Showing posts with label dead monk in the middle of the road. Show all posts
Showing posts with label dead monk in the middle of the road. Show all posts

Friday, May 2, 2014

Dead Monk in the Middle of the Road, Volume 2: A Clockwork Monk





The Smithsonian Institution has in its collection a clockwork monk, about 15 in (380 mm) high, possibly dating as early as 1560. The monk is driven by a key-wound spring and walks the path of a square, striking his chest with his right arm, while raising and lowering a small wooden cross and rosary in his left hand, turning and nodding his head, rolling his eyes, and mouthing silent obsequies. From time to time, he brings the cross to his lips and kisses it. It is believed that the monk was manufactured by Juanelo Turriano, mechanician to the Holy Roman Emperor Charles V (Wikipedia).





But it gets worse.




This might just be the world's oldest surviving windup toy. It's the only existing footage of it, not just grainy but downright pixilated, adding to its creepy charm. Divested of his vestments, he looks even worse, as if that's possible. He's shaped like he's wearing a dress (making him the world's only transvestite medieval automaton monk). You can see something like feet going up and down at the front. Though his movements are described as "lifelike", they aren't. His jaw jerks closed, his hands seem spring-loaded, and perhaps are.





I wish I hadn't seen this, but there is no taking it back now, as it is burned into my memory. This would be a good subject for demonic possession, like Stephen King's old car (or was that My Mother the Car? I always mix those up.) I would imagine Mr. Medieval Monk would be noisy, with a grinding of ancient clockwork gears. As if he needed any more creepiture.






Maybe it's just me, but there's something kind of fetish-y about all those chains working back and forth, the snapping levers moving the hideously jointed arms. Somebody had to sit down and really figure this out. It must have blown medieval minds to see this, something that was not alive moving around as if it was.






The design kind of fell down here, but the feet were hidden under the robe, after all, so maybe it didn't look quite so much like someone was sitting in a wheelchair propelling themselves along. And note how the left foot takes two steps rather than one. . . This gif may be incomplete, since it's only a few seconds long (damn you, Gifsforum!), but that sure is an odd gait. Maybe he was meant to be mounted on a medieval skateboard.





For some reason this creeps me out worse than all the rest put together. It reveals how the automaton monk gets around. He's on wheels, obviously, and not surprisingly, and can swivel around as if on skates, but what kills me is that thing in back: IT'S A PIZZA CUTTER! What else could it be? This guy must have been nothing more than an elaborate tool for slicing up Charles V's pepperoni, bacon and mushroom Little Caesar's Tuesday Night Combo Special. Think how many times he must have gone back and forth! I wouldn't be surprised if he keeled over, his grinding feet kicking helplessly in the air, while Charlie scarfed down his hot buffalo wings chased with a gallon of Coke


P. S.: a little bit more about Charles V:





Heritage and early life

Charles was born as the eldest son of Philip the Handsome and Joanna the Mad in the Flemish city of Ghent in 1500. The culture and courtly life of the Burgundian Low Countries were an important influence in his early life. He was tutored by William de Croÿ (who would later become his first prime minister), and also by Adrian of Utrecht (later Pope Adrian VI). It is said that Charles spoke several vernacular languages: he was fluent in German, French, and Flemish, later adding an acceptable Spanish which was required by the Castilian Cortes Generales as a condition for becoming King of Castile. A witticism sometimes attributed to Charles is: "I speak Spanish to God, Italian to women, French to men and German to my horse." But this quote has many variants and is often attributed instead to Frederick the Great.

(And as with most of these medieval royals, he was his own grandpa, being a direct descendent of Gorgo the Crosseyed, who married himself in 1236. And get a load of this Hapsburg lip:)




Do take into account the fact that these portraits were generally flattering. Oh dear.
 
