(I rediscovered these recordings a little while ago, then realized I'd already done a post on them. Well, if I can stand to hear them again, so can you!)
There's not much to say about singing like this - not even words to describe it, but I'll try. Most of these are "vanity" recordings, kind of like self-published books, and thus are a whole new definition of awfulness. But at some point, these people must have thought they could sing. Who told them that? Whoever it was should be incarcerated. At very least, there should be a stiff fine.
Ah! Emanuele Bucalo. You may ask - who is he? You will know even less about him after you hear this. But I will say, it's funny. There used to be a Hanna-Barbera duck character named Yakky Doodle, and this is who he reminds me of. Not even as tuneful as Donald Duck.
Sirach Van Bodegraven is another infamously un-famous singer who deserved his reputation. He has a way of blundering through the classics in hell-bent fashion, singing so badly that it's often hard to tell what the hell the song is supposed to be. Here he eviscerates Vesti la Giubba from Pagliacci with true operatic gusto. Or is it gutso?
Encore, encore! To thunderous applause (or is that a thunderstorm? Can't tell, my ears just went blank), Sirach treats us to his inimitable rendition of that other opera standard, Nessun Dorma. This is only marginally worse than listening to those fat adolescent boys in spandex body suits butcher it on America's Got Talent. Note to the audience: LOUD singing isn't GOOD singing.
Now, here we have "The Highest Voice". That is the title of the video, so that is what I am going to call it. It is the highest voice, I suppose, if screeching at the top of your lungs and "sort of" hitting the note counts. I had to read the YouTube description to find out who this was. It's Susie Summers! Sounds like someone from a Gidget movie, or maybe one of those dolls with hair you can pull out of its head so it reaches the floor. Anyway, Susie Summers is singing The Doll Song (appropriate!) by Offenbach, whom I don't believe for a minute wrote it the way she is singing it.
Adele's Laughing Song! But we're not laughing.
Thomas Burns may just be the Michelangelo of bad singing. The piano introduction seems to be preparing us for singing that is romantic and tinged with melancholy, and instead we get a constipated Elmer Fudd. I have heard that Burns was a close friend of that other scion of bad singing, Florence Foster Jenkins (badly portrayed by Meryl Streep, whose performing is now so weighed down by mannerisms that she looks like a candidate for Dr. Nowzardan). Maybe not, though - I think he was just added on to a CD of Jenkins' recordings to pad it out a bit. Florence only recorded a dozen or so arias, or perhaps the others just exploded into bits. When Burns sings, "O, Margarita", though. . . do I even need to finish that sentiment?
I shouldn't include this one, and I feel a little ashamed of myself, but here it is anyway because it is just so horrendous. It's not just bad singing - it's drunk singing, from a soprano who should know better. What's both touching and cringeworthy about it is how the tenor just keeps on valiantly singing, not trying to carry her but just keep his head barely above water. What else can he do - escort her off the stage? Really, someone should have, if only for her own sake. I had to look up her name - she's a well-known singer, when sober, with the incredible handle of Dragana Jugovic del Monaco. Yikes!
Natalie de Andrade. I can't find out anything about her. Obviously she must have performed somewhere, or her puss wouldn't be plastered on this programmy-looking thing. But she is awful. Simply awful. This sounds like a rehearsal, but of what, I can't say.
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