Sunday, January 5, 2014

Harold Lloyd: The Hanged Man of Tarot




I keep thinking I've gotten to the bottom of the barrel of craziness that surrounds Harold Lloyd. Not a bit of it. Here is a piece almost as strange as the "psychic bridging" site I found years ago while still writing the novel, then couldn't find again, ever. It disappeared in the night. The psychic bridging was some sort of time travel or remote viewing, where supposedly you could see into any era or period of time while remaining in the present. Harold Lloyd's name was mentioned in the piece in a most alarming way. The writer said he "became self-detached during filming" in the 1940s (he did make his last film in that time) and had to be hospitalized. But why, how - wtf?? 

Anyway, it all disappeared, and I never did find out if Harold worked for the CIA during the Cold War or what. Being as he was Imperial Potentate of the Shrine, Shriners being  Masons on steroids, there is much to indicate that he had more than a passing relationship with mysticism. That doesn't mean he appears in my living room at night (oh dang, I wasn't going to tell anybody).





I swear I didn't write the following piece, but it interests me, because with all his Masonic orientation (from his late 20s until the end of his life), there might be some sort of subconscious symbolism working its way out in this brilliant, but admittedly very strange movie with the oh-so-Lloydian title, Never Weaken.

Anyway, Just Wondering, whoever you are, I am lifting a piece of this article (which I have since realized has been reblogged all over the place, so who knows where it really came from) because I like it. I will offer my own interpretation shortly.



The Hanged Man Of Tarot In Popular Culture


What do Harold Lloyd, Ringo Starr, and Eddie Van Halen all have in common?

They've all appeared in movies or videos as "a man hanging upside-down from a rope by one leg and crossing the other leg".

That would be quite a coincidence if they were not all mimicking the same thing, The Hanged Man, which is the twelfth card in the Tarot deck.





Harold Lloyd is hoodwinked but then "enlightened" in the short film "Never Weaken" (1921).


Harold Lloyd's "Never Weaken" (1921) is full of masonic imagery.  He sits in a chair and blindfolds himself to commit suicide, but is lifted up through the air by a construction girder.  He hears harp music and takes off his blindfold to see a beautiful angel.  Only when he hears jazz does he realize that the angel is not real and he is not in heaven but high above the street and about to fall to his death.  He makes it back to safety.

In masonic terms, he is initiated by sitting in a throne, being hoodwinked, facing death, and being deceived.  He is a "hanged man", suspended on a steel beam between life and death.  He is then enlightened to a higher plane of understanding when the veil is lifted from his eyes and he perceives reality.






There is also a ring-on-a-string marriage ritual, a blood ritual, and a lot of focus on men's rear ends.

Everyone remembers Harold Lloyd hanging from a clock in Safety Last (1923) but nobody seems to remember the next scene where he swings upside-down from a rope by one leg:

Not bad stunts for a man who lost his thumb and forefinger four years earlier.




Harold Lloyd swinging from a rope with one leg bent in "Safety Last".


There are bank and stock exchange signs in the background, six years prior to the Stock Market Crash of 1929.

Get it?  It's predictive programming:  Safety Last-taking huge risks-bank-stock exchange-patriotic flag-nobody gets hurt-happy ending.


BLOGGER'S NOTE. I think all that blindfold/shooting-yourself-in-the-heart-for-love stuff is darkly erotic, as is the long, funny but rather disturbing chain of suicide gags (in which he goes to the dictionary to check the spelling of a word - sepulchre - in his suicide note). The helplessness of the blindfold, his chair being suspended in mid-air, the stone angel and harp music, the ecstatic and almost orgasmic facial expression as he unmasks himself and reaches out for Eternity. . . well, it's all pretty sexy as far as I am concerned. Then that immortal scene of realization that he. Isn't. In. Heaven. At. All. 

There is blood in this, yes, actual blood, when he pricks his finger trying to impale himself on one of those spikes they used to stick notes on. Is this an unconscious (pun intended) reference to Sleeping Beauty fatally pricking her finger on a spindle? He does swoon in another scene, losing consciousness, almost falling out of his chair. If you want to look for Freudian flying/falling/bleeding/dying/surrealistic/Masonic/angelic/phallic symbols in this thing, you'll find them. It's chock-a-block.




As for being blindfolded,  Harold Lloyd was blind for a while, after the legendary accident which shaped the rest of his career/life. No one knew if he would ever see again, and one can imagine the terror, the helplessness of having to lie there, burned and maimed and blind. . . The joy and even ecstasy with which he reaches out for the Angel of Death in the movie might even reflect his profound desire to die and be done with this agony. Perhaps he even considered suicide himself: it's not a funny topic, but it somehow found its way into two of his movies. 

Well, why not a hanged man? He was into all that Masonic stuff, wasn't he? Magic shows, Tarot cards, deals with the devil? Haitian voodoo (no, that's me). God knows what else I'll find, that he was a polygamist or something, or worse than that, a Rotarian.

(Weird, weird stuff. . . I've been trying to post a gif of Harold suspended on the chair, and it keeps. . . disappearing. First it half-disappeared. This has never happened to me before, ever, in my entire career of fooling around with/making gifs. Then it just vanished, though a ghostly outline allows me to make it small, medium or large. BUT IT ISN'T THERE! I tried to put it back, and I can't put it back because, in fact, it is already there. . . I just can't see it.)






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It's a very bad Separated at Birth, which means I am overdue to see my psychiatrist and not yet recovered from Christmas. I kept finding that top picture on Harold Lloyd sites, and wondering what it reminded me of. Voila! It's Bullwinkle! Specifically, Bullwinkle doing that crazy high-stepping dance when he got his own show, with that idiot smile that came and went. Took me forever to find a picture of it. The Harold pictures are from his rather sad comeback attempt, The Sin of Harold Diddlebock. There is an even more deranged smile shot in The Milky Way, in which he plays a milkman trapped in the back seat of a cab with a horse. But I can't find that either.




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