Festival of Bad Animation, Part Zero: Worse than Bad

More, more, we need to know MORE about Paddy the Pelican!

Incredibly, there is a Wikipedia entry for this thing, so it must have existed. One YouTube version said it was shown as part of a bad animation festival at Comic Con (a. k. a. ComiCon, Comimicoon, and Goddamn Commie Bastard). 

The Adventures of Paddy the Pelican was an animated television series that debuted in children's local stations in Chicago in 1950s. It is exceedingly rare, but has gained some fame for appearing on Jerry Beck's "Worst Cartoons Ever." On the DVD, he states that he has not found any evidence that this particular animated adaptation was aired on TV, although there is evidence that the Paddy the Pelican character began in 1950 as a local TV puppet show on Chicago's WENR-TV. Paddy's adventures were presented in comic strip drawings done by Sam Singer.This show was scheduled to appear on the ABC network in the fall of 1951; Singer had also started producing a newspaper, Paddy Pelican Junior Journal. The animated episodes currently in existence all have copyright dates of 1954.

The show is notable and infamous for its shoddy pencil-sketch artwork, reused animation, rambling and apparently improvised voiceovers, muffled and poorly synchronized soundtrack, and general low-budget problems. The only music is a few chords played on an organ, although the title card is accompanied by a man making noises apparently intended to sound like a pelican squawking.

Singer, who worked for Disney and other Hollywood animation studios, also produced a television Uncle Mistletoe local children's television show, based on the Marshall Field's character of the same name, as well as other early animated shows.

I thought Marshall Fields was a department store, and I dooooooo not like the sound of Uncle Mistletoe, who reminds me of one of Santa's evil henchmen. As usual, there is the claim that he "worked for Disney": maybe he was his bookie or something, or the go-fer. At any rate, absolutely no animation was used in the production of this cartoon.

  Visit Margaret's Amazon Author Page!

http://www.amazon.com/-/e/B001K7NGDA

Willie can Wail: Disney's all-time worst character

Ah, childhood! Was it ever as grotesque as this? Probably not, because until recently I never saw the animated version of what we used to call "Willie the Whale". We had a set of 78 rpm records telling the story, with a lot of long, boring, unnecessary narration to fill in the gaps. There was a picture of Willie dressed as Pagliacci on the cover, with a gigantic fake nose and a tutu.

It was decades later that I learned that Willie's melancholy story was actually an animated short tacked on to the end of a little-seen Disney movie called Make Mine Music. I don't know much about it, and frankly I don't feel like looking it up.

I am sorry to say this, but Willie was one of the most grotesque Disney figures of all time. You can't animate a whale, not like this anyway, with his mouth in the middle of his stomach. He looks like a foam-rubber toaster, and his inside is worse than his outside, with three gross-looking tonsils (or whatever) hanging down, indicating that he could sing tenor, baritone and bass all at the same time.

Disney did a much better whale with Pinocchio, but this one was spozed-ta be a friendly one, the reason for his loveable squashy shape. What ruined the effect was the bizarre opening in his stomach where hot air (and arias) blasted out. (And if his mouth was on his underside, how could he get a decent breath?)The story is about "a voice that sang at sea" that turns out to be Nelson Eddie pretending to be a large rectangular sea creature. Soon a demented scholar named Tetti-Tatti goes after him with a harpoon, claiming "the whale has-a swallowed a hoppera-singer!". (Though most hoppera-singers look like they've swallowed a whale.)

It's confusing to me at the end, as it's not really clear if his career singing "grand opera" (a creaky term if ever there was one) at "the Met" (which I assumed was the Metropolitan, a local department store) was all just a dream. At the conclusion there are some ferocious Melville moments, and the ending is more depressing than Old Yeller. But we get to see Willie at the end, presumably in heaven, now colored lavender with green wings and a halo. The Pearly Gates have a sign hung on them: SOLD OUT. We always suspected "our Willie" was a sellout: success spoils everybody.

http://www.amazon.com/exec/obidos/ASIN/1896300693/qid%3D1064537730/sr%3D11-1/ref%3Dsr_11_1/103-6792065-9634225

http://www.amazon.com/Mallory-Margaret-Gunning/dp/0888013116/ref=sr_1_1?s=books&ie=UTF8&qid=1319992815&sr=1-1