Tuesday, January 28, 2014

Ovarian cancer: teal should be the only color (and other musings on social atrocity)






This is one of those days when a lot is happening: we lost Pete Seeger at the great-grandfatherly age of 94. Without Seeger there couldn't have been a Dylan, and without Dylan there couldn't have been a Springsteen, and on and on.

When this great tree fell, the tree that will gradually compost itself into soil for succeeding generations (that is, if we don't strip it bare and pave it over instead), there was no terrible grief, because he had given more even in the first 40 years of his life than most people do in a lifetime. He was a light, a real man, both gentle and fierce. I once saw a clip of him playing Beethoven's Ode to Joy on a banjo. It seemed to sum him up, somehow.





But at the same time, other rumblings are felt. As if it's an entirely new phenomenon, as if it's a disease that women are still ashamed of and expected to bear alone, ovarian cancer is just barely beginning to come out of the closet. I've written about this before, about how "pink isn't the only color", though by the relentless pompom-waving juggernaut that is the breast cancer industry, you'd never know it.

Today Facebook was full of it, warning women not to use baby powder on themselves or they'd get ovarian cancer, without explaining just how. Like wildfire, the warning was shared and shared, kind of like the one about apple cider vinegar curing heart disease. These things remind me of the forest animals in Bambi during the fire: "Run! Run!" Why is it everyone automatically drops 30 or 40 IQ points, or else reverts to ten years old, when they go on Facebook?

But I digress. Ovarian cancer isn't cool because it isn't nearly as survivable as that other, more stylish disease. It's just not in vogue, and besides, it's terrifying. Women dread it infinitely more, knowing they won't just lose a breast or their hair, but their lives. They don't talk about it, it's still hushed, silenced, and profoundly stigmatized. It's as if you've done something irreversibly wrong to your most female, womanly parts, and they have turned irretrievably toxic. 







The ovarian cancer awareness movement had to pick teal as its color, maybe because all the others were taken. But in some ways, it's oddly appropriate. Teal isn't just one color, but is a mix of green and blue, the blue darker than in turquoise. It's a tiny bit exotic, a little outside the orbit. The disease isn't in the public consciousness yet, not in the way that the "other one" is. My feeling is that it's disgraceful to pound away at one form of cancer at the expense of others. In the rainbow of known diseases, in the spectrum of things we talk about and make banners about and run for and scream and cheer for, ovarian cancer isn't even in the running.  But teal is a new color, an original, slightly rebellious. I like it. I like surviving, and I like fairness, and I LOVE unfairly neglected causes getting their due at long last.





The thing I saw on Facebook today about talcum powder migrating up your vagina and poisoning your ovaries with cancer seemed absurd at first, but I've come to believe that it doesn't matter whether it makes sense or not. The warning has put the disease on the table for discussion. Let's keep it there for a while, shall we, until people stop gasping in horror and turning away.








Oh, and speaking of which, this is Mental Health Day, isn't it? I'm not sure what they call it now. (My brother, a schizophrenic, once made the memorable statement, "Support mental health or I'll kill you.") Anyway, it's the one day out of the year when we're allowed to think/talk about mental illness. Just the way it's approached bugs me - a sort of awkward "uhh, let's go in the other room and actually talk about this - now don't be ashamed, don't feel stigmatized, we're not stigmatizing you, in fact by talking about it, by starting a dialogue, we're hoping to break down the stigma that makes everyone think you're a raving maniac." 

It's sort of like that. It's still that bad smell that maybe can be dispelled using the same formula that worked for breast cancer (except it will never work, due to humanity's millenia-long dread and horror of mental illness). 
People in the news, stars like Catherine Zeta Jones, "admit" to having bipolar disorder, or even "confess" to having it, as you'd confess to a serious crime. These awkward public admissions are laden with guilt and culpability, but who notices? She's "brave" to unmask herself, to strip bare this jolting revelation: brave, that universal description for saying something it really would have been better to keep to yourself. 






When will this change? I think, when the last human being takes its last poisonous, gas-laden, toxic gasp of air before expiring. Maybe in twenty years or so. Nice to see the stigma dispelled that quickly.

OK, then - this piece has no theme to it at all except "things that bug me", so I might as well go steaming ahead. Facebook, my new Bible (blughhh) is now running all sorts of pieces on Woody Allen and "the scandal" (you know, the one he calls "What Scandal?"), in which he apparently abducted his own stepdaughter and married her, molesting his 7-year-old other stepdaughter in the process.





