Queen of Cheese? Theophilus the Great

 

I just tried to watch another YouTube video that GOT IT ALL WRONG. It celebrated the awful poetry of one William Topaz McGonagall, calling him the Worst Poet in History. But McG is not even close! I was going to post a comment on it and thought: ah shit, why bother? I'll do my own post on it. (They always get it wrong, don't they?) But McGonagall is certainly not alone in writing bad poetry. Even the so-called greats had their off moments.

I found a horrible Robert Frost poem in which a man pounds on his door of a snowy evening and asks if he can cut down all the lovely snow-sparkling pines on his property to sell as Christmas trees. And here Frost hums and haws over it, turns it over in his mind, thinking: well, here are the advantages in it; and hmmm, here are the disadvantages in it; and: AIIIIIEEEEEK! Cut down all your friggin' trees?? What are you thinking? I guess back then it must have seemed that there were trees enough, that they were endless, and just a crop to be managed like any other. But I was so upset at this point that I didn't even read to the end.

Discouraged, I threw away Christmas and widened my scope to include any old poetry that was sublimely bad, but it's hard to find truly awful stuff. I found articles quoting three or four weak lines in, say, Tennyson. Auden once used a bad adjective, and somebody found a pun in Shakespeare, comparing an orange to Seville (or was it servile?). Well, who gives a shit about that? I wanted bad, and I wasn't getting it.

Until.

Until I found. . . This. 

A Tragedy

Theophilus Marzials

Death!
Plop.

The barges down in the river flop.

Flop, plop.

Above, beneath.

From the slimy branches the grey drips drop,
As they scraggle black on the thin grey sky,
Where the black cloud rack-hackles drizzle and fly
To the oozy waters, that lounge and flop
On the black scrag piles, where the loose cords plop,
As the raw wind whines in the thin tree-top.

Plop, plop.

And scudding by

The boatmen call out hoy! and hey!
All is running water and sky,

And my head shrieks -- "Stop,"

And my heart shrieks -- "Die."

*          *          *          *          *
My thought is running out of my head;
My love is running out of my heart,
My soul runs after, and leaves me as dead,
For my life runs after to catch them -- and fled
They all are every one! -- and I stand, and start,
At the water that oozes up, plop and plop,
On the barges that flop
                              And dizzy me dead.
I might reel and drop.
                                                Plop.
                                                Dead.

And the shrill wind whines in the thin tree-top
                           Flop, plop.
*          *          *          *          *
A curse on him.
                            Ugh! yet I knew -- I knew --
If a woman is false can a friend be true?
It was only a lie from beginning to end --

My Devil -- My "Friend"

I had trusted the whole of my living to!

Ugh; and I knew!

Ugh!

So what do I care,

And my head is empty as air --

I can do,

I can dare,

(Plop, plop

The barges flop

Drip drop.)

I can dare! I can dare!

And let myself all run away with my head
And stop.

Drop.

Dead.

Plop, flop.

                                              Plop.

---

                                        [-- from The Gallery of Pigeons (1874) ]

As if this bounty weren't enough, I found these little notes attached to an article about him, claiming that Marzials, not McGonagall, was the worst poet in the English language:

"Theo Marzials, the last of the Victorian aesthetes, who lived on in rural retirement, addicted to beetroot and chlorodyne (morphia, chloroform and prussic acid), for two decades after the world thought him dead. In the 1870s, as a young man with long hair, flowing moustaches and a silk bow tie over his lapels, he worked at the British Museum. According to Max Beerbohm, the great Panizzi himself, founder of the round Reading Room, was one day surprised to hear a shrill voice crying from the gallery: "Am I or am I not the darling of the Reading Room?"

. . .  Marzials almost outlived danger. "On the last occasion when I happened to catch sight of him, looking into a case of stuffed birds at South Kensington Museum, he had eaten five large chocolate creams in the space of two minutes," wrote Ford in 1911. "He had a career tragic in the extreme and, as I believe, is now dead." But he wasn't. He was living in a farmhouse room in Colyton, Devon. The bed, occupied day and night, had a saucer of sliced beetroot beside it, the smell of which mingled with the fumes of chlorodyne, the smoke of an oil lamp and the steam of a stockpot perpetually simmering on the
stove."

