Lady Day and Sarah: just a coincidence? You decide

As so often happens, a hunt for a decent version of Kurt Weill's September Song turned into something quite else.

I kept playing different versions, 90% of them embedded in those godawful schmaltzy '60s string arrangements (and Frank Sinatra's brilliant version was thus ruined for me), then finally coming upon Billie Holliday. Wow, she aced it: undersinging it with that incomparable throw-away voice that made it sound easy. Here at last was something I could post! But I still had to listen to a few more, and when I heard Sarah Vaughan. . .

It too was magnificent, perhaps even sweeter, if a bit less subtle. But as I listened to it over and over again, I noticed something strange.

These two versions are done with exactly the same arrangement. I mean EXACTLY the same. The smoky slow-dancing tempo, the sax licks, the piano, the soulful guitar. It's as if someone lifted the vocal track out of one song and plunked it down in the other.

So fine, I guess this was a popular arrangement for September Song during that time - when was it, the '40s? My YouTube info is scant. But - identical? That's just so strange. Why would two titans of song decide to do it that way, when all these singers tried so hard not to sound like each other?

Anyway, this is valuable for an example of Billie Holliday before she degraded into a heap of irritating mannerisms. She still had a voice. Sarah Vaughan went on for far longer, not being a heroin addict, but was she ever so poignant again?

Why do I post this? Oh. . . cornball as it is, it's September, the kids are going back to school, and I at last understand that line "one hasn't got time for the waiting game". It's really one of my favorite songs, especially those two melancholy chords in the first line under "em-ber".

I have this memory - surely it must be wrong, but I don't think so - of watching TV eons ago, probably when I was about ten, and seeing Rodney Dangerfield on a variety show. Sometimes comedians stepped out of their normal roles then, with mixed results (and I swear I remember him singing The Fool on the Hill, and he shouldn't have). But I swear, and I may be wrong, I heard him speak-sing this one and it wrenched my heart. What did I know of Kurt Weill then? Well, plenty, since my histrionic sister had come back from Europe speaking German, waving copies of Goethe and singing little ditties from Mahagonny. Moon of Alabama (later recorded, incredibly, by The Doors) was practically my cradle song.

I can't find Rodney Dangerfield singing September Song, but I did find this odd twinning of two of the greatest voices ever, each slotted into the exact same arrangement. I still don't know why it happened that way, but it's intriguing to listen to.

We won't go into the melancholy I feel when I hear this, summer running through my fingers so fast it scares me, fall lifting up hopes that invariably fail. I wonder if I want to live out my 50s or if it might be better to make a graceful exit right now, before real deterioration sets in. I can't quite bring myself to dive in front of a bus, however (not today, anyway): I just hate suicide, too many people I loved have done it, not that I haven't thought about it a few hundred or a few thousand times.

One hasn't got time for the waiting game. But - for what?

 

 

 

CODA. As usual, I found more just as I gave up. I had this feeling the words were just a little different in the original version from the stage musical, Knickerbocker Holiday (and how a song like this ended up in such a jolly-sounding production, we'll never know).

 

Darker, stranger, and even with certan subtexts which may or may not have been intended.

 

 

When I was a young man courting the girls
I played me a waiting game
If a maid refused me with tossing curls
I'd let the old Earth take a couple of whirls
While I plied her with tears in place of pearls
And as time came around, she came my way
As time came around, she came

But it's a long, long while from May to December
And the days grow short when you reach September
And the autumn weather turns the leaves to flame
And I haven't got time for the waiting game
And the wine dwindles down to a precious brew
September, November
And these few vintage years I'd share with you
These vintage years I'd share with you

But it's a long, long while from May to December
And the days grow short when you reach September
And I have lost one tooth and I walk a little lame
And I haven't got time for the waiting game
And the days turn to gold as they grow few
September, November
And these few golden days I'd spend with you
These golden days I'd spend with you.

When you meet with the young men early in Spring
They court you in song and rhyme
They woo you with words and a clover ring
But if you examine the goods they bring
They have little to offer but the songs they sing
And a plentiful waste of time of day
A plentiful waste of time


But it's a long, long while from May to December
Will the clover ring last till you reach September
And I'm not quite equipped for the waiting game
But I have a little money and I have a little fame
And the days dwindle down to a precious few
September, November
And these few precious days I'd spend with you
These precious days I'd spend with you



Hmmmmm. "Clover ring"? And who are these young men? The line "I've lost one tooth and I walk a little lame" does somewhat take away from the smooth romanticism we've come to associate with the song. It's a bit macabre, in fact: offputting. And those tossing curls (rhymed, of course, with pearls): the antiquated courtly language. And the reference to wine. As with Woody Allen's mother and the boiled chicken, hasn't this song been put through the deflavorizing machine?

