Showing posts with label George S. Kaufman. Show all posts
Showing posts with label George S. Kaufman. Show all posts

Tuesday, February 12, 2013

Signifying. . . nothing?




Medical stuff is a poor topic, I know, but lately I’ve become  preoccupied with it. And this in spite of the fact that I hate seeing doctors and very rarely feel that I am being listened to or taken seriously.

I’m in that grinder of tests that everyone is fed into when there are any sort of symptoms at all.  So far I’ve been safely spat out the other side, given the all-clear. I WANT this to be over with and I WANT to feel entirely OK.

And I don’t.

I won’t recount what the “symptoms” are (and how I hate that word, as it implies “this person must really be sick”, when the “issue” is finding out if I am even sick at all.). They’re boring, “signifying nothing”, as Hamlet used to say on one of his bad days. But whatever they are, or aren’t, they won’t go away, not yet anyway, though I know they will be gone tomorrow morning and never be back.

I can’t go in. That’s what I told my husband today. I just can’t. The thought of “going in” stirred up an ice-storm of panic that sucked me up into some sort of whirling white vortex, and all I wanted to do was get OUT. I haven’t called and I haven’t made an appointment because I know there is nothing wrong with me, so there is no point.




Then how to ignore the swirling forces of “whatever” that I can’t seem to get away from? It’s probably nothing. I’m not bleeding to death, hey! I can walk. Sometimes I find it hard to walk fast however and don’t want to, or have to sit down.

I never get sick, and if I do they throw me out anyway. I am never listened to. This is one of these dysphoric, self-annihilating realizations that jams my face down in the mud of mortality. Have I had a good life? Have I felt wanted? And just what have I contributed, anyway?

It could have been worse, I suppose, could have ended me in my mid-30s, though I jumped clear just in time before the locomotive ran me over. But in the midst of the high of turning 50, at the very peak of my happiness and productivity, it happened again. This one was truly wicked and seemed to indicate demonic forces that I could barely grapple with. At the same time, I completely lost my faith.





I understand self-destruction, too well, but I refuse to do it. I’ve been pared down pretty far in the past few years, though you’d never know it to look at me (for I’ve gained at least blblblblt lbs.) I cling to the tattered remnants of my ambition, realizing that the playwright Clifford Odets was so so right when he said, “Success is the jinni (genie: playwrights can't spell) that kills.”

Another playwright from the same era, George S. Kaufman (whose wife Beatrice was BFF with Oscar Levant) said, “What makes you, unmakes you.” If you understand this at all, then you are already unmade.

But aren’t we ALL unmade in the end, like some great tumbled tangled psychic bed? Trees fall and rot, and so do we, though the medical profession tries very hard to beat back the flames (sorry for the mixed metaphor). I wonder why we scramble so hard to stay alive for as long as we possibly can.  Don’t we all end up in pretty much the same place?





I know that sounds bleak, and I would gladly give an arm and a leg and both kidneys to anyone in my very small, very close, very dear circle of family. I wouldn’t even have to think about it. But I just can’t see it in general. As Charlie Brown once said (speaking of great playwrights of the 1920s), “I love mankind. It’s people I can’t stand.”

I’ve missed the comrades who’ve fallen, and there have been too many of them: wise Gerry the benevolent patriarch, quickly consumed by cancer; beloved Peter, the best friend I ever made in two seconds, who seemed to be gone in another two; Glen the journalist/poet who fled from the psych ward and committed suicide; Ken the devoted cynic and constant presence in my church choir, who literally dropped dead in his tracks. Then – weirdly – Kathleen, who never should have died at all, who cannot be dead because it just isn’t possible.

There’s another one or two in there, and I can’t remember who they were. Now this is weird. I thought there were six, at least. How could I forget a whole person?




I just recently started nosing around in the work of Dylan Thomas again, remembering that he sometimes wrote “shape poems” (concrete poems that took the actual shape of objects or whatever-the-hell. Childish, really.) All I could find in his poetic imagery was mortality, and more mortality, rot and death, mixed in with some pretty ghastly sexual images. The guy ended at 39, self-ended I mean, awash in alcohol: the innocent baby-bird look of his youth had grown puffy, slur-eyed, deathward, with a large bulb for a nose. A tragic or pathetic or even disgusting clown. Poets seem to off themselves early, one way or another, hating life, seeing through it, or hating themselves. Robert Frost was one of the few who escaped that fate, though I remember reading somewhere that his son committed suicide.

So what does all this have to do with not wanting to call the fucking doctor?





