Magic words!

Don't you wish you could do this?

Having absolutely no ability to draw, paint, or make any sort of art, seeing even this kind of clever doodling impresses me. I don't know how people do it. It must be innate, like being able to see maps in your head or doing feats of mathematics without a pencil. I can only look on in awe.

Just walk away, Renee: Ms. Zellweger's radical transformation

Now comes all the commentary, the kerfuffle, and if she needed to call attention to herself, this did it. Strangely, she will not admit to plastic surgery but claims she's just taking better care of herself and is more "relaxed".

What's really sad is the need to deny you've had any "work" done. It's all due to a "healthier lifestyle". But the healthiest lifestyle in the world wouldn't change you into a different person.

These strenuous denials are a veil over desperation, and this is not something Renee created herself. She wants to work, but paradoxically, I don't think her "new look" is going to land her parts. No one is going to know who the hell she is.

Nobody else has said this, because everyone is so busy saying, "Duhhh. . . does she look different?" There are screams and squawks from all over the planet because this is a "trending" story that has knocked terrorism out of the ballpark.. Half of them are horrified exclamations along the lines of "What has she done to herself?"; the other half are more like, "She looks fabulous! I like her so much better now. Leave the girl alone! She can do what she wants with her face." I've also heard "She looks different? Not to me she doesn't. It's just her makeup. She looks exactly the same."

Just so. But this just isn't Renee. What would it be like, I wonder, if every time you looked in the mirror you saw a different person? It's like those old film noir movies where the gangster has plastic surgery to change his identity. One scene always involves the doctor cutting the bandage and winding it around, and around, and around (showing the hood's vision gradually getting brighter and brighter) until, voici et voila, the new face.

Plastic surgery existed back then, because John Dillinger had it done in a vain attempt to disguise his identity from the police. I don't see how they could have botched it any worse than they do now. In fact, though this is an issue I won't get into now, there is a TV show called Botched that deals with remedial boob/nose/cheek/jowl jobs, in which the doctors have to make do with what is left of normal tissue. Usually the results are still artificial, but somewhat less Frankensteinian than before that fatal "holiday" to Mexico or the Phillipines.

Just in time for Halloween. . . the Invisible Man. I can't help but think of the old Renee, mischievous as always, crouching down and  hiding behind the new one. But still invisible.

Whole movies have been made on this theme, such as Ash Wednesday, in which the stunning Liz Taylor pretends to be (gasp, shock, horror) old, or at least old-looking. In the movie, she's maybe 40. Most of the sexpots we see around now, such as Sofia Vergara, are about that age. 

I was going to make a few gifs of her movie transformation, but was so gobsmacked by the YouTube video that I posted it whole. It's 14 minutes long and if you can get through the whole thing, you're a better man than I am. Gunga Din.

We used to ask ourselves: what reputable plastic surgeon would ever surgically alter someone so much that they didn't even look like themselves? That was back when there were standards, and "would never" still held together as a stand-in for integrity. Now people transform themselves into Barbies and Kens, Michael Jacksons, Angelinas, etc. (remember that Octomom character? Whatever happened to her, anyway?) Pay up front, and you'll have any "look" you want. Slicing and dicing seems particularly popular, especially if you resort to Third World procedures. And a lot of people do. Then again, lots of people go to Thailand to have sex with little children, and no one stands in their way.

 

Dear Sir or Madam, will you read my book

    It took me years to write, will you take a look

Order The Glass Character from:

Amazon
http://www.amazon.com/-/e/B001K7NGDA

Barnes & Noble

http://www.barnesandnoble.com/w/the-glass-character-margaret-gunning/1117863913?ean=9781927068885

Thistledown Press

http://www.thistledownpress.com/html/search/genre/Fiction/the_glass_character_p580.cfm

Chapters/Indigo
http://www.chapters.indigo.ca/books/the-glass-character/9781927068885-item.html?ikwid=the%

A radical transformation

Most of these Facebook-posted YouTube things give me the pip, but this struck me as the real thing. It's realistic about the time, dedication and effort it takes to attain real transformation. I'm reminded once again of a favorite quote:

Man and Superman

Dark non-victory: why we still watch this shit

I wasn’t going to watch Now, Voyager last night:  geez, no. I’d just seen it about three weeks ago on Turner Classics, my fallback system when reality TV turns unbearably sour.  But it’s one of those films, like Taxi Driver, that’s a virtual La Brea Tar Pit of absorption. Once the thing starts, you can’t get away even if you want to.

As with Gone With the Wind, you can dip in anywhere and enter the flow, but it’s better to plunge in right at the beginning, when the lush Max Steiner score swells with erotic longing. Gather ‘round, children, and I’ll tell you a tale, of a poor little rich girl named Charlotte Vale.

