No words for this. None are needed.
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Friday, October 31, 2014
Caitlin: you made me a grandma!
To honour an amazing day, the day I watched my first grandchild Caitlin's birth. She gave me a new life, a new self, and a reason to carry on when all seemed lost. Today she is eleven years old. We do mad scientist crafts together, baking experiments, make YouTube videos (ferociousgumby!), and have all sorts of riotous fun.
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Visit Margaret's Amazon Author Page!
Strange Apocalyptic Sounds WORLDWIDE 2013
If you want to scare the shit out of yourself, listen to these. NOBODY can explain what is going on here. Scientists are saying things like, "A glacier moved". Obviously the people involved are way freaked out.
I want to write about hearing shit, I mean the shit I hear that I don't even want to hear. My hearing is so hypersensitive it's almost a joke, and lately it seems I can hear a ladybug walking up a plant stalk somewhere on the next street (while I'm sleeping). Makes no sense. I'm even using noise-cancelling YouTube videos to deal with it.
I tried to find out something about tinnitus, which I don't think it is, but was completely intimidated when I read in Wikipedia that some forms of tinnitus can be heard from outside the person's head. In other words, they are BROADCASTING the thing. Science fails us.
Dear Sir or Madam, will you read my book
It took me years to write, will you take a look
Order The Glass Character from:
http://www.amazon.com/-/e/B001K7NGDA
Barnes & Noble
Thistledown Press
Wednesday, October 29, 2014
Fifty Shades of Chair
God, my chair, my chair!
This is a chairy tale, but a nasty one, a Grimm with a bad ending.
I hate office equipment.
I wish I could type inside my head, make the words float out on to the page or
even suspend themselves in mid-air like in Stephen Hall’s Raw Shark Texts. Instead
I’m left with typing, which is as awkward now as it was in the class I took in
high school. Imagine being a typing teacher all your life, trying to teach a
bunch of sullen kids a boring skill on the “qwerty” keyboard which was designed
when typewriters were first invented. The whole board was set up to slow
typists down, because the only way to correct errors back then was to spit on
the page, or cut the piece out with a scabbard.
So. The chair. My office chair always sucks, and I’ve been through a few of them. There is always something seriously wrong with them. For years I played musical chairs with my husband. “This thing is made of vinyl!” I’d complain in the summer, peeling my shorts-clad legs off the seat like Velcro. So I’d get his fabric-covered one for a while, the one with hard plastic arms that bored holes in my elbows. The proportions just weren’t right on this thing, so I ended up with backache and fatigue.
Not to mention eyestrain.
Let’s get into eyestrain, shall we? Being an author, I’ve had to edit
manuscripts. Back then anyway, we used a marked-up hard copy and a computer
copy and sort of fixed one using the other. So I needed some sort of stand to
hold my papers, double-wide, and still see my monitor.
God.
I hunched and squinted as
I tried to see the damn monitor, jacked up as it was to make it just visible
while I shuffled papers. I got used to
agony in my lower back, the price of my art, perhaps. The truth is, I just
didn’t know how else to do it.
“This thing is a piece of
shit!” I’d cry in the winter, as the cold plastic froze my arms to my sides. So
once again we went through the old switcheroo.
This latest chair created
more problems. I began to slide down farther and farther on my spine, at the
same time hunching forward because I couldn’t see my monitor at all. “Why do
you do that?” my husband would ask. “I need my paper stand.” “Why?” “I
might need to use it again.” “Why?”, and so on.
Another switch of chair. Finally, when my bizarre posture had actually given me medical problems, I decided I needed a Brand New Chair that would fix everything. Since we’re cheap, and since they had a nice selection at a good price, we went to Costco. Like the Three Bears, I had to sit in each one to see which of them was “just right”.
Amazingly, it was the
second one I sat in. Like a first-class airplane seat (and how the hell would I
know what THAT felt like? I’m guessing), it just cradled my body, but kept my
back straight. The arm rests were lavishly padded and curved to match the curve
of forearm and wrist and hand.
I! Loved! That! Chair! I loved it in the morning, I loved it in the
evening, I loved it –
Then I got it home.
My keyboard rests on a
tray that pulls out. Keeps the dust off n’ stuff (supposedly, but in reality my
keyboard is just as filthy as everyone else’s). Every time I pulled up to my
keyboard, the deluxe first-class arms of this thing pushed the tray back in.
