Showing posts with label Barenaked Ladies. Show all posts
Showing posts with label Barenaked Ladies. Show all posts

Saturday, June 2, 2012

Scratch me a lover, pass me a drink


Be My Robert Benchley

 (Dedicated to Dorothy Parker and the members of the Algonquin Round Table. . . with a nod to the Barenaked Ladies' Be My Yoko Ono)



If there’s someone you can drink without,
Then do so.
And if there’s someone you can waste your time with,
Do so.
You can be my Robert Benchley
You can follow me wherever I go
Be my, be my,
Be my Robert Benchley




Well there was this little lady in old New York
Her quips couldn’t get much darker
She soon became the toast of the Algonquin
Miss Dorothy Parker
If you were smart, or thought you were
If you dared to do it and were able
You got yourself to that hotel, and sat down at
That big Round Table
 
(Be my, be my, be my Robert Benchley
Be my, be my, be my Robert Benchley)



There was this fat guy sitting there
By the name of Woollcott
He and ate and drank and partied and insulted folks
Yes, quite a lot




And look, there’s George S. Kaufman
High hair and skinny as a rail
Though he wins no beauty contests,
His plays just never fail
(you can be my Robert Benchley)




Back in 1921
bootleg liquor there was plenty
You either had a bag of bills
Or you just didn’t have any
Though movies had no soundtrack
With Lloyd, Gilbert and Garbo
Round Tablers were all talkies:
Like George, Heywood and Harpo
(be my, be my, be my Robert Benchley)


While Dottie loved her Benchley,
They all said it was platonic
To think they’d ever hit the sheets
Was really quite moronic
When Benchley married Gertrude
Dottie nearly had conniptions
She was a girl without a brain
It just defied description


One day Dot and Benchley
Decided to incorporate
They had to call the company
A name that sounded great
They tried on this and tried on that
In English, Dutch and quasi-French
Till Alexander Woollocott said
“Why not call it Parkbench”




(You can be my Robert Benchley
You can follow me wherever I go)
Though Dottie loved her Benchley
His wit and clever thinkin’
There’s no doubt she corrupted him
And started him on drinkin’
He started chasing chorus girls
It saddens me to say it
But that’s the game that Benchley chose
And so he had to play it
Oh no, here we go – life is just one big pun,
Oh no, here we go – It’s Benchley on the run!



It’s sad to say this fairy tale
Doesn’t end in blazing glory
Benchley made short subjects
And Miss Parker wrote short stories
His liver conked at fifty,
And that’s not very groovy,
And his shorts are only fillers now
On Turner Classic Movies
Dorothy went on living
Smoking, drinking, taking lovers
But her heart belonged to Benchley
In her mind she had no other
Though her talent was unquestioned,
Her stories now are history
A product of her times, I guess
To me it’s just a mystery




You can be my Robert Benchley
You can follow me wherever I go
Be my, be my,
Be my Robert Benchley
 
Yes, thinking she is obsolete
Strikes me as quite absurd.
So let’s let Dorothy Parker
Have the final word:





Ballade Of A Great Weariness

There's little to have but the things I had,
There's little to bear but the things I bore.
There's nothing to carry and naught to add,
And glory to Heaven, I paid the score.

There's little to do but I did before,
There's little to learn but the things I know;
And this is the sum of a lasting lore:
Scratch a lover, and find a foe.

And couldn't it be I was young and mad
If ever my heart on my sleeve I wore?
There's many to claw at a heart unclad,
And little the wonder it ripped and tore.
There's one that'll join in their push and roar,
With stories to jabber, and stones to throw;
He'll fetch you a lesson that costs you sore:
Scratch a lover, and find a foe.

So little I'll offer to you, my lad;
It's little in loving I set my store.
There's many a maid would be flushed and glad,
And better you'll knock at a kindlier door.
I'll dig at my lettuce, and sweep my floor,
Forever, forever I'm done with woe.
And happen I'll whistle about my chore,
"Scratch a lover, and find a foe."




Saturday, March 17, 2012

I'd be rich

From demo tapes to Mrs. Fields: a Canadian success story




(From Wikipedia: Barenaked Ladies) The full band's first commercial release was 1991's The Yellow Tape. It was a demo tape originally created for the band's performance at South by Southwest and was the first recording to feature all five members.[3] They spent between $2000 and $3000 on it, and sent a copy to all the labels in Canada; they were refused by all of them.[6] The band turned to selling them off the stage, and wound up selling a lot of them. Word of mouth spread, and people began asking for the tape in local stores. The stores began asking the band for copies of the tape, and the demo tape became a commercial release.[6] Sales began to snowball based simply on word of mouth and their live shows, and the tape became the first indie release by any band to achieve platinum status (100,000 copies) in Canada.[2]

OK den. Dis is an example of how someone can "epublish", or take things into their own hands, because the "establishment" has turned them aside over and over again as "not commercially viable".



This storylet is carved from a much larger (read: too bejesusly larger) entry in Wikipedia recounting the phenomenal success of the "alternative" Canadian band Barenaked Ladies. Essentially this was a garage band with some very talented kids on-board, and it just evolved. By the time their first "official" album came out (with the nonsensical title Gordon), their star wasn't just rising, it was skyrocketing.


More than any other music of that time, I remember Gordon because we played it to death in the early '90s when my kids were teenagers still living at home, and we all liked it, even my husband who didn't like anything. We loved the goofball lyrics ("this is me in Grade 9") and oddball concepts ("be my Yoko Ono"). We especially loved Steve, the fat guy who danced around wildly in shorts and just seemed to rule in this sublimely dorky Canadian universe.



And yes, it was a tape, just like the tapes them guys sold right off the stage. That's kind of like handing out cookies and ending up as Mrs. Fields.


What brought all this to mind? Yesterday I got fiddling around with the lyrics to a superb song, Bittersweet, by another dork-ish band of the same era called Moxy Fruvous. I don't know what MF is doing these days, if anything, but I don't hear of them much (while the Nakes, as I call them, are busy recording theme songs for the likes of the wildly popular sitcom The Big Bang Theory). Moxy Fruvous was obviously a Nake wanna-be, and as far as I'm concerned they never quite made it. The imitation was too obvious in songs like King of Spain ("Once I was the King of Spain/And now I work at the Pizza Pizza")and My Baby Loves a Bunch of Authors, often played at literary conventions during lunch break to induce tea-splattering titters.  Anyway, Mox, as I call them, had one really good song and then went who-knows-where.


No, I haven't really kept up with the Nakes cuzzadafact that when Steven Page left (and was since involved in some sort of cocaine sting just before releasing his children's book), I sat there cross-legged for three days throwing ashes over my head. Without Steve and his good-natured goof persona, it just wasn't the same.




Gordon, as I look back on it, was remarkable because it had no duds. You could listen to all of them. Nobody was doing this, this whatever-it-was, dorky high school memories with the odd bit of poignancy around the edges.  I could post any of them, really, but I think I'll pi-i-i-i-i-i-i-i-i-i-i-ck . . . this one.