Saturday, July 5, 2014

Blood sacrifice: or, why I hate going to the clinic



This is still so traumatic that I haven't even been able to write about it in my private journal. I sit here this morning after a lousy night, waking repeatedly and full of anxiety, trying to get through my giant mug of coffee and make sense of it all.




I'm not sure yet if I was the victim of medical mauling, or my own aging physiology. Though the pictures here are trying to help me play this for laughs, it wasn't too goddamn funny.

For medical reasons I won't go into, I need to give blood samples at intervals for analyses of cholesterol, glycogen, that kidney stuff I can't remember - all that shit - so there's no way around this visit to the clinic and the dreaded arm-stick.






Does it make sense to you to say I've never enjoyed this? Eons ago when I was pregnant, we first ran into my little problem: the technician (I think it was a nurse back then, before every medical procedure was farmed out to a different specialist)could not always score a direct hit on a vein. This involved (if they were shitty at it, which most of them were) repeated poking, twisting, trying the other arm, and a growing irritability towards ME for holding things up with my difficult veins.



Back then, if it didn't go well, I'd really hold things up by fainting. By now I've got past all that, but in recent years, after a stretch of relative normalcy (i.e. only five or six tries, leaving a black and blue mark 2 or 3 inches in diameter), things got much worse.




At first it was intermittent: some days the technician (usually one of the more competent ones who show up randomly on good days) seemed to get it bang-on and it would all be over relatively quickly. Sometimes it took forever because the needle was not all the way in or in at an angle, and the slow, painful dripping would go on and on. I needed to fill four or five of those little bottle-y things for some reason, and I wouldn't watch, though the technician acted surprised that I didn't want to eyeball the whole procedure (complete with a needle lifting up the skin in a point as it cranked around and around and around in a futile search for a viable vein). I had learned to cope, and as usual my coping methods were suspect and probably wrong.


There were some highlights, or lowlights to this process. Once a hysterical-looking technician had an anxiety fit and asked me, almost wild-eyed, if I was always like this and what was the matter with me. She had insisted on applying the tourniquet very loosely on top of a thick sweater to avoid bruising, though none of the others ever did this. She seemed to be sweating with dread. It took her a long time, but at least she didn't call in a second technician, something that seemed to be happening with alarming frequency.

To call in a backup is a disgrace because it makes them look incompetent, wastes a lot of time (there are other customers waiting, after all, customers with normal-sized veins),and make no mistake, *I* am the cause of this holdup and making everyone look bad. I'm making it look as if they don't know their stuff!




The fact that every so often someone would show up, touch my arm with a fingertip, aim, shoot, and hit it bang-on with no trouble, drawing the sample in 2 minutes, did make me wonder about competence and dealing with non-standard veins. But in reality, my veins were treated like an aberration, something they had never seen before, as if I had walked in with two heads.

The explanation, if I got one at all, was that my veins were small, deeply set in my arm, and moved around a lot (probably because they were small and deeply set in my arm). Trying to inflate them with a super-tight tourniquet seemed like a good idea to me, but they wouldn't do it because their training told them they weren't supposed to.




The over-the-sweater-sleeve tourniquet technique may be OK for a normie, but for me it's a disaster. But I can't tell them to make it tighter, can I? I will get that "whaaaaaat?" look. And why don't they do that little two-fingered tap-tap on the spot any more? Will it be too traumatic and painful? Will it cause. . .  bruising? But it can't cause the kind of lead-pipe black-and-blue mark I come away with after a typical bloodletting ordeal.

Can I even pick a "worst"? At least up until yesterday's debacle, that would be the young trainee who poked and prodded in the usual way, skidded over my arm which finally began to bleed furiously (though not into the tube), giggled, yanked it out, halfway capped the tube and began shaking it violently. Blood flew through the air and splashed all over the front of my blouse, ruining it. She giggled some more. "Gee! That's never happened to me before!"

Translation: there must be something wrong with YOU. You are a freak. A nineteen-foot-tall Atomic Woman stalking Port Coquitlam. 