You decide.

CODA TO THE CODA. Playing these two versions over once again, I'm embarrassed, because I honestly think they're the same recording. They are just TOO alike to be different renditions, different voices.  I think someone mislabeled one of the recordings. So we're left to wonder, who's Sarah and who's Lady Day? Or are both of them someone else?

Just listen to this!

I've always loved this song since I heard Walter Brennan sing it eons ago. I love how the crowd hoots and hollers their approval. I'm far from a country fan but once in a while there's an exception (like Marty Robbins singing "Devil Woman": but that's for another day).

This could be the start of something big

 

 

Just this. . . the merest hint of something I'm working on now. I haven't forgotten you, Harold! I've just been in mourning over the complete lack of interest I've had from publishers for my novel about your life, The Glass Character. But this experience far exceeds the success or failure of a mere book. It will live in Greatness.

Day of the Long Bangs

Gummi Baby: unliving or undead?

<sup>I admit I tend to harp on one subject until I can't stand it any more. It's part of my relentless nature and necessary for surviving all my self-generated difficulties.

But these! These things, these "reborns" (sometimes called "unborn" or even "unliving") got me onto the subject of "the undead", though not in the usual zombie sense of people staggering around with raggy clothes and painted faces.

I am drawn to this subject, and yet repelled. Yes, sometimes I wish I could hold a baby again. Hell, ALL the time! My grandchildren are my life now, I'd be bored and/or dead of despair by now without them, but my eldest granddaughter is turning NINE on October 31.

I was there in the delivery room when she was born, an amazing experience that can never be exceeded in power and wonder and love. But it will never happen again. In a sense, it was the very peak of my life, but of course I didn't know it.

My first novel had just been published, I was the thinnest I'd been in many years, and people kept asking me, "What have you been doing? You look ten years younger!"</sup>

<sup>Never mind the rest of the story, but let's say I'm lucky to be alive now, if very fat, and much, much older, most of my dreams sadly packed away.

But these babies! I can see how someone, stricken with grief, might latch on to one of them. They don't poop, never cry (though as the info below explains, some of them "coo" and make baby noises when you throw a switch somewhere). Some are heated and/or even appear to breathe and have a heartbeat.</sup>

^{The newest category, and one I'm having trouble wrapping my mind around, is "full-body silicone babies". These are molded out of that rubbery stuff you make sex toys out of (not that I'd know anything about THAT), not to mention fake breasts and full-size sex dolls. It's hard for me to get a bead on what the exact difference is between these and conventional vinyl Reborns. I know that the original reborns were baked in the oven, and I don't think you'd do that to silicone unless you wanted a big puddle. The artists who make the Reborns don't say much about the silicones (which I suspect are a new thing that's catching on now) except to be defensive and rather negative. I suppose they're poured into a mold of some sort, but it's hard for me to grasp how you'd make that mold. I have horrible visions of newborn babies being encased in plaster of Paris.}

<sup>One traditional Reborn site said that "silicones" have the squishy texture and cold feel of a Gummi Bear. The real plus however is that you don't have to look at that awful cloth body when you change them. I always hated that about dolls: it interfered with any feeling that I was handling a real baby. Plus you can bathe them and make their little arms wave around and splash in the water cuz they're so rubbery.

I HAVE to get off this, I know, but I'm stuck in it now and feel like I'm walking around in the Ninth Circle of Hell. So, more knowledge from Wikipedia:</sup>

Supplies

Starter kits are equipped with basic reborning necessities such as limbs, faces, heads, paint brushes, eyelashes, weighting pellets, genesis 'heat set' paints, cloth bodies, cable ties, nose drill bits, fake tears, thinning shears, cosmetic foam wedges, cotton dipped applicators, and glue. Genesis 'heat set' paints are an odorless, non-toxic paint that dries when the artist chooses by applying heat. The nose drill bits are used for creating and perfecting the nostrils of the doll. Acetone or a paint thinner medium is needed for removing the factory paint from the doll. Hair is an optional choice to add to a doll. Fine mohair, human hair, or wigs are usually used, but it is found in a variety of types. Rooting tools are utilized for this process and are available in numerous sizes 20,36,38, 40, and 42. The smaller the number the thicker the needle which will grab more hair and leave a bigger hole in the head of the doll. Eyes for a reborn doll are offered in a variety of brands and sizes.^[6]

 Process

Vinyl doll kit shown side by side (unpainted parts & painted "reborn" doll). The doll has a "chest/belly plate".

