Showing posts with label UBC. Show all posts
Showing posts with label UBC. Show all posts

Saturday, November 26, 2016

None so blind: the Galloway affair





May as well enter the fray, as most other writers have in this country.  But how to deal with the maelstrom of "issues" that have jumped out of the closet? Why is this strange jack-in-the-box suddenly exploding out of the container, if everything is going so well (as the more privileged writers insist)? Why are you so upset all of a sudden, why are "all you survivor people out there" in such a snit? God's in his heaven, all's right with CanLit: isn't it? Hey, MY paycheque is OK, how about yours? Gone to any signings lately? And let's not get into all the other issues. Better yet: let's.  It's my video and I'll kvetch if I want to. But after all these years, I believe I have a right.

Sunday, November 20, 2016

Steven Galloway: outside of Canada, nobody cares




BLOGGER'S LAMENT.  I am absolutely exhausted. Just wiped out. I've been - somehow - don't know how - didn't want to do it, didn't want to do it - caught up in the Steven Galloway "affaire".

What's that, you ask? Who he? Outside of Canada, nobody cares. Steven Galloway is a former professor of Creative Writing at UBC (University of British Columbia, for my hordes of overseas fans). Professor Galloway had a habit of sexually assaulting female students, quite a number of them in fact, and some of them were beginning to actually complain about it. After an internal investigation, UBC dismissed him. 





But that is not the end, readers! The muck really begins here. In the past few days, 80 of Canada's creme de la creme/elite/"just plain old BEST" authors all lined up to sign an "open letter" to UBC protesting his dismissal. These Big 80, described in the press as "a Who's Who" of Canadian Literature, didn't think it was too gol-dern fair for The Professor to be held accountable for his actions - not to the point of actually losing his job! They insisted that a proper investigation be held to drag the situation out endlessly and allow Galloway to hire some crack lawyer who would blow down the (likely poor and marginalized) injured parties with one breath.

But the more people looked at this petition and the signatures under it, the more they smelled days'-old fish.





UBC is known as a sort of literary mill, a vast machine churning out new writers, who then, eventually, become Establishment: the new elite of CanLit. This is how the system renews itself: think of an immense, seething termite queen whose sole purpose is spewing out more termites.

If one unit of this family (and I use the term in a Sicilian sense) suffers in any way, the others must, according to their contract, rush to his/her aid. It is the termite way, and it is immutable.





The whole thing made me ill. To my mind, it was an extreme example of the wagons going in a circle, not to mention what Orwell might have called "wethink" (or, perhaps, "we-think"). A number of these CanLit muckety-mucks actually took their names OFF the "open" letter (which, to my mind, was about as closed a thing as I have ever seen), once they realized what it was they had actually signed.





Not to jest, because this has left me feeling like road kill. For the glittering Literatti will surely mass together when one of their own is under attack - while casually throwing a number of vulnerable, relatively powerless sexual assault survivors under the bus.

Or so it seems to me. 





Margaret Atwood, the Queen Bee or perhaps the Termite Queen of CanLit, wrote a letter of her own, which I won't reproduce here, but it's haughty. She tries to backtrack on her original statement, which compared Steven Galloway's dismissal to being burned at the stake in Salem. (Her references to a "witch hunt" strongly implied the students' claims were driven by hysterical delusion).

She has since made an effort to cover her literary ass, but it's a little late for that. Charmingly, she does remind us all that Galloway was "thrown in a mental hospital", which is apparently the worst fate which can befall a human being. The indignity of it - the horror, the shame - a Gulag Archipelago, UBC-style! It was all designed to cue the "He's Really The Victim" music.





If I jest about all this, it's so I won't cry. The whole thing exhausts me. Like Dorothy Parker, I only jest to keep from howling. (And please don't think I am comparing myself to her - I stopped drinking 26 years ago).