When I try to tell this story to anyone with a medical background, they say something like, "Oh, that didn't happen. The cap can't come off like that. You couldn't be sprayed with blood." It's great to be listened to, isn't it? How I wish now that I had immediately complained to the front desk, ripping open my jacket to expose the gobs of gore.

So on it went, every three months forever. The bad episodes were intermittent, and I found tricks that I thought worked, kneading and slapping the crook of my arm, swinging my arm as I walked over to the clinic, pumping gallons of water like someone said I wasn't doing. 

Whistling in the dark. Putting out a forest fire by peeing on it. Peeling a turnip with a stone.




So yesterday it gets bad. WAY bad. I arrived on time, sat dutifully in the waiting room and was able to go in almost right away. I said a little prayer, not so much for my inaccessible veins as for the idiots who couldn't find one and turn on the tap.

This was it, the day it got more than bad. WAY more.




The technician walked in. She was one of the more senior ones and seemed to know what she was doing. But on her first poke, her face fell in that dreaded, all-too-familiar, this-is-going-to-take-up-way-too-much-time way.

"Is the other side any better?" She had done me maybe fourteen times already, but acted as if she had no idea who I was and addressed me as a complete stranger.

"No."

"Let's try it, then."

No dice, just nothing. That little gleaming device was like a drill-bit, twisting around and poking and jabbing. I tried not to wince, but it hurt like hell and I knew it wasn't supposed to.

"Sorry, am I hurting you?"

"Oh, no."

Then came the dreaded "calling in another technician" manoevre.




A younger woman with long dark hair and glasses, very poised, very serious, almost doctor-like in her sense of entitlement, swept in. A resident fulfilling a training requirement, maybe. (She was even holding a clipboard.) There was something Special about her. She was the one they called in for Special Cases, when someone became hysterical, fainted or attacked someone in frustration after being fruitlessly drilled for half an hour.

"Let's see what we have here," she said, crisply and calmly, not making eye contact.






She shook her attractive medical head and began to poke into me again.

"Oh, sorry, no, we can't. . . " Weirdly, the first technician hung around. That had never happened before.

At one point I noticed her pressing on my opposite wrist, which already had a huge, godawful plastic clamp on it that left a red welt.

After ten or fifteen pointless minutes, during which I gabbled on and on in explanation, irritating them as I always do when I try to explain anything I clearly don't understand (though not explaining would be even worse because I was being unco-operative and sullen), they gave up on the traditional method. The two of them were beginning to turn away and whisper to each other. I was alarmed. I heard words like "butterfly" and "back of the hand".

They used the butterfly. I've had the butterfly before, and it's no big deal, just another method of jabbing your flesh to suck up your blood, but the butterfly didn't work this time.

At all.

Not a drop.



Now they were really nonplussed. (Yes, that is correct, so don't correct me! Look it up.) They kept looking at my right hand and pressing down and pumping it. Anything there? You would have thought so: I'm old enough now to have those blue veins you see on little old ladies.

"Will this hurt?" I shouldn't have asked: I'd had the back-of-the-hand treatment before, and I knew it hurt.

"Yes, it hurts most people, but we'll try to be quick."

Quick, like. . . ten more minutes?

I stayed calm, but at a cost. I prayed they would get something, even a little bit. Suddenly I remembered a dreaded word as they stepped away to whisper and natter at each other yet again. 

Cutdown.




I knew that if they couldn't get blood any other way, they just used a scalpel and cut you open. Presumably they tied off the vein after the Niagara Falls of blood gushed across the room.

"Oh, no, that's only in the hospital." The two of them, alarmed, looked at each other uneasily. She was having delusions, wasn't she?

Meanwhile, the hand thing wasn't working at all. I had my eyes closed and willed myself to relax, but the first technician took it as dread and panic and asked me - no, I am not kidding about this, "Would you like me to hold your hand?"

"Oh, wait. I think I see something."

A drop!

"Uh, yes, but. . ."

"It's very, very slow."

Drip.(25 seconds)

Drip. (25 seconds)

Drip. (25 seconds)

Drip. (25 seconds)

It took almost half an hour to partially fill a vial, and they were not at all sure it was enough. I prayed they would put the cap on before they shook it. There came another round of flustered, whispered consultation.