I know I will call eventually, or maybe I will not, because nothing’s wrong anyway. I’m just all caught up in this stuff and have to get away from it. I am now in my 60th year, for fuck’s sake, and though I don’t feel old, time has whipped by in such a blur that it shocks me sometimes. I was sitting in a restaurant across from my son at my birthday dinner last night, and thought to myself: he looks almost middle-aged. His hair is thinning and he has lines around his eyes and mouth. He looks great, is very buff, bulky with muscle as he never was in his boyhood when he generally got sand kicked in his face. He’s a superb athlete who has a good chance of reaching 90 because his habits are so much better than mine. But still. A receding hairline? I remember the night I gave birth to him.





And here are these two Nordic-looking blonde grandgirls who surely must have inherited their startlingly blue eyes and cornsilk hair from my side of the family, though several generations removed: I just helped push the blonde genes along. I noticed Erica’s hands as she did a magic trick with crayons, and I was shocked to note that they look like her father’s, which look like mine.




Well, you can’t bail on THAT, can you? My time with them is timeless, a complete absorption in giggly fun and a wash of unconditional love. Do I need to stay around to be the conduit for such love (for surely I am not the “source” but only the conveyor)? Or, like everyone else, will I stay because of the same primal urge to survive that has overpopulated the earth to the point of near-catastrophe?


Post-blog: Actually, I think it was Macbeth, that "signifying nothing" bit I mean.  I've always liked the Scottish play, and the "life's but a walking shadow" speech is just about the only Shakespeare I can recite by heart. I'm the life of the party, can't you tell?

Thursday, June 21, 2012

"Ah, desert night": the world's dirtiest diary, Part II



Amazing what you can ferret out if you just keep trying. Turns out those lost excerpts from Mary Astor's infamous diary weren't in David Niven's books - any of them. There was mention of Mary being "a very busy girl indeed", but no explicit details.

Damn.


I'm sick as shit today and can't sit in my office chair because it hurts my butt, can't kneel in front of my computer because it hurts my knees, can't sit up in bed to read because it hurts everything, and am too bored and uncomfortable to sleep. So I went on sniffing the ground like a jowly old bloodhound for answers.


As it turned out, what I was looking for was right under my nose. The bookcase in my office is mainly for show, with nice-looking but basically boring hardcovers that were a mistake to purchase. But in with all this bumph (perhaps buried by guilt) was THE BOOK: Hollywood Babylon (which I only bought to research a paper on Cecil B. deMille, I swear!).




OK, so Mary's little diary isn't nearly as salacious as the things we see today, but by the standards of the 1930s it's pretty hot. It even drops the f-bomb a couple of times, so be warned, if that sort of thing bothers you. Her unlikely liaison with the married playwright George S. Kaufman, who looked a bit like Kramer in hornrims, generated all sorts of sparks and steam. The story continues. . .


"One morning about 4 we had a sandwich at Reuben's, and it was just getting daylight, so we drove through the park in an open cab, and the birds started singing , and it was a cool and dewy day and it was pretty heavenly to pet and French. . . right out in the open. . .

Was any woman ever happier? It seems that George is just hard all the time. . . I don't see how he does it, he is perfect."






Such "perfection" had to be carefully hidden from her husband. But there were ways.

"Monday I went to the Beverly Wiltshire and was able to see George alone for the first time. He greeted me in pajamas, and we flew into each other's arms. He was rampant in an instant, and in a few moments it was just like old times. . . he tore out of his pajamas and I never was undressed by anyone so fast in all my life. . .



Later we went to Vendome for lunch, to a stationer's shop. . . then back to the hotel. It was raining and lovely. It was wonderful to fuck the entire sweet afternoon away. . . I left about 6 o'clock. . .

Sat around in the sun all day - lunch in the pool with Moss (presumably, playwright Moss Hart) and George and the Rogers - dinner at the Dunes  - a drink in the moonlight WITHOUT Moss and Rogers. Ah, desert night - with George's body plunging into mine, naked under the stars!

(Uh, OK. Sooner or later the starlit idyll ended: the jig was up and Mary's husband threw a fit, demanding she give up George immediately. But Mary was not quite ready to surrender her sweet desert nights beside the pool.)




"For the sake of peace and respite from all this emotionalism, I told him I would do nothing at the present. My main reason for saying that is, quite honestly, I want to be able to see George for the rest of his stay here without being all upset - looking like hell. I want to have the last few times of completely enjoying him."




Completely enjoy him she did, like prime rib or a fine piece of sirloin. Why she chose such a complete doofus still remains a mystery, especially in light of the rumors that he and his wife lived chastely separate lives.

I like the chick-a-boom at the end of this story.

