Showing posts with label Beatles songs. Show all posts
Showing posts with label Beatles songs. Show all posts

Thursday, January 19, 2017

"Where'd you get the gun, John?"








Rain fell on Skagit Valley. 

It fell in sweeps and it fell in drones. It fell in unending cascades of cheap Zen jewelry. It fell on the dikes. It fell on the firs. It fell on the downcast necks of the mallards. 

And it rained a fever. And it rained a silence. And it rained a sacrifice. And it rained a miracle. And it rained sorceries and saturnine eyes of the totem. 

This quote is the kind-of-a-thing that makes writers wanna give up forever. It's the feverish vision of a strange sort of man, half Byron, half Donald Duck (and half Betty Boop, probably, though we don't know where that half is stashed).

I was trying to find the whole quote, because I know it goes on and on. So I found my punky-smelling, beige-paged copy of Tom Robbins' classic Another Roadside Attraction, and began to dig. 
After getting lost in the story a few times, I gave up, but I did find this:

The afternoon sky looked like a brain. Moist Gray. Convoluted. A mad-scientist breeze probed at the brain, causing it to bob and quiver as if it were immersed in a tank of strange liquids. The Skagit Valley was the residue at the bottom of the tank. Toward dusk, the wind flagged, the big brain stiffened (mad doctor's experiment a failure), and ragged ribbons of Chinese mist unfurled in the valley. The blaring cries of. . . 





OH FOR GOD'S SAKE. Mercy. Mercy.

And it rained an omen. And it rained a poison. And it rained a pigment. And it rained a seizure.


This reminds me of nothing more than Bob Dylan's A Hard Rain's a-gonna Fall: I'll tell it and think it and speak it and breathe it/And reflect from the mountain so all souls can see it. And I'll stand on the ocean until I start sinking/But I'll know my song well before I start singing. 

Why? Why all this? If you follow this strange, incoherent blog-about-nothing, you'll know about the cedar boughs outside my office window. They are vanes, omens, semaphores. They hang in three-dimensional layers, a sweet intimate bough that sweeps on my left side, a less-visible perpendicular wodge of green that doesn't want to talk to me, and behind all that, a backdrop of bush that just goes on and on.





We live in suburbia, but at night comes the trilling and squealing of shabby-looking pack animals, the kind that search around for garbage in the night. At first I thought I was going crazy with the sound. My husband, half-deef, couldn't even hear it. It was only much later that I found out what they were.

Anyway, this isn't about that.

Rain sweeps and drones in Vancouver, a close enough cousin to Skagit Valley to pass one of those primordial DNA tests (if only by a whisker). Yes. We have this too:

Moisture gleamed on the beak of the Raven. Ancient shamans, rained from their homes in dead tree trunks, clacked their clamshell teeth in the drowned doorways of forests. Rain hissed on the Freeway. It hissed at the prows of fishing boats. It ate the old warpaths, spilled the huckleberries, ran in the ditches. Soaking. Spreading. Penetrating.


Stop!





Pitiless, endless, suicidal, the rain takes up residence for some eight months of the year. No, twelve. Let's quit lying about this so we can go on living. As in northern Alberta, where I lived for many years, it can rain just like it can snow, any old time. In the middle of a grand day. It can split the merry blue sky like a railroad spike.

I like a storm. I love a storm when I am not in it. We don't get good hail around here (hail merry!), but in Alberta, once in a while a big satchelful of temporary diamonds would be dumped on the ground, and the air would hiss with ozone. The roof would thunder and dents would appear on the hoods of cars. Then a gleaming bounty lay on the ground, sublimating in sinuous vapors. Soon it'd just be that rice-paddy mush that's left over from a violent hunderstorm.

Here it's more temperate. Just a continuous pissing down on your dreams, a Monty Python foot crushing all ambition and hope.

I just realized something. Shakespeare bombed. He said something like, "Shall I compare thee to a summer's day?", then goes on blathering about "the darling buds of May". Doesn't the idjit know when summer starts? There's a meteorologist on CTV news who knows better than that. And he's not the most celebrated writer who ever lived.





What's my point? Jesus! it's wet, and grey, and discouraging out there. I won't tell you what I've been going through with my work lately. It's the best of times, and the worst of times. Something spectacular might happen, but at the same time, it might be the end of everything.