I was a freak, a weirdo, something they had never seen in their lives before.

THEY WERE TRYING TO GET BLOOD FROM A TURNIP.




Then came the reasons why, all having to do with me. "You're dehydrated, dear. You'll have to start drinking water."

I didn't know how to tell her that I always pound back water before a test: it helps my creatinine levels. (THAT'S the shit from my kidneys.)

"Maybe you're a little bit anemic." My hemoglobin was always routinely tested, and it was normal. Had never been abnormal. But they treated me as if they could see through me.




"You do look a little blue," the entitled one said.

I can't imagine why.




No one apologized, but there was a funny feeling *I* should have, for taking up 40 minutes for what should have been a 3-minute procedure. At least there was no indelible gore-splatter down the front of my blouse.

I decided then and there to change clinics, but what good would it do? If I started fresh and just told them nothing, might they just score first try? Bingo?




Of course I had to look all this up on the internet, and two seconds later I hit pay dirt. It was a forum about donating blood, and one woman recounted in frustration being turned away because she had "bad veins".

"My veins are small and deep and they slip around and they can't seem to get into them at all. The butterfly doesn't work, the back of the hand doesn't work. Nothing works."

Another post: "Why are my veins so hard to access? The technicians are getting really annoyed with me. The veins are small and deep and they slip around and they can't seem to. . . "

Fifty thousand entries later, all of them virtually identical, a picture was emerging.




SURPRISE. Some people's veins are not very accessible because they are . . . you get the picture. But at the clinic, they were anxious, astonished and even irritated to find that they just couldn't get me to act like a stuck pig, no matter what they tried. In fact they behaved as if they had never seen anything like this in thirty years of experience.

I have often had the experience, when trying to explain something to a medical person, that they think I'm  making up stories. At very least, it's hypochondria, being dramatic and inflating my symptoms out of sheer narcissism. Was my body lying to them this time, I wonder? Being narcissistic, or deliberately making a fool of them? Apparently.




Almost worse is something I hear often when I make the mistake of "sharing" my experiences with anyone. The listener's eyes fly open and they say, "Oh, that's never happened to ME!" This is called "empathy" and is more common than you might think.

Though such people always advise you (right after telling you to throw away those pills and take milk thistle) to make medical people do what you want, it's a great way to attract the hostile stare. And whatever you do, do not ever, ever, EVER mention the internet to a doctor, or their eyes will glaze over. "Don't go on the internet," I've been told, how many times? Medicine hates the information age because it penetrates the hallowed brotherhood that began eons ago with the local shaman.

I didn't cry or whimper or faint, though many people routinely cry and whimper and faint even when their blood-draw is quick and painless. But I don't look forward to going through this every three months. Hell, the back-of-the-hand thing is foolproof, it HAS to work!

I can't go back there because, against reason, *I* am embarrassed. I will try another place. But if they come at me with a scalpel, I am out of there.





Post-blog observations. It's been a while since I originally posted this, and yes, I DID find another lab. I didn't say a thing about my "little problem" because I wanted to see what would happen if they didn't know about it.

The technician, a brisk, no-nonsense lady with a Germanic accent, whisked into my vein and out again in about 30 seconds: no poking, no pain, just a direct stab and a steady flow of blood.

Miracle of miracles! But it HAD to be a fluke. I went back in three months, got a different technician, but exactly the same results.

This was a magic place!

And it went on for, oh, a year and a half at least. Pay dirt every time. Every three months, no matter who did the procedure, they always struck oil. And then. . . "something" happened.




I think it was a trainee or something, and she had some problems with me. She asked me all the usual questions: "Has this happened before? Does this always happen?" After all the usual drilling and twisting and pain, some blood came out. Slowly.

The next time wasn't much better. It was more difficult, time-consuming, clumsier, with more of those strange, uncomfortable "looks". This wasn't a new set of technicians. Some of them I'd already had before, with no problems.