Charlotte is the crème de la crème of repressed spinsterhood, her wealthy Bostonian mother slashing and lashing her personality into meek submission. Charlotte was the “child of her old age”, and therefore stigmatized (and though they don’t come right out and say it, that means you shouldn’t fuck after age forty) and bound to a life of unpaid servitude (even though Ma could probably afford dozens of servants).

This is 1942, so how can thick-browed, tremulous Bette escape such hell? Enter the male rescue figure, in the person of Dr. Jaquith, a psychiatrist played to perfection by one of the great character actors of all time, Claude Rains. If Claude Rains were MY psychiatrist, I might just be able to finally get off the couch. This man who oozes erudite understanding runs a sanatorium that resembles a cross between a holiday resort and a self-help ranch retreat, with smiling staff and cozy rooms with fireplaces (in fact, when Charlotte bolts back to the place after a romantic reversal, the smiling nurse/receptionist/whatever-she-is cheerfully says, “I’ve put you back in your old room,” like it’s a luxury hotel or a college dorm.)

Something happens at this dorm, some sort of transformation, so that when Charlotte is given the chance to assume someone else’s name and wardrobe on a luxury cruise, she takes it. The shot where Dr. Jaquith literally sends her off on the gangplank is pure Hollywood: remember, be interested in everything and everyone! Go, girl, go! Charlotte’s newly-plucked eyebrows and stunning ‘40s wardrobe can’t help but attract the attention of a (MARRIED, MARRIED, MARRIED) elegant and somewhat androgynous hunk named Jerry Durrance (foreign name, God, foreign name - excuse me while I have an orgasm). He’s played by Paul Henreid, the murmuring, slightly bedroomy resistance worker in Casablanca, the one who gets the girl (or re-gets the girl) in the end.

For some reason, the fact that Jerry stays in a miserable marriage because of his disturbed daughter, Tina makes him into some sort of a hero. In truth, he’s a wuss, a cad, an emotional gigolo, and the sort of man who wants a fuck in every port. But his dashing habit of lighting two cigarettes at a time and giving one to Charlotte (implying, in subtle Hollywood code, that they’d slept together) seems to forgive all his little flaws.

Charlotte’s in love with a good-smelling skunk she can never have, but for some reason this just enriches the bubbling, seething stew of this women’s-novel-made-into-women’s-picture. Charlotte identifies with Tina’s screeching pathology, and she begins to claim her through emotional manipulation and ice cream: though in truth she’s just a cheap device to keep Jerry on the hook. Other things happen: Ma dies and Charlotte thinks it’s her fault (which it is), and she gets engaged and then unengaged to a dull, sexless rich guy who doesn’t even smoke. In one of the most turgid scenes in the whole picture, she and her fiance sit next to each other at the symphony, surrounded by the tumescent strains of Tchaikovsky’s Pathetique: but Jerry sits on the other side. God, on the other side. . .on the other side. . . can’t she just reach over and grab his crotch?

Charlotte’s whole existence is Jerry.  Jerry, Jerry, Jerry. God, JERRY. I’ve had a Jerry; I don’t want to tell you how many times I’ve had a Jerry. It both sickens and thrills me. In a way, this is a Beantown Gone with the Wind, with hapless, passive Jerry playing the part of hapless, passive Ashley. They might have had sex, but it’s never spelled out (and in that era, who knows?). My Jerries never have sex with me, because they barely know I exist.

The capper in this splendid weepie is Davis’ classic line, “Oh Jerry, don’t let’s ask for the moon. We have the stars.” Every sploppy, soaky, drippy line in this thing is totally transformed by Bette Davis’ sheer genius: her smoky inflections, toned-down intelligence, the shy and slightly birdlike way she turns her head. Her hair, once straggly and ugly, is smoothed around her head like a shining helmet, and for some reason the Carol-Burnett-playing-Scarlett-O’Hara linebacker shoulders don’t look ridiculous on her.

I keep reading Bette Davis bios, and all of them seem to conclude that she was crazy, that she had some sort of fatal personality disorder that allowed her to tap into the darkness of the human psyche. Right. Then how did she last ‘til age 80, ravaged by cancer but still working right to the end? Granted, she married four unsuitable men, but is that so unusual in Hollywood? (Didn’t Mickey Rooney have seven – wives, I mean?). These biographers also conclude, all of them, that her emotionally fragile sister Bobby was mentally ill because she wasn’t able to have a career like her sister’s. Had she been able to, she would have been stable, joyful, happy in her personal life, and multiply orgasmic.

What a strange brew is old Hollywood. We couldn’t have a Now, Voyager now: it just wouldn’t play. It’s a pretty strange transformation, for one thing: from dowdy spinster with bad hair to elegant spinster with a better wardrobe and a million emotional frustrations. She still doesn’t get to marry or have children, as she longs to. She gets the old lady’s house, but that’s just because the old bird died at the right time. But ah! She has the stars. And thus she sails forth, to seek and find. Find what? A life forever on the emotional hook, with happiness just beyond the tips of her fingers.

