Tuesday, November 3, 2020
Monday, November 2, 2020
Mug shot: HAVE YOU SEEN THIS APE?
It's not Bigfoot, though if Bigfoot looked this scary I'd be crashing through the bush trying to get AWAY from it, not chase it to ground in order to capture grainy, indecipherable footage which would be analyzed frame-by-frame on the History Channel.
No, it's a reconstruction of Paranthropus Boisei, one of the earliest and most primitive human ancestors, with intimidating apelike faces and the upright bodies of hairy, stocky humans. You know - men.
BTW, this photo from an anthropological museum display has been mislabelled (by ME, including) as Orang Pendek, a Bigfoot variation from somewhere, oh who cares. They're all fakes anyway, except for THIS one. We know it's real. . . 'cause it's on Wiki.
Paranthropus boisei is a species of australopithecine from the Early Pleistocene of East Africa about 2.3 to 1.34 or 1 million years ago. The holotype specimen, OH 5, was discovered by palaeoanthropologist Mary Leakey in 1959, and described by her husband Louis a month later. It was originally placed into its own genus as "Zinjanthropus boisei", but is now relegated to Paranthropus along with other robust australopithecines. However, it is argued that Paranthropus is an invalid grouping and synonymous with Australopithecus, so the species is also often classified as Australopithecus boisei.(So's your old man.)
Sunday, November 1, 2020
Martin Scorsese, Martin Scorsese
A little Italian let’s praise today:
The Topo Gigio of pictures, let’s say.
When Taxi Driver comes on TV,
I always drop what I’m doing, you see,
For Travis Bickle is my main man,
Because of DeNiro I’m such a great fan.
When first I saw this story bleak,
I had to through my fingers peek,
For though the end was a gory mess,
I couldn’t stop watching, I must confess.
Who supports the Italian Munchkin party.
Like my Uncle Aubrey his eyebrows were dense,
And his movies didn’t always make much sense.
But to the soul they spoke without fail,
For Raging Bull's a morality tale.
And fluids red from DeNiro’s face
Went gushing and flying all over the place.
It filled us all with horror and dread.
But for our director, comedy was king,
For sociopaths were Marty’s favorite thing.
I can’t tell you all the movies he did,
For I’d be here all day, I do not kid.
But some of them were a big surprise,
Like Age of Innocence, pure sex in disguise.
And Alice by Bursteyn, my what a trick,
For feminist views he laid on quite thick.
And when he did that movie of Jesus,
He went far out of his way to please us.
Then there was Goodfellas, my what a pic,
And I can’t say it was my favorite flick.
Every time I try to watch this thing,
It doesn’t exactly make me sing.
And he and DeNiro seem joined at the hip.
It’s an odd sort of duo, a big guy and small,
With both of them Cosa Nostra and all.
Real genius is rare, so let's praise this guy,
And hope that his pic on Sinatra will fly.
His turkeys are few, though with Liza Minnelli
He went on a coke binge and turned into jelly.
Martin Scorsese, Martin
Scorsese,
Your pictures are great and drive film students crazy.
So some day I hope, in my brief mortal span
I can call you just Marty: cuz you is de man!
Saturday, October 31, 2020
On a magical Halloween night. . .
A little girl was born. I watched the miracle happen on that Halloween night, and have seen her grow and change, struggle and rejoice - and now she's a young woman, so all these photos I collaged for her are kind of out of date, but still beautiful. What a lot of work I put in on these projects, but it was the best time of my life. Happy Sweet Seventeen, Caitlin!
Friday, October 30, 2020
Thursday, October 29, 2020
At the watering hole
Wednesday, October 28, 2020
Dear God, who wrote this prayer?
Tuesday, October 27, 2020
NOT DISNEY! The Blue Danube, 1939
Monday, October 26, 2020
Sunday, October 25, 2020
It's Good News Week!
Saturday, October 24, 2020
Cinderella Rockafella
I love your touch (Thank you so much)
You're the fella, you're the fella that rocks me
I love your face (It's in the right place)
Yeah, bring it money yeah
You're the lady, you're the lady that I love
You're my rockerfella
I love you
I love you
I love you
I love you
I love youuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu
Friday, October 23, 2020
Wednesday, October 21, 2020
Tuesday, October 20, 2020
Monday, October 19, 2020
QUEEN BEE: a mystery worthy of Hitchcock
(I've been promising you a rose garden of triviality and fluff, but I rediscovered this post from years and years ago and wanted to re-post it.)
Years ago, when the internet was still somewhat Jurassic and YouTube was all new to me, I kept trying to find something, anything, about an episode of a sci-fi TV show I saw in the '60s. Wasn't sure if it was Twilight Zone, Outer Limits or (my personal favorite, the one that scared the bejeezus out of me) One Step Beyond.
I don't think I even saw the show, in fact. My much-older sister was reading a description of it out of TV Guide. "A woman doctor awakens to discover that she has become extremely obese." My sister said, "Oh, that sounds like me." I didn't even know it at the time, but she was pregnant and hiding it from the world, including me.
But that wisp of memory is ALL, I swear, that I had to go on.
I did find this on a message board, and thought: I think, I think she's talking about the same thing:
Does anybody remember an episode of Twilight Zone or Outer Limits about a Queen Bee? It isn't the one with the sexy queen bee trying to breed with a human male. This was about a woman who wakes up and discovers she is enormously fat because she is a queen bee and she is never allowed to do anything but breed and be fed. Program, episode and names of actors would be appreciated.
