Showing posts with label Cold War. Show all posts
Showing posts with label Cold War. Show all posts

Thursday, September 13, 2012

This is only a test

  


(From Ask MetaFilter):

An old memory of color TV? Color on a black and white TV? What?! (1950s filter).

My dad was born in 1952. Recently, we went out to lunch. The conversation covered a variety of topics. At one point, he recalled a tale from his youth...

Essentially, this: He grew up outside of Detroit, and he positively recalls that his family owned a black and white television set. He says that periodically the television network or local broadcast partners would attempt to deploy new technologies that might transmit a color signal to a black and white set, and that these attempts would be prefaced with an on air announcement. Essentially, "We will be trying to send color to your black and white TV sets. If anyone sees color, please call us and let us know."

I find many aspects of this story super strange, and also potentially fascinating. However, parts of it also don't add up. Like... what!? Does this ring a bell to anyone? Perhaps there's a kernel of truth buried inside a story that has otherwise "grown" a little bit over time?


(From Some Science Forum Thingie)

Something happened that reminded me of this tonight, and I think I have finally made sense of something seen as a kid. For some odd reason it just hit me. When I was fairly young and living in the Los Angeles area, there was a test done one night on a local TV channel that was supposed to produce a color picture on the black and white TVs commonly in use. And I can recall seeing some color; I think mostly green. From time to time I have thought about this and wondered what it was that I saw. In fact at times I have doubted the memory as it didn't make any sense, but I can remember the event very clearly. Tonight it occurred to me what they were probably up to. I bet that they were strobing the white to produce a false color image, as is done with alternating black and white dots on a rotating wheel [I don't recall the name of the effect]. The idea is that each pixel on the screen would be strobed at the frequency required to produce the desired color for that dot. Does this make sense? I'm not sure what the strobe rate is that produces the false color effect, or if this was doable on B&W televisions, but it is the only thing that has even threatened to make any sense here. Is there any other way that one can imagine producing color on a B&W screen?


Why do I remember these things? I must have been an
embryo or something, or else very very little. The
TV both fascinated me (it was a magic box that was just about
the only thing that could pry me out of boredom) and scared
the living bejeezus out of me cuz every so often, there
would be a Test of the Emergency Broadcasting System, with
a terse-sounding announcer coming on to say, "This is
ONLY a test". There would be this Godawful official-
looking logo on that said CD, probably for Civil Defense,
then for half a minute or so there would be this BOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO
OOOOOOOOOOOOOOOOOP
sound that gave me nightmares. I would literally wake
up screaming,my head dripping with sweat. This "only a
test" stuff, routine as it was supposed to be, seemed to
escalate at certain times, which I new see coincided with
things like the Cuban Missile Crisis. My brother "played
war" all the time,which was no doubt his way of coping
with it all, but too often I was the one playing the
prisoner, further stoking my tiny paranoia.


But this, this - I really thought I had dreamed
this! My TV was always doing strange things, like
cancelling Howdy Doody, flipping like crazy, or refusing
to broadcast anything but a tiny dot of light so
that the TV repairman had to come over and replace the
picture tube.
But this was even more bizarre. An announcer
would come on - God, how far back I must dig to
retrieve this one! Anyway, an announcer would come on,
and as he talked a picture would come on of, say,
a scene in Hawaii with palm trees swishing
around, and around the border of the shot would
be a strobing, flashing pattern. The announcer
 would say, "Do you see color on your TV?"
(I guess assuming no one had color TV at that point,
maybe because it was 1958).


I don't know if I saw color, but the flashing,
strobing patterns and the stupid meaningless
Hawaii scene scared me almost as much as the announcer,
whom I was sure was THE SAME GUY who did those
Civil Defense announcements.
Now I find these two posts from science forums
(note, one of them would not post because it turned
completely transparent on the page - heh-heh, no
ghosts here - so  attempted to re-paste it in color,, and
good luck reading it), you know the type, done by guys
with glasses held together with tape, and they're saying,
maybe it was real. But everyone has the same feeling: I
probably imagined this, it probably didn't happen.
There is even a sense of embarrassment about it: it
must've been a joke, I was fooled, I made it up! The
memory always seems to be hazy and there is a weird
feeling of unreality, even isolation.




