Showing posts with label 20th century poetry. Show all posts
Showing posts with label 20th century poetry. Show all posts

Friday, April 4, 2014

Daddy oh Daddy, oh




You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.


 

Daddy, I have had to kill you.
You died before I had time--
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal


 
And a head in the freakish Atlantic
Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.
 



In the German tongue, in the Polish town
Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend
 
Says there are a dozen or two.
So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.



 
It stuck in a barb wire snare.
Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene



 
An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.





 
The snows of the Tyrol, the clear beer of Vienna
Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.
 



I have always been scared of you,
With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You--





 
Not God but a swastika
So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.



 
You stand at the blackboard, daddy,
In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who
 
Bit my pretty red heart in two.
I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.



 
But they pulled me out of the sack,
And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look
 
And a love of the rack and the screw.
And I said I do, I do.




So daddy, I'm finally through.
The black telephone's off at the root,
The voices just can't worm through.



 
If I've killed one man, I've killed two--
The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.


 
There's a stake in your fat black heart
And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I'm through.



Wednesday, June 26, 2013

As I went out one morning (with a nod to W. H. Auden)






(Author's note. I'll be damned if I remember writing this, but it has to be mine because I can't find it anywhere else. As I Walked Out One Evening by W. H. Auden is perhaps my favorite poem, so maybe it got the juices flowing. In any case, I must have borrowed some imagery here and there. Auden I'm not, but we must wade in.)






As I went out one morning

Walking the primal road

My shoulders were bent over

With an invisible load.







And down by the creek where the salmon

Sing all day in the spring

I heard a man with holes in his clothes

Say, “Love has no ending.”





I wondered at his heresy

He wasn’t supposed to speak

Of things he did not understand

And shouldn’t even seek.







“I love you, Lord, I love you,”

the ragged man proclaimed,

although his face was badly scarred

and his body bent and maimed.





The man was clearly crazy

For as he spoke his rhyme,

The salmon danced in the shallow stream

In fish-determined time.





I didn’t try to love him

But I loved him just the same

For he broke the diver’s quivering bow

And called his God by name.







“Oh tell me, man, oh tell me,”

I cried in my anguished state,

“What is the secret of the world?

Where is the end of hate?”





And all at once his face had changed

To an evil, ugly mask

His body had become the hate

About which I had asked.







“How stamp this mask into the mud,

How keep despair at bay?”

“You can’t,” he told me, grinning,

“But my God can point the way.”




“How dare you speak of God, you wretch,

When God’s abandoned you?

How dare you use the Holy Name?

He doesn’t want you to!






Your life’s just spent surviving

With the sidewalk as your bed

And taking poisons in your veins

And scrambling to be fed.”





The man just stood in leaves and mulch

While the salmon sang and spawned:

“Just see the other side of me

And tell me I am wrong.”





Another face appeared just then

A face all beaming bright

Its eyes were streaming like the sun

With pure mysterious light






“You blinded fool, you stand before

A drop of mist made rain

An eye that Paradise looks through

That holds both joy and pain.”





“I cannot understand you, for

You play such games with me!

How can you masquerade as God

And tell me how to see?”






“No one knows how Life began,

From Nothing came our birth.

A stir of seething molecules

Sparked all the life on earth.”





“Don’t tell me, wretch, you are the one

Who made this world come true!

Imposter, get out of my road,

I cannot look at you.”






“Just so,” the man said, streaming light,

“For no one knows the why.


But you will be forever changed


By looking through my eye.”