Showing posts with label ennui. Show all posts
Showing posts with label ennui. Show all posts

Tuesday, November 26, 2013

Covers






Just kind of a blah day, Christmas coming at me like a freight train (though the actual day is usually quite wonderful - so why?). Frustrated at the breakup of a 20-year friendship which had become irretrievably sour, unwilling to be a dumping ground for misplaced buckets of bile. The assumption being I was always ready and willing to receive, infinitely patient, accepting and understanding.

Life is just sour sometimes, it sucks or is boring, and the nice parts fly by so fast you don't even know how good they are. None of this is new. None of this is dramatic or suicidal or even really depressive, just fed up and uninspired.

I make Facebook covers of Harold Lloyd, obsessively, usually late at night (and when did I start staying up so late? For years and years I went to bed at 10:00 and got up at 6:00), and lately they are becoming more florid. Just for fun. I like the candy-colored tinted photos that were often used for promotion, and they lend themselves to florid backgrounds.

But in the final analysis, it's boring and I still feel chronically left out. It's no use, after all these years, to learn to skip Double Dutch or any other way. So I am left standing on the sidelines, or behind something. Bored.


Tuesday, May 8, 2012

Is Don Draper really a vampire? and other depressing questions



It's not every day, well, it's almost every day but never mind, that we find, that I find I mean, uh. Let me start over again.

I don't even know how I YouTubed my way into this one. Every once in a while I profess my rabid, tree-scratching, hide-tearing, rubbing-salt-into-my-private-areas LUST for AMC's Mad Men. It's the smartest show I've ever seen, even though, at the base of it all, it's nothing more than a sexy and well-acted soap opera.



Angst rules supreme. Nobody is ever really happy. This makes us all feel better about ourselves, because, you see, WE'RE never really happy either. Or at least, I'm not.

Privately, I believe that happiness is for idiots, or at least for people who don't think or don't notice the intractible mess all around them. I have moments of it, of course. Even serious upgusts. But angst remains my prevailing mood, and that's when I am not downright depressed.



So Mad Men cheers me up. The way the characters hurl themselves at their fate, impaling themselves on ill fortune, screwing around madly just to forget. They beat their fists on reality. They don (!) mask after mask, phony disguise after phony disguise, hoping THIS one will be the charm, and it never is.

And saaaaaaaay, isn't that some coincidence that we have a character named Don (as in Don Quixote; as in Don Juan; as in The Godfather; as in "don we now our gay apparel") Draper, as in let's throw a tarp over all this mess before anyone sees it (too late!). And that's not even his real name: he has "donned" it like a "drape" over his somewhat vampirish personality. His real name, Dick (!) Whitman, does not need to be examined (though Walt Whitman may sneak in there somewhere: but hey, wasn't he queer or something?).




We could sit here and analyze every character's name - Jesus, Roger Sterling?? - Lane Pryce?? - but I'm getting very tired. I am so addicted now that even when whatsisname, that Weinerhead guy, spews out a substandard episode, I still watch it at least three times. Then I go on the message boards and see what arcane, cabalistic meanings the fans have squeaked out, adding a few of my own ("hey, Cool Whip isn't real whipped cream!"). When I found this video I thought, great, I get to see Don's new sexpot wife Megan make a total fool of herself (again) and be the only person in the room who doesn't know. But then. . .

Then I realized that my two greatest loves, Mad Men and Mr. Trololo, had somehow met and blended, had fused together and become one, and it was magical!



There is a certain affinity between the two songs, after all, a certain bouncy optimism. Surely Don needs this sort of frisson of joy, this gasping souffle, this seething birthday pie that he can stick his thumb in any time he wants to. Megan may have big scared eyes and teeth that are completely over the top, but she's HAPPY damn it, and is going to make DON happy ("yes, master!") too, even if she won't eat the orange sherbet at Howard Johnson's.

Ye-ye-ye-ye-ye, ye-ye-ye, ye-ye-ye, o-ho-ho-ho-ho!


http://margaretgunnng.blogspot.com/2012/01/synopsis-glass-character-novel-by.html

Monday, February 20, 2012

Tom Robbins on February: you may be little, but you're small!



They say that February is the shortest month, but you know they could be wrong.



Compared, calendar page against calendar page, it looks to be the shortest, all right. Spread between January and March like lard on bread, it fails to reach the crust on either slice. In its galoshes – and you’ll never catch February in stocking feet – it’s a full head shorter than December, although in leap years, when it has growth spurts, it comes up to April’s nose.











However more abbreviated than its cousins it may look, February feels longer than any of them. It is the meanest moon of winter, all the more cruel because it will masquerade as spring, occasionally for hours at a time, only to rip off its mask with a sadistic laugh and spit icicles into every gullible face, behaviour that grows quickly old.






February is pitiless, and it is boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.







Except to the extent that it “tints the buds and swells the leaves within,” February is as useless as the extra r in its name. It behaves like an obstacle, a wedge of slush and mud and ennui, holding both progress and contentment at bay.



James Joyce was born in February, as was Charles Dickens and Victor Hugo, which goes to show that writers are poor at beginnings, although worse at knowing when to stop.





If February is the colour of lard on rye, its aroma is that of wet wool trousers. As for sound, it is an abstract melody played on a squeaky violin, the petty whine of a shrew with cabin fever. O February, you may be little but you’re small! Were you twice your tiresome length, few of us would survive to greet the merry month of May.

Tom Robbins, Jitterbug Perfume






http://members.shaw.ca/margaret_gunning/betterthanlife.htm