up and use as ornaments. It went so well that I want to try it with the other two grandkids. It's not that I don't get into the spirit - I do - but most of what passes for "the spirit" is a cash grab. "Black Friday" is a case in point. 

Until a few years ago I didn't even know what it was, and in any case it sounded horrible and ominous. Gradually I twigged that it was the day after American Thanksgiving, when everyone stampedes to the mall to buy more things, no doubt so they can be even more "thankful" in the coming year.

Now I'm seeing Black Friday ads in Canada, when our Thanksgiving is at the PROPER time, in late October, not so close to Christmas. And yet, our BF is going to be on the same day as in the States.

Oh well, I'm ranting again, and I do love the actual day when we all seem to have a wonderful cozy time. Four kids running around, I ask you - even though they are growing up alarmingly fast - and then what? Old age, and - ? Life is a rapid, confusing deal, and all we are left with is the day - the elusive, flashing-by, bittersweet day. 

http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html

http://members.shaw.ca/margaret_gunning/betterthanlife.htm

The little mermaid (and her little brother)

 

 

 

Do you know the way to San Jose? Actually, this might be San Francisco (I wasn't there). Caitlin the mermaid has learned how to dive, without even being taught, but Ryan isn't so sure he's ready for his closeup.

 

They grow up, right out from under me. 

Cable cars, squirrels and me

Caitlin today!

To bring you up to date after The Day you were Born, these are shots of Caitlin from recent holidays at Disneyland and Parksville, Vancouver Island.

                                      "M, I, C. . . (see you real soon!)"

   Giant fish ride at Disneyland!

"I'd like to thank the entire Academy.. . . "

(Hollywood, for the first, but NOT the last time).

                                                                                      

  Parksville cement sculptures!

S'mores on the beach. . . what could be better?

Having your best bud with you!

Bugle boy

"I tip a wapiti" is a perfect palindrome, and the core of a much longer one I've lost track of. (A palindrome is a large arena full of one-humped camels, or Alaskan ex-governors or something.) Though I have no desire to tip one of these magnificent creatures (after all, the service is terrible!), I wouldn't mind if one of them would tip me, or at least blow his bugle for me.

On our recent driving trip through the Rocky Mountains, the bad faerie rubber-stamped us, and all sorts of stuff went wrong. Nobody died, nothing like that, but still, it was stuff. A long-anticipated visit to a world-class dinosaur museum in Drumheller, Alberta, was aborted by a sign that read, "Closed on Mondays." (Mondays? . . . Mondays???)

A long construction detour stuck us in six-inch mud ruts and coated our vehicle in thick brown slime. "Falling-off-the-bone" ribs from a promising roadside restaurant had the taste and consistency of shoe leather, and the accompanying chicken breast had been precooked, frozen, doused with bottled barbecue sauce, then shoved in the microwave for 20 minutes. (Someone should write a book about disappointing restaurant meals: the prickly, angry sense of being ripped off, the powerlessness of not being able to fix it, the sensory anticipation raised and then dashed, the dismay and even shame at trusting that this place would live up to its promise. Not to mention good old-fashioned visceral disgust at being faced with inedible glop, or - worse - stuff that's edible, but only just.)

Nevertheless, there were moments, Rocky Mountain rainbows glimpsed: and I have always loved rainbows, I admit it. In Banff, we sighted some undersized male elk by the side of the road: like fat deer with bigger horns. Knowing they were out of the running, they sparred half-heartedly for the tourists. But magic lay in wait. After a too-big dinner in the enchanted town of Jasper, we were driving back to our chalet (OK, it was a fourplex, but still very cozy), and saw cars backed up and pulled over.

"Shit," Bill said. "More construction."

But it wasn't. Breathless travellers had their telephotos trained on a huge bull wapiti, with a rack on him like I'd never seen before. He made a show of wariness, his monarch head jerking up from time to time to interrupt his grazing. But there was no doubt that he owned the patch of ground he stood on.

Then he tipped back his wapiti head, opened his mouth and broadcast an unearthly - what was it? A goblin playing an oboe? The smell of rushing wild streams and fresh-cut cedar rendered into sound? A squealing upsurge of harmonics the colour of the aurora, designed to grasp and pull the ovaries of bawling elk-virgins?

Whatever it was, whale-squeal or loon-shiver, his primal music made my hair stand on end. When Mr. Elk casually sauntered across the highway, stopping once to bugle again, we were rapt, rooted, transfixed, and swearing a blue streak because we hadn't bothered to bring the camera to dinner. (Nothing good would ever happen on this trip, would it?) So, no video, no majestic stills, nothing. This would have to be the one that got away.

How does a mere ungulate (how I love the word!) produce such virtuosic woodwind arpeggios? It takes Tibetan monks 50 years to learn how to chant in overtones. And here this big ol' fur rug on hooves is doing it with no study at all. It's artless art. If Felix Mendelssohn breathed into a glass clarinet in a state of total weightlessness, it still wouldn't come close: wouldn't auger the soul in the same excruciatingly lovely way.

Wapiti

i tipa

wipitika

a tika tipa tika

wapitapi

tikatipa

wapataki

tipa

tipa

tippa

tip -

. . . ahhh.