The technique of reborning a play doll typically involves a number of steps. To begin the doll is taken apart and factory paint is removed. Then a blue color wash may be applied to the inside of each vinyl part to give the appearance of realistic baby skin undertones. For dolls with an awake appearance eyes must be replaced.

The outer layer of the vinyl doll is given its skin tone by adding dozens of layers of flesh colored paint. If heat set paints are used, the doll parts must be heat set by baking them inside an oven or by using a heatgun after each layer of paint is applied. Lighter skin tone dolls can take 15 to 30 layers. The effects of the blue color wash combined with the outside layers of paint creates the appearance of veins, and gives the doll its newborn mottled look.

Manicured nails and opening of the nose holes are other details that are added during this process. The next step is to apply hair. The hair can either done in one of two ways; wigging or microrooting. When microrooting, hair is added strand by strand. This can take up to 30 or more hours per head. Once the hair is finished, the original vinyl body is weighted with a soft stuffed body filled with pellets. The weight corresponds with its age to achieve a real effect.

Various additions also can be added to give the doll an even more life like appearance. Reborns heads are often weighted, so that owners have to support the head like one would a real newborn. Purchasers can have magnets attached inside the mouth or head for attaching a pacifier or hair bows. Electronic devices that mimic a heart beat, or make the chest rise and fall to simulate breathing are common. Reborns can come with an umbilical cord, baby fat, heat packs to make the reborn warm to the touch, or voice boxes that mimic infant sounds. For preemie dolls, they may come in incubators with a breathing apparatus attached to their nose.

(Emphasis mine.) If you found one of these lying in a crib, motionless, not breathing (unless it had one of those pump thingies installed inside it), wouldn't you think you had a dead baby on your hands? If this thing is really as rubbery as they say it is, wouldn't picking it up be like scooping up a giant jellyfish?

I think technology has gone too far, both in filling gaping needs with inanimate objects, and in preventing those needs from really being filled because there are such satisfying and manageable substitutes available on eBay. Ones you can buy and sell, not bother to feed or change, and toss in the closet when you get tired of them.

What mother was ever so richly blessed?

 

 

Dear Sir or Madam, will you read my book

    It took me years to write, will you take a look

Order The Glass Character from:

Amazon
http://www.amazon.com/-/e/B001K7NGDA

Barnes & Noble

http://www.barnesandnoble.com/w/the-glass-character-margaret-gunning/1117863913?ean=9781927068885

Thistledown Press

http://www.thistledownpress.com/html/search/genre/Fiction/the_glass_character_p580.cfm

Chapters/Indigo
http://www.chapters.indigo.ca/books/the-glass-character/9781927068885-item.html?ikwid=the%

The Resurrection of Peter

It wasn’t much of a day. She wasn’t even sure it was a day at all, since they had really cancelled days quite a long time ago and made everything One. Or was it that they had cancelled Night?

 Which means, you walk around in a half-state, sometimes jokingly known as Twilight. Twilight was the stuff of owls and demons and things that didn’t even really exist any more. But, she thought to herself, do any of us really exist any more?

 They all made it seem as if it were “just her”, and that everyone else was normal. This was all part of the scheme, the huge heartwrenching scheme to take her life away. It was illustrated nearly every day now when she ran into the people she knew.

 They looked dissimilar, but all the same, with a strange hazy quality. Yet they laughed and were jolly in a way they never seemed to be before, as if they had discovered an amazing new Secret.

  

“Emma. Hi, Emma! Haven’t seen you in a long time!” Gretel was wearing the strangest outfit, bright paisley like she’d never worn, a sort of muumuu, with a straw tote bag.

“Hi, Gretel. I think.”

“Oh, it’s me all right. This is just my New Look.”

