Showing posts with label history. Show all posts
Showing posts with label history. Show all posts

Wednesday, August 10, 2016

"Don't give me none of your lip" - THE MOVIE!






It's been a while since I visited that genealogical house of horrors, the Hapsburg Dynasty, which came to a screaming halt with the birth of King Charles II of Spain. He had so many deformities and came from such hopelessly twisted bloodlines that he was, without doubt, his own Grandpa, if not uncle, nephew, brother, cousin, and (quite possibly) great-aunt.

When I found these gifs, I nearly did cartwheels. They're so beautifully done, and so very creepy! I can't describe all the genetic horrors that left the Hapsburg DNA looking like the hideously twisted metal of a smoking car wreck. But I have noticed before that in their portraits, which are supposed to be flattering, they all look disturbingly alike. And some of them are just plain plug-ugly. These portraits were often used as calling-cards/Instagram photos to cement marriage agreements, in which case the Hapsburgs must have been blind as well as deformed.

I wish I had the talent to do things like this! Go on Michelle Vaughan's site for more.

http://michellevaughan.net/gifs





Emperor Leopold I and Margarita Teresa of Spain; uncle and niece, husband and wife






Emperor Leopold I and King Charles II; uncle and nephew, brothers-in-law






Infanta Maria Teresa and Infanta Margarita Teresa; half-sisters, second cousins






Infanta Maria Teresa and Queen Mariana; first cousins, step mother and step daughter






Infanta Margarita Teresa and King Charles II; sister and brother






Maria Anna of Spain and Queen Mariana; mother and daughter






Queen Mariana and Emperor Leopold I; sister and brother






King Philip IV and Queen Mariana; uncle and niece, husband and wife






King Philip IV and Cardinal-Infante Ferdinand; brothers






King Philip IV and Maria Anna of Spain; brother and sister


Habsburgs as GIFs

Here is a collection of portraits commissioned by the Habsburg court in Spain and Austria during the 17th century. Diego Velázquez was the primary court painter for King Philip IV (1605-1665); and his apprentices, Juan Carreño de Miranda and Juan Bautista Martínez del Mazo, followed after his death. In Austria, the Holy Roman Emperor, Leopold I, sat for court artists such as Guido Cagnacci, Benjamin Von Block and Jan Thomas. These portraits had many different purposes during this time: to be displayed as powerful symbols; used as political propaganda; or to be given to family members, neighboring courts, and the families of potential spouses.

The Habsburgs often exchanged portraits to arrange their marriages, and many unions were first cousins. This particular family line had extremely high levels of inbreeding – there were two sequential uncle-niece marriages. As a result, their inbreeding coefficient numbers sometimes ranged higher than offspring produced by a brother and sister.

With animated GIFs, we can examine the Habsburgs’ iconography and physiognomy. The Spanish and Austrian royals look so similar that sometimes art historians cannot tell them apart. This series is part of a larger project examining the history, art history and genetics of the Spanish Habsburgs.



Thursday, May 19, 2016

Things I forget to remember





These aren't all from Chatham where I grew up, but these first two are. The point is, I am the last generation on earth to remember milk being delivered by horse and wagon. I loved this as a child. Anything to do with horses was magical. That cloppa-cloppa-cloppa sound is still intoxicating to me.




It's hard to find photos of the era - some of these no doubt go back before my time. It's even harder to find any information at all about the actual practice of delivering milk door-to-door. There's just nothing there, no one who remembers anything. All of them have died, I guess.







This was anti-technology, and Silverwood's Dairy (horse and cart pictured above) in Ontario kept it going until about 1962. I don't know why: did it keep costs down? Eventually it became impractical to keep all those horses, and I would imagine most of them went to the slaughterhouse: Darling's glue factory, where the stench from rendered hoofs and hides was simply sickening in those hot Chatham summers.

With the cicadas buzzing. 





Every so often I go on Chatham historical sites - there are tons of them, Chatham people being preservation-minded and not inclined to rip down old buildings to slap up cardboard condos that go up instead of out. Last night I found a site listing old houses that looked very ordinary to me, but went back to 1850 or so. It honestly made me wonder, not for the first time, how old the house I grew up in was: some say 1920s, but it looked older to me than many of the 1850 ones. It had wrought-iron grates on the heat registers, a dumbwaiter, a weird closet-within-a-closet thing, a working fireplace with a terrazzo hearth (very rare then), a foyer, and ceramic fruit on the ceiling around the base of the old-fashioned glass chandelier.






I know people are living there again, because I got an email from one of them, which is nice because for about forty years it was used as a commercial building, a doctor's office. Now it has been changed back to a house again. A home, with a young couple and children. It has been a long, long time since small children (such as me) ran around in that place.





Anyway, in my late-night historical foraging, I found the house I used to play in with my friend Kim, whose father was a very distinguished, even world-renowned architect (which, by the way, Kim now is too). Who knew?  The houses he designed looked strange to us, with flat roofs and only one floor. Now they are known as "Storey houses" and much-prized. 

I also found the little variety store where I bought penny candy, now up for sale. They even showed the inside of it. Once I played with a little girl who lived up there with her mother and went to (I remember) Pentecostal Holiness Church. She asked me if I'd like to go to her church, and when I told my mother she was shocked that she even asked. I think now that she was afraid my friend might be black.

What's the point of all this? Nothing, except that it's gone forever, those days of organic things like wood and horseflesh. Brick has lasted a little bit longer.

And memory lasts, too. That is, until you die.