Showing posts with label Christopher Walken. Show all posts
Showing posts with label Christopher Walken. Show all posts

Sunday, December 30, 2018

Christopher Walken Lost Cartoon - He sings! He dances!





As a neophyte Walkenite (almost), I found this animation both entertaining and mysterious. This may well be a rotoscope, a technique by which a live subject can be traced or filled in (somehow) with animation. Rotoscoped Walken? Why not. I'm finding out more about him, and it's a weird enthusiasm because I am not entirely sure I like him. There is this tough-guy shark-eyed quality there, though who knows how much of that is the actor in him. His dancing can be inspired, but it's more often loose-shanked and spread-eagled and not always very graceful. His incredible spin in Pennies from Heaven is not quite matched anywhere else, and too often he does a cornball '70s shuffle with disco arm-rotations, as in the ludicrous alien-dances in Communion.





That said, he has a seductive side, eyes that almost seem to be kohl-rimmed like Valentino's, which usually indicates uncertain sexual orientation. No one ever says this of Walken, but how can you miss the arrows of intimacy firing out of his unsettling Nordic-looking gaze? Death-rays or love-rays or something-rays seem to emanate, with the sense he could pull you in if only he wanted to.

It's said Walken works too much, and I think it's true. He does not save himself, and in fact I sometimes think he will appear in any old crap because he doesn't know what else to do with himself. The "accent" - his odd way of speaking - can just about disappear, as when he narrated a quite good piece about his idol Gene Kelly for TCM, or just sproinggg out of control like a defective door-hinge, as in when he's improvising on the creatures in his back yard - the "grahndd-hahhg", the "yewje ruc-coons", the "hum-ming-baeds" (and if you slow down Walken's speech, as I have often done, you notice an odd precision of consonants, a very clear and almost crisp punctuation which is one of the things that makes his slice-and-dice style of speech so unique).





Then again. He's not ageing very well, and looks loose and jowly, as most heavy smokers do when they age (yes, he's one of those, I'm afraid). The very young Walken looks like a freakin' girl. I mean it! He couldn't help it, I guess, but he looks like somebody's jailhouse punk with those Clara bow bee-stung lips and the big, innocent eyes. Makes you wonder about him, it really does. He has one wife, that anybody knows about, one house, never goes out (except to look at the hum-ming-baeds), makes movies and makes movies and plans to keep on making movies until he dies.

So do I like him? Do I find him shocking when I dredge up yet another clip of him blowing somebody's face off? Does it get tiresome to see him interviewed one more time with all the same questions and all the same answers, safe, safe? And playing crappy old Grandpa shit? Like has nothing to do with it. I sort of fell in. It was fascination, I know.

Je t'ai rencontré simplement
Et tu n'as rien fait pour chercher à me plaire
Je t'aime pourtant
D'un amour ardent
Dont rien, je le sens, ne pourra me défaire.
Tu seras toujours mon amant
Et je crois en toi comme au bonheur suprême.
Je te fuis parfois, mais je reviens quand même
C'est plus fort que moi… je t'aime !







Lorsque je souffre, il me faut tes yeux
Profonds et joyeux
Afin que j'y meure,
Et j'ai besoin pour revivre, amour,
De t'avoir un jour
Moins qu'un jour, une heure,
De me bercer un peu dans tes bras
Quand mon cœur est las,
Quand parfois je pleure.
Ah ! crois-le bien, mon chéri, mon aimé, mon roi,
Je n'ai de bonheur qu'avec toi.





Friday, November 23, 2018

Tuesday, November 20, 2018

KEEP YOURSELF SAFE!