NOW I get it, why I'm always watching this shit.

One more time. . . one more time

A squirrel of one's own

From way back in the memory junk drawer, I recently retrieved an image (or a song, or whatever-it-was) of Martin Short playing the bizarre Jackie Rogers, Jr., a performer always on the verge of being buried by his own pretentiousness.

What sticks in my mind like a paper clip is a song he did: "Pardon me, miss, but I've never done this/With a real, live squirrel."

I remembered the original, smarmy song from the Mike
Douglas Show, one of those '60s things that sounds predatory and creepy now (a "real live girl?" As opposed to a blow-up doll?). It was like something playing in a bar on Mad Men. Well, OK then, what's the connection to me as I sit here over coffee (God, it's too strong, give me more) contemplating my "new" surroundings?

I've never had a real live office before. Never. The room I've worked in since I started writing with a computer in Year Zero isn't really an office, it's more of a utility room. There are cheap bookcases everywhere, crammed and cluttered with other people's stuff. My husband is a kind of controlled hoarder (controlled by me, I mean) who just sort of exudes or emits this stuff, little coils of wire, black plastic things, used twist ties, boxes that haven't been opened since 1972. He keeps instruction manuals for appliances that have long ago bit the dust. On top of that, one of his desks with an old obsolete computer on it was pushed against the wall, never used, just stored.

The stuff that was mine wasn't work-related: craft boxes full of felt and beads and feathers, and and and. The place had become a catch-all.

What happened was this: our usual screaming territorial battles escalated when he went into semi-retirement and spent even more time clumping back and forth between the main part of the house and the garage. This meant clumping right through my non-office, the only room with an access door, a door which had to be slammed heavily (or so he believed) every time he clumped on through.

It was getting bad, I mean, really bad. He just didn't see that there was a problem. Why was it disturbing me that he ran a power saw in the garage, when there was a whole wall between us? Why was it bothersome that he had blathering ad-infested talk radio on full-volume as he worked because he's deaf as a cucumber?

I just ground my teeth a lot and put up with it until he suggested something.

"You know the bird room."

"Yeah. The bird room."

"Upstairs."

"Yeah."

"I had this idea, but I don't think you're going to like it."

"Try me."

"What if we switched your office with the bird room? I mean, put the bird down here. This would be his bedroom. Then you'd have your own private room upstairs and I could do anything I wanted in the garage."

It was one of those idiot-simple solutions that no one had ever thought of before. Jasper is the most spoiled 3"-long bird in history, with a cage that takes up 1/4 of the room. Wouldn't he be happier downstairs where he could have his own bedroom and be part of things? Why was this so unthinkable?

When my long-grown-up kids found out about this, they looked almost offended. "Whaaaat? What are you going to do that for?"

Move something in the house? In the house?

"Sure. The bird needs a change."

This may have had something to do with the fact we're finally putting some money into the place and getting a new bathroom and new windows and stuff like that. I hate change, and my first reaction was unease, even dread, but I was absolutely gobsmacked when the change was made relatively smoothly and without mishap.

Instead of fuming and tripping all over and missing the stack of 750 padded mailers in the old place, I find I. . I. . .

I like it here.

I have a view, which I never did in the old place, unless you count a wall with a huge tacky bulletin board on it. It's all cedary, layers of feathery green which right now has a gentle drizzle sifting through. On nice days, if they ever come, I'll have sunlight. I can see birds flitting about. In 25 years here, I have never looked out this window. I never had this perspective, ever. It was wasted on a dumb bird.

The room kind of wraps around my desk (a huge desk which I love, and which was in storage for years before I realized I could be using it). These are my books in the bookcases, not frayed copies of Shell Busey's Home Ideas and How to Repair Practically Anything.

It's just. . . my stuff, my space. I feel both humbled and exalted. The energy is completely different, almost cocoon-like (when I feared it would be claustrophobic). My old amplifier from 1973 is gone, replaced by a sleek model that looks like it might have come from this century.

There are carpets, which softens the sound of everything. I like it.

I could go on and on about all that "room of one's own" stuff. And I wonder now if I'll be able to concentrate without all that clumping and slamming. Will I miss the hissing arguments, his posing as a bloody saint wronged by a heartless, selfish bitch? Well, we can still do that in Ikea when we can't agree on a lamp. (Snarling at each other in public is especially enjoyable.) And have a few Swedish meatballs with gravy in the cafeteria while we're at it.

The good fairy came (or maybe the sanity fairy), and now Pinocchio is a real boy. I never thought it would happen. And hey: what's that I see leaping from branch to branch in my stunning new view? Could it be. . . a real live squirrel?