It’s hardly a look at all, thought Emma, wondering whatever happened to the Old Look, and what made her change it.

“You look the same,” Gretel said in a flat tone. Looking the same wasn’t quite “it”, she supposed.

“Haven’t gotten my instructions in the mail yet,” Emma said, trying to be ironic.

“Oh, that’s so funny! You’re such a funny person! Well, goodbye then!”

“Wait, Gretel. I need to ask you something.”

 “What is it now?” She was getting testy already.

“You know, Peter. . . “

“Yes, Peter.” They had both known Peter. His sudden death had been a wrench, for both of them she thought, but now she wasn’t so sure.

 “What about Peter?”

“Ever since he passed, you know. . . “

“Passed?” She began to titter. “Was he in school or something?”

“No! Don’t you remember? When he. . .”

 “What, when he went on vacation?”

The ultimate vacation, Emma thought.

“Look, I mean when he died.”

“Died?”

“Died.”

“Died?”

“For God’s sake, Gretel! You know what I’m talking about.”

“Oh, that.” She fumbled around in her straw bag for a minute. “I thought you’d heard about it.”

“Heard what?”

“He’s back alive again.”

Stunned silence. A sick feeling gathered in her stomach.

“Back alive again?”

“Of course. Haven’t you seen him? He’s walking around.”

“How, by remote control?” Her sarcasm seemed to be flying over Greta’s pointed little head.

“Sort of, but it’s better than that. He can go under his own steam by now.”

“But he’s dead!”

“Sort of. But not really. You can get renewed now, sort of like a library book. You must know that by now."

She stood there stunned, things whirling around, as Gretel just walked away without even saying goodbye.

She started to comprehend then why everything was different, why she was sort of seeing through some people, mostly really old people, but some of them children. They had a strange sort of translucent quality, but they were still walking around.

And they always seemed happy. Emma thought about Bible study a million years ago, before the Bible was universally banned, and how Jesus had raised Lazarus from the dead. She had always wondered if Lazarus really wanted to be raised, his body half-rotted. Would he have a new body, somehow, or walk around  like that forever?

 

But then that meant she could find Peter!

Peter wasn’t her lover, never had been, but he had been there during the blackest, the most despairing time in her life. He would just show up at Starbucks with his baseball cap and his smile, cheerful as Bugs Bunny. He was in worse shape than she was, but they joked about it, guffawed about how awful life was.

“I heard about a woman who committed suicide. But before she committed suicide she got out the vacuum cleaner and cleaned her whole house top to bottom so it was absolutely spotless. Then she hung herself.” They had both howled with laughter.

Then they just lost touch. Like a sick cat, he had crawled under the house somewhere. She had known he was deteriorating; one conversation they had wasn’t a conversation at all, but a monologue on her part. He’d start to say something, then dry up after a couple of words and look at her in bafflement.

What bothered her was the fact that it didn’t bother him.

She kept sending him emails long after she suspected he had passed (and NOT “in school”!). She couldn’t help it. She’d think she saw him in a crowd. But it wasn’t him. Because the emails didn’t bounce back to her, she assumed they were hitting the target and he was just too busy to reply (knowing full well he had kicked the bucket long ago).

Back alive again. Strange things had been happening lately. She had mentioned her grandfather to a friend of hers, how difficult it had been for him to let go.

“Is he still dead?” the friend asked.

 h, maybe they meant in her mind, in her memory! But somehow she didn’t think so. Death was the only thing more sure than birth. Wasn’t it?

Would she see Peter again? A wild stab of hope made her heart beat faster.

She became aware of how the light went right through people, and began to count them. It was an awful lot. She wondered just what had happened to everyone. Back alive again? Is he still dead? Did you will this, wish it, or did someone impose it on you like poor Lazarus wrapped in his rotten gravecloths?

It was too much to hope for, but in her next turn of mind, when she did not pass Go but began in the middle again, she saw him. She saw a ball cap bouncing up and down the street first, then a smile.

Then they were sitting in Starbucks, but she noticed he was sitting two inches above the chair. He didn’t seem to really drink the coffee, but the eyes were the same.

 They could always be blunt and honest with each other, so Emma waded right into it.

“So, Peter. I hear you’re back alive again.”

“It would seem to be so.”

“How does that happen?”

“I don’t know that, any more than cells know how to multiply or the earth knows how to turn.”