This is disjointed as hell because I've edited 300 or so words out of it, so who knows who "Ford" is, but then again, who cares? The important thing is that I have found a truly horrendous, a harrowingly bad poet, and this opens the door to all sorts of posts about him. Or not. Depends if I can find anything else. Oh, here's one -

The Ghost of Love

by: Theophilus Marzials (1850-1920)

The wan witch at the creepy midnight hour,
When the wild moon was flying to its full,
Went huddling round a damned convent's tower,
From out the crumbling slabs or tombs to pull
Some lecherous leaf or shrieking mandrake-flower.
Beneath she heard the dead men's voices dull;
Around she felt the cold souls creep and cower;
In hand she held a grinning damned's skull!

Then through the ruin'd cloisters, strangely white,
T'wards the struck moon, all swathed in colod grave-bands,
She saw dead Love wringing his hollow hands,
And gliding grimmer than a dank tomb-light.

And with a shriek she rush'd across his path--
And now the hell-worm all her body hath!

The problem with this one is, as Zero Mostel says to Gene Wilder in The Producers: "Nah, it's too good." In fact it's neither good nor bad, and is as purple as most Victorian stuff was. But it strikes me as bargain basement Gerard Manley Hopkins, and even a pale photocopy of Hopkins has a certain power behind it.

I don't know what "colod grave-bands" are, but maybe they played gigs at the cemetary. Were they people of "colo"? We'll never know. (Could be a typo, also.) So even at being the worst, Marzials wasn't the best. Or the other way around.

MARZIALS DISH. This was all I could find about his sex life, and it came from Wikipedia so it MUST be true:

"The relationship between Marzials and fellow author Edmund Gosse is debated, with some claims that their relationship was more than platonic."

But wait, there's more. . . a truly cheesy poem!

We have seen the Queen of cheese,

Laying quietly at your ease,

Gently fanned by evening breeze --

Thy fair form no flies dare seize.

All gaily dressed soon you'll go

To the great Provincial Show,

To be admired by many a beau

In the city of Toronto.

Cows numerous as a swarm of bees --

Or as the leaves upon the trees --

It did require to make thee please,

And stand unrivalled Queen of Cheese.

May you not receive a scar as

We have heard that Mr. Harris

Intends to send you off as far as

The great World's show at Paris.

Of the youth -- beware of these --

For some of them might rudely squeeze

And bite your cheek; then songs or glees

We could not sing o' Queen of Cheese.

We'rt thou suspended from baloon,

You'd cast a shade, even at noon;

Folks would think it was the moon

About to fall and crush them soon.

James McIntyre

I don't know what to say.

Bad poetry? Oh noetry!

The Tay Bridge Disaster


Beautiful Railway Bridge of the Silv’ry Tay!
Alas! I am very sorry to say
That ninety lives have been taken away
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

’Twas about seven o’clock at night,
And the wind it blew with all its might,
And the rain came pouring down,
And the dark clouds seem’d to frown,
And the Demon of the air seem’d to say-
“I’ll blow down the Bridge of Tay.”

When the train left Edinburgh
The passengers’ hearts were light and felt no sorrow,
But Boreas blew a terrific gale,
Which made their hearts for to quail,
And many of the passengers with fear did say-
“I hope God will send us safe across the Bridge of Tay.”

But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

So the train sped on with all its might,
And Bonnie Dundee soon hove in sight,
And the passengers’ hearts felt light,
Thinking they would enjoy themselves on the New Year,
With their friends at home they lov’d most dear,
And wish them all a happy New Year.

So the train mov’d slowly along the Bridge of Tay,
Until it was about midway,
Then the central girders with a crash gave way,
And down went the train and passengers into the Tay!
The Storm Fiend did loudly bray,
Because ninety lives had been taken away,
On the last Sabbath day of 1879,
Which will be remember’d for a very long time.

As soon as the catastrophe came to be known
The alarm from mouth to mouth was blown,
And the cry rang out all o’er the town,
Good Heavens! the Tay Bridge is blown down,
And a passenger train from Edinburgh,
Which fill’d all the peoples hearts with sorrow,
And made them for to turn pale,
Because none of the passengers were sav’d to tell the tale
How the disaster happen’d on the last Sabbath day of 1879,
Which will be remember’d for a very long time.

It must have been an awful sight,
To witness in the dusky moonlight,
While the Storm Fiend did laugh, and angry did bray,
Along the Railway Bridge of the Silv’ry Tay,
Oh! ill-fated Bridge of the Silv’ry Tay,
I must now conclude my lay
By telling the world fearlessly without the least dismay,
That your central girders would not have given way,
At least many sensible men do say,
Had they been supported on each side with buttresses,
At least many sensible men confesses,
For the stronger we our houses do build,
The less chance we have of being killed.