The family, incredibly, is still bitter and angry, even hysterical about this. Ronan Farrow, Mia's oldest son, sent Woody a Father's Day card that read, "Happy Father's Day - or, in your case, Happy Brother-in-law's Day." Never mind, he was actually sired by Frank Sinatra anyway, and he's dead, so we can't go into Mafia ramifications. Myself, I am surprised at the rancor and even hate that Mia still feels for Woody. I'm not saying all should be comfy-cozy with him: he strikes me as fairly reptilian and a man who will pretty much take whatever he feels like, claiming, "The heart wants what it wants." But Mia strikes me as earth-motherish, having adopted a dozen or so disabled Third World children, a granola type who normally would preach forgiveness for everyone because, after all, "everything happens for a reason" and our enemies teach us the most valuable lessons in life. We shouldn't hate them, but thank them.

Mia is still a screaming banshee when it comes to all this stuff. I don't know what really happened in the Farrow/Allen household 20 years ago, but I do know that, against the odds, Woody and Soon-Yi Farrow are still married and have raised two daughters together. I doubt if Woody is the kind of Dad who goes to their ballet recitals, but he hasn't walked out on them either. 





That said, I still have problems with Allen. He made a searingly brilliant film last year called Blue Jasmine, with Cate Blanchett out-Blanching Blanche du Bois in a performance that made my scalp crackle. The only false note in it, and it was a real clanger that nobody even noticed or maybe didn't dare comment on, was the utter disconnect from any kind of technology beyond 1950. In order to get a decent job, Jasmine had to take "a computer course", something so generic it sounded like the courses my local library offered seniors in 1992. The classroom depicted a lot of twentyish students sitting at rectangular desks with antique-looking monitors in front of them. Jasmine supposedly didn't know anything about this - at all - though in another scene, she uses an iphone with impugnity. I don't think Allen knows what iphones are - he has no idea what Twitter is, and is only vaguely aware of blogging or YouTube. Somebody must have forced this change on him just to anchor the film in the present day. (Or maybe he thought she was improvising a mad scene by talking into her makeup case.)





What do you call this ranty rambling, then? Pete Seeger will turn to soil, or maybe not if he turns into pavement. Ovarian cancer as a "cause" will remain buried unless and until people care enough to bring it out of the closet. Mental health issues are still "admitted", "confessed", always "bravely", of course. The bravery isn't in enduring what can be an excruciating illness (but hey, not always! One can live with it in a state of grace and even joy!), but in having the guts to admit you've had something you should have been able to snap yourself out of yourself. Something that inspires primal shivers of dread and even repugnance, because it is associated with the walking dead. The jabbering homeless. Vivien Leigh, Blanche du Bois, receiving shock treatments in a "psycho ward". (And here's a connection. The deranged Jasmine babbles away to a couple of kids sitting there trying to comprehend what she's saying. She talks about "Edison's Medicine" - ECT treatments, presumably, a phrase that used to mean execution by electricity, "the chair".)

And on it goes.





It's been my experience that if you criticize or even comment on anything, people will expect you to be able to fix it. So if I could do one thing to set the world right, what would it be? Slap humanity on the side of the head and tell it to SMARTEN UP before it's too late! Or at least wake up. Great potential riches lie asleep, buried because we are afraid of them. Afraid of looking at them, but most of all, of looking at ourselves.

POST-BLOG THOUGHTS. As usual, I have some post-thoughts in this post. The little doohickey above is interesting. "Strong men can have depression TOO" - what does that imply, or perhaps scream from the rooftops? "Strong men can have depression, JUST LIKE WEAK MEN" (or wusses, or crybabies, or homosexuals, or whoever you happen to hate on a particular day). It's just inherent in the statement that "we" think depression only happens to men who are NOT strong, at least not strong emotionally. So we have to reassure everyone that YES! Even guys with big bulging muscles, even guys who have more brains in their dicks than their heads, even Mafia dons and Wall Street wild animals and other perceived power types, CAN HAVE DEPRESSION, though we still cannot figure out why - it's a puzzle, a real riddle that anyone with any earthly power at all, any perceived social worth, would ever have it! Must just be a quirk of the human condition. Or all those steroids I've been sucking down for the past 10 years.






Ducklings on a roll




The thing about finding a great site like Gifsforum is that you CAN'T STOP MAKING GIFS. I was                 bad enough before. This site has all the features I ever wanted, and every time I go on it, they add some more. Now I can compress them and change the color and the speed and lots of other things.




The "ducklings in a windstorm" video is a classic, and one of the first things I saw on YouTube. In fact, it may even predate YouTube, when I used to scrounge around the internet to try to find videos. (That, and Gay Boy Friend, still a classic and, happily, still on-line.) My favorite part of this gif is the mother duck skidding along and landing in a puddle (where, though you can't see it here, she splashes around reflexively as ducks always do in water). Before that she makes a brave attempt to herd her young ones together (ducks are really wonderful mothers, better than many humans) before they go flying off in every direction.