“But is it. . . beyond your will or something?”

"This is a place beyond will."

"Her head was whirling. She hated the idea of not being able to die. Death was one of the things she looked forward to the most.

“Peter, I’m sorry, but it sounds as if you’re a fucking zombie or something. The Undead.”

“Hey, I like that! Undead, but not really alive.”

“Look, Peter, there are only TWO states: dead and alive! Which one are you?”

“No. There is the dream state. There is the hypnotic state. There is the hypnogogic state. There is the catatonic state. There is the trance state. There is the transcendent state. There is the resurrected state. I could go on and on.”

“But those are only in your mind, Peter.”

“Tell me this.” He leaned forward and looked at her with his old intensity, and for one moment she really believed this was Peter. “If I were just a body, I mean lying over there with my heart beating but no consciousness, would that be ‘me’?”

“I don’t. . . “

“So what is it that makes me me?”

“I don’t know, your brain?”

“The brain is just half a pound of juice with some wires running through it. Dissect it, and you see some curls and buds and bulges like normal internal organs. There’s nothing there.”

“So where. . . “

“Ah. You’re about to ask me where Consciousness resides.”

“I guess so. Peter, why aren’t you drinking your coffee?”

"I've evolved beyond coffee, I guess." He chuckled to himself.

“You’re not alive. Get away from me! You’re not really Peter. Are you a ghost?”

"Beyond ghost. We've been refined. We don't have to go around haunting old buildings and Civil War battle sites any more."

“But who DOES this? It has to come from somewhere!”

“Haven’t you noticed you don’t have any privacy any more?”

“Oh, Jesus, Peter.”

 “Haven’t you noticed all the electronic jims and jams that everyone seems to carry now?”

“Oh, so you’re saying your Smart Phone turned you into a ghost.”

“Everything is changed, changed utterly.”

“So what if it all just shuts down, the power grid and that?”

“Yes! Smart girl. THAT is what it is all about.”

“What?” 

"Bodies that need no sustenance when the Time comes. That time when the whole ecosystem collapses, gives way in a great Biblical flood and rips apart the rest of the world with an all-consuming fire."

“You’re scaring me.”

 “Haven’t you ever worried about it?"

“Of course. But I never knew that. . . “

“Now we can live under any conditions.”

“BUT YOU AREN’T REALLY ALIVE! You died of AIDS two years ago!”

 “But I’m not really dead.” He grinned, looking as cheerful as when he told me the suicide joke.

“You must be dead, Peter. You MUST be.”

 “No, my good friend.” He lifted his mug and pretended to drink from it. “I’m back alive again.”

Is Baby "alive"?

 

(Blogger's note. I did not write this. I swear. Yes, I know I have a morbid imagination and, yes, a melancholy turn of mind. But this is beyond even me. This is fact. This is taken from the internet, so it Must Be True. Hunker down, now, it gets bad.)  

How to Insert Eyes into your Reborn Doll

I will do my best to explain to you how to insert your Reborn Baby dolls eyes the correct way.

Things You'll Need

 

Eyes

 

Doll

 

Aleene's Original Tacky Glue or E-6000

 

• Weighted Item
• Toothpick

Instructions

1. After heating your Reborn baby doll in a oven at 265 degrees for 8 minutes (using a oven thermometer is always suggested ) your vinyl doll will be easier to work with. Working with your hand on the head squeeze the face and look inside the head. This will push the eye sockets out to you. Carefully cut the eye caps made of vinal in the shape of the eye. You will then be left with a hole where the eye should be.

   
   
2.  

   Take you eye balls, I know that sounds weird, but you can order any style glass, plastic, any color I usually order from Secrist or Bountiful Baby's. Anyway make only a slight rim of glue around the outer edge of the eyeball. Using either Aleenes Original Tacky Glue or e-6000 I like them both and cannot pick a favorite, actually I use them both. As I will explain. Let the glue dry for approximately 5 minutes. If not when you place it in the socket it will be sliding around. When 5 minutes is up place the eye in the socket. With the face facing you find the correction position for the eye. Hold it tight with your finger for approximately 5 minutes. If this is the position you want place a heavy item, I use a heavy wrench into the dolls head resting on the eye ball. Let it dry.
3. 
   