Yesterday, it collapsed. The whole structure of hope and freedom from the sickening, accusing questions came crashing down on me. They couldn't get blood. "Does this. . . you know. . . has this. . ." The consternation, the projected shame at feeling incompetent which was somehow meant to be absorbed by the patient.

I have no idea what I'm doing: sucking my veins in, then letting them out again? I always drink water, etc., blather blather blather, and stand upside down and shake myself like a ketchup bottle for an hour before the drilling. No dice. Nevertheless, they always mention something I "should" be doing, some vital preparation no one told me about before, to avoid holding up the whole enterprise.

Last night I got a call from the lab. That's right. From the lab. There was something wrong with the sample they had finally, laboriously drawn. It had clots in it, making me think it had come out too slowly or had been contaminated in some way. So on a Saturday morning, because they close at noon, I have to go back in and go through the whole ordeal again, likely sitting for an hour in a patient-crammed waiting room full of whining toddlers, non-bathers and people clearing their throats every 30 seconds.

And when it's finally my turn to be stuck, being asked, in puzzled half-contemptuous amazement, "Has this ever happened to you before?"




Order The Glass Character from:

Thistledown Press 

Amazon.com

Chapters/Indigo.ca

Friday, July 4, 2014

How to peel a banana!

Manul: one strange-looking cat







The gif version. This is one of the most eerie things I've ever seen.


William Shatner: deal with the devil




William Shatner kicks off the Calgary Stampede

Throngs of fans jostled to catch a glimpse of the actor, who is serving as this year’s Calgary Stampede parade grand marshal

The Canadian Press

July 4, 2014





Jeff McIntosh/CP

CALGARY – William Shatner got an out-of-this-world welcome Friday as throngs of fans jostled to catch a glimpse of the Canadian-born actor, who is serving as this year’s Calgary Stampede parade grand marshal.

Even before the parade began, some people were yelling “bring out William Shatner,” who played Capt. James T. Kirk in the original “Star Trek” TV series and subsequent films.

A crowd gathered as Shatner and his wife Elizabeth prepared to make their way down the parade route in the back of a light blue antique convertible. Fans snapped pictures on cellphones and clamoured for autographs.

“I’m excited that they’re excited,” said Shatner, who donned a white cowboy hat.

He said with a laugh that he’s looking forward to the end of the parade.

Shatner intends to stay in Cowtown for a while to take in the rodeo and other attractions.

“I’m going to be part of the experience,” he said. “That’s why we’re here, actually. We’re rodeo fans.”

About 250,000 people lined up early on downtown Calgary streets to get the best vantage point.

Rae Thorogood, who said she is a big fan of the actor, got up at 5 a.m. to stake out a prime spot.




“We barely slept. We were so excited,” she said.

Vern Neiley said he has never been able to make it out to the annual parade because he’s always had to work. Now that he’s retired, he said he couldn’t pass up a chance to attend this year.

“The big draw, I guess, was William Shatner. I’ve been a fan of his for a lot of years — ‘Star Trek’ and all the other stuff that goes with it.”

For Neiley’s wife, Sandy, it was a similar story.

“William Shatner is one of my favourites as well too and he’s my big draw too,” she said.

“This is fabulous for Calgary and I think this is wonderful that we get so many people every year for the Stampede parade.”




Before the parade began Jean Cornell sat on a curb with her 18-month-old grandson squirming in her arms, while his siblings played nearby on a blanket.

She said seeing Shatner would be a treat. But for her the main attraction would be “watching these guys’ faces light up.”

On hand to watch the parade were Prime Minister Stephen Harper and federal Liberal Leader Justin Trudeau.

The Stampede runs through July 13.





OHHHHHH. . . kay. 

This I have trouble with.

I've been unofficially following Shatner since his Trek days. There's something admirable about someone who can send himself up in such a good-natured way, and besides, the man's a dynamo, with a finger in every showbiz pie. He keeps popping up here, there, everywhere. He hosted a show I LOVED called Weird or What?, a sort of digest of the paranormal interspersed with Shatnerian clowning, and another one called Raw Nerve, in which he did in-depth interviews with people like Whoopi Goldberg and Jerry Springer and (yes!) Leonard Nimoy himself. As a matter of fact - and this can't be true, it really can't - I seem to remember him interviewing Carol Burnett. Unfortunately, these watchworthy enterprises (!) lasted only a couple of seasons.