When you first watch this, you want to say: oh, nooooooo - they're all going to die! They roll around like little fuzzy golf balls, flipping and flapping every-which-way. But, amazingly, they right themselves easily, as if nothing had happened.




. . . And they just keep strollin' along.




Wednesday, January 22, 2014

Countdown




We went down in the basement, see. . . all us kids. . . it was a real old building. . . it was dark and the steps were so worn there were hollows in them from all those feet. . .




. . . and the teacher would say Now Boys and Girls, today we will be watching a Fillum. We were all so happy to be out of class and watching a Fillum that we didn't care what was in it. The projector made a very loud clattery noise and there was always this ring-y jingly sound in the background. It was called Bell & Howell, but my brother secretly called it Hell and Bowel. It was very dark in the basement and a bit scary, but not too bad because we had each other and could hold hands in the dark. We loved to watch the countdown at the beginning of the Fillum, it was like a rocket going off and we wanted to count, but nobody said it out loud because it was a really strict old school and you didn't say anything. But we all noticed there was never a 2 or a 1.




The Fillums were all in black and white, so no way could we be seeing colors. We didn't see colors on TV either. The Fillums were about hygiene and Arctic explorers and Getting Along with your Parents. We only saw colors at the movies and that wasn't very often. Later when we went to the newer school, there were movies we went to, the Capitol Theatre or the Centre, with a girl friend named Kim. We saw Clarence the Cross-Eyed Lion and The Trouble with Angels and Zebra in the Kitchen. We bought Mackintosh's toffee and sucked on it during the show. When people talked about each other's dreams, they always asked, "Do you dream in color?" If somebody dreamed in color, it was a very big deal.




Time goes very fast now. Very fast. Very fast. And there's no getting it back. You can't run the movie backwards any more, and if you did, I mean, if you kept on doing that, eventually you would just disappear.



All squirrelly


 


When you find a new way to make gifs, it's cause to celebrate. But what will our subject be? Rob Ford is just about crapped out.




This creature beating his knee with that strange pink cylindrical object looks even cooler with most of the color taken out. Gives it a sort of artsy look.




Can you read his furry little lips? What might he be saying, do you think?




Uhhhhhh. . . freaky.



The many faces of Rob Ford



Rob Ford, Rob Ford, our friend Rob Ford
If you didn't pull this shit, we'd soon get bored.
A drunken rant in a takeout joint?
Let's face it, he's crazy, we get the point.




Here RoFo moves at a faster pace.
The takeout customers think he's a a disgrace.
A guy in the bathroom is taking this video,
Until Ford hollers at him, "I want to get rid-e-o."




And now our boy is really shakin'
As he rants and shouts bad things in Jamaican.
Clearly this fellow is very upset;
More clearly, someone should go grab a net.






Here Rob Ford looks all artistic,
Though these gif settings don't make him any less sadistic.
He looks kind of cool though, all grainy and stuff,
Though the next day, he's gonna feel pretty rough.


Tuesday, January 21, 2014

What's the name of that - ?



And if you don't know the name of it, and it's hard to describe, and nobody else knows what the fxxk you're talking about. . .

This was a while ago, and I was going to post on it, then, mysteriously, lost interest and deleted everything I had on the subject. Then, inexplicably, my interest was piqued again.




It was those, whatchamacallits. You know what I mean. Those pictures that went back and forth. ("Back and forth?"). You know, there'd be a picture, then you turned it, and then there'd be another picture! ("Turned what?") The picture!!

When I was a kid, we all had these, these things that flashed back and forth. Some of them were religious, like the Last Supper flashing back and forth with the Crucifixion. The material wasn't paper, but a plastic-y stuff, rough with lines going both ways, kind of . . .

Try googling that.






I got nothing. I got blank stares. Nobody remembered this. I didn't know what to call them, which didn't help. But I knew they were real, I knew I had seen them and even owned them, and that everyone else did too and they just didn't remember! You could get one in the bottom of a Cracker Jack box, for God's sake. Then I just stumbled on a word that seemed to clear the fog a bit.

Lenticular.

The word could also mean cloud formations (!) and a lot of other things, but I finally found a teensy bit of material - I just squeaked it out, though YouTube videos were almost nonexistent. Why weren't there gifs of these things? Hadn't anyone collected them, the way you'd collect bubble gum cards or dryer lint or popsicle sticks?




I wish I'd kept mine from childhood, all of them, the Beatles and Fess Parker and Speedy Gonzales (whom I thought was called Speedy Guns Alice, though I wondered why he was a boy). Much more recently, I had some religious ones from the Vatican gift shop (religious gift stores abound with these things), then somehow, mysteriously, I must have thrown them away. I had a packet of stickers that were lenticular, from back when I wrote actual letters on paper and mailed them (and some of them had google-eyes, too). What happened? When did all this disappear?