Though I've posted well over a thousand of my videos on YouTube, they haven't figured large on this blog, for reasons I'm not sure of. Maybe I don't want to duplicate myself? But then again - why not? I post lots of other people's. This is one of my rare "message videos", in which I actually appear. On YouTube I am called ferociousgumby, and on this blog (more or less) The Glass Character, which was really Harold Lloyd's character's name. So who knows who I really am. But I want to post this, just because I've found it creepy of late to have "sticky" people adhering to me on the internet, or trying to, even jumping media from Facebook to YouTube expressly to stick to me some more. One woman, a complete stranger, after messaging me for two weeks on Facebook, proclaimed her undying love for me and asked me to move to Los Angeles to live with her. This same woman attempted to scale a fence around Harold Lloyd's grave, and wore a nickel he once owned around her neck and never took it off, not even in the shower. The other was a dubious high school friend who WOULD NOT be rejected by me, for reasons I still haven't figured out. Looking back, I never liked her much to begin with, and was out-and-out abused by her in one particularly harrowing memory. 




Why does this happen? I know I am hardly unique. It's this boundary-less quality, this  sense that everyone belongs to everyone else, in the same world, and we don't. Not even close. I'm glad the past is the past, because it belongs there. It's the past because IT HAS PASSED, and trying to somehow recreate it out of silly putty and string just won't work. Plus it gets in the way of the strange bliss that is Today, and I mean that in the most ordinary, even semi-boring sense. I wrap the day around me, and all I want is some peace, peace from my own screaming inner voices, and how can I have THAT if these weird people keep on chasing me?






Setting up a YouTube channel specifically to leave cloying messages on someone else's videos is beyond creepy. But these people never see themselves. They are too busy being Nice. I have no time for Nice. Kind is a different matter, because it seems more volitional. Or is it just an innate quality, after all?

I have been happily obsessed with Christopher Walken, realizing he is me, and one interviewer described him as having "unexpectedly kind eyes". I think, myself, that he radiates kindness, and warmth, and that "steepling"  thing that he does with his hands on TV interviews is just a way to protect his heart. Those earth hands are beautiful and solid and deeply connected to earth in a personal way. He has often said "I don't do anything" and "I don't have any hobbies". He has been married for longer than me, even, and seems to like it and want it to last. Good for him.

So what does any of this have to do with any of this? Nothing at all. Just -  keep creeps away, don't be "nice", but be unexpectedly kind if you can manage it.


Friday, November 16, 2018

Christopher Walken just solved my life





I have of late been scorched by a dilemma, to the point of utter panic. I had a problem so great and all-consuming that I began to feel it was going to suck me down in the mire and kill me. Ancient  terrors, things I had not had to even think about for decades, stood bolt upright out of nowhere like cobras weaving in front of my eyes. My insides were collapsing like imploded buildings. Every way I looked at the situation, it looked bad, worse than bad. It looked terrible, even fatal. I was stuck, trapped, unable to breathe, and had never felt more powerless in my entire life.




It got so bad that I Asked The Universe to Help Me. 

Have you ever done this? Probably not. But when things are bad, I mean really really bad, you sort of put out a cry to the Great Whatever: someone, something out there, HELP me please. I do not believe in any sort of traditional or conventional God (any more - I did, and that is another story of disaster and disillusion), so I can't yell at Jehovah and order him around. I can't scream at Jesus to hurry up already and give me what I want, because that's what traditional prayer is all about. Gimme, God.




But I just had to send up a something, a shout, a scream, a - . I looked at all kinds of videos about alien abduction, because that's what I've been doing lately, strictly because of Christopher Walken and that bizarre Communion movie he did years ago. But it got me thinking about what IS "out there", or might be. I wondered if someone or something might help me out of this squirming, squeaming terror, this sense my guts were wound around and around and around some sword of heated iron and could never be untwisted again. 

I had no direction, no discernment. I looked at this and I looked at that. I even looked at some Walken interviews, in which I am convinced (more and more) that he is me. 




But then this.


This came, and I swear to God, it  was the answer to all the inarticulate non-prayers I was sending up to the Universe. Somebody jumps out of nowhere with a gun and shouts a life-and-death command, words charged with mortal threat, with brain-bursting peril, and -

You say no.

No.

It goes like this.


"Put your hands up!"

"No."

"What?"

"I said no."









"Why not?

"I don't want to."

"But I've got a gun."

"I don't care."

"This doesn't make any sense!"

"Too bad."