We got all the Detroit channels, so the
mention of "outside of Detroit" (if you can read
it) seems significant. They were always doing
weird things in Detroit, like rioting and broadcasting
Poopdeck Paul and Milky the Clown. Now at least I know
I'm not completely insane to remember this.




I wonder what they proposed to do: frame
the black-and-white shows with dancing borders
of flashing color? Sounds like about as much
fun as having a migraine to me. I think maybe I did make
this up. Or maybe the memory was implanted telepathically into
several thousand brains by evil Russian scientists:


"This is only a test."
  






 

Friday, June 1, 2012

Silent screams in space

"Am I going to crash?": a lonely death in space




(From YouTube notes about Lost Cosmonaut video, posted above):

This is a supposed recording of a Soviet space flight in 1961. In it, a Russian woman can be heard complaining about the increasing temperature inside the craft before it is destroyed attempting re-entry.

This was recorded by the Judica-Cordiglia brothers in 1961. It is reportedly one of many transmissions intercepted by the two brothers that prove the existence of the lost cosmonauts.

For more info, please visit http://www.lostcosmonauts.com/default.htm




The following is a translation of what the woman is saying:

five...four...three ...two...one...one
two...three...four...five...
come in... come in... come in...
LISTEN...LISTEN! ...COME IN!
COME IN... COME IN... TALK TO ME!
TALK TO ME!... I AM HOT!... I AM HOT!
WHAT?... FORTYFIVE?... WHAT?...
FORTYFIVE?... FIFTY?...
YES...YES...YES... BREATHING...
BREATHING... OXYGEN...
OXYGEN... I AM HOT... (THIS)
ISN'T THIS DANGEROUS?... IT'S ALL...
ISN'T THIS DANGEROUS?... IT'S ALL...
YES...YES...YES... HOW IS THIS?
WHAT?... TALK TO ME!... HOW SHOULD I
TRANSMIT? YES...YES...YES...
WHAT? OUR TRANSMISSION BEGINS NOW...
FORTYONE... THIS WAY... OUR
TRANSMISSION BEGINS NOW...
FORTYONE... THIS WAY... OUR
TRANSMISSION BEGINS NOW...
FORTYONE... YES... I FEEL HOT...
I FEEL HOT... IT'S ALL... IT'S HOT...
I FEEL HOT... I FEEL HOT... I FEEL HOT...
... I CAN SEE A FLAME!... WHAT?...
I CAN SEE A FLAME!... I CAN SEE A
FLAME!...
I FEEL HOT... I FEEL HOT... THIRTYTWO...
THIRTYTWO... FORTYONE... FORTYONE

AM I GOING TO CRASH?... YES...YES... I FEEL HOT!...
I FEEL HOT!... I WILL REENTER!... I WILL REENTER...
I AM LISTENING!... I FEEL HOT!...




OK, gentle readers. So what's my take on all this? I found this eerie recording on a Top 10 List of Eerie Recordings (from a site called Top 10 Lists of. . .), and haven't been able to stop listening to it. I couldn't even get to sleep last night, it creeped me out so much.

Way leads on to way, and I found much more information about these notorious Judica Brothers, along with a million mostly-amateurish-and-absurd conspiracy-theory videos claiming the moon landing of 1969 was a complete hoax. The best of these is a clever satire (taken seriously by many, which was the whole point: to show how naive and idiotic these theories are) called Dark Side of the Moon. Watch it if you are at all interested in this subject, as it will show you how "convincing" these arguments can be (until they collapse in a heap of incoherence, or perhaps sardonic laughter).