But something's off here, or at least weird.

He isn't ageing.

He isn't. 

He just. . . isn't.

The man looks to be hovering somewhere between 60 and 65, and STAYING THERE. He just looks like he always does, not Botoxed, not frozen-faced or Asian-eyed from brow lifts. He just looks like himself, comfortably overweight (and somehow he makes chunkiness look healthy and good), slightly ruddy of complexion, not the fox he was when young (and God, was he a fox when he was young), but still quite good-looking, well-settled in himself, a rare trait in Hollywood (or anywhere, for that matter).

The photo at the top of this post was taken 54 years ago. William Shatner is 83 years old.





There was a Star Trek episode in the first series, I think it was called Requiem for Methuselah, in which it becomes apparent that the title character had lived for so many centuries that he had stood in for all the famous men in history, Galileo, Rembrandt, Brahms, and a bunch of others I don't want to look up. But you get the gist. The guy couldn't die. I don't know exactly what I am talking about here, except that I do, somehow.

I talked to my husband recently about quantum physics. It's something he knows about. He is the antithesis of the woo-woo types who believe in reincarnation and astrology and that sort of jazz. So in a jocular, I'm-kidding-of-course manner, I asked him, "Now is it true what I read somewhere, that you can be in two places at the same time?"

My husband, whom I have known and loved for forty years, and just about the smartest man I've ever encountered, deeply oriented in science for a lifetime, said, casually but with conviction, "Yes."


He said yes.





"Theoretically, it's possible," he explained, and then told me how, as I sat there like Bugs Bunny after he has been run over by a truck: "Duhhhh. . . duhhhh. . . duhhhh. . ."

You can be in two places at the same time. Fine. So what about that other thing I've always wondered about? "So is time travel possible?" This time I really expected a sneer.

"Yes. According to Einstein's theories, it's possible, because time and space do not exist in a straight line." His hand described an elegant curve that somehow gave me the shivers. Then he reminded me that if an astronaut remained in space for long enough and then returned to earth, he would be younger than when he left. Reverse ageing - oh, a simple enough concept! He also went on for some time about wormholes, something I had thought was invented by the writers of The Next Generation.

I was getting frightened.

I have had moments, just moments mind you, when I have felt complete disorientation, as if I am about to "phase", to enter or overlap with another reality completely. Not in another time, but OUTSIDE time. The usual rules, for a second, appear to slip sideways. Physics falls away, leaving a bizarrely beautiful, indescribable otherness.





"Things as they are," goes a very beautiful line of poetry, "are changed upon the blue guitar." Changed, changed utterly.

And for some reason I remember a line in Tom Robbins' wacky masterpiece Jitterbug Perfume, uttered by the brilliantly insane immortalist Wiggs Dannyboy: "The universe doesn't have laws. It has habits. And habits can be broken."

I don't know about deals with the devil or people looking younger than they perhaps should, eerily reversing the dial of time. I don't know about Shatner's lifelong association with science fiction - a happy accident, after all - but hey, wait a minute, before Star Trek, didn't he used to appear on The Twilight Zone? The episode I'm thinking of, besides that iconic monster-on-the-wing scene on the airplane (where he cracks up at the end as only the Shat Man can) is about a man sitting in a small-town cafe who becomes obsessed with a fortune-telling gizmo topped by a devil's head. It's beginning to look like a theme, or at least too many things to be mere coincidence. He claimed Weird or What? was just an interesting concept for a show, not something he necessarily believed in. But the evidence is beginning to pile up. Isn't it?