This is the "solve". Even with that gun to my head - and it has been a most poisonous gun, a threat to my wellbeing, if not my very sanity - I not only CAN say no, I not only WILL say no, but I am SAYING NO RIGHT NOW, even as I am writing this.




Everyone blathers on about the great yes of life. And yes. I can see it: sometimes, you have to know what to say yes to. But when you have an actual gun to your head, and you say no, it throws the entire situation out of kilter. It throws everyone off-balance. The earth begins to turn the other way. This is the spooky magic of "a" Christopher Walken (as if there is any other). He is the Merlin of "no", the Godfather of "no", the Jedi, the Dude, the Kahuna, the Meester Beeg, and everyone else supremely important you can think of. 

And the rest of us are just idiots.




It's just one syllable. It's just  two letters. It can change everything. It DOES change everything. Colours suddenly spring into their reverse; orange becomes blue. Spring lambs turn into springs. It's a force, and so idiot-simple that no one uses it. It's haiku-like simplicity (and does it really have seventeen syllables or whatever? No, thirteen, but it's so profound that it has just changed all the rules of haiku forever, and from now on they will all have thirteen syllables - in fact, all haikus everywhere, ever written in the world, have just become thirteen syllables.)

No.

I said no. 

I don't want to. 

I don't care. 

Too bad.


I have heard the Zen koan "no is a complete sentence", but I have never seen anyone actually practice it, because no one has. No one can, because they don't think they can. They've never heard of it. 

My time will come, and soon, and I want to put this in my pocket for that moment which will be life-changing, and either help me step up, or step out and down into the mine-chute, the one where you never stop falling. 






Friday, November 9, 2018

Christopher Walken reading "The Raven" by Edgar Allan Poe





I am a late-blooming Christopher Walken fan, meaning that I don't think I appreciated his oddness before. Now I do. Has that anything to do with my OWN late-blooming oddness? (Let me think.) But Walken transcends any category, and it was no surprise to me when I learned he is a classically trained dancer (pay attention next time he jumps up on a bar in that movie, that. .  .) and stage actor. Back then, actors had to actually learn their trade: dance, sing, enunciate, project, all while putting their individual stamp on their characters.

It shows in the performances.




Early Walken was almost surreally beautiful, with those lips, those eyes. . . Then he seemed to outgrow that baby-soft androgyny and became really interesting. Good bones are the key to an actor keeping his looks, and these Walken has, those marvelous cheekbones and, no doubt, a skeleton which is very fine indeed.




I have just sent away for a DVD of one of Walken's early performances, a very poorly-rated Israeli musical version of Puss in Boots. I want to see Walken as Puss (in Boots!) and see him dance cat-ly, which I can picture him doing. 'Til then, people, listen to him inhabit Poe's Raven as no one else, enunciating clearly yet naturally, and making the time-worn poem somehow seem conversational, like a particularly gifted Shakespearian actor bringing iambic pentameter to life. 




I love his somehow-seductive Queens-ly vowel sounds, love his lack of melodrama, his deep understanding and ability to walk around inside this American epic (see him Walken?). The only thing I double-dog HATE about this video is all the crappy noise in the background. Almost everyone remarked in the YouTube comments section that the poem was marred by fake wind noises, wailing electric guitars, over-dramatic thumps and bumps. Ironic, because Walken always avoids that kind of shit himself. If I find an isolated vocal track of this gem, I will post it, but so far no.




Aside from the worlds within his face, this I love about Walken: he says he never chases after anything. Unlike me, diametrically opposed to me who has flung herself bodily against brick wall after brick wall after brick wall, to gain only broken bones and soul-bruises while the walls stand laughingly whole, he doesn't chase work, he doesn't chase fame, he doesn't even chase women (he has been married even longer than I have). It comes to him. This is one spooky power, and it is beyond even self-confidence. It can't be manufactured. Bob Dylan had/has this same ability to magnetize, even with his extreme introversion and basic selfishness. People are sucked towards him helplessly, never knowing that the vacuum is actually inside themselves.