"Kaufman had taken a powder during the courtroom proceedings: he sat them out in New York with Hart. He dodged queries concerning the case, but once, when cornered by reporters at the stage door of the Music Box, he allowed:

"You may say I did not keep a diary."





Go Ask Mary: the world's dirtiest diary




I don't what this is, must be flu or something, but it is evil.



I hardly ever get sick, and only got really sick on the plane home from San Francisco as it began to land (which takes about 35 minutes or so, during which someone took a drill-bit to each ear and cranked). None of the "methods" to clear my head worked, and I was in excruciating pain, like an icy wind whistling against your face when you have a bad tooth. When we landed, it did not go away, my ears never did "pop", and the next day, Oh Gawd.




I'm having trouble typing this and making about 150 errors per line, but I need some sort of distraction from this rotting feeling in the bones. So I will obsess about something else, something completely unrelated: Mary Astor's Diary.




You've heard about this? No? The first time I heard about it, I swear it was in one of David Niven's memoirs. He wrote three of them, and I have two  and I cannot find the reference to this ANYWHERE. I was sure it was in the first one, The Moon's a Balloon, then even more sure it was in the second one (which I ordered used from Amazon for one cent, smelling like a rotten pumpkin with the glue all cracked). Nothing! Then why did I remember specific lines like:


Mary Astor , a glamorous star from the 1940s, "looked like a beautiful and highly shockable nun," but "by her own admission she was at her best in bed". The book then quotes the diary she kept of her steamy affair with playwright George S. Kaufman, one of the Gonkers I wrote about in my post about Dorothy Parker and Robert Benchley (which see):





This diary created some sort of hoo-ha in the '40s, I think over a child custody case with her husband. (Need I say both she and George were married, but not to each other?) But do you think I can find it? Do you think I can quote that salacious material (now considered bogus, but wouldn't any lawyer say that?) which graced the pages of one of Niven's not-very-salacious books?

He wrote a third book that's described as a novel, and I'm so obsessed by this topic now that I spent another cent (yes, you CAN get books for one cent from Amazon, though no one believes me) to get a copy. If it's not in there, then I don't know how I could have remembered such specific things.  I can still find bits of the dirty diary here and there, but not the really good parts.  I had a book somewhere called Hollywood Babylon, but can't find it either. Perhaps during my last book-purge for painting, I chucked it out, ashamed of the sleazy peep-show side of me that makes my life worth living.




Maybe I missed it in the first two memoirs. I don't know. I  flipped through each book, skimmed every page. Most of the first book, The Moon's a Balloon, a huge bestseller, is mostly a dull account of his military service during World War II. It's sanitized, not mentioning his second wife's alcoholism or the fact that their courtship lasted six weeks, not ten days.

Maybe it's being sick and this bone-rotting ache and the sneezing and horrible hacking cough - I cannot believe how red the back of my throat is - but I feel like I HAVE to track down this third Niven book . Fiction or not, it may well expand on my knowledge, like George S. Kaufman expanding on (in?) the highly-shockable Mary.



(Note. This is the only excerpt I have been able to find, but I KNOW it is not complete. I won't tell you the other parts unless and until I can find that David Niven book. This is from Hollywood Babbling On or something like that. Except for that one f-bomb, it strikes me as pretty mild by today's standards.)

Mary Astor's Diary: 1936

"His first initial is G, and I fell like a ton of bricks. I met him Friday. Saturday he called for me at the Ambassador and we went to the Casino for lunch and had a very gay time! Monday—we ducked out of the boring party. It was very hot so we got a cab and drove around the park a few times and the park was, well, the park, and he held my hand and said he’d like to kiss me but didn’t.


Tuesday night we had a dinner at ‘21’ and on the way to see Run Little Chillun he did kiss me—and I don’t think either of us remember much what the show was about. We played kneesies during the first two acts, my hand wasn’t in my own lap during the third. It’s been years since I’ve felt up a man in public, but I just got carried away.


Afterwards we had a drink someplace and then went to a little flat in 73rd Street where we could be alone, and it was all very thrilling and beautiful. Once George lays down his glasses, he is quite a different man. His powers of recuperation are amazing, and we made love all night long. It all worked perfectly, and we shared our fourth climax at dawn. I didn’t see much of anybody else the rest of the time—we saw every show in town, had grand fun together and went frequently to 73rd Street where he fucked the living daylights out of me."


Excerpts published in Kenneth Anger’s Hollywood Babylon, from the diary of actress Mary Astor, whose affair with the playwright and critic George S. Kaufman was exposed during her 1936 custody battle. She claimed the snippets leaked to the tabloids were inaccurate. We’ll never know: A judge in 1952 had it burned.





 


Dear Sir or Madam, will you read my book
    It took me years to write, will you take a look