There are two Shatners (at least), the hammy Trekkian "no blah-blah-blah!" Kirk-figure who became so famous he could never quite live down that histrionic style, and the serious Shakespearian actor who cut his teeth at Ontario's Stratford Festival in the 1950s. I have found a video of him doing Hamlet's Soliloquy on the Mike Douglas Show, and it's a solid, almost low-key, thoughtful interpretation of the most worn-out of actorly cliches. In other words, he is a real actor, not a cliche, and can do whatever he wants and do it well. But what does this have to do with being out of phase, of entering another reality where time, perhaps, goes backwards instead of forwards, where the usual laws of ageing just sort of. . . stop?

I keep thinking I want to meet him, hoping something will rub off, perhaps. It's just so odd. His friend and colleague Leonard Nimoy is shrivelled-up and fragile as an old burned matchstick, and yet they are almost exactly the same age. If you believe in astrology, their destinies are so similar as to be almost identical. 




Yes, you could say that remaining active keeps you young, etc., etc., and that all his many business and professional concerns (especially the horses, which would keep anybody young) have somehow frozen the clock at around sixty-five. But it just doesn't happen that way. Every time I see a picture of him - and years can go by in between - he either looks the same, or better. More ruddy and healthy, without wrinkles or the caving-in that feels inevitable as flesh falls away from bone. This goes way beyond his bluff physical appearance to a kind of age-proof animus, some spirit that mysteriously refuses to get older, or perhaps can't.

What universe does he inhabit? Where can I get a piece of this action? Do people sidle up to him and try to make a deal? WAS this a deal of sorts, and with whom? Star Trek posited many versions of reality, and sometimes they overlapped or even blended together. Cornball as the show seems now, it was cutting-edge for its time, and many of the underlying hypotheses about time and space are still intriguing and even (theoretically!) possible. Or so we have come to believe.





But the rest of the Enterprise crew didn't end up this. . . ageless. It has to exceed genetics. Then WHAT? It's driving me crazy. I wondered at the fact he won't be riding a horse in the parade, but then when I thought about it: an 83-year-old man sitting on an unfamiliar horse for four or five hours - ? He's not that crazy. Not crazy at all, in fact, and obviously knows way more than the rest of us do, not just about survival but thriving, and not falling into the supposedly inevitable pit of mortality. 

It would be even more eerie if he made it to 100, then suddenly keeled over dead, looking the same way he does now. Quick, get out the surgical instruments! You know, the ones they used for that alien autopsy.

(P. S. You Trek fans out there - do you remember that episode where the Enterprise crew was afflicted by a strange disease that caused rapid ageing? Not long ago I saw it, and it was laughable. Shatner looked like his own grandfather.)








Order The Glass Character from:

Thistledown Press 

Amazon.com

Chapters/Indigo.ca

Makes me bloody sick




One of those things floating around Facebook that gets 967 "likes" and all sorts of squeals of hilarity and
delight. Makes me bloody sick. I'm not even going to illustrate this crap. WHY does anyone think there is anything positive in this swill? I would have hated it when I was 20 years old. There's a name for it -
ageism/misogyny - and it's worst when we're being fired on by our own troops.


Older Ladies by Donnalou Stevens

Well, I ain’t 16, not a beauty queen.

My eyes are baggin’ and my skin is saggin’,

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


Well I ain’t 20 either and I don’t care neither.

My hair is gray and I like it that way.

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


If you don’t think I rock, well we ain’t gonna roll.

If you don’t think I hung the moon, my hot just turned to cold.

If you want a younger model, I wish you well, sweet pea.

‘cause if you can’t see what it is you have,

Then you ain’t having me.


I got cellulite and achin’ feet,

And my thighs kinda jiggle when I giggle or wiggle,

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


My tummy ain’t tucked or liposucked.

It’s a little poochy, but I still Hoochy Koochy,

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


See, I’m no longer desperate. I’ll only have a man,

If he has the smarts to see how hot that I still am.

If you want a younger model, I wish you well, sweet pea.

If you can’t see what it is you have,

Then you ain’t having me.


Older ladies, older ladies, older ladies… are DIVINE!


Well I gotta chicken neck and I love it, by heck,

It makes a double chin whenever I grin,

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


I got saggy breasts that droop from my chest,

Pert near down all the way to my nest,

And if that’s the reason that you don’t love me,

Then maybe that’s not love.