 
 
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Tuesday, January 22, 2013

Dead monk in the middle of the road: the ultimate automaton



From Wikipedia, under the entry of Automata:

In 1562, the heir to the throne of Spain sustained a serious head wound that caused him fever and blindness. His father, the king, thought all was lost, until the heir was reportedly cured by the miraculous corpse of a Spanish monk that had been dead for 100 years.In his desperation, the king had allowed the monk's mummified body to be placed in bed with his sick son and he was so thankful when this dubious medical treatment actually worked that he commissioned a moving replica of the dead monk.


You see? You see how wrong I was about automatons (or automata, if you want to get technical about it - just don't say automaTRON, as too many people on YouTube videos did - collectors!!). I thought they were a Victorian invention, maybe because of that scene in A Christmas Carol where Tiny Tim is staring into the store window as they take away the wooden boat he covets. But soon he is beaming again with his crooked English teeth, because of the jouncing clown that leers and laughs at him, which I just ASSUMED was an automaton.






Which maybe it was, but it was a pretty shitty one. If this monk-on-wheels (currently moldering away in the Smithsonian) is indeed dated back to 1562, there's more going on here than I thought. For one thing, I must have seriously underestimated human technology. (BTW, there's no sound on this video, probably to disguise the creaks, groans, whirrs and thuds these creepy homunculi produce).

I can't begin to figure out how these things move, and when I see the inner workings of them they look like giant pocket watches ticking away. I don't see how else they could have stayed in motion, though, like a pocket watch, I assume they would have to be wound at intervals.







My readings about automata are fascinating, if pretty strange. The medieval monk-y business is nothing compared to this far-fetched Biblical tale of automatiana:

According to Jewish legend, Solomon used his wisdom to design a throne with mechanical animals which hailed him as king when he ascended it; upon sitting down an eagle would place a crown upon his head, and a dove would bring him a Torah scroll. It's also said that when King Solomon stepped upon the throne, a mechanism was set in motion. As soon as he stepped upon the first step, a golden ox and a golden lion each stretched out one foot to support him and help him rise to the next step. On each side, the animals helped the King up until he was comfortably seated upon the throne.





I don't see how this could have happened, unless a time-traveller (perhaps Dr. Sheldon Cooper of The Big Bang Theory) went back and built the thing for Solomon. I also wonder about that "legend" bit: legend usually means "something that maybe sort of should be true because we want it to be, but probably isn't". 

But this one takes the cake, and I am sure was written as a form of satire, perhaps to take a swipe at people's wide-eyed awe when watching these things. I can imagine them exclaiming about how lifelike they were, even if they were about as animated as that monk's mummified corpse.







In ancient China, a curious account of automata is found in the Lie Zi text, written in the 3rd century BC. Within it there is a description of a much earlier encounter between King Mu of Zhou (1023-957 BC) and a mechanical engineer known as Yan Shi, an 'artificer'. The latter proudly presented the king with a life-size, human-shaped figure of his mechanical handiwork (Wade-Giles spelling):


The king stared at the figure in astonishment. It walked with rapid strides, moving its head up and down, so that anyone would have taken it for a live human being. The artificer touched its chin, and it began singing, perfectly in tune. He touched its hand, and it began posturing, keeping perfect time...As the performance was drawing to an end, the robot winked its eye and made advances to the ladies in attendance, whereupon the king became incensed and would have had Yen Shih [Yan Shi] executed on the spot had not the latter, in mortal fear, instantly taken the robot to pieces to let him see what it really was. And, indeed, it turned out to be only a construction of leather, wood, glue and lacquer, variously coloured white, black, red and blue. Examining it closely, the king found all the internal organs complete—liver, gall, heart, lungs, spleen, kidneys, stomach and intestines; and over these again, muscles, bones and limbs with their joints, skin, teeth and hair, all of them artificial...The king tried the effect of taking away the heart, and found that the mouth could no longer speak; he took away the liver and the eyes could no longer see; he took away the kidneys and the legs lost their power of locomotion. The king was delighted.

Could Walking Baby Alive have done any better? 






(I've barely looked at this site, but it looks promising, though I have no idea what it has to do with Johnny Depp. Except that maybe he's an automaton.)