Monday, November 7, 2011

War is hell (but what is writing?)



WRITING IS HELL


If you're a freelance writer and aren't used to being ignored, neglected, and generally given short shrift, you must not have been in the business very long.
Poppy Z. Brite



Coleridge was a drug addict. Poe was an alcoholic. Marlowe was killed by a man whom he was treacherously trying to stab. Pope took money to keep a woman's name out of a satire then wrote a piece so that she could still be recognized anyhow. Chatterton killed himself. Byron was accused of incest. Do you still want to a writer - and if so, why?
Bennett Cerf






I am irritated by my own writing. I am like a violinist whose ear is true, but whose fingers refuse to reproduce precisely the sound he hears within.
Gustave Flaubert


Writing is not necessarily something to be ashamed of, but do it in private and wash your hands afterwards.
Robert A. Heinlein



It's tougher than Himalayan yak jerky in january. 
Richard Krzemien







Writing is not a genteel profession. It's quite nasty and tough and kind of dirty.
Rosemary Mahoney



Follow the path of your aroused thought, and you will soon meet this infernal inscription: There is nothing so beautiful as that which does not exist.
Paul Valery



Writing is so difficult that I feel that writers, having had their hell on earth, will escape all punishment hereafter.
Jessamyn West




















I was working on the proof of one of my poems all the morning, and took out a comma. In the afternoon I put it back again.
Oscar Wilde



If writing seems hard, it’s because it is hard. It’s one of the hardest things people do.
William Zinsser



Easy reading is damned hard writing.
Anonymous





Ahhhhhh, JESUS, not one of these blocks of quotes again, all about "the writer's life" and what sheer hell it is to write and about how you must shed your skin and ooze out quarts of blood and etc. etc.

It's not like that. Not like that at all. At least, not for me.

I love to write. Sitting down to work on this blog every morning is more fun than going to the beach. Hell, the circus! I don't worry about the quality of it at all. It's play.

No one wants to hear this, but I have to say, though I've had my share of struggles with the craft and was not really ready to try to publish a novel until well into my 40s, most of it has been pleasurable in a way that borders on the sexual.




I don't know why that is. Many of these quoters, not to mention gazillions of others, would conclude, "That's because you're a lousy writer." It took me a while to disagree with this. Actually, what it took was getting two novels published. It still breaks my heart that they ended up selling so poorly, but out of something like thirty reviews between the two of them, only one was negative.

My publisher at the time said, "It's a miracle, Margaret." I wanted to say: how 'bout twenty years of hard work? Yes, but hard work that still brought a smile to my face.




Writing is hell, supposedly - nearly everyone says so, or wants you to think so - but in my mind, at this stage, right now, what is really hell is trying to get it out there. I think I still have something valuable to share: in fact, I know it. Maybe I am being punished for this, although at the same time we're all supposed to be brimming over with self-esteem (see My Declaration of Self-Esteem, yesterday's post).

It's so weird: writers are supposed to be furtive (as if it's a secretive, even dirty activity). They're supposed to sweat blood: if there's an exhilarating flow to the work day-to-day that results in a work you are immensely proud of, you must be doing it wrong.

You've got to suffer. SUFFER. Big-time. If you don't, it can't be any goddamn good.
































I suffer all right, but suffer in the process of trying to get my story into the hands of readers. Here, too, public perception is extremely odd. People react with a kind of embarrassment that you even want such a thing. Shouldn't you just be content to write it and put it away somewhere? What about the process; shouldn't it be its own reward?

I hate to go back to the old saw about the professional cellist or ballet dancer who has trained all her life, is at the very top of her field, and never gets to perform. Shouldn't she be OK with that? Shouldn't she just be content to play her Steinway in an empty hall?

Phhwaaaaaahhh!




Writers who want to share their stories are egotists, and if they actually want to make money, they are mercenaries. Never mind that they have bills to pay like everyone else.

It's odd, but I've noticed over the years/decades that the first thing people ask you when they find out you're a writer (and I never tell them any more because they always look so doubtful) is, "Have you published anything?" When I tell them, they invariably ask, "Did you self-publish?" (or "e-publish", that other free-floating form of the vanity press). When I tell them no, they look at me quizzically and say something like, "However did you manage to do that?"




It's kind of like my freelance work. I've written at least a thousand columns and reviews which have accumulated over 25 years or so. (No one believes this, either. But I wrote weekly pieces, which adds up to 50 or so a year. Do the math.) This is what I heard, all the time, but furtively, as if someone was opening their coat to show me dirty postcards:

"Do they pay you for that?" (in a doubtful tone).

When I say yes, they then ask:

"How much?" (Last time I checked, it was rude to ask someone who works at McDonalds how much they are paid. It just is not done.)

Then comes (incredulous):

(a) "That much?" (or, conversely):

(b) "Is that all?"




Anyway, this is turning into a load of complaining again. I don't complain about the writing process too much any more. Blogging has broken the ice jam and brought back the exhilaration I used to feel before everyone started trying to convince me that Writing Is Hell.

But I'm still on that road. It's called The Glass Character, folks. It's a novel. I think it's the best thing I've ever done. As far as I know, no one has even looked at it: my reviews mean nothing, I guess, because my previous two (PUBLISHED!!) novels didn't sell very well.





And yes, THIS is hell, and always will be. There are a gazillion quotes about how desirable failure is, about how we should all have as many failures as we can possibly manage because we learn so much from them and become Better People.

But in publishing, even one failure (or perceived shortcoming) can sink you forever.

Be warned.

Getting published is hell.



Sunday, November 6, 2011

The self-made monster






My Declaration of Self-Esteem

by: Virginia Satir, Source Unknown



I am me.