If you don’t think I rock, well we ain’t gonna roll.

If you don’t think I hung the moon, my hot just turned to cold.

If you want a younger model, I wish you well, sweet pea.

’cause if you can’t see what it is you’ve got,

You ain’t getting me.


Older ladies, older ladies, older ladies… are DIVINE!

Older ladies, older ladies, older ladies… what are we ladies? We’re DIVINE!


Make sure you share this with all the beautiful ladies in your life!


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Wednesday, July 2, 2014

Something wonderful




This is a man who thinks with his heart,
His heart is not always wise.



This is a man who stumbles and falls,

But this is a man who tries.



This is a man you'll forgive and forgive
And help and protect, as long as you live.


He will not always say what you would have him say

But now and then, he'll say something wonderful.





The thoughtless things he'll do will hurt and worry you,
Then all at once, he'll do something wonderful.


He has a thousand dreams that won't come true
You know that he believes in them and that's enough for you.



You'll always go along, defend him when he's wrong

And tell him when he's strong, he is wonderful.


He'll always need your love and so he'll get your love

A man who needs your love can be wonderful.



This is a man you'll forgive and forgive

And help and protect, as long as you live.


He will not always say what you would have him say

But now and then, he'll say something wonderful.




Post-blog thoughts. This sort of welled up in me out of nowhere - no, it was somewhere. I had to trundle all the way in to Vancouver by bus today - God, it seemed like a long trudge, though I used to do it several times a week. Had to go see my doc. Had to go see my HEAD doc, as a matter of fact, who has helped me probably more than anyone else I can name, but just the fact that I GO to one is somehow ice-floe territory. But there you are. 





It wasn't quite time for my appointment on the 17th floor of this luxe building that has such a gorgeous lookout on the waterfront, it would be the ideal place to commit suicide if you could only get through that 2"-thick plate glass. At any rate, having had a bad lunch at the food fair and having a teensy bit of time left, I forced myself to walk into the "local book store" (a big impersonal chain I've called Big Booky in my posts), which I knew to be the only place that might still be carrying The Glass Character. "Still" referring to the three-month window most small-time authors get before having it all sent back to an unhappy publisher. 





Anyway, I walked past all the displays of useless high-end gift items, plus a few tables of mass mega-best-sellers by people everyone knows/no one knows, and ascended the TWO giant escalators - up, up, waaaaaaaay up - until, buried at the very back of the third floor, I found a rather small, obscure section called Fiction. And I began to hunt. Surely it wouldn't be there. But I had to look. In nine interminable years of non-publish-hood, I never again thought I would see a book of mine on a shelf in Big Booky or anywhere else (and in Vancouver, by now, there literally ISN'T "anywhere else"). And I saw the H's and I worked backwards and.



And, he was sitting there - listen. This isn't just a book. I wish you'd read it. It's a piece of my heart and it's still aching and breaking, even now. I came to be familiar with Harold the way some people must have actually known him, almost intimately. He was a heartbreaker. And I saw him up there, and oh God, and yes, there his is, by the holy. The phrase "something wonderful" kept echoing in my head after seeing him in all his blue-ness on the Big Booky shelf (and it's unlikely they have sold even one of them).

Something wonderful.




Then I thought of that melody, and couldn't get it out of my mind. I kept hunting for a good version to post here, and one didn't seem to exist. They were all oversung and schmalzed-up, the worst offender being Barbra Streisand, whose version I used to like 20 years ago. Then I found something strange - a delicate piano version, just the tune, in fact sounding more like music minus one, an accompaniment that peeled back the Broadway schmaltz to reveal the iridescence of the chords beneath.

I think Harold's character was a lot like the man in this lovely translucent song from The King and I. Then I got that yearning or craving or whatever-it-is, and because I can't make art I had to start pasting things up, to try to express some of this. I wanted to keep Harold out of it entirely, but I couldn't. If I COULD paint, maybe I never would have needed the head doc in the first place.


Eaten right from the tin





Stupid Facebook thing on what writers eat, but I like the illustrations. God I wish I could draw or paint, or something, which is why I muck around with images so much. Good night.