I still don't have a lot of information on "those things, you know, that flash back and forth with two pictures", except some pretty far-fetched stuff on Wikipedia that says lenticular technology was invented in the 16th century by Sir Thomas More when he was fiddling around in the Tower trying not to go mad with boredom. Or something. The examples looked stupid and unlikely, more like fancy medieval ash trays.

But this one, proving the technology IS pretty old, is nice, and seems to tell the life story of a particular person.




Still and all, like the big tile display above with all the people on it, I'm not sure this is really lenticular. Unless it's going on in secret, nobody keeps these, not the old ones anyway, as if they're somehow ashamed of them, though some are making new ones in 3D that don't count at all because they're too good, not cheesy enough to suit me. For God's sake, they're not supposed to be good!

Then again. Maybe there are some really filthy ones, some private collections not available on eBay, but maybe on Smutbay or something. Involving horses, penises and unseemly acts.

This was the closest I could find to smutty, and it ain't much, but at least they didn't just throw it away.








My favorite scene from Amadeus




Everybody remembers this primal scene from Amadeus, when Salieri comes to realize that this snotty little pipsqueak he's been dealing with is the unlikely (unfair!) vessel for the Voice of God. His dotty little wife asks him, "Is it not good?" in the ultimate musical irony.

I made a gif out of the core of it, but then decided I needed to include the 3-minute clip, with the older Salieri attempting to explain his reaction to the music. The sheets sliding on to the floor is one of the most striking images in all of filmdom, and surely, seeing it again, F. Murray Abraham (now reduced to voice-overs on PBS nature shows) earned his column of plated gold.

(But what in God's name ever happened to Tom Hulce?)





Impromptu: mon amour




This was one of those Sherlock jobs, made easier for me by the internet (and how did I ever survive before? It would take months, and usually I would have to give up.) I was watching TCM, and there was a filler on about Spencer Tracy, one of my least favorite of the old-school actors. The piece was narrated by Burt Reynolds, so it was doubly cursed. But it had classical piano music in the background, and one piece snagged me. I had no idea who had written it or what it was called, though I did remember looking it up once before, years before, then forgetting all the information about it.

So which CD was it on, if any? Did it come on the radio, back when CBC Radio had anything to offer? Did I hear some pretentious concert pianist play it long ago, back when the VSO had anything to offer except middle-of-the-road, endlessly-repeated pulp? I couldn't say, and for all my poking around I couldn't find it, because it was too late to play things on YouTube with my sleeping husband in the next room.

This morning I thought I had the answer, and it was pretty quick. It was on a rather silly CD, an attempt to make the supposedly dry, dull and irrelevant world of classical music appealing to the consumer. The CD was called Mad About Romantic Piano, with a ludicrous cartoon on the front that looked like something out of the New Yorker, and I only bought it because it had some of my favorites on it. (Back then you couldn't download just the pieces you wanted, or YouTube them, because such options did not exist yet.) I started methodically sampling each track down the list, and near the end I hit pay dirt.

This version of the Schubert Impromptu No. 3, which I like, though it's a tad fast (some play it at 7:30!), is by someone called Theraud, and it was part of the sound track for a movie called Amour. I think it had something to do with Alzheimer's, so it was likely depressing. I did go and see it, whenever it came out, eons ago.




I can't describe what music does to me, because there are never any words for it - that's why we have it, and need it. One of the best verbal interpreters of classical music was a nasty old recluse who eventually cut me dead because he wanted me out of his life, period, when I had not done anything to him at all. I was supposed to ignore this when he died (so alone that his colleagues of 25 years did not even know if he had any next of kin), and sing his praises. I couldn't. He was a bitter old man, for reasons which can't be explained here, either gay or asexual, and in the end I don't believe his words or his music were of any comfort to him. Because he had left no tracks and broken no ground in his life, his memory soon disappeared.

But maybe, for all his fatal flaws, he could have explained this. Maybe not. He stayed in his little pond all his life, while people's real praise of him was withheld until after he was dead. Let us now praise the dead, in the lavish, glorious way we never chose to when they were still alive. It's the human thing to do.

POST-BLOG POST: Turns out I was wrong. Amour won the Best Foreign Language Oscar last year! The one I saw eons ago must have been a totally different film. My sense of time is so strangely distorted now. I will see some bumph about a movie I enjoyed a couple of years ago, and it will turn out it came out in 1993. I do remember, vaguely, the hype around Amour (now that I've been reminded). This theme was used a lot and probably became a "hit" briefly, like some of the pieces in Amadeus, before sinking back into the slough of perceived boredom and obsolescence that is classical music.