In all the world, there is no one else exactly like me.  There are people who have some parts like me but no one adds up exactly like me. Therefore, everything that comes out of me is authentically mine because I alone choose it.




















I own everything about me- my body, including everything it does; my mind, including all my thoughts and ideas; my eyes, including the images of all they behold; my feelings, whatever they might be -- anger, joy, frustration, love, disappointment, excitement; my mouth and all the words that come out of it -- polite, sweet and rough, correct or incorrect; my voice, loud and soft; all my actions, whether they be to others or myself.































I own my fantasies, my dreams, my hopes, my fears. I own all my triumphs and successes, all my failures and mistakes.




















Because I own all of me, I can become intimately aquainted with me in all my parts. I can love me and be friendly with me in all my parts. I can then make it possible for all of me to work in my best interests.
 


















I know that there are aspects about myself that puzzle me, and other aspects that I do not know. But as long as I am friendly and loving to myself, I can courageously and hopefully look for the solutions to the puzzles and find out more about me.



































However I look and sound, whatever I say and do, and whatever I think and feel at a given moment in time is me. This is authentic and represents where I am at that moment in time.





When I review later how I looked and sounded, what I said and did, and how I thought and felt, some parts may turn out to be unfitting. I can discard that which is unfitting and keep that which proved fitting, and invent something new for that which I discarded.


























I can see, hear, feel, think, say and do. I have the tools to survive, to be close to others, to be productive, to make sense and order out of the world of people and things outside of me.





I own me and therefore I can engineer me. I am me and I am okay.





Saturday, November 5, 2011

Short fiction: The Bridesmaid



She knew she was supposed to be happy. She was not just a "bridesmaid", but "Maid of Honour". When she thought about it, which she did too often, it was a dumb term, something out of the Middle Ages. Or for the Middle Aged. She was thirty-seven and never married. What a horror, in these times of frantic brides knocking each other over to find the perfect foamy, huge-skirted gown.


She had come close, but only just.  By thirty-seven, if you were straight and even nominally attractive, you'd usually be engaged at least once, maybe twice. And yeah. It had been her turn, sort of. She'd had a different circle of friends then. But not really: it was the same circle, before they all got married. They were "different", all right, but in another way.


But it lasted six months, then he moved away for a promotion, promising to stay in touch. The promotion won out.






Then there were the babies. "If you want one," a "friend" said to her the other day, "you'd better get cracking." She was cracking, all right, but not in the way her friend meant.


What was this, anyway - the Wedding Bell Blues? Whatever happened to feminism and equality and the banishing of suffocating old medieval traditions like the virginal white gown and Daddy "giving you away" (which had connotations she didn't even want to think about)? Marriage was on the way out, was what they said, to be replaced by serial monogamy or open relationships where partners came and went, stopping at "home" only to refuel.


But it didn't go that way. Hardly.


Over and over again, she handed over the prize. Over and over again, she applauded, wept, tried to catch the bouquet (hating herself for even trying to do something so inane) , and generally put her heart out on the railroad tracks to be demolished once again.


Her cherished friends were all on the other side of some sort of barrier, especially the ones who had babies. They were exalted in some way. They spoke another language that excluded her, and she knew it. She remembered introducing some of her friends to their future husbands, and winced. She had actually been the agent for their happiness, giving her own away in great armfuls like so many wilted roses.






New Age thinking would say that she made this situation happen, that she recreated childhood hurts and rejections, and that all she had to do was decide to be different. Then a dozen good-looking, single, employed, non-addicted guys would come stampeding into her life. And it would be different. SHE would wear the golden crown; THEY would applaud and weep.



Except that it would be different for them too, her friends.  They were already married, had babies. Their lives were "solved". Never mind how many of these tenuous unions would fall apart in the coming years (and she knew how many of them probably would).


She was alone. She'd helped them along, given them a boost, supported them, gone to the goddamn bridal showers and played the stupid games, gone to stagettes with greasy muscle-bound gay men prancing around in their underwear. But she couldn't say no, because to be Maid of Honour was an honour. It would be like handing back an award, wouldn't it?




She looked in the mirror, took a big fat red lipstick, drew a red x over her face. What was it Liz Taylor wrote on the mirror with lipstick in that movie, Butterfield 8?  Ah yes: NO SALE.


You see, that's the thing. I'll never get to hand that award back because I'm not even in the running, am I? And if I've helped those nominees, given them a leg-up by lavishly praising their novels in my reviews, helped them line up in the gateway for the top literary prize in this country, I'm not supposed to be bitter or angry, am I? Am I?




Because it wasn't really a bridesmaid thing. Not really. And I'm 57, not 37. I guess I'm just living in my imagination again. What a thing for a writer to do. Unthinkable.


I've been reviewing books for a million years, it seems. Not that I don't enjoy it or find it engaging work. I know what it is to BE reviewed, too. I had almost unanimous positive reviews for my two novels, but unfortunately nothing happened. They were sent back to the publisher almost immediately, and now my account with them is in the red.






No one told me it would be like this, that I would owe my publishers for my glowingly-received, non-selling book. It sounds like the most pathetic thing in the world.


It was an honour (were we speaking of honour?) to review those two books, those two contenders for the Prize, and I wouldn't take back anything I wrote, because it wasn't "praise".  I was just saying what I thought.


And  it's not that I don't want them to be in the running. It's just that I want to be in the running too, before I get too old to stand up. And for some reason, that embarrasses everyone. I'm not supposed to mention it or even think of it, or everyone looks away as if I have done something unspeakably humiliating on the carpet.  I've violated one of those thousand-and-one invisible rules I never caught on to.  I guess it makes me look ungracious.







But I do wonder, because I am human and can't shut up the way I know I am supposed to, when in God's name it gets to be my turn.