Or, as usual, I will just be left hanging and face the same indifference, the averted face and cold shoulder, that my mother presented to me when I was born.

The opposite of love isn't hate. It's indifference.

The universe doesn't care. It's indifferent. But why do people have to be? 

And what about my mother? My mother.







If the rain comes they run and hide their heads. 
They might as well be dead. 
If the rain comes, if the rain comes. 

When the sun shines they slip into the shade 
(When the sun shines down.) 
And sip their lemonade. 
(When the sun shines down.) 
When the sun shines, when the sun shines. 

Rain, I don't mind. 
Shine, the weather's fine.

I can show you that when it starts to rain, 
(When the Rain comes down.) 
Everything's the same. 
(When the Rain comes down.) 
I can show you, I can show you. 

Rain, I don't mind. 
Shine, the weather's fine.

Can you hear me, that when it rains and shines, 
(When it Rains and shines.) 
It's just a state of mind? 
(When it Rains and shines)
Can you hear me, can you hear me? 

sdaeh rieht edih dna nur yeht semoc niar eht fI. 
(Rain) 
niaR. 
(Rain) 
enihsnuS.


Tuesday, April 8, 2014

Paperback writer (paperback writer)




Paperback writer


Paper back writer (paperback writer)

Dear Sir or Madam, will you read my book

It took me years to write, will you take a look






It's based on a novel by a man named Lear

And I need a job, so I want to be a paperback writer,

Paperback writer.





It's a dirty story of a dirty man

And his clinging wife doesn't understand.

Their son is working for the Daily Mail,







It's a steady job but he wants to be a paperback writer,

Paperback writer.







Paperback writer (paperback writer)






It's a thousand pages, give or take a few,

I'll be writing more in a week or two.

I can make it longer if you like the style,

I can change it round and I want to be a paperback writer,

Paperback writer.







If you really like it you can have the rights,

It could make a million for you overnight.

If you must return it, you can send it here

But I need a break and I want to be a paperback writer,

Paperback writer.





Paperback writer (paperback writer)

Paperback writer - paperback writer

Paperback writer - paperback writer



Tuesday, September 17, 2013

A sexually-transmitted, terminal condition







A few weeks ago I announced, giddily, like a bride-to-be announcing her engagement, the acceptance of my third novel The Glass Character by Thistledown Press. The elation lasted maybe five seconds. Like the song says, “I’ve seen that road before”.

Those who haven’t done it don’t realize. Writing the book is about 15%. There was great joy in writing this one because it’s centred around a subject I came to love – Harold Lloyd, one of the master comedians of the silent screen - but that’s just the trouble. Being too close to a subject can get in the way. 

I haven’t done a really close reading of this thing for some time. When I re-entered it for the sake of editing, which will be a long and winding process, I honestly wondered who wrote it. That person does not exist any more, but if that weren’t true I might be worried.  I know am not the person I was in 2008.

This isn’t good news or bad news, but it’s news nonetheless. In five years I’ve moved house psychologically, and in doing so I have had to leave many things behind. The shell is outgrown and constricting; the lobster must shed it and grow a new one or be crushed to death, not by outer forces but internal ones. 






One of my favourite quotes is the Bob Dylan philosophy-in-a-nutshell: “He not busy being born is busy dying”. I have known people who, for whatever reason, have chosen not to push back on the forces that try to flatten them, the forces that bear down on all of us whether we know it or not. They surrender, but not in the sense of letting that mysterious grace we can never understand work its magic.

The result is either stagnation or martyrdom or sour carping or just giving up. Their world gets smaller and smaller, and dealing with them is exhausting. A kind of blindness sets in, and a “them, them, them” mentality which abdicates responsibility for anything. I’d rather walk through the minefield, myself, though more than once I’ve come close to being blown up.

Anyway, enough about all that, I’ve re-entered Haroldland, and this time it is very different. I see things I want to fix or change on every page. And I have not yet really looked at my editor’s notes, which I know will be another round, or rounds. Will it come out perfect? It can't.  I hope it will glow more, have fewer contradictions or inconsistencies and a surer voice.  And I hope readers will be willing to come along with me.






The road isn’t just long and winding. There are switchbacks that make you think, “Why must I go through this again?” New Agers might say “life presents us with the same lesson over and over again until we learn it. Then we can move on.” Like a lot of ready-made, freeze-dried philosophies which have never been tested, this one is somewhat lacking.