So how valid is this claim that two young Italian guys, obviously smart and innovative, were able to pull down signals and even voices from remote space using cobbled-together, Heathkit-like amateur equipment? The documentary I watched, Space Hackers, makes a convincing case. There is no doubt that these guys were brilliant, and since two heads are better than one, they joined forces in an odd sort of fused-together, codependent manner. Suffice it to say they didn't get out much, and would have fit in nicely on The Big Bang Theory.




All this started with the commonly-heard beeps of Sputnik, the first Soviet satellite launched in 1957 (which I remember, though I was only 3 years old at the time: my brother Walt, a science junkie, dragged us all up on the roof of my father's store with a powerful telescope to try to see Sputnkik, which we didn't. Then we all went out and had a Spudnut, so that I forever confused the satellite with a doughnut hurtling through space.)



OK. . . confusing stuff, but some of it is compelling. Sputnik was just a start: the Judica brothers then supposedly picked up the heartbeat of Laika, the doomed dog the Russians shot into space. Then morse code SOS signals that read like howls of agony in the inferno. Mumblings from cosmonauts, full of suppressed panic, most of them in hopeless peril. The gasps, rapid heartbeat and what sounded like the death-rattle of another cosmonaut. And on it goes.

It's all Caught On Tape, folks, and last night, recovering from the worst migraine I've had in years, I was in an Oliver Sacks-ish state that can only be described as altered consciousness, my neural wiring sticking out all over my head and audibly sizzling.  (As a means of enlightenment, I don't recommend this, because it hurts like hell and makes you throw up). So I watched all kinds of things, including something that totally debunked the Judica brothers' recordings - or most of them - as fakes.




It's true that the female cosmonaut in the video I posted doesn't sound like she's speaking in the terse, formal military language of space - but was it in place back in 1961? And was it common to send women into space back then? Well, they sent a dog. The Americans sent a chimpanzee. Maybe she was the next logical step before they risked sending a man. (The photos, by the way, depict the official "first woman in space", Valentina Tereshkova, launched a few years later after they had got the major bugs out of the system: i.e. re-entry without hurtling back to earth in a blob of molten metal.)






The Judicas had an enigmatic, playful quality about them (but then, doesn't Howard Wolowitz with his dickies and his brisket and his Billie-Burke-ish girl friend also strike you as a bit dippy?). Nevertheless, as the brothers' notoriety grew in the Italian press, NASA invited them for a "friendly" visit to headquarters so that they could pose a few "friendly" questions.

Their answers are nowhere on the record, nor do we know of any attempts to harness their amateur brilliance in the service of spying on the Soviets.  It could be they were dismissed as chippers with a vivid imagination and a love of publicity. Maybe they were just attempting to score some chicks.


But if these guys really did even a fraction of what they claimed, it's astonishing.  At one point they were supposedly able to compress a long series of secret signals broadcast from Russia - a code no one could crack - and found that it was, in fact, a few phrases of music taken from the opera Boris Gudenov. (No relation to Boris Badenov of Rocky and His Friends. Come to think of it, that IS a weird coincidence.) Another time they were able (supposedly) to crack a band of frequency by calculating the exact length of an antenna they saw in a photograph.

Or. . . are they having us on, after all?




There are those who believe we went to the moon. There are those who believe we went there, but didn't land and come back because it was technically impossible. There are those who believe we had to fill that visual gap somehow (with footage shot by Stanley Kubrick?). There are those who debunk, and those who debunk the debunkers. It becomes very convoluted, to the point that an obvious satire like Dark Side of the Moon (a sendup of the "I want to believe" earnestness of those conspiracy nuts) is taken at face value.

In some cases, it just makes people angry. "Those people (the filmmakers) were lying to us! Henry Kissinger did NOT say those things!"  This speaks volumes about the IQ level of the average citizen. Like Brontosaurus, maybe their brains are in their butts.