Update: Zzzzzzzz is the one about the sexy queen bee. I'm looking for the one about the morbidly obese queen bee.
Answers
Best Answer: Outer Limits: Zzzzzz
Season 1 Episode 18
Actors: Vic Perrin, Bob Johnson, Ben Wright, Robert Culp, Robert Duvall
It wasn't the Outer Limits, and I believe it was in black and white. I can see the actress, but I can't think of her name. She did a lot of stuff in the 60's and 70's. Sorry to be of no help. Good luck.
The Alfred Hitchcock Hour (TV Series)
Consider Her Ways (1964)
Plot Summary
Dr. Jane Waterleigh wakes to find herself in an obese body, having just given birth to her fourth baby, and is called "Mother Orchis" and "Mother 417" by an all-female medical staff. The other Mothers, all of whom are corpulent and much larger than their helpers, the Servitors, tell Jane that there are no men, their only responsibility is to give birth, and Mothers neither read nor write.
OK THEN! Great episode, based on a short story by John Wyndham (which I now have to find!). I decided to post the entire (detailed) synopsis because it's so fascinatingly bizarre. It DOES have termite queen aspects to it (and dear GOD do not get me going on termite queens, those seething bags of - ). I do not have the video, and the only photos are these godawful grainy things I scrounged and blew up. There is a mere snippet from the ending on YouTube, from which I have made a few not-very-good gifs.
But it's gratifying to realize that from that tiny wisp of memory, I have been able to retrieve something this tangible. Hell of a good story, too - too bad I didn't watch it.
BADDA-BOOM: There's got to be a rim shot to this. The actress in this episode was catching my mind at first - boy, she looked familiar (one of those!), until one of my Google image searches just sort of stuck her name in my face.
I remember her from Barney Miller! And many other things, of course - she had one of those long careers character actresses used to have. And now that I think of it, my older sister - the pregnant one - (the termite queen, I mean) - used to watch The Alfred Hitchcock Hour all the time, and wouldn't be caught dead watching One Step Beyond. That sort of show was for the common rabble. Hitchcock was Art.
So I should've remembered. Eh?
POSTLY POST: So the next day, like ripping a bandaid off something barely healed, I began to look for some more. Can't leave it alone, it seems.
Enthralling as that story outline seemed, there were holes in it, and parts of it that didn't make much sense. This was the only other detailed synopsis I could find, from Wikipedia:
The story is mostly a first-person narrative. It begins with a woman (Jane Waterleigh) who has no memory of her past waking up and discovering that she is a mother of some description, in a bloated body that is not her own. After some confusing experiences Jane's memory gradually returns and she recalls that she was part of an experiment using a drug (chuinjuatin) to see if it enabled people to have out-of-body experiences. It seems that the drug has worked far better than anyone could have anticipated: Jane has been cast into the future. She also realises that she is in a society consisting entirely of women, organised into a strict system of castes, and that she is now a member of the mother caste. Jane's initial contacts have never even heard of men, and believe her to be delusional.
When it becomes clear to doctors who attend Jane that something strange has happened (since she can read and write, while the mother caste are illiterate) they arrange for her to be taken to meet an aged historian named Laura. It seems that Jane is in a society somewhat more than a century after her own time. Laura relates that not long after Jane's own time a Dr Perrigan carried out scientific experiments that unintentionally created a virus that killed all the men in the world, leaving only women. After a very difficult period of famine and breakdown, a small number of educated women, found mainly in the medical profession, took control and embarked on an urgent programme of research to enable women to reproduce without males. The women also decided to follow some advice from the Bible ("Go to the ant thou sluggard, consider her ways") and created a caste-based society in which Jane has become a member of the Mother caste.
Laura does understand what Jane means when she talks of men. However, she is certain that they were oppressors of women and that the world is far better without them. Jane disagrees and feels the demise of men to be a terrible blow.
Distressed at the prospect of spending her life as a bloated producer of babies, expected to be unable to read, write or reason, Jane requests that she be administered a dose of chuinjuatin in the hope that she might return to her own time. It works, and once transported, Jane decides to stop Dr Perrigan at all costs. The story has an ambiguous ending, which may suggest that it is the narrator's own actions that will lead to the catastrophe she hopes to prevent, an example of the predestination paradox.
This is actually the synopsis of the original John Wyndham short story, though the Wiki entry says the Hitchcock adaptation was "fairly faithful" (though transplanted to the U. S. Note the word "programme" in the synopsis - even we Canadians don't use terms that antiquated and bulky).
But here's one more snippet: a review posted on a Hitchcock fan site. Gives a little more insight into this strange and twisted thing. This just makes me want to see it all the more, but I'd have to order it on DVD or something, along with 576 other episodes.
This was a weirdly disturbing episode...but NOT for the reasons presented. In the future, men are dead and the surviving woman have become a single-gender society, with classes and levels organized along the same lines as the Ants. A woman wakes with no memory of who she is...and finds she's a hugely obese, barely mobile woman named "Mother Orchis" who (as a mother) is genetically designed to have babies...and nothing else. She gradually remembers she has a husband (nobody even knows what a 'man' is), can read and write (something Mother Orchis can't do) and was in fact a doctor. The story's pretty facinating (involving mental projection and time travel) but the the whole "No woman is complete without her man!" message has an ugly ring to it. Still, I'm charmed by the effectiveness of the primitive fat-suits and the sight of those huge woman, reclining on couches and eating...being massaged by servants (drones) and existing in this strange society that survived the loss of the other gender and adapted.