   

   

    
4. Continue with the second eye following the same instructions. When this has dries I take the Tacky glue and over flow it on the eyeballs from inside the head. Turn your doll facing you if any glue is seeping through take a toothpick and remove excess glue. Let dry and your eyes are set.
5.  

How do I Troubleshoot a Baby Alive Doll That Won't Eat?

 

The Baby Alive doll, made by Hasbro, simulates functions of a real baby such as eating, crying and going to the bathroom. This provides a way for children to learn about personal care. The Baby Alive doll requires four AA batteries to operate successfully. If your doll stops eating, you can try figuring out what's wrong and
fixing it.

Things You'll Need

• 4 AA batteries
• Baby Alive Owner's Manual booklet
• Phillips head screwdriver

Instructions

 

Reference your Baby Alive owner's manual. This includes instructions on how to change the batteries as well as other tips.
 

Give the doll a drink. Place the power switch in the "On" position. Fill the bottle provided with the doll with regular tap water. After each feeding, you must give the doll a bottle to ensure that the food will not get lodged in the doll.

 

Clean out your doll. Feed several bottles of tap water to the doll while holding it over your sink. Tilt the bottles from side to side when you give them to the doll to get food out of the corners.
 

Replace the batteries. Turn the power to the "Off" position. Unscrew the battery cover with a small Phillips head screwdriver. Remove the batteries and dispose of them properly. Add four new AA batteries to the compartment and replace the cover. Place the power in the "On" position to test the doll again.
 

Contact Hasbro if you still cannot get your doll to eat. The company will be able to help you in determining if you product is faulty or assist you in purchasing a new one.

 

 

Fifty shades of black (a story of bondage)

 

 

She knew this was the last chance she was going to get to visit her favourite spot. Already leaves were curling under her feet, evening brought on a hint of frost, and she had put on the usual five or six pounds around her hips, a layer of bear-fat for the coming winter.

 

This special place of hers was called Burnish Lake, and she always liked the double-entendre in the name: the coppery surface of the water in the evening, the antique gold of early-fall leaves. Burnish Lake had lots of things going for it, but most of all it had ducks. Swarms of them, and due to the mild climate in these temperate parts they didn’t seem to migrate in the fall. No need. Being social animals, they congregated in swarms around the strange geometric wooden dock that jutted out into the shallow water where they all dabbled and splashed.

 

It was really just a big pond, and this dock – it was more of a boardwalk, really – went on forever. Besides the ducks, all there was to see around here were water lilies. She could imagine how the frogs must sound after dark.
 

 

The child in her came out when she saw those ducks, and she wished she had bread with her, knowing full well that feeding ducks made about as much sense as feeding bears (which she had done once. Cheesies, which the big guy had really relished, until he grabbed the plastic bag out of her hands and ate the whole thing.) Then they would truly swarm, revealing the rather nasty side of ducks and of birds in general, just dinosaurs reborn with all their primitive saurian instincts intact.

 

They were mostly female mallards, she guessed, with a few half-grown babies – juveniles – but no drakes. She looked and looked for the gorgeous iridescent green heads, but did not see one. What, no sultans to keep the harem in order? Guess not. She threw a few stones at them, meanly, watching them “waaak” and scatter.

 

She had her reasons to be mean, and her reasons for wanting to come out here alone and get some fresh air. She hadn’t had fresh air in a while. It hadn’t been her idea to go to the hospital, and in fact most of the time she felt just fine. Better than fine! She was exhilarated, and people were telling her things like, “You look ten years younger. What have you been doing?”

Yes. She felt special, more special than she had ever felt before. She wasn’t really going to act on those feelings, was she? But Burt thought she might.

 

When you’re in a certain state, you don’t know what effect you’re having on others. You’re oblivious. So even though she stepped on every sentence to the point that no one was willing to talk to her, even though she slept barely two hours a night, even though she had lost fifteen pounds (good!), even though she was one step away from sending out the mass email that would change everything (or was it Facebook?) – she didn’t think they needed to take that kind of drastic measure.
 

 

Something wonderful has happened, the email would begin, and I wanted to share it with all my closest and dearest friends. I have received some information recently that is very special, and very exciting. I have suspected this about myself for a very long time, but now it has been confirmed by a Higher Source.  I have been granted the ability to 

 

That was as far as she got. So what the hell was wrong with that? Or of thinking she saw Moses one day in the liquor store? If you think he’s Moses, he IS Moses, her writer friend said to her the other day. She wanted to see Moses again, to talk to him, to ask him just how he got that water out of the rock.