Saturday, November 19, 2016

Margaret Atwood Follies: "gee, thanks, lady"




Margaret Atwood "can't write a novel," according to Norm Macdonald

(AARON VINCENT ELKAIM / THE CANADIAN PRESS)

By PETER EDWARDS Star Reporter

Fri., Nov. 18, 2016

After kicking off something of a one-way Canadian literary feud, comedian Norm Macdonald has deleted a series of Twitter rants in which he called author Margaret Atwood “a no-talent mountebank bent on fooling fools” and other insults.

Some of the tirade from Macdonald, a former Saturday Night Live star, came late Tuesday night and Thursday morning of this week, after Atwood tried to console Americans after the election of Donald Trump.

Atwood: “Just like the Wizard of Oz, Donald Trump has no magical power”




Macdonald: “You make a very good, if utterly obvious, point. So, you’re saying he DOESN’T have magical powers. Thanks.”

And then Atwood, a Toronto resident, tries again to console American readers with: “Dear Americans. It will be all right in the long run. (How long? We will see.) You’ve been through worse, remember.”

Macdonald replies: “Gee, thanks, lady.”

Atwood, winner of the prestigious Booker Prize for Literature, urges readers to take practical measures to help them cope with life under Trump, to which Macdonald adds: “How to SURVIVE in the era of Trump, lady? How about staying in your house with your money?”




Earlier, the 57-year-old Quebec City native observed, “Canadians have frauds and imposters just like everyone else. Most people in the arts are charlatans. One is @MargaretAtwood.” Macdonald later deleted the Atwood run of tweets (though they remain on his Facebook page), as he has done in the past with stories about meeting Bob Dylan, helping to write the SNL 40th anniversary special and more.

The comedian has a well-received book of his own currently out, Based on a True Story: A Memoir. Despite the title, Macdonald has described it, on Twitter and elsewhere, as a novel.

The shots he took online at Atwood went beyond her advice on life in a Trump America.

When Atwood sends a reader a handwritten quote from her novel, The Handmaid’s Tale, Macdonald jumps in and posts: “Oh, bad writing scribbled on a piece of paper. Well, who wouldn’t want that?”

Atwood has 1.32 million Twitter followers while Macdonald has 768,000.





Several of her fans jumped in to defend her. One posts: “as if I don’t have enough to deal with Norm hates Margret (sic) Atwood??”

Macdonald replies: “I don’t hate @MargaretAtwood. I hate bad writing.”

He then adds: “It isn’t her fault and I’d never have anything but pity for the talentless. But the Canadian school system makes you read her.”

One Atwood defender tries for some sort of anti-Trump solidarity but Macdonald has none of that.

“@normmacdonald In an authoritarian regime, the most important thing is whether you are ‘one of them’ or ‘one of us,’ ” he tweets.

“no,” Macdonald replies.





Macdonald accuses Atwood of “chasing celebrity and promoting anything for a buck” and compares her unfavourably to Canada’s Nobel Prize-winning Alice Munro.

“It is nauseating to consider that through shameless self-promotion someone like @MargaretAtwood could care consider herself Munro’s peer,” Macdonalds writes.

“Unlike Munro, @MargaretAtwood is incapable of writing a novel, yet churns out chum at an alarming rate,” Macdonald continues.

“Munro is the greatest writer Canada has ever produced but feels herself incapable of writing a novel. On the flip side sits @MargaretAtwood,” Macdonald continues.

Atwood, 77 ,did not respond to the Star’s request for comment.





https://www.thestar.com/entertainment/2016/11/18/norm-macdonald-deletes-anti-atwood-tweets.html

Saturday, July 4, 2015

Om ma ni pad me hum





  


Om
(ohm)
Ma
(mah)
Ni
(nee)
Pad
(pahd)
Me
(may)
Hum
(hum)



At the Museum of Anthropology at UBC, I turned the corner and literally gasped when I saw this incredibly beautiful statue of Lord Buddha.




This is not the usual jolly, rotund, obviously male Buddha of tradition. This one is beautifully androgynous and seems to embody both sexes. In its downcast eyes and beautiful hands, it is enigmatic in its grace.




Thus the Buddha appears as Mother and Father of us all.


  Visit Margaret's Amazon Author Page!