Showing posts with label Desolation Row. Show all posts
Showing posts with label Desolation Row. Show all posts

Wednesday, October 2, 2013

When all the joy within you dies




It's not often I find something this good on Facebook. In fact, it's not often I find anything at all. I have learned to "unfriend" boring, draining and/or toxic people, but you can't see their ugly insides, at least not until much later, when they post something so casually offensive it makes your hair stand on end.

There's a special circle in hell for people with toxic relatives. These are practiced happiness-suckers who siphon the life out of you, then ask you why you look so drawn and tired.





These are the twisters - the emotional corkscrews who have a phenomenal way of turning their abusiveness around and insisting that you abused them. How dare you accuse me of being abusive!  Obviously you're vindictive, heartless, and a liar to boot (they inform you, while you slowly bleed to death from the corkscrew stuck in your heart). 

Oh. The happiness-suckers. Schoolteachers: you couldn't get away from THEM, could you? Their shaming tactics, their favoritism (merely a weapon to make the marginalized, persecuted kids feel even worse) their petty dictatorship to make up for the complete lack of satisfaction in their lives. 





Spouses. This can be exquisite torture that goes on for decades. I've known more than one widow who could barely disguise her glee at her husband's memorial service, then immediately booked the cruise she was never allowed to take while she was oppressed by a sour old tyrant.

But the worst is. . . this.

When it's your friend. A close friend. A friend you used to share so much with, it seemed you could almost read each other's thoughts. It can't go on that way forever, can it? It can't. Worlds go by, days and nights, and at some point, one of the two begins to fade.






Something is happening, a growing joylessness, a caving-in. The desperately hoping friend (thinking, surely if I just try harder I can re-set this) just amps up her attempts to connect, scouring the internet for links to things her friend used to be interested in. But there is never a response to any of it. If they connect at all it's on the phone, and those calls are nothing like the soul-deep, stimulating discussions they used to have. They're perfunctory, and the passive friend asks all the same questions over and over again, ostensibly to display her interest but in actuality so that she never has to talk at all.

But then there are the longer emails. What are these about? People she does not know and does not care to know, the small-town small minds. Her friend frankly hates them, rants and seethes and spews bile, yet insists that she is always friendly with them and never says anything critical to them at all. Then signs off with, Thanks for listening, I feel so much better now!, the perfect hit-and-run.

The choked-off conversations become chronic, her acid criticism of everything and everyone acting like so much weed killer, destroyer of all enthusiasm.
Does she even realize what is going on? It might be like the proverbial frog in warm water, who does not notice the gradual increase in temperature until it is cooked.





Why does someone give up? Why does someone just accept their discontent and not fight against it, or not even acknowledge it or believe it's real? More to the point: why is this so draining to be around? Why is there a sense of a dusty drawer with nothing in it? 

Dead dreams are awfully inert, and posing is hollow. You can't hitch a Clydesdale to a race horse. But why does the race horse feel so bad? There is nothing more pathetic than a one-sided conversation, with one person running frantically back and forth hitting the ball from both sides of the net. It is humiliating; desperate. While the other person says nothing: not so much not caring as not even even noticing what is going on.





When you have been raised with silence and rejection as the norm (and by the way: the opposite of love isn't hate, as most people think, but indifference, just not caring one way or another), returning to it is agony. They say (and just who are "they" after all, a bunch of executioners?) that you invariably recreate the dynamics of your childhood in your adult relationships.

For years you play along, because for years you really did have a wonderful connection, but it dwindles and dwindles, and you feel a certain expectation to dwindle along with it. And you won't, because you can't. And then, when you finally do say something because you can't keep it to yourself any longer, you are subjected to disbelief (what are you talking about?), guilt, a sense of betrayal, a wounded (though perhaps never uttered) "how could you?" Or, even worse, an awful, artificial attempt to get the thing going again, inventing a sense of interest, asking after your dentist or the guy who fixes the roof. 





Life seems to kill some people, to steamroll them, but then again, some people's courage just collapses, and from then on they do life by rote. Risk nothing, gain nothing. And you realize you can't do it any more, especially not after you find out that your friend's husband casually hacked your emails and has been reading what you've been sending her. 