 

Burt kept saying she wouldn’t let him talk, that he couldn’t even get a word in, and that was ridiculous. Burt kept saying she was being abusive, that she was acting like a bitch, but didn’t she have it coming with all the rotten things that had happened to her as a child? Probably. But it bothered Burt to be called a cocksucking fuck-face in front of people.

 

So it was the hospital for a while, again, and medication, again, and more psychiatrists to beguile. She had been seducing psychiatrists (verbally, of course) since the age of fifteen, so she was awfully good at it by now. Most of their patients were so dull, she supposed, that her clever banter and sparkling irony must have been downright stimulating, if in a rather embarrassing way.

 

She hated to leave those ducks, but she had to go to the bathroom. She noticed there was nobody else around, just nobody, and thought it was odd.  Then she remembered the dates on the sign.  She was the very last visitor to Burnish Lake before the season ended. But what about the staff? Nobody around, but it didn’t matter, she didn’t like people anyway and was finished with them. They were all so full of shit.

 

She hated the bathroom here, so primitive, almost a privy. It was just a big plywood box with hardly any light, only a useless burnt-out bulb, and no windows. Just a slot for ventilation, up too high to be of any use. She used the smelly toilet, noticed there was no sink but only hand-sanitizer. Disgusted, she squirted some on her hands and rubbed it in.

 

Was that why the sliding bolt lock wouldn’t move, because her hands were so slippery?

 

Then she remembered there was a much larger sliding bolt on the outside of the door, for when they locked everything up for the winter. To keep out homeless people or whatever. But this was the inside lock, stuck. She wiggled it gently, then a little harder, then wiggled it some more.

 

Panic began to rise in her. Her worst fear, worse than falling or being raped or even of dying, was of being trapped, locked inside an unfamiliar building or unable to get out of some suffocating place. The worst feeling she had in the hospital was the sound of a big heavy institutional door clanging shut behind her. It seemed to happen every time.
 

 

She wiggled some more. Banged. Then shouted. Then shouted some more. But then she remembered that no one was there.


She screamed and screamed. Her throat began to grow raw. And it was getting dark out. The little ventilation slot was greying now, and the whole stinking room was turning into a black box.

 

She would die in here, alone, in a shithouse in the woods. They’d look for a body for a while, then give up. What would they find in the spring? Then she realized that by throwing herself so violently against the door, she had probably bent the bolt so badly that the lock was irrevocably jammed. Only a hammer or screwdriver would get her out of here, and even if there were somebody around, how would they get it to her?
 

 

It got dark so fast. She was tired. There was no air in this place. Panic turned to despair. She was like one of those stupid hikers who goes on a dangerous trail and doesn’t tell anyone. Who knew about Burnish Lake, anyway? Not Burt. He had never even heard of it.

 

It had nothing to do with the poetic word “burnish” anyway, but was the name of some hopelessly dull cocksucker of a statesman who’d been dead 100 years. Nobody gave a fuck about him anyway.

 

She had to fall asleep eventually: her quota was four hours at least, and she didn’t want to set herself back to her Healing the World campaign, in which people from all over the globe would come to her so she could lay her hands on them.

 

 

Bullshit thought, probably, but maybe not. She still didn’t see what was so wrong with it. Lots of those East Indian women all wrapped up in white gauze had people just flocking to them, and nobody said they were crazy. She had stopped a few people on the street and started to explain it to them, and they had pulled away, but weren’t most people full of it anyway? The average IQ is 100, her writer friend said to her, and they both laughed.

 

She had to sleep. She curled up on the dank floor, and all the meds she was on eventually pulled her under.
 

 

At the very bottom of the murky tank of her sleep, footsteps crunched on the grass outside, leaving deep imprints. Someone was humming to himself. He was a little bit happy, mind, but a little bit sad, too. This was always the final thing he did, the very last ritual before closing up for the year.

 

There was a fiddly noise, a wiggling. A little bit stuck, it was. He’d fix that. He gave it the special wiggle it needed to move. He had a way with this lock.

 

There was a thin screech of metal on metal, then the sure-handed slide and thunk of a bolt as it dropped into place. Satisfied, the man turned his head and looked around the place one last time, then headed over to his pickup.

Make me one with everything