I never thought I'd see this again!!

 

The Roosevelts: An Intimate History

(Click on the link to watch!) I was astonished and deeee-lighted to find this entire series on Internet Archive! There are only fragments of it on YouTube, and a confusing array of chopped-up pieces on Dailymotion, so this was buried treasure, unearthed at last.  I LOVED this series when I first saw it on PBS in 2014 (it's yet another Ken Burns masterpiece), but it was never shown again. It is fourteen hours long, the most ambitious thing Burns has ever done, and by far the best. And it never seems too long or tedious - in fact, I didn't want it to end.

So what do I love about it? Everything. From the superb gallery of  photos and archival film clips, to the meticulous research, to just the right amount of commentary from the inevitable historians, and - most of all - to the superb narration, there is not a false note in it anywhere.

Bad narration, which is nearly universal on YouTube now (most of it AI-generated) is the bane of my existence, but in this case, the main narrator, not to mention the dead-ringer, right-on voices of Teddy, FDR and Eleanor (the last voiced by no less than Meryl Streep!) are so note-perfect that it's no surprise the music is sensitively chosen and utterly appropriate as well. I begin weeping when they feature Aaron Copland at his most tender and majestic, the heroic Richard Strauss (Death and Transfiguration, which is now my theme song), and sublime quotes from Stephen Foster.

It all works. But what was most gratifying to me was watching the first part again, and far from having my usual reaction to something I used to love and now can't fathom, I think I loved it all the more.  I've started reading more about the Roosevelt dynasty, but none of it is more poetic and hard-hitting than this series, which I honestly thought I would never see again.

Comes at a time when I am still feeling pretty rotten at times. Having supposedly dodged the bullet with my surgery, now I am not so sure. "Things" are showing up in my x-rays and blood tests, and I am more than concerned. I will be seeing a hemotologist, which made no sense until I finally clicked with the fact that I had to have a blood  transfusion in the hospital (why?). And I also might be seeing a nephrologist, a kidney specialist, because my poor old ageing kidneys might be out of whack as well. In the hospital, they found a spot on my lung which terrified me, though the followup x-ray seems to have indicated it was resolved. But my doctor is not so sure. So, more tests, more specialists, more trips to the lab.

I am trying to convince myself, and sometimes I even seem to believe it, that the surgery fixed everything and I am now back to full and vibrant health. But once they gut you like that, you're never quite the same, and I feel it almost every day.

I don't want to overshare online, but it gets lonely sometimes, and this blog is supposed to be more personal than, say, Facebook or YouTube (which I am now "off" in many ways, just fed up and not wanting to keep feeding something nobody watches anyway). I feel the same about the blog: I do post links on Facebook sometimes, but I am not sure why I bother.  I am convinced nobody really reads them. They are, however, there for my own reference, so that is something.

Something, but I am not sure what.

So when I find something as superb as this series, whole and complete, and in magnificent HD, it geos a long way (though not far enougth)  to make me feel this is all worthwhile. But I had a thought at the grocery store today, when I could not lift a five-pound bag of sugar into the cart: the natural limits of a human lifespan used to be "threescore and ten" - and by that reckoning, I'm already one year over the limit.

Black lives: the Underground Museum

I can't begin to tell you how much it sickens me to see what strikes me as a great resurgence of racism - and not just in our neighbors to the south. How we love to say things like, "Oh, that's just in the States," or "our history was so peaceful,"  conveniently forgetting the apartheid of residential schools which literally stole children from their parents and held them hostage. We never heard about these things at all, of course, and I think if we had, we would have thought in terms of what an advantage it was for these poor underprivileged "Indian" children to get a good solid Catholic education.

Blindness. I don't want to start. Chatham, where I grew up, seemed for some reason to have a disproportionate number of black people. Disproportionate? That means five per cent rather than none! But black culture was a presence, if not from the citizens of Chatham we lived and worked with, then from Detroit, that source of vibrant new musical culture along with alarming rumbles of unrest.

But there was something else about Chatham. I think my schooling was lily-white until I got into Grade 9 or so (not that it had anything to do with the parallel social movement of integration, no sir!). Then suddenly there were black kids, maybe two or three in a class of thirty. Compared to the zero of before, with all those classes of kids at the Dutch reform school who seemed to be universally blonde and blue-eyed, it was a lot.

It was a confusing time. Black culture was cool, we thought, but we wanted the "good part", Diana Ross and the Supremes, Marvin Gaye, Afros and "black is beautiful", and wanted to leave out the ugly part, the violence, the riots. Of course I knew about Martin Luther King - he was my hero - but I was beginning to have just sprinklings of awareness of other leaders with names like Huey Newton, Bobby Seale and Malcolm X. Meantime, something seismic happened on a more intimate level that rocked our school, and everyone's school. It was a song by a folk singer named Janis Ian, and it was about a white girl dating a black boy. It was called Society's Child, and the refrain was, "I can't see you any more. . . " The girl's mother would not even let the boyfriend in the house. To me, the most chilling line of all is the very last one: "I don't want to see you any more." Her mother's ugly mentality has won a mean little victory.

This song caused a furiosa of response, but it was all underground. Girls huddled around their lockers whispering to each other about it. "Did you hear it? That song? . . .I heard it. . .yeah, it's true, isn't it." Not one person thought the song was inaccurate.

I don't know why were such idiots about it, why we didn't discuss it openly in school, but then we never discussed anything important in school. This was never more apparent than when my mother started talking to me one day about her favorite history book, Romantic Kent by Victor Lauriston. "There's a chapter in it about the Underground Railroad. Chatham is one of the termination points, you know."

About the what?

Once my mother had explained to me, more or less, what the Underground Railroad was, and that Chatham was instrumental in helping escaped and fugitive slaves to settle and build new homes and create communities, a question screamed in my head: why didn't we learn about this in school?

We learned nothing of the Underground Railroad. Either it didn't occur to the school board to put it on the curriculum, or they were embarrassed by it. Chatham had a famous son, Fergie Jenkins, a nationally-known champion ball player, and he was a real nice colored man. Wasn't that enough? We had Mahalia Jackson who came all the way to Chatham to sing for us, but, oops, Mahalia wasn't allowed to stay at the William Pitt Hotel because the management was sure she would be "much more comfortable" in another hotel across town.

I see racism minimized now, I see people writing in comments sections (and why do I still read them?) about how it has all been blown out of proportion, how black people should just forget the past and suck it up and be glad they live in the greatest country in the world (and you know the country I mean, and it isn't Canada). Unfortunately they omit one little fact: that greatest country in the world was founded on the backs of slaves. The United States would not, could not exist without slavery. Slaves were the engine that made the entire machine run. If by force, if by theft of liberty, then what was the damage? They could always go over there and get some more, because slaves were a renewable resource.

But why do those black folks still insist on making such a fuss? I have seen diatribes about indentured workers, Irish mostly, and about how they were treated "just as badly as the blacks". It's the same mentality that whittles down the Holocaust: "but lots of other groups were just as persecuted", "other atrocities took place in history and nobody notices", and maybe just maybe they got that infamous six million count wrong.

I try not to write these days, I really do, because when I do this is what comes out. Truly, I'd like to only post silly videos and animations and things I enjoy doing, because none of it makes one jot of difference anyway. I have almost no readers, and I keep this going only for something to do. I have had weird surges in readership that then died, and I don't understand the surges and I don't understand the dying. I guess I will keep on as long as it amuses me, but there are certain things that will never amuse me, and atrocity against humanity is definitely at the top of the list. 

Underground Railroad Museum, Chatham, Ontario