Life is a sexually-transmitted, terminal condition with certain inescapable rules. Or truths. The culture has it all wrong, as far as I am concerned. It demands “triumph”, “victory”, a once-and-for-all conquest of all adversity, especially things like illness (and, God help us, mental illness, which is still seen as an embarrassment, a moral failing and a horror). If you don’t conquer whatever-it-is, if it doesn’t stay conquered, then there must be something wrong with you.

Few things are conquered, because life is ambiguous, complex, a chronic condition. It’s just something you have to live with (like the pompous assholes who always insist, “Oh, I’VE never had that problem. I’m just so sorry for you that you don’t have the strength to deal with it.”) If life-threatening challenges do return, everyone looks away, embarrassed for you, convinced you just don’t have your shit together or this never would have happened.






Aside from family, the fountainhead of my life, writing has been the consistent theme, and while some of my early efforts make me wince to think about, I am still glad I did them, glad I put it out there. The alternative is to let your dream die, and dead things begin to decompose after a while, to blight the soul, to stink.  To put it out there is still sometimes harrowing, but necessary, and because this life is made up of switchbacks and great hills that prevent us from seeing past the horizon, we can’t determine the results. Achieving goals doesn’t make people happy in a lot of cases; they either want more, whatever that is, or become convinced the world owes them a kind of adulation.

I have always been convinced The Long and Winding Road is a spiritual. I love this original version, which sounds pared-down compared to the sudsy Phil Spector wall-of-sound version that appeared on the Let It Be album. Paul sounds best on his intimate acoustic songs like Blackbird and Mother Nature’s Son. (The exception is the hair-raising Helter Skelter, the song that inspired Charles Manson’s act of carnage: strange that the Beatles’ most violent, harrowing song was written and performed by choir-boy-faced Paul.)






Many times I’ve been alone, and many times I’ve cried. Anyway, you’ll never know the many ways I’ve tried. Those annoying little Facebook homily-cards or whatever they’re called always say things like, “It doesn’t matter how many mistakes you make, so long as you keep getting up and trying again.” And so on. The only problem is, we live in a culture that DOES keep track of mistakes and often punishes people far beyond the extent of their missteps. We’re told to make lots and lots of mistakes, because that’s the only way we’ll learn.  But t
here's only one problem. Our careers or marriages or friendships or families can be brought down by only one serious, central mistake. 

I’ve written about this before because with few exceptions, nobody ever says it. It isn't popular and is seen as "negative" and somehow party-pooping. “Make lots and lots of mistakes” means – what? Take somebody’s pencil? How about having an affair with your boss, being caught taking office equipment, slapping your kid (just once, ever!), saying something really embarrassing while tipsy at a party, forgetting your seatbelt, forgetting your child's seatbelt,  texting while driving, texting while WALKING, looking at porn "just once" on your computer at work, sexting “just a little” with a co-worker and being caught in the act. . . 


I could go on. 




These are mistakes, are they not? Serious, full-bodied mistakes, but  things that people do every day. Should you welcome and even embrace these “because it’s the only way you learn”? Is losing your job or your marriage or even your child worth it?  
 "Oh, but we don't mean THAT kind of mistake," some might say. Only "honest" ones.  But the most serious mistakes aren't honest.  And even forgetting a deadline or losing a file can mean the end of your career. It can, and it sometimes does. The workplace is no longer a very generous or hospitable place, and it isn't only the security cameras that are watching you.

As usual, this piece is long and pretty winding. So what’s the conclusion?  Should we stay frozen in one place to avoid mistakes? I'm going to squeeze out one more homily here: "One must look, but one must also leap".  It's a two-part process.  Even the original, less-daring version, "Look before you leap," still assumes the leap will take place. And the "look" part means using your brain and not trying to do something that’s just goddamned foolish. 

I still find it hard to put my work out there, and I still do it, or I wouldn’t be sitting her clacking away every morning. Who reads it is, to paraphrase my favourite e. e. cummings quote, “none of my immortal business”. When you have a story to tell, you’d like to think someone will some day hear it. To that end, but also due to sheer fascination with the process, I have to stay on the serpentine path, bloodhound-like, often with only my nose to tell me what’s hidden in the brambles.









http://margaretgunnng.blogspot.ca/2013/04/the-glass-character-synopsis.html

http://members.shaw.ca/margaret_gunning/betterthanlife.htm