But it got worse. The new
chair wouldn’t go down far enough. I almost felt like a little kid with her
feet dangling up off the floor. I could not believe this. “WHY WON’T IT GO
DOWN?” I screamed. “It’s as far down as it will go.” “This was designed for a
six-foot man.” “Why didn’t you notice that at the store?”
I didn’t notice ANYTHING at the store.
I didn’t notice ANYTHING at the store.
You don’t sit back and
lounge in an office chair. You work from it. You keyboard, you mouse,
you do stuff. You roll it forward and back. (And that’s another thing.
That big plastic mat-thingie underneath the chair just kept sliding all over
the place. The casters made dents in it
that the chair kept falling back into, and they were about a mile back
from my computer. My wrist was in agony, like a toothache. Everything
was wrong.
“So (sarcastically), do
you want another chair?”
Bastard!
He had groused and grumped
about buying a proper plastic floor mat with those little teeth in it to grip
the carpet, refusing to even consider it because it cost something like $40.
00. I kept trying to explain it to him, how the casters were cutting into the
rug. “Then pull the plastic mat back,” he said. “I’d need to do it every five
minutes.”
I like my chair, I
really do, and if I had a circular saw, one of those things with teeth all
around it, it would be no more. Right now my tray with my keyboard on it has a
shelf sitting on top if it, an old shelf left over from one of those really
tacky particle-board book cases. My monitor has one under it too, to jack it up
at least an inch to make up for the fact that the chair is too high up and
can’t be fixed.
Now I am nagging him to PLEASE let me get a proper mat so the thing won’t slither and slide all over hell’s-half-acre like Bambi on ice. He gets this squinched-up, disapproving look on his face (I can read his mind: “God, what a waste of money”), doesn’t even make eye contact with me because I know he does not understand my needs.
He complains all the time
that I spend too much time at the computer. I have this little habit of
writing. In my entire life, I have had maybe two people understand what I do,
and my husband is not one of them. He thinks I play at it. Everyone thinks
I play at it, that I pretend and delude myself that I’m “doing something”. So
how can my back hurt, I wonder? If it isn’t even “work”? And why won’t I come
out of that room and go to Costco with him to look at bulk sausages and stuff?
To all but those two
people, ANYTHING would be better than doing what I do, the waste of time. Even
having books out is futile, isn’t it? Some sort of Hemingway fantasy? (And
didn’t Hemingway end up shooting himself in the head?). Why do you need a
special chair, for God’s sake, and a plastic floor mat with little
dit-dots on it so the chair won’t buck and heave under you like a wild horse?
I threw my keyboard at
the wall once, so that the underside is secured with masking tape. I have
slammed innumerable mice, and thrown a few, which is satisfying because the
cover pops off and the battery goes flying across the room. I can’t throw a
chair, can’t lift the thing, would like to throw a husband but he is rooted seventeen
feet into the ground. Not getting it. While I sit there mousing and hurting.
Mousing and hurting.
Postlog. This is something I wrote a long time ago, for That Other Blog, Open Salon, which I didn't really know how to do. I didn't realize you had to "like" people's stuff (usually without reading it) so that they would "like" yours (usually without reading it). It got worse and worse. I didn't need junior high all over again, though it surprises me how often I have to relive it. Then someone dissed me in a high-and-mighty fashion for using a photo of Sylvia Plath without writing to her estate for permission to use it. This photo had been blogged and reblogged hundreds, if not thousands of times, but then these two women, chittidy-chattidy, yatter yatter yatter, we're in and you're not, finally drove me out. When I said I thought the photo was in the public domain, one of the bitches said, "I'm speechless." They simply could not believe what a yokel, what an uneducated idiot they had in their midst.
I set this blog up on a whim and haven't changed it much, though most blogs are sleeker and look more sophisticated. I hate sleek and sophisticated. I like simple blogs with lots of pictures, because part of me never left kindergarten. I was a lot happier then. My happiest time was when I was ten and in a special class and we ran riot and gave our teacher a breakdown. For once in my life, someone called me "smart" and even acknowledged it. It wasn't to last, for the biddies of mediocrity would ultimately close in, as they always do.