So what do I think? Oh, I don't know. I watched the "moon shot" from a cottage on Lake of Bays, at Bondi Resort, a heavenly sort of place that nevertheless didn't have TVs, so we had to borrow one from somewhere. We had a wine-and-cheese party to celebrate the event, and suffice it to say I didn't pay much attention to the cheese.




My parents had allowed me to have wine with dinner since age 13, and after a gruelling Oxfam walk my Dad brought a glass up to my room containing a couple of ounces of Scotch mixed with orange juice.  But this time I was drunk, really drunk, though I was only 15 years old. My parents kept filling up my wine glass over and over again, and when they cut me off, my much-older siblings kept right on pouring until I was stupefied. They must have thought that seeing me drunk was kind of cute, like watching a monkey that had got hold of a bottle of beer.  After all that one-small-step-for-man business by Neil Armstrong (which should have been "a man," not that anyone cared), I remember lying on a hillside staring up at white-hot stars, disturbingly close, that wheeled and whirled like something out of Van Gogh.



Back then we all took this moon shot stuff at face value, of course. But one reason all these theories (most of them loony) are popping up now is that we're starting to realize how incredibly primitive the equipment was that launched these guys, got them to the moon and (even more incredibly) brought them back. The average SmartPhone has a thousand times more computer juice, a quantum leap (if you'll pardon the expression) beyond that dinosaur technology with its hair-raising risks.

Really, shouldn't all of them have blown up? Weird, isn't it. Just a coincidence? Sheer luck? Why did two Challenger missions end in flaming disaster, when the only Gemini/Apollo fatalities took place on the ground? (And just what did Gus Grissom have to hide? Jesus, I've got to get off this subject.)




Think of it now. What if those men had landed, made their historic moon walk and dramatic pronouncements, then couldn't get back? (My husband the science wiz, who seems to have inside information about some of this stuff, tells me that each astronaut was given a cyanide capsule before they launched.) I think even Walter Cronkite would have been at a loss for words.

The deeper you delve into all this shit, the crazier you feel. I am certain that NASA, not to mention the Soviets, did some spin on this stuff, maybe hid some things, minimized them or downplayed them. It's more likely the Soviets did coverups, just because of the nature of the Iron Curtain culture (which, by the way, I thought was a literal iron curtain, kind of like the Great Wall of China. Well, I was five.) There are those people who seem to think everything to do with government and/or the military is a conspiracy: it fills the endless hours while they wait for a girl friend (someone ditzy enough to tolerate all this shit). Oh, bring back the X Files, please.


Meanwhile we have this haunting, almost pleading voice, repetitious, so blurry it could mean almost anything. We hear what we want to hear. My own brother had Heathkits and telescopes and bunsen burners (which we used to melt lead, I am not kidding, I did it at age eight). It was trendy then to be an amateur scientist, a space geek. I married one, after all.

The documentary I saw was very strange because the brothers, now old men, still have all their dusty, creaking old equipment with the dials and chugging reel-to-reel tape recorders.  The men seem like relics who haven't kept up, their one encapsulated moment of fame now stowed in a museum of obsolescence.



And yet, and yet. At one point there was some film footage of their "antenna", or at least one of them. I expected a rod with a little bulb on it. You know, an antenna. But this was a massive structure that spread out to cover half the roof of their little lab. It looked like a space station up there. How had they figured that out? You couldn't get that shit from a hardware store, could you?




To hear these old men speak, which they did in Italian with subtitles, was sheer poetry. They described how the American press dismissively thought of them as "just pizza and mandolins". Einstein (whose theory of relativity was obviously a load of conspiracy-driven bullshit) would have appreciated this. Enigmatic, rumpled, otherworldly as E.T., he had that same dreamy, subversive quality, the uncanny power of men who have stared into space, reached out in childish curiosity and pulled down the stars.




(Note. This is a summer repeat of one of my, well, don't I have the right to think so?, best pieces. It isn't really summer, but this sure is a repeat. But it's my birthday, and I can do anything I want. And if *I* didn't remember it, YOU sure as shit won't.)