Friendship can be thrown into reverse, and it's an awful thing. It just hurts like hell, and of course YOU are seen as mean and selfish for claiming things are no longer satisfying. Bob Dylan said a couple of things - how is it Bob Dylan always knows how to hit it brilliantly on the head?: "He not busy being born is busy dying." And another one: "Her sin is her lifelessness."





After being destroyed in the fire of religion, I have no God left except life. But I know now that if you sin against life, there will be a cost.




Thursday, January 17, 2013

Bob Dylan: the rise and fall






They’re selling postcards of the hanging

They’re painting the passports brown

The beauty parlor is filled with sailors

The circus is in town




Here comes the blind commissioner

They’ve got him in a trance

One hand is tied to the tight-rope walker

The other is in his pants




And the riot squad they’re restless

They need somewhere to go

As Lady and I look out tonight

From Desolation Row




Cinderella, she seems so easy

“It takes one to know one,” she smiles

And puts her hands in her back pockets

Bette Davis style




And in comes Romeo, he’s moaning

“You Belong to Me I Believe”

And someone says, “You’re in the wrong place 

my friend

You better leave”




And the only sound that’s left

After the ambulances go

Is Cinderella sweeping up

On Desolation Row




Now the moon is almost hidden

The stars are beginning to hide




The fortune-telling lady

Has even taken all her things inside

All except for Cain and Abel

And the hunchback of Notre Dame

Everybody is making love

Or else expecting rain




And the Good Samaritan, he’s dressing

He’s getting ready for the show

He’s going to the carnival tonight

On Desolation Row




Now Ophelia, she’s ’neath the window

For her I feel so afraid

On her twenty-second birthday

She already is an old maid

To her, death is quite romantic

She wears an iron vest

Her profession’s her religion

Her sin is her lifelessness




And though her eyes are fixed upon

Noah’s great rainbow

She spends her time peeking

Into Desolation Row




Einstein, disguised as Robin Hood

With his memories in a trunk

Passed this way an hour ago

With his friend, a jealous monk




He looked so immaculately frightful

As he bummed a cigarette

Then he went off sniffing drainpipes

And reciting the alphabet




Now you would not think to look at him

But he was famous long ago

For playing the electric violin

On Desolation Row




Dr. Filth, he keeps his world

Inside of a leather cup

But all his sexless patients

They’re trying to blow it up

Now his nurse, some local loser

She’s in charge of the cyanide hole

And she also keeps the cards that read

“Have Mercy on His Soul”




They all play on pennywhistles

You can hear them blow

If you lean your head out far enough

From Desolation Row




Across the street they’ve nailed the curtains

They’re getting ready for the feast

The Phantom of the Opera

A perfect image of a priest




They’re spoonfeeding Casanova

To get him to feel more assured

Then they’ll kill him with self-confidence

After poisoning him with words



And the Phantom’s shouting to skinny girls

“Get Outa Here If You Don’t Know

Casanova is just being punished for going

To Desolation Row”




Now at midnight all the agents

And the superhuman crew

Come out and round up everyone

That knows more than they do




Then they bring them to the factory

Where the heart-attack machine

Is strapped across their shoulders

And then the kerosene




Is brought down from the castles

By insurance men who go

Check to see that nobody is escaping

To Desolation Row




Praise be to Nero’s Neptune

The Titanic sails at dawn

And everybody’s shouting

“Which Side Are You On?”




And Ezra Pound and T. S. Eliot

Fighting in the captain’s tower

While calypso singers laugh at them

And fishermen hold flowers




Between the windows of the sea

Where lovely mermaids flow

And nobody has to think too much

About Desolation Row




Yes, I received your letter yesterday

(About the time the doorknob broke)

When you asked how I was doing

Was that some kind of joke?




All these people that you mention

Yes, I know them, they’re quite lame

I had to rearrange their faces

And give them all another name




Right now I can’t read too good

Don’t send me no more letters, no

Not unless you mail them

From Desolation Row




Bob Dylan
Desolation Row
with some help from
Lotte Lenya:
Alabama Song
from 
The Rise and Fall of the City of Mahagonny
by Kurt Weill and Bertolt Brecht