I don't even have this font any more, isn't it wild?
Dear Sir or Madam, will you read my book
Amazon
http://www.amazon.com/-/e/B001K7NGDA
Thistledown Press
Postlog. This is something I wrote a long time ago, for That Other Blog, Open Salon, which I didn't really know how to do. I didn't realize you had to "like" people's stuff (usually without reading it) so that they would "like" yours (usually without reading it). It got worse and worse. I didn't need junior high all over again, though it surprises me how often I have to relive it. Then someone dissed me in a high-and-mighty fashion for using a photo of Sylvia Plath without writing to her estate for permission to use it. This photo had been blogged and reblogged hundreds, if not thousands of times, but then these two women, chittidy-chattidy, yatter yatter yatter, we're in and you're not, finally drove me out. When I said I thought the photo was in the public domain, one of the bitches said, "I'm speechless." They simply could not believe what a yokel, what an uneducated idiot they had in their midst.
I set this blog up on a whim and haven't changed it much, though most blogs are sleeker and look more sophisticated. I hate sleek and sophisticated. I like simple blogs with lots of pictures, because part of me never left kindergarten. I was a lot happier then. My happiest time was when I was ten and in a special class and we ran riot and gave our teacher a breakdown. For once in my life, someone called me "smart" and even acknowledged it. It wasn't to last, for the biddies of mediocrity would ultimately close in, as they always do.
I don't even have this font any more, isn't it wild?
Dear Sir or Madam, will you read my book
It took me years to write, will you take a look
Order The Glass Character from:
http://www.amazon.com/-/e/B001K7NGDA
Barnes & Noble
Thistledown Press
Tuesday, October 28, 2014
Orgasmic advertising
Ahhhhhh. . . such flavour. Such an ecstasy of sensual pleasure. TV advertising was new then, and the mad men of Madison Ave. were exploring the potential of the moving image. No longer did they have to limit themselves to glossy still pictures.
Back then, it was all good. Nothing was "bad for you". Later in the decade came the ads, tinged with a little desperation, describing how "mild" the cigarettes were, how easy on the throat, even claiming that doctors recommended certain brands. Which they probably did.
I don't know what this creep is selling, but I wish he'd go away. I think it's a lead-in to an ad presented by the host of a very early TV show, perhaps from the late 1940s. TV ws remarkable then. I even found a show where two men stood in front of enormous microphones and read off of sheafs of paper.
Incomprehensible that these cops would break up a couple for innocently kissing on a bench, then hand them cancer-inducing tubes of tobacco. More socially-acceptable, I guess. Put a smile in your smoking! And note the flamboyant way everyone seems to blow out their smoke. Why?
This woman cleans her breath and guards her teeth by rubbing her finger on them. And I love that MISSING MISSING MISSING part.
Garrrrr-dollllll.
A woman facially masturbating with a cake of soap.
The Cancer Ballet. Can you hear the coughing, can you see the black lungs and congested hearts? Obviously, they couldn't.
YES THE TASTE IS GREAT: TAREYTON
Dear Sir or Madam, will you read my book
It took me years to write, will you take a look
Order The Glass Character from:
http://www.amazon.com/-/e/B001K7NGDA
Barnes & Noble
Thistledown Press
Monday, October 27, 2014
Branded!
Just stumbled on this while wasting time and not writing (my fave activity, it seems - writing is for the birds, I'm done with it anyway). It's one of the better themes of '60s TV: a mini-Western in 2 1/2 minutes. Back then, a theme/intro lasted long enough to tell a story, to let it unfold. Whoever directed this was a genius - the stark black-and-white images, one after the other - the drums, the broken sword, the stripped buttons and braid. And Chuck Connors, my God, who remembered this face, he is a GOD! It's not craggy so much as enigmatic, mojo-loaded in its sere stillness like some Easter Island statue about to be toppled. Western heroes were known for not emoting, and he's so good at it that it flips over and becomes its opposite. I did watch a few of these, but I was ten years old, for God's sake, and what did I know of exile? Since then I came to know it by name, I ate that dust over and over again and had my gold braid torn off by any number of varieties of shame. I walked in that desert and went eye-to-eye with snakes and hallucinated with Moses and searched for water in the rock. It changes you, such exile. You never find your way back. Not entirely. That's just not the way it happens.
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