William Topaz McGonagall (March 1825 – 29 September 1902) was a Scottish weaver, doggerel poet and actor. He won notoriety as an extremely bad poet who exhibited no recognition of, or concern for, his peers' opinions of his work.

He wrote about 200 poems, including his notorious "The Tay Bridge Disaster" and "The Famous Tay Whale", which are widely regarded as some of the worst in English literature. Groups throughout Scotland engaged him to make recitations from his work and contemporary descriptions of these performances indicate that many listeners were appreciating McGonagall's skill as a comic music hall character. Collections of his verse remain popular, with several volumes available today.

McGonagall has been acclaimed as the worst poet in British history. The chief criticisms are that he is deaf to poetic metaphor and unable to scan correctly. McGonagall's fame stems from the humorous effects these shortcomings generate in his work. The inappropriate rhythms, weak vocabulary, and ill-advised imagery combine to make his work amongst the most unintentionally amusing dramatic poetry in the English language. His work is in a long tradition of narrative ballads and verse written and published about great events and tragedies, and widely circulated among the local population as handbills. In an age before radio and television, their voice was one way of communicating important news to an avid public. (Wikipedia)

Please note. I have absolutely nothing to say about this McGonagall. Like the excruciating soprano Florence Foster Jenkins, he was good at being bad, and people liked it. I love bad poetry, but I was unable to find anything at all that pleased me tonight. It was either gross and full of fucks and sucks, which I didn't want, or trying too hard to be either good or bad. The truly bad has that effortless quality which we associate with greatness. 

I did a post ages ago, Valentine poems that were sublimely bad. But it's hard to find stuff on just that right frequency where you want to howl with bliss. 

A lot of the stuff featured on bad poetry web sites is just too good. Bad poems by the great poets have to be just a LITTLE bit good, because these are, after all, real poets. An awful lot of it is just boring, and if bad poetry equals boring poetry, there is entirely too much of it around. 

I remember the dialect poetry I got so stuck on a few years ago, but it too can wear out its welcome or even verge on the racist. The Sonnet on Stewed Prunes by William F. Kirk comes to mind:

Ay ant lak pie-plant pie so wery vell;
Ven ay skol eat ice-cream, my yaws du ache;
Ay ant much stuck on dis har yohnnie-cake
Or crackers yust so dry sum peanut shell.
And ven ay eat dried apples, ay skol svell
Until ay tenk my belt skol nearly break;
And dis har breakfast food, ay tenk, ban fake:
Yim Dumps ban boosting it, so it skol sell.
But ay tal yu, ef yu vant someteng fine,
Someteng so sveet lak wery sveetest honey,
Vith yuice dat taste about lak nice port vine,
Only it ant cost hardly any money, -
Ef yu vant someteng yust lak anyel fude,
Yu try stewed prunes. By yiminy! dey ban gude.

These poems are meant not to be read, but performed, in the fine old tradition of poets getting up and giving long windbag recitals of their work. Being an elocutionist was actually a profession then, something you made money at. McGonagall got up and performed, and so did Kirk, and that other guy, what was his name -  

You bad leetle boy, not moche you care
How busy you 're kipin' your poor gran'pere
Tryin' to stop you ev'ry day
Chasin' de hen aroun' de hay--
W'y don't you geev' dem a chance to lay?
Leetle Bateese!

Off on de fiel' you foller de plough
Den w'en you 're tire you scare the cow
Sickin' de dog till dey jomp the wall
So de milk ain't good for not'ing at all--
An' you 're only five an' a half dis fall,
Leetle Bateese!

Too sleepy for sayin' de prayer to-night?
Never min' I s'pose it 'll be all right
Say dem to-morrow--ah! dere he go!
Fas' asleep in a minute or so--
An' he 'll stay lak dat till de rooster crow,
Leetle Bateese!

William Henry Drummond, whom we "took" in school ad nauseam, the teacher actually reading these poems aloud to us in "French" dialect.

Awful.

There's always a postscript, isn't there? A couple of years ago when I wanted to find something on Drummond, there was barely anything. I couldn't even scrape together a list of his works.  Now there are entire sites of nothing but his poetry - his awful poetry - all that wretched stuff we choked down in school about "de stove-pipe hole" and all that appalling shit. Not only that - there are now dozens of YouTube videos of people reciting Drummond's awful awful poetry! I won't blight this already-too-long post with any of THAT. But it makes me realize the internet just keeps growing like a malignant fungus. And there must be an awful lot of older people like me interested in setting up poetry web sites, because surely no one under the age of 60 would be able to gag down a monstrosity  